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Too Late Now
Sheetmusic to print
65 sheet music found
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If Not Now, When?
Large Ensemble Cello,Clarinet,Flute,Piano,Piccolo,Viola,Violin - Level 3 - Digital Downloa…
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Large Ensemble Cello,Clarinet,Flute,Piano,Piccolo,Viola,Violin - Level 3 - Digital Download SKU: A0.841258 Composed by Chris Gordon. 20th Century. Score and parts. 39 pages. Cool Wind Music Digital #3056419. Published by Cool Wind Music Digital (A0.841258). Full set of parts: Please contact Chris Gordon at the email address on the first page of music for details.IF NOT NOW, WHEN? If Not Now, When? gets its title from the novel by Primo Levi, the Italian author who both survived life in Auschwitz and fought the continued German military presence in Italy with the Resistance after the Italian surrender to the Allies in September 1943. Levi meant that revolution and the overthrow of tyranny should never be 'put off until tomorrow'. If you believe you are on the side of right, then 'seize the day'- tomorrow may be too late. The inspiration for INNW? grew from research I was doing into an early song by Alban Berg called An Leukon which Berg wrote in 1907 while a student of Arnold Schoenberg. In delving into the kind of world which Berg inhabited in the Vienna of 100 years ago, I was fascinated by the café culture* which played a pivotal role in the lives of most artists: not only composers, but also writers, painters, architects and journalists. They swirled around the fashionable 'watering holes' sucking up current thoughts and ideas, high on Viennese coffee, cigar smoke and idealism! I envisaged a play which tried to encapsulate all this and wrote a few scenes with characters such as Schoenberg, Berg, Webern, Steuermann, Pisk, Kraus, Gropius and Altenberg heatedly discussing music, art and poetry over large cups of milky coffee. This grew into the framework for INNW? which, to paraphrase Pirandello's play about characters seeking an author, is a 'play without words in several scenes'. The piece is organised into 8 short movements or 'scenes' showing the 'Schoenberg cirle' sharing their radical and daring ideas and the shock or delight (or both simultaneously) with which those ideas are greeted. The first, which happens to be the longest, is rooted in conventional tonality. It begins with a fanfare in D flat major ('aux armes, citoyens!'), then seeks a 'freer' tonality by means of the 'emancipation of the semitone' only to capitulate in the central section and, finally, to 'fall back to earth' by winding down in G sharp minor. These 'scenes' are not meant to represent particular composers. They are, however, meant to represent the kinds of directions in which music could progress, given the 'breakdown' or 'stretching to its limits' of traditional harmony which had occurred in the previous 10 to 20 years. So many ways forward were promulgated, with one after another extraordinary, and often unexpected, futuristic musical panoramas glimpsed momentarily. My aim is to demonstrate which directions they decided they could head in having cleared the 'overgrown' path before them. * I even discovered that, around this time, in the Café Central, a certain Leon (Lev) Bronstein, otherwise known as Leon Trotsky, banished by the Okhrana (Imperial secrect police) from his native Russia, would spend all day in a back room playing chess. How delicious, I thought, if Schoenberg had ever brushed passed Trotsky or, indeed, had ever spoken to him: the one planning political and the other musical revolution!
$25.00
22.76 €
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Chris Gordon
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If Not Now, When?
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Cool Wind Music Digital
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SheetMusicPlus
Too Late Now (arr. David Hazeltine)
C Instrument,Piano and Keyboard - Digital Download SKU: HX.1129461 Arranged by Davi…
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C Instrument,Piano and Keyboard - Digital Download SKU: HX.1129461 Arranged by David Hazeltine. This edition: scorch. Jazz,Standards. Real Book - Enhanced Chords. 1 pages. Hal Leonard - Digital #853980. Published by Hal Leonard - Digital (HX.1129461).
$3.99
3.63 €
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Too Late Now
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Hal Leonard - Digital
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SheetMusicPlus
Sharktooth Frenzy
Instrumental Duet Drums,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.10…
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Instrumental Duet Drums,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.1013054 Composed by Christine Southworth. 20th Century,Contemporary,Jazz. Score and parts. 7 pages. Airplane Ears Music #5802089. Published by Airplane Ears Music (A0.1013054). Sharktooth Frenzy (2014, 4') solo pianist with snare drum and bass drum. For Danny Holt. Composed at The Hermitage Artist Retreat. I wrote Sharktooth Frenzy for Danny Holt in January 2014, while in residence at The Hermitage Artist Retreat in Manasota Key, Florida, a special place, paleotologically, because fossilized shark teeth from up to 50 million years ago wash up on the beach here every day. Around 50 million years ago, Florida was completely under the ocean, and layers of limestone accumulated to create the bed rock of Florida. Starting around 30 million years ago, as the Earth cooled, sea levels dropped and Orange Island emerged in what is now north central Florida. 