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Tonic Dominant
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1
Jingle Bells
Small Ensemble Organ,Piano,Voice - Level 2 - Digital Download SKU: A0.955565 Compos…
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Small Ensemble Organ,Piano,Voice - Level 2 - Digital Download SKU: A0.955565 Composed by James Lord Pierpont. Arranged by Uzodike Ijeh. Christmas,Contemporary,Romantic Period. Score and parts. 2 pages. Glen Dike #4896735. Published by Glen Dike (A0.955565). This Song has an uptempo vivid feel to it with a walking Bass line and most especially the choice of chords that provide variety adding a professional touch to the piece. Rather than just implying the three basic chords of the Tonic-Subdominant-and the Dominant, which would be expected of a traditional piece like this,there are instead substitute chords implied.
$1.99
1.82 €
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James Lord Pierpont
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Jingle Bells
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Glen Dike
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SheetMusicPlus
Portals of Catedral de Orihuela.
Small Ensemble Cello,Double Bass,Saxophone,Viola,Violin - Level 5 - Digital Download SK…
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Small Ensemble Cello,Double Bass,Saxophone,Viola,Violin - Level 5 - Digital Download SKU: A0.938331 Composed by Dr Anthony Costandius. Christian,Contemporary,Sacred. Score and parts. 72 pages. Anthony Costandius Music #14899. Published by Anthony Costandius Music (A0.938331). A piece for solo Alto Saxophone and String Orchestra. The church was made a cathedral in 1564 when the city was granted its bishopric. The cathedral was built on the site of the Aljama Mosque in the first third of the 14th century. The name of this structure, El Salvador Cathedral, literally means the Cathedral of the Transfiguration. The cathedral has three portals: the Puerta de las Cardenas (Portal of the Chains, 14th century) is in Islamic style, the Puerta de Loreto (mid-15th century) is Gothic, and Puerta de la Anunciación (Portal of the Annunciation, built in 1588 by Juan Inglés), which has a Renaissance-style triumphal arch-shape. Part 1: Introitis. The saxophone mimics a chant based on the metre of the Introitis: Rorate, caeli, desuper, et nubes pluant iustum: aperiatur terra, et germinet Salvatorem (Bedew us, heavens, from above; ye clouds, rain down the Just One. Let the earth be opened up, and produce the Saviour. The intervals 1 (tonic), 5 (dominant), 6 (super-dominant) and 4 (subdominant), based on the year 1564 referred to in the section above, are used as the basis for the harmony progression for the string section. Part 2: Puerta de las Cardenas Acts 12:3–19 says that Peter was put into prison by King Herod, but the night before his trial an angel appeared to him, and told him to leave. Peter's chains fell off, and he followed the angel out of prison, thinking it was a vision (verse 9). The prison doors opened of their own accord, and the angel led Peter into the city. The visit from the angel, release from the chains and the prison, as well as the journey into the city is expressed against the background of the Islamic design of the portal, hence the referral to Arabian rhythms and scales in the music. Part 3: Puerta de Loreto The Puerta de Loreto is of gothic design. Loreto refers to the Italian city of Loreto in the province of Ancona. It is said that the holy house where the Mother Mary lived in Nazareth was translated miraculously to Loreto on December 19, 1294 - more than 700 years ago. The house did not go straight to Loreto, but in the year 1291 it was miraculously transported from Nazareth to the town of Tersatto in Dalmatia (Croatia). The local population, filled with astonishment, did not know how to explain its sudden appearance. Their Bishop, who was gravely ill, now appeared in their midst cured. He had prayed to the Virgin Mary that he might be strong enough to see the prodigy for himself, and the Mother of God appeared to him, surrounded by Angels, saying: My son, you have called for me, and here I am. I came to give you succor and to reveal to you the mystery [of the translation of the Holy House] you desire to know. The holy dwelling is the very house where I was born and raised. It was there that I received the good news brought by the Archangel Gabriel and I conceived the Divine Infant by the operation of the Holy Ghost. It was there that the Word was made flesh... For you to bear witness to all that I am telling you now, you will suddenly be cured and return to full health after the long illness you have borne, so that through you all will believe in this miracle. Part 4: Puerta de la Anunciación The Annunciation is the Christian celebration of the announcement by the angel Gabriel to the Virgin Mary that she would conceive and become the mother of Jesus, the Son of God, marking his Incarnation. Gabriel told Mary to name her son Jesus, meaning Saviour. Part 5: Exit The work ends with a re-interpretation of the first section, the Introitis. This is to bind the work together, but also to again reflect on the text, as stated: Rorate, caeli, desuper, et nubes pluant iustum: a periatur terra, et germinet Salvatorem, and to comtemplate how that gives meaning to the being, essence and history of the Catedral de Orihuela.