10 million years later, in the Miocene period, tectonic activity forced uplift around Orange Island and Florida began to resemble the land mass it is today. The coastal area was still covered by a shallow sea, but land animals lived inland. Further north the Appalachian Mountains were forming and sediment was flowing into Florida making very nutrient rich waters, which sank to the bottom of these shallow seas entombing dead marine animals and teeth from sharks (sharks loose teeth frequently, going through up to 30,000 in their lives). This continued until around 5 million years ago. There is an abundance of these fossilized teeth and other bones in the Peace River Formation and Myakka River, which washes out into the gulf each day, and then subsequently the fossils wash up onto the beaches of Manasota Key and Venice Beach. So while I was composing this piece for Danny, I was also obsessively collecting shark teeth. I’d go out each day as the tide was retracting and collect hundreds, actually thousands, of teeth. And it was a bit of a frenzy. So I decided this piece had to be about this process, collecting as many teeth as I could find and coming back to write music!About the ComposerChristine Southworth (b. 1978) is a composer and video artist based in Lexington, Massachusetts, dedicated to creating music born from a cross-pollination of sonic ideas. Inspired by intersections of technology and art, nature and machines, and musics from cultures around the world, her music employs sounds from man and nature, from Van de Graaff Generators to honeybees, Balinese gamelan to seismic data from volcanoes. Website: www.kotekan.com
$5.00
4.55 €
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Christine Southworth
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Sharktooth Frenzy
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Airplane Ears Music
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SheetMusicPlus
Nowhere Man
Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 3 - Digital Download SKU:…
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Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 3 - Digital Download SKU: A0.588906 By The Beatles. By John Lennon and Paul McCartney. Arranged by David McKeown. Rock. Score and parts. 5 pages. David McKeown #5335013. Published by David McKeown (A0.588906). Nowhere Man by the Beatles, was released on the 1965 album, Rubber Soul. Primarily written by John Lennon, he later described the song as autobiographical. The phenomenal success of the band had led to immense pressures on all of them. Nowhere Man later featured memorably in the film Yellow Submarine, personified as the lonely cartoon character, Jeremy Hillary Boob.This version of Nowhere Man is arranged as a duet for one Oboe and one Cor Anglais. Musicians at an intermediate level will find this ideal for formal and informal concert performance. The overall performance time is around two and a half minutes. The full YouTube performance linked above is the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
5.45 €
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The Beatles
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Nowhere Man
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David McKeown
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SheetMusicPlus
Too Good At Goodbyes
Small Ensemble Clarinet,Soprano Saxophone,Tenor Saxophone,Trumpet - Intermediate - Digital…
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Small Ensemble Clarinet,Soprano Saxophone,Tenor Saxophone,Trumpet - Intermediate - Digital Download SKU: A0.510057 By Sam Smith. By James Napier, Mikkel Eriksen, Sam Smith, and Tor Hermansen. Arranged by Andrea La Rose. Pop. Score and parts. 51 pages. Published by Andrea La Rose (A0.510057). • Melody and four-part harmony parts for Bb instruments (clarinet, bass clarinet, soprano saxophone, tenor saxophone, trumpet). • Chords included in every part, to encourage use of song as a vehicle for improvisation. • In original key, so you can play along with the recording. As a young musician, I often had a hard time finding music for me and my friends to play together. Small wonder, when I was a flutist and my closest friends in band played trumpet, baritone sax, and clarinet. Who writes for that combination? Later, as a music teacher, I would either be approached by students in the same kind of situation or I would have an after-school ensemble consisting of something like 3 flutes, 2 alto saxes, 4 pianists, 5 drummers, a guitar, a viola, and an accordion. Now, really. Who writes for THAT combination?! Since I am also a composer (who often finds herself writing for similarly odd instrumentation), I would simply arrange music for that combination. But not every teacher or student is comfortable with doing that or has the time to. Finally, I am sharing with you all the fruits of my labor. Let friends play with friends! Let people pick parts that they are comfortable with! Let’s play some music we love!
$19.99
18.2 €
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Sam Smith
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Too Good At Goodbyes
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Andrea La Rose
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SheetMusicPlus
Too Good At Goodbyes
Small Ensemble Alto Saxophone,Baritone Saxophone,Clarinet,English Horn - Intermediate - Di…
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Small Ensemble Alto Saxophone,Baritone Saxophone,Clarinet,English Horn - Intermediate - Digital Download SKU: A0.510058 By Sam Smith. By James Napier, Mikkel Eriksen, Sam Smith, and Tor Hermansen. Arranged by Andrea La Rose. Pop. Score and parts. 47 pages. Published by Andrea La Rose (A0.510058). • Melody and four-part harmony parts for Eb & F instruments (alto saxophone, baritone saxophone, alto horn, Eb clarinet, alto clarinet, English horn, French horn). • Chords included in every part, to encourage use of song as a vehicle for improvisation. • In original key, so you can play along with the recording. As a young musician, I often had a hard time finding music for me and my friends to play together. Small wonder, when I was a flutist and my closest friends in band played trumpet, baritone sax, and clarinet. Who writes for that combination? Later, as a music teacher, I would either be approached by students in the same kind of situation or I would have an after-school ensemble consisting of something like 3 flutes, 2 alto saxes, 4 pianists, 5 drummers, a guitar, a viola, and an accordion. Now, really. Who writes for THAT combination?! Since I am also a composer (who often finds herself writing for similarly odd instrumentation), I would simply arrange music for that combination. But not every teacher or student is comfortable with doing that or has the time to. Finally, I am sharing with you all the fruits of my labor. Let friends play with friends! Let people pick parts that they are comfortable with! Let’s play some music we love!
$17.99
16.38 €
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Sam Smith
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Too Good At Goodbyes
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Andrea La Rose
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SheetMusicPlus
Too Good At Goodbyes
Large Ensemble Bassoon,Cello,Clarinet,Double Bass,Euphonium,Flute,Oboe,Soprano Recorder,Te…
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Large Ensemble Bassoon,Cello,Clarinet,Double Bass,Euphonium,Flute,Oboe,Soprano Recorder,Tenor Recorder,Trombone,Tuba,Viola,Violin - Intermediate - Digital Download SKU: A0.510056 By Sam Smith. By James Napier, Mikkel Eriksen, Sam Smith, and Tor Hermansen. Arranged by Andrea La Rose. Pop. Score and parts. 61 pages. Published by Andrea La Rose (A0.510056). • Melody and four-part harmony parts for C instruments in treble, alto, and bass clefs: voice, flute, recorder, oboe, bassoon, violin, viola, cello, bass, trombone, baritone horn• Chords included in every part, to encourage use of song as a vehicle for improvisation. • In original key, so you can play along with the recording. As a young musician, I often had a hard time finding music for me and my friends to play together. Small wonder, when I was a flutist and my closest friends in band played trumpet, baritone sax, and clarinet. Who writes for that combination? Later, as a music teacher, I would either be approached by students in the same kind of situation or I would have an after-school ensemble consisting of something like 3 flutes, 2 alto saxes, 4 pianists, 5 drummers, a guitar, a viola, and an accordion. Now, really. Who writes for THAT combination?! Since I am also a composer (who often finds herself writing for similarly odd instrumentation), I would simply arrange music for that combination. But not every teacher or student is comfortable with doing that or has the time to. Finally, I am sharing with you all the fruits of my labor. Let friends play with friends! Let people pick parts that they are comfortable with! Let’s play some music we love!
$19.99
18.2 €
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Sam Smith
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Too Good At Goodbyes
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Andrea La Rose
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SheetMusicPlus
The First Vision Guitar Minus Vocal
Guitar - Digital Download SKU: A0.1069964 Composed by Steven H. Boothe. Children,Po…
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Guitar - Digital Download SKU: A0.1069964 Composed by Steven H. Boothe. Children,Pop,Sacred. Accompaniment. Duration 215. Boothe Publishing #4633683. Published by Boothe Publishing (A0.1069964). Fourteen year old Joseph Smith went into a grove of trees to pray and ask God for help to know which church was true, and which one he should join. God and His son Jesus Christ appeared to him and spoke to him face to face. With the appearance of God and His son to the boy Joseph Smith, there was once again a prophet on the earth. This event came to be called the first vision. This vision proved to Joseph Smith that God is not dead. God and His son Jesus Christ are alive and love us today. They have not left us alone here in the world to work out our own salvation. The greatest teachers and preachers of our times cannot save us for they are subject to death. Only Jesus Christ could and did break the bands of death. God talks to us today through His prophets. He does not speak to us through those who say He is gone and has left them in charge. The only way to find truth about God is to study His doctrine and then talk with Him. Ask Him if what you are learning is true. With 4,300 Christian religions on the earth today, we can know through revelation from God which is His true church. There can be only one. God told Joseph that He had a great work for him to do. God sent an angel who revealed to Joseph plates of gold. These plates of Gold were records kept by Israelite prophets in ancient America. God brought them to this land of promise before the Jews were carried away captive into Babylon. I know this is true. You can read the Book of Mormon. You can ask God for yourself if it is true. Then you too can know, for God will answer your prayer.
$1.99
1.81 €
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Steven H
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The First Vision Guitar Minus Vocal
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Boothe Publishing
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SheetMusicPlus
Let It Be
Choral Alto Voice,Bass Voice,Double Bass,Piano and Keyboard,Soprano voice,Tenor Voice,Viol…
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Choral Alto Voice,Bass Voice,Double Bass,Piano and Keyboard,Soprano voice,Tenor Voice,Viola,Violin - Level 3 - Interactive Download SKU: A0.481914 By The Beatles. By John Lennon and Paul McCartney. Arranged by Jeremy Nafziger. This edition: Interactive Download. Christmas. Octavo. Duration 286. Jeremy Nafziger #6Re335EyhndYxZ7ALSuj10. Published by Jeremy Nafziger (A0.481914). Key: C major.The Beatles classic with the Advent hymn, In Dulci Jubilo. Both texts come from dreams, and this winds up a meaningful combination. In Dulci was written in the 14th century by German monk and teacher Heinrich Suso (or Seuse), who writes in his third-person autobiography about a dream he had: Now this same angel came up to the Servant [Suso] brightly, and said that God had sent him down to him, to bring him heavenly joys amid his sufferings; adding that he must cast off all his sorrows from his mind and bear them company, and that he must also dance with them in heavenly fashion. Then they drew the Servant by the hand into the dance, and the youth began a joyous song about the infant Jesus, which runs thus: In dulci jubilo... About 650 years later, in 1968, Paul McCartney was staying out late, drinking too much, and thinking that the Beatles were probably going to break up soon. Then one night, somewhere between deep sleep and insomnia, I had the most comforting dream about my mother, who died when I was only 14. She had been a nurse, my mum, and very hardworking, because she wanted the best for us.... At night when she came home, she would cook, so we didn’t have a lot of time with each other. But she was just a very comforting presence in my life. And when she died, one of the difficulties I had, as the years went by, was that I couldn’t recall her face so easily.... So in this dream twelve years later, my mother appeared, and there was her face, completely clear, particularly her eyes, and she said to me very gently, very reassuringly: “Let it be.†It was lovely. I woke up with a great feeling. It was really like she had visited me at this very difficult point in my life and gave me this message: Be gentle, don’t fight things, just try and go with the flow and it will all work out. His mother's name was Mary, or course. He wrote the song in the next few days, and it was released on the album on the same name in 1970, a month after the Beatles split up. As for the actual texts, they're very different. In Dulci is macaronic (alternating between two languages, in this case Latin and a translation from Medieval German) and ecstatic; Let It Be is English and more subdued. In this version, we alternate between the two but keep the Let It Be structure, except for a diversion in the middle where the well-known Bach setting is adopted as kind of an interlude. The two texts and melodies are sung together in the last verse (the fourth In Dulci verse and the third Let It Be verse), where both are talking about music.