$10.00
9.15 €
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Dr Anthony Costandius
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Portals of Catedral de Orihuela.
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Anthony Costandius Music
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SheetMusicPlus
Sonata for Violin & Harpsichord in D minor (VB 157)
Harpsichord,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.1488837 C…
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Harpsichord,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.1488837 Composed by Joseph Martin Kraus. Arranged by Bertil van Boer. Classical. 27 pages. Artaria Editions #1065691. Published by Artaria Editions (A0.1488837). Artaria Editions AE432Joseph Martin Kraus was one of the most gifted and unusual composers of the 18th century, whose talent for thematic development, colourful orchestration and theatrical flair caused Haydn to proclaim him one of only two 'geniuses' he knew (Mozart being the other one). Although Kraus's focus as a composer was mainly upon works written for the stage, he had occasion and opportunity to write a variety of works for chamber setting, including four sonatas for violin and fortepiano, and this work in D minor, was written in 1777 expressly for violin and clavicembalo, representing a different sort of piece than the more common duo sonata. It is not known for whom the work was written, but the extensive virtuosity makes it likely that it was intended either for Kraus himself or his brother Franz (1760-1790), an exceptional talent on the violin. The two-movement format is similar to Kraus's early string quartets (VB 178; Artaria Editions AE418), though in this case, the extensive sonata form first movement is followed by a through-composed one consisting of a slow pastorale (replete with bass drone in the violin) and an exotic faster section that includes material from the first movement. What makes this work interesting is the use of scordatura; the G string is to be tuned down to F, which makes it more useful from a harmonic standpoint in that the note can be used in the tonic, relative major, and all dominant-subdominant keys. The Basso part is completely figured—for this edition it has been realized by the editor - but given that Kraus specifically mentions only the keyboard instrument (clavicembalo), it is unlikely that it was performed as a continuo, i.e. with additional violoncello/contrabass, but rather was intended for harpsichord alone.Allan Badley.
$30.00
27.44 €
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Joseph Martin Kraus
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Sonata for Violin & Harpsichord in D minor
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Artaria Editions
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SheetMusicPlus
Oscillation
Small Ensemble B-Flat Clarinet,Cello,Viola,Violin - Level 5 - Digital Download SKU: A0.…
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Small Ensemble B-Flat Clarinet,Cello,Viola,Violin - Level 5 - Digital Download SKU: A0.1028192 Composed by Jeremy Hart. 20th Century,Contemporary. Score and parts. 37 pages. Jeremy Graham Hart #6590413. Published by Jeremy Graham Hart (A0.1028192). Oscillation began as an experiment in coordination of a melody and harmony which are based on different means of organization. To this end, the clarinet is treated separately from the string quartet. The clarinet melody is constructed by means of limited interval usage. In mm.1–3 it can be observed that the melodic intervals are strictly limited to the use of a major 2nd/minor 7th or a major 6th/minor 3rd. By contrast, the string quartet has no limitation on its intervallic usage but always strives towards triadic harmonies in its accompanimental capacity and tends to converge on harmonies diatonic to the key. In addition, despite the proliferation of non-chord tones and transitionary passages in the string quartets’ music, the stable harmonies are written to have fairly parsimonious motion between them (if one were to reduce out the NCTs etc.) The coordination of these two separate logics is done by the selection of anchor-pitches for the melodic phrases. For example, the melodic phrase in mm.4–7 oscillates around the pitch of G natural (transposed in the score), which it shares with the F major/minor 7th chord that is heard as the harmonic goal of the strings in m.7. The teleology of the work can largely be traced in its melodic construction. Its opening phrase of mm.1–3 is anchored on G natural and ends on a C sharp, a tritone above the anchor, to simulate a half-cadence effect. The second phrase of mm.4–7 is still written on G natural but it ends on G as well, forming the authentic cadence and establishing a basic period as well as the work’s first theme. This is followed by second period which represents a dominant relationship to the first. The phrase at mm.10–13.2 is a rather extended utterance in comparison to the first two and is anchored on D natural. This is followed by 4-stage call and response across the ensemble (excluding the second violin) that leads the first section to a close at m.16 on a C diminished triad. Melodically, the first section is characterised by its limited used of a major 2nd/minor 7th or a major 6th/minor 3rd interval. At m.17, the second section follows much the same process as the first, using anchor pitches as a means of coordination and formal definition, and alternating soloistic clarinet playing with activated harmonies in the strings. The primary difference is in the character of the second section’s theme with regards to its rhythmic profile as well as its intervallic content. Namely, these are limited to the use of a minor 3rd or minor 2nd and their inversions. The second section draws to a close at m.32, returning to the tonic harmony of the key. With the first and second sections complete, the work now proceeds into a developmental section. Mm.33–84 largely consists of development of the two themes by manipulation of intervallic content as well as adjusting the placement of the thematic material withing the accompanimental context. This does include juxtaposition of the two themes (though one typicall becomes integrated into to accompaniment) as can be seen between the violin and viola at m.39. Variety is heightened by the introduction of episodic material such as the secondary melody performed by the clarinet at mm.40–41. The Lento section starting at m.53 introduces further rhythmic and metric adjustment of the thematic content. A varied recapitulation occurs at mm.85–113 and is followed by a coda at mm.114–131.