$3.99
3.63 €
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The Beatles
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Let It Be
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Jeremy Nafziger
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SheetMusicPlus
Song of the Childless
Instrumental Duet Guitar,Instrumental Duet,Voice - Level 4 - Digital Download SKU: A0.5…
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Instrumental Duet Guitar,Instrumental Duet,Voice - Level 4 - Digital Download SKU: A0.576279 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 4 pages. David Warin Solomons #15653. Published by David Warin Solomons (A0.576279). This song was inspired by my initial reactions to the realization that I am infertile. In my case this was due to Kallmann's syndrome I am now perfectly happy with my infertility, after all, there is much else to do in the world and Dawkins' selfish gene can simply go spin its plot elsewhere: my children are my compositions, and they populate the world in their own way with joy, humour and thoughtfulness... wherever they will... ... However, I know there are many who are not happy with childlessness, so I dedicate this song to them ....and to my past self. The sound sample is my own performance. Here are the words: Learn this my child, who never hears my word Your luck is out, you are but but a poem deaf to change You are a romantic ramble on absurd round which the childless brain desires to range Hear this my daughter, blind to loveliness Your love is mine, untouchable, unknown to all Save to a song befitting her distress Whom Sappho loved but answered not her call See this my eunuch, watching others` joy Your luck was in, your luck was in You threw it far away, too far away for its return Save to another and another boy while I look on, unmoved as from a star Taste this my tears grown cold Resigned and pure Your love is his I know not whose nor do I care Yet love I would, and yet cannot be sure that another`s love could now be mine to share Warm this my heart These strings beget my child Their luck is in Their love is mine So close, my son! My daughter`s breath sings Through my fingers styled Sings to herself All other children shun © David W Solomons Video:https://www.youtube.com/watch?v=NOB34ds34Tk
$11.00
10.02 €
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David Warin Solomons
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Song of the Childless
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David Warin Solomons
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SheetMusicPlus
The Daedalus and Icarus Journey
Instrumental Duet Guitar,Instrumental Duet,Voice - Digital Download SKU: A0.942097 …
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Instrumental Duet Guitar,Instrumental Duet,Voice - Digital Download SKU: A0.942097 Composed by Apostolos Paraskevas. 20th Century,Contemporary,Romantic Period,World. Score and parts. 11 pages. Silver Sickle Publications #6104711. Published by Silver Sickle Publications (A0.942097). This guitar and vocal work were originally set on the Robert Frost poem ‘Stopping by Woods on a Snowy Evening’, and was written for a lecture series at Boston University given by Lukas Foss entitled ‘Words on Music. Some years later I set out to publish the work and found that the estate of the late R. Frost frowned upon this particular practice and after a second failed attempt to get permission to publish the work, I decided to write my own verse for this composition (my first actually) and use a subject familiar to me, the story of Daedalus and Icarus Journey to freedom.After his arrival in Crete, Daedalus found that Minos would not let him leave. He subsequently obtained wax and feathers and fashioned wings for himself and his son Icarus. With these they succeeded in flying away, but Icarus, flying too near to the sun, melted his wings, fell into the sea near Crete, and drowned; Daedalus escaped to Italy only to fall into the hands of the local King Kokalos who drowned him in hot water. The Daedalus and Icarus JourneyEscape from here is what I’ll doI have a plan I thought it throughThe waves beneath us deadly wildI’ll fly up high, it’s just the sky That was a dreadful thing to sayTo fly so high, you can’t survive.Your wings, your soul and frozen smile,The sun will burn and you will die. The Death you seek I am sure you’ll get,He’s there for you he won’t forget.He will be fast and kind with you,If He survived why not you too? It’s time to go the sky gets blueMy mind will be so close to youYou cannot scare me I have to try,The time is right, let’s say goodbye. Text by Apostolos Paraskevas
$8.99
8.19 €
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Apostolos Paraskevas
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The Daedalus and Icarus Journey
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Silver Sickle Publications
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SheetMusicPlus
Tremors of Krakatoa
Woodwind choir - Digital Download SKU: IZ.CMS181 Composed by Judith Katz. Score and…
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Woodwind choir - Digital Download SKU: IZ.CMS181 Composed by Judith Katz. Score and Parts. 48 pages. Imagine Music - Digital #CMS181. Published by Imagine Music - Digital (IZ.CMS181). 9 x 12 in inches.With tremors that started in May of 1883, the volcano on the Indonesian island of Krakatoa fully erupted on August 26th of that same year. The eruption continued until the late morning of August 27th, destroying over 70% of the island, the surrounding archipelago, and collapsed into a caldera.This event is counted as one of the deadliest and most destructive events in recorded history. Over 36,000 deaths were the result of both the eruption and the tsunamis that were created. Weeks later, the eruptions on Krakatoa intensified, causing explosions on neighboring islands. Globally, these explosions had effects on Australia and as far away as South Africa.The 1883 Krakatoa eruption also darkened the sky worldwide for years afterwards, caused by volcanic ash. Spectacular sunsets were created and they inspired artists to capture the effects. British artist William Ashcroft made numerous color sketches, attempting to capture the look of the red-tinged skies, and there is a theory that Edvard Munch's blood-red sky depicted in the painting, The Scream, was inspired from his observing the color of the sky over Norway at the time.Of all the original compositions and arrangements that I have written, this is my first foray into program music. Program music can be a difficult genre; has the story really been conveyed? Does the orchestration fit the composition? Is it too short, or rather, way too long.I decided to write this for woodwind choir, rather than woodwind quintet. The sound of a woodwind choir offers enough variety of sound to convey both the frenetic quality of panic, fear, and desperation of a volcanic eruption, and yet the calm, sadness of how people felt, not knowing when things were going to erupt again.
$32.00
29.14 €
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Judith Katz
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Tremors of Krakatoa
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Imagine Music - Digital
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SheetMusicPlus
No other people
3(3.afl).2.ca.2.bcl.3-4.3.3.1-str orchestra - Digital Download SKU: S9.Q41782 Fo…
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3(3.afl).2.ca.2.bcl.3-4.3.3.1-str orchestra - Digital Download SKU: S9.Q41782 For orchestra. Composed by Gerald Barry. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 12 minutes. Schott Music - Digital #Q41782. Published by Schott Music - Digital (S9.Q41782). The title, No other people., is taken from Raymond Roussel's New Impressions of Africa, a fifty-nine page poem which took him fifteen years to write - a length of time mainly caused by his tortuous compositional methods.In Roussel, sentences are broken down in maze-like ways, often producing others which relate to the sound of the original.I'm not aware of any direct, illustrative connection between the music of No other people. and Roussel's book. But I was very struck by the everydayness of Zo's drawings.There is something poignant in his not knowing what he was illustrating. Like the drawings of a blind person. Their banality takes on a mysteriousness by being placed by Roussel in his book, seeming to illustrate bizarre events unknown to Zo.They are impersonal, the people in them unaware that they lead another life in a poem of which they know nothing.Something of this is in the music.Gerald Barry, 2009.
$16.99
15.47 €
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Gerald Barry
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No other people
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Schott Music - Digital
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SheetMusicPlus
"Calisthenics for Treble/Alto Recorder" 15 Etudes, Gallops, Polkas, Variations
Small Ensemble Alto Recorder,Baritone Recorder,Flute - Level 3 - Digital Download SKU: …
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Small Ensemble Alto Recorder,Baritone Recorder,Flute - Level 3 - Digital Download SKU: A0.842538 Composed by Various (Collection). Arranged by B. Brennan. Concert,Instructional,Romantic Period,Standards. Score and parts. 24 pages. Bl_music #5290011. Published by bl_music (A0.842538). Calisthenics for Treble/Alto Recorder 15 Solo-Etudes, Gallops, Polkas, Variations (notation: treble clef) 15 entertaining solo-etudes: Rondos, Polkas, Gallops, Variations….. all suitable for intermediate to advanced students as well as professionals; as exercises for the fingers, just for the fun of it or as (shorter) concert /contest pieces or encores. What are Calisthenics? You’ve all come across them in one form or another….mainly probably in caricatures of Victorian or Edwardian men in boldly striped sportswear lifting heavy weights or Victorian ladies elegantly waving their arms around(see photo) We found the idea of daily exercises in combination with utterly lovely tunes so intriguing that we decided to call our latest publication Calisthenics The music combines training of speed, thumb technique, interpretation. Short: another great fun and educational publication. The word calisthenics is derived from the Greek, kalos, beautiful; and sthenos, strength; the object of calisthenic exercises being to secure physical beauty by developing the limbs and muscles of the human frame, and making the joints flexible, thereby giving strength and power, and ensuring a graceful carriage, erect bearing, and freedom to the figure. In the words of the old Victorians: The highest refinement of that beauty is unattainable without splendour of activity and delicate strength. Exercise is now recognised to be as great a necessity in woman's education as in man's we are learning that many bodily defects and much of her weak health is attributable to the want of it; more especially in youth, when the frame is growing. Such exercises must, however, be carried out under a system; irregularly conducted, they do more harm than good. The constitution must be coaxed, not strained; the strength not unduly taxed, no over-fatigue ensuing; for exhaustion makes people look worn and old. The exertion must not be too violent, and the health and physical development of each pupil must be specially studied. Early morning or evening are the best times to select, but on no account immediately after a meal. The clothing should not be too warm, nor interfere in any way with the action of the limbs. A musical accompaniment will best preserve the necessary rhythm - the time, four or eight beats to a bar; failing this, the pupils should be taught to sing or count in concert, thereby keeping up their interest and zest. A castanet will, failing better means, help to mark the time with or without music. One of our aims is to revive these compositions and bring them to the attention of players and audiences.