$19.95
18.25 €
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contrast, the string quartet has no limitation on its intervallic usage but always strives towards triadic harmonies in its accompanimental capacity and tends to converge on harmonies diatonic to the key
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Jeremy Hart
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Oscillation
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Jeremy Graham Hart
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SheetMusicPlus
Tamo daleko - for brass quartet
Brass Quartet Cornet,Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1440351…
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Brass Quartet Cornet,Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1440351 Composed by serbian folk song. Arranged by Zoran Radanovic. Folk,Multicultural,Patriotic,Traditional,Wedding,World. 11 pages. Zoran Radanovic #1020315. Published by Zoran Radanovic (A0.1440351). I made this arrangement for most famous song from ex Yugoslavia and from Balkan. I wrote for brass quartet. SET OF PARTS. Ich habe diese Arrangement für berühmteste Lies aus ex Jugoslawien und aus Balkan. Mit Partituren. Ovaj aranzman sam napravio za najpoznatiju pesmu iz bivse Jugoslavije i Balkana. Sa partiturama.Tamo daleko - Youtube videoTamo daleko is a Serbian folk song which was composed on the Greek island of Corfu in 1916 to commemorate the Serbian Army's retreat through Albania during World War I. It is played in triple metre and begins solemnly in a minor key before switching to the relative major of the dominant key in the third line of the first verse, symbolizing hope before returning to the tonic minor key from the beginning. The lyrics to the song come in multiple versions, all of which end with the line long live Serbia! Tamo daleko (kyrillisch: Тамо далеко; Deutsch: Dort, weit weg) ist ein traditionelles serbisches Lied aus dem Ersten Weltkrieg. Das Lied wird als Hymne der serbischen Soldaten betrachtet, die außerhalb Serbiens für ihr Land kämpften. Tamo daleko wird von einem serbischen Soldaten gesungen, der auf Korfu stationiert ist. Die Streitkräfte Serbiens hatten sich über Nordalbanien auf die Insel zurückgezogen und wurden von den Mittelmächten bekämpft.Der Soldat singt von seinem Heimatdorf, der zerstörten Kirche, in der er heiratete, und dem katastrophalen Rückzug seiner Kameraden, von denen viele an Kälte, Hunger und Krankheiten starben.Das Lied ist auch eines der beliebtesten nostalgischen Lieder der serbischen Einwanderer, die nach dem Zweiten Weltkrieg nach Amerika zogen. Für diese Menschen bezieht sich das Lied auf die Entfernung zu ihrem Heimatland.
$5.99
5.48 €
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serbian folk song
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Tamo daleko - for brass quartet
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Zoran Radanovic
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SheetMusicPlus
Blues Scales
Interactive Download SKU: A0.498986 Composed by David Ivinson. This edition: Intera…
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Interactive Download SKU: A0.498986 Composed by David Ivinson. This edition: Interactive Download. Blues. Score. 1 pages. Duration 235. Published by Ivinson Music (A0.498986). Playable major and minor blues scale reference sheet. The scales are organised in a dominant - tonic progression for students to learn and perfect the harmonic relationship used often in the Blues and other contemporary music styles.