$15.99
14.56 €
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Various
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"Calisthenics for Treble/Alto Recorder" 15 Etudes, Gallops, Polkas, Variations
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bl_music
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SheetMusicPlus
"Calisthenics for Great Bass Recorder" 15 Etudes, Gallops, Polkas, Variations
Small Ensemble Baritone Recorder,Bassoon - Level 3 - Digital Download SKU: A0.842539
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Small Ensemble Baritone Recorder,Bassoon - Level 3 - Digital Download SKU: A0.842539 Composed by Various (Collection). Arranged by B. Brennan. Concert,Instructional,Romantic Period,Standards. Score and parts. 24 pages. Bl_music #5290017. Published by bl_music (A0.842539). Calisthenics for Great Bass Recorder 15 Solo-Etudes, Gallops, Polkas, Variations (notation: bass clef) 15 entertaining solo-etudes: Rondos, Polkas, Gallops, Variations….. all suitable for intermediate to advanced students as well as professionals; as exercises for the fingers, just for the fun of it or as (shorter) concert /contest pieces or encores. What are Calisthenics? You’ve all come across them in one form or another….mainly probably in caricatures of Victorian or Edwardian men in boldly striped sportswear lifting heavy weights or Victorian ladies elegantly waving their arms around(see photo) We found the idea of daily exercises in combination with utterly lovely tunes so intriguing that we decided to call our latest publication Calisthenics The music combines training of speed, thumb technique, interpretation. Short: another great fun and educational publication. The word calisthenics is derived from the Greek, kalos, beautiful; and sthenos, strength; the object of calisthenic exercises being to secure physical beauty by developing the limbs and muscles of the human frame, and making the joints flexible, thereby giving strength and power, and ensuring a graceful carriage, erect bearing, and freedom to the figure. In the words of the old Victorians: The highest refinement of that beauty is unattainable without splendour of activity and delicate strength. Exercise is now recognised to be as great a necessity in woman's education as in man's we are learning that many bodily defects and much of her weak health is attributable to the want of it; more especially in youth, when the frame is growing. Such exercises must, however, be carried out under a system; irregularly conducted, they do more harm than good. The constitution must be coaxed, not strained; the strength not unduly taxed, no over-fatigue ensuing; for exhaustion makes people look worn and old. The exertion must not be too violent, and the health and physical development of each pupil must be specially studied. Early morning or evening are the best times to select, but on no account immediately after a meal. The clothing should not be too warm, nor interfere in any way with the action of the limbs. A musical accompaniment will best preserve the necessary rhythm - the time, four or eight beats to a bar; failing this, the pupils should be taught to sing or count in concert, thereby keeping up their interest and zest. A castanet will, failing better means, help to mark the time with or without music. One of our aims is to revive these compositions and bring them to the attention of players and audiences.
$15.99
14.56 €
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Various
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"Calisthenics for Great Bass Recorder" 15 Etudes, Gallops, Polkas, Variations
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bl_music
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SheetMusicPlus
"Calisthenics for Bass Recorder" 15 Etudes, Gallops, Polkas, Variations
Small Ensemble Baritone Recorder,Bassoon,Cello - Level 3 - Digital Download SKU: A0.842…
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Small Ensemble Baritone Recorder,Bassoon,Cello - Level 3 - Digital Download SKU: A0.842536 Composed by Various (Collection). Arranged by B. Brennan. Concert,Instructional,Romantic Period,Standards. Score and parts. 24 pages. Bl_music #5290001. Published by bl_music (A0.842536). Calisthenics for Bass Recorder 15 Solo-Etudes, Gallops, Polkas, Variations (notation: bass clef)15 entertaining solo-etudes: Rondos, Polkas, Gallops, Variations….. all suitable for intermediate to advanced students as well as professionals; as exercises for the fingers, just for the fun of it or as (shorter) concert /contest pieces or encores.What are Calisthenics?You’ve all come across them in one form or another….mainly probably in caricatures of Victorian or Edwardian men in boldly striped sportswear lifting heavy weights or Victorian ladies elegantly waving their arms around(see photo)We found the idea of daily exercises in combination with utterly lovely tunes so intriguing that we decided to call our latest publication CalisthenicsThe music combines training of speed, thumb technique, interpretation. Short: another great fun and educational publication.The word calisthenics is derived from the Greek, kalos, beautiful; and sthenos, strength; the object of calisthenic exercises being to secure physical beauty by developing the limbs and muscles of the human frame, and making the joints flexible, thereby giving strength and power, and ensuring a graceful carriage, erect bearing, and freedom to the figure.In the words of the old Victorians:The highest refinement of that beauty is unattainable without splendour of activity and delicate strength.Exercise is now recognised to be as great a necessity in woman's education as in man's we are learning that many bodily defects and much of her weak health is attributable to the want of it; more especially in youth, when the frame is growing.Such exercises must, however, be carried out under a system; irregularly conducted, they do more harm than good. The constitution must be coaxed, not strained; the strength not unduly taxed, no over-fatigue ensuing; for exhaustion makes people look worn and old. The exertion must not be too violent, and the health and physical development of each pupil must be specially studied.Early morning or evening are the best times to select, but on no account immediately after a meal. The clothing should not be too warm, nor interfere in any way with the action of the limbs.A musical accompaniment will best preserve the necessary rhythm - the time, four or eight beats to a bar; failing this, the pupils should be taught to sing or count in concert, thereby keeping up their interest and zest. A castanet will, failing better means, help to mark the time with or without music. One of our aims is to revive these compositions and bring them to the attention of players and audiences.
$15.99
14.56 €
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Various
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"Calisthenics for Bass Recorder" 15 Etudes, Gallops, Polkas, Variations
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bl_music
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SheetMusicPlus
"Calisthenics for Recorders in C" 15 Fun Studies,Gallops,Polkas,Variations
Large Ensemble Alto Saxophone,Baritone Saxophone,Clarinet,Flute,Oboe,Soprano Recorder,Sopr…
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Large Ensemble Alto Saxophone,Baritone Saxophone,Clarinet,Flute,Oboe,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone - Level 3 - Digital Download SKU: A0.842537 Composed by Various (Collection). Arranged by B. Brennan. Concert,Instructional,Romantic Period,Standards. Score and parts. 24 pages. Bl_music #5290007. Published by bl_music (A0.842537). Calisthenics for Recorders in C 15 Solo-Etudes, Gallops, Polkas, Variations (notation: treble clef) 15 entertaining solo-etudes: Rondos, Polkas, Gallops, Variations….. all suitable for intermediate to advanced students as well as professionals; as exercises for the fingers, just for the fun of it or as (shorter) concert /contest pieces or encores. What are Calisthenics? You’ve all come across them in one form or another….mainly probably in caricatures of Victorian or Edwardian men in boldly striped sportswear lifting heavy weights or Victorian ladies elegantly waving their arms around(see photo) We found the idea of daily exercises in combination with utterly lovely tunes so intriguing that we decided to call our latest publication Calisthenics The music combines training of speed, thumb technique, interpretation. Short: another great fun and educational publication. The word calisthenics is derived from the Greek, kalos, beautiful; and sthenos, strength; the object of calisthenic exercises being to secure physical beauty by developing the limbs and muscles of the human frame, and making the joints flexible, thereby giving strength and power, and ensuring a graceful carriage, erect bearing, and freedom to the figure. In the words of the old Victorians: The highest refinement of that beauty is unattainable without splendour of activity and delicate strength. Exercise is now recognised to be as great a necessity in woman's education as in man's we are learning that many bodily defects and much of her weak health is attributable to the want of it; more especially in youth, when the frame is growing. Such exercises must, however, be carried out under a system; irregularly conducted, they do more harm than good. The constitution must be coaxed, not strained; the strength not unduly taxed, no over-fatigue ensuing; for exhaustion makes people look worn and old. The exertion must not be too violent, and the health and physical development of each pupil must be specially studied. Early morning or evening are the best times to select, but on no account immediately after a meal. The clothing should not be too warm, nor interfere in any way with the action of the limbs. A musical accompaniment will best preserve the necessary rhythm - the time, four or eight beats to a bar; failing this, the pupils should be taught to sing or count in concert, thereby keeping up their interest and zest. A castanet will, failing better means, help to mark the time with or without music. One of our aims is to revive these compositions and bring them to the attention of players and audiences.
$15.99
14.56 €
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Various
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"Calisthenics for Recorders in C" 15 Fun Studies,Gallops,Polkas,Variations
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bl_music
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SheetMusicPlus
Divertimento in D major (Badley III:D4)
Cello,Flute,Viola,Violin - Digital Download SKU: A0.1487809 Composed by Leopold Hof…
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Cello,Flute,Viola,Violin - Digital Download SKU: A0.1487809 Composed by Leopold Hofmann. Arranged by Allan Badley. Classical. 29 pages. Artaria Editions #1064747. Published by Artaria Editions (A0.1487809). The present work was advertised by Breitkopf in 1767 (Supplement II) but it was certainly composed in the previous year at the latest as the copy upon which this edition is based carries the performance date '15 Dezemb. 766' on the wrapper. A copy attributed to Joseph Haydn (and catalogued by Hoboken as II D6) is now preserved in the Gesellschaft der Musikfreunde in Wien: 'Divertimento in D / Flauto Traverso unison / Violino Concertato / Viola di Alto Oblig. / con / Basso / Del Sigre Giuseppe Haydn M. Doc LXVS / a / uso di Antonio Schaarschmidt 1767'. This edition is based on a set of MS parts now held in the Austrian National Library under the shelfmark S.m.11946. The wrapper reads: 'No.5 [No.1] / Divertimento / a / Flauto Traverso / Violino / Viola / e / Basso / Del / Sige: Leopoldo Hoffmann'. In the absence of both the autograph score and an authentic set of parts, this edition presents as faithfully as possible the intentions of the composer as transmitted in the source. As is often the case in Hofmann's chamber music there are very few dynamic markings; these are left to the discretion and good taste of the performer. The style and notation of articulation and dynamic markings have been standardised throughout, and, where missing from the source, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets. Like most eighteenth-century sources, the present manuscript is inconsistent at times in its notation of appoggiature ; these too have been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Allan Badley.
$53.00
48.26 €
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Leopold Hofmann
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Divertimento in D major
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Artaria Editions
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SheetMusicPlus
Ah, scostati!...Smanie implacabili (Dorabella) from Così fan tutte - Accessible Accompaniments Ed.