$2.99
2.74 €
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David Ivinson
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Blues Scales
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Ivinson Music
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SheetMusicPlus
Fugue No 2 BWV 847 - Trio for Tenor, Double Second, & Cello Pans
Percussion,Steel Pan - Level 4 - Digital Download SKU: A0.934730 Composed by Johann…
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Percussion,Steel Pan - Level 4 - Digital Download SKU: A0.934730 Composed by Johann Sebastian Bach. Arranged by Louis Turndick III. Baroque. 7 pages. Louis Turudich III #3918787. Published by Louis Turudich III (A0.934730). Fugue No. 2 In C Minor is from the Bach’s first book The Well-Tempered Clavier, which is a series of 48 preludes and fugues. This fugue is written for three voices in which the middle voice starts the piece, then the top voice is added in the dominant key (G minor), and lastly repeated in the lowest voice in the tonic key of C Minor. This piece is great for either three sections or three players who are looking to take their musicianship to a more advanced level.
$25.00
22.87 €
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Johann Sebastian Bach
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Fugue No 2 BWV 847 - Trio for Tenor, Double Second, & Cello Pans
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Louis Turudich III
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SheetMusicPlus
Debussy: Two Piano Preludes from Book 1 - Nos.VI Des pas sur la neige/XII Minstrels - symphonic wind
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.55360…
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Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.553608 Composed by Claude Debussy. Arranged by Ray Thompson. 20th Century. 34 pages. RayThompsonMusic #3227059. Published by RayThompsonMusic (A0.553608). Two Piano Preludes from Book 1 - Nos.VI Des pas sur la neige/XII Minstrels Two preludes from Bk 1 arranged symphonic winds: double wind quintet  with contra bass and opt. trumpet and trombone.No 6 Des pas sur la neige (Footsteps in the Snow)The piece is one of four Debussy preludes in both books whose title origins are unknown. It has been suggested that the inspiration for the title could have stemmed from a painting depicting a snowy landscape. This was an extremely popular backdrop among Impressionist artist like Claude Monet or Alfred Sisley; the latter painted Snow at Louveciennes.No 12 Minstrels This is the final prelude of Book One.  Debussy delivers a surprising and humorous gem that is a tribute to the performing minstrel groups which started to appear in Europe around 1900. The music of the minstrels included many contemporary jazz elements such as ragtime and blues, rhythms which were incorporated into the music of quite a few fascinated European composers. This prelude cleverly captures the frenzy of the quick-change minstrel act and their rhythmic excitement, opening with a banjo-like theme supported by uncharacteristically blatant dominant to tonic pedals in G Major. We also hear a brief sentimental song and a recurrent drum theme before the prelude comes to a satisfying close with a hymn- like plagal cadence.
$17.95
16.42 €
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Claude Debussy
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Debussy: Two Piano Preludes from Book 1 - Nos.VI Des pas sur la neige/XII Minstrels - symphonic wind
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RayThompsonMusic
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SheetMusicPlus
8 Note Modified Minor Scale For Bass Players
Bass Voice - Digital Download SKU: A0.1329201 By Shane McDonald. By Shane McDonald.…
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Bass Voice - Digital Download SKU: A0.1329201 By Shane McDonald. By Shane McDonald. Arranged by Shane McDonald. Instructional. Educational Method. 32 pages. Electrafuzz #917135. Published by Electrafuzz (A0.1329201). THE ONE SCALE THAT COVERS IT ALL - CALLING ALL BASS PLAYERS SWIMMING IN A POOL OF SCALESWhat if I told you that there is an 8 note scale that covers most of the common chord types you will come across including Major, Minor, Dominant 7, Half Diminished and beyond - for you to incorporate into your grooves, fills and improvising. This scale idea with chromatics is designed for the bass guitar neck to fit comfortably and fluently, and to move into any position up and down the neck with ease, and without the need for crazy stretching and fingering.What I have here is an 8 note minor scale that you can incorporate into your playing. It has chromaticism and musicality and will add interest to your playing beyond just diatonic scales, pentatonics and blues scales. I started looking into this scale so as to create more interesting ideas for soloing over funk, R&B or pop tunes - but I also found I could use it in jazz too.
$9.99
9.14 €
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Shane McDonald
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8 Note Modified Minor Scale For Bass Players
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Electrafuzz
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SheetMusicPlus
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