Mezzo-Soprano Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1186002 Compose…
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Mezzo-Soprano Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1186002 Composed by Wolfgang Amadeus Mozart. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 10 pages. Nicole Elyse DiPaolo #785660. Published by Nicole Elyse DiPaolo (A0.1186002). The first of its kind, this is a much more readable and sight-playable piano/vocal reduction of Ah, scostati!...Smanie implacabili,†Dorabella’s first aria from Mozart’s Così fan tutte (1790). The sextuplets in the right hand found in most standard reductions have been condensed into triplets with a grace note, emphasizing that the gestural shape is what needs to be heard rather than every individual note, and the result is a much clearer and less note-filled score for the audition pianist. Some large spans in the left hand have also been reduced out and redistributed for more ergonomic playing on long audition days. When a grace note has an accidental that is then repeated later in the gesture, I’ve rewritten that accidental on the full-size note containing it for ease of reading (so the cue-size accidental is not the only indication of said accidental in the measure, which would make it too easy to miss). The recitative “Ah, scostati!†is also included with slight alterations and courtesy accidentals in the melodic minor scales.As with any Accessible Accompaniments edition that’s not also an audition/solo cut, I suggest bringing two copies to each audition: one Accessible Accompaniment and one copy of a standard edition. Audition pianists who don’t know the aria will almost always choose the cleaner look of the Accessible Accompaniment, but those who know “Smanie†well might prefer to play from the edition they learned it from. This will provide singers and their audition pianists every chance of a successful collaboration.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included additional courtesy accidentals.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. I’ve also replaced text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.15 €
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Wolfgang Amadeus Mozart
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Ah, scostati!...Smanie implacabili
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Nicole Elyse DiPaolo
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SheetMusicPlus
Gabrieli: Sonata Pian e Forte Ch. 175 for Saxophone Choir
Woodwind Ensemble - Level 3 - Digital Download SKU: A0.549214 Composed by Giovanni …
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Woodwind Ensemble - Level 3 - Digital Download SKU: A0.549214 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 45 pages. Jmsgu3 #3465026. Published by jmsgu3 (A0.549214). A musical monument: the first known composition in history to employ dynamics. Minimum Instrumentation: 2 sopranos, 5 altos, 3 tenors, and 1 baritone sax. Full Score: 27 pg. 81 ms 4/2, Study Score: 14 pg., Instrumental parts: 2 pg. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
43.66 €
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Giovanni Gabrieli
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Gabrieli: Sonata Pian e Forte Ch. 175 for Saxophone Choir
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jmsgu3
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SheetMusicPlus
Kid On Christmas
Choral Alto Voice,Bass Voice,Piano and Keyboard,Soprano voice,Tenor Voice (SATB) - Level 3…
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Choral Alto Voice,Bass Voice,Piano and Keyboard,Soprano voice,Tenor Voice (SATB) - Level 3 - Interactive Download SKU: A0.1284520 By Pentatonix Featuring Meghan Trainor. By Jared Conrad, Kevin Olusola, Matt Sallee, Meghan Trainor, Scott Hoying, and Trannie Stevens. Arranged by Dan Garrett. This edition: Interactive Download. Christmas,Pop,Rock. Octavo. Duration 189. Daniel Garrett #4CyO8YyqSxNkfAx3017GPm. Published by Daniel Garrett (A0.1284520). Key: G major.First performed in 2022 by Pentatonix and Meghan Trainor, Kid on Christmas is an up-tempo song in an early rock and roll style with a great message. This arrangement is suitable for high school and community choirs. Lyrics: May your holidays be jolly Your hallways filled with holly Your fireside stays burning brighter Than it did before May your string lights keep that twinkle May your silver bells all jingle And carolers sing carols at your door Chorus: And may your heart be evergreen Every December And a part of you believe And always remember That sugarplums dance and reindeer fly And Santa always reads your letters And may you stay a kid on Christmas forever May you're turning eighty-seven Be going on elеven You never grow too old for stockings Full of candy canеs May you stay up late and listen To hear, Comet, Cupid, Donner and Blitzen Prancing on the rooftop (Santa's down the chimney) Oh, dropping off your presents (for some milk and cookies) Chorus You know I hope you wake up eyes wide open A little love and joy in every moment Hope you never lose your wonder And every year you're growing younger And when the snowflakes fall Deck the halls And still feel the magic of it all Chorus.
$2.49
2.27 €
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Pentatonix Featuring Meghan Trainor
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Kid On Christmas
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Daniel Garrett
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SheetMusicPlus
They'll Be on the Rock This Christmas
Accordion,Drum Set,Electric Bass Guitar,Piano Accompaniment - Level 3 - Digital Download
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Accordion,Drum Set,Electric Bass Guitar,Piano Accompaniment - Level 3 - Digital Download SKU: A0.1105243 By David Kai. By David Kai. Arranged by David Kai. Celtic,Country,Folk,Irish. Full Performance. Duration 228. David Kai #708503. Published by David Kai (A0.1105243). A Newfoundland Christmas song about wishing to be back home for Christmas. THEY’LL BE ON THE ROCK THIS CHRISTMAS words and music by David Kai ©1997 They’ll come from far as Whitehorse and as close as Sydney Mines, They’re packing up their suitcases and their boxes tied with twine, They’re getting on those airplanes, Dash 8s and DC 9s, Driving to the ferry docks and they’re waiting there in line. And they'll be on the Rock this Christmas, where stars shine twice as bright, They'll be on the Rock this Christmas, greeting mummers every night, Yarning ‘round the wood stove, eating partridgeberry pie, And I’ll be wondering “Why, oh why aren’t I?†‘Cause I’ll be in the factory, pulling double overtime, No one wants the Christmas shift so I guess that makes it mine, Late tonight I’ll light a candle in my lonely room, And think of those who are traveling home, ‘cause I know that very soon, That they'll be on the Rock this Christmas, where stars shine twice as bright, Yeah, they'll be on the Rock this Christmas, greeting mummers every night, Yarning ‘round the wood stove eating partridgeberry pie, And I’ll be wondering “Why, oh why aren’t I?†I’ve got to get there somehow, this poor soul’s just too homesick, My busted car won’t take me far, but my thumb will do the trick. I’ll call the boss from Port aux Basques, hope he’s in the mood to see, ‘Though I may choose to leave the Rock, it’s the Rock that won’t leave me. And I'll be on the Rock this Christmas, where stars shine twice as bright, Yeah, I'll be on the Rock this Christmas, greeting mummers every night, Yarning ‘round the wood stove, eating partridgeberry pie, And no more wondering “Why, oh why aren’t I?†Optional extra chorus: And we'll be on the Rock this Christmas, where stars shine twice as bright, Yeah, we'll be on the Rock this Christmas, greeting mummers every night, Yarning ‘round the wood stove, eating partridgeberry pie, And no more wondering “Why, oh why aren’t I?†Tag: No, no more wondering “Why, oh why aren’t I?â€.
$1.99
1.81 €
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David Kai
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They'll Be on the Rock This Christmas
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David Kai
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SheetMusicPlus
Kid On Christmas
Choral Alto Saxophone,Piano and Keyboard,Soprano Saxophone (SSA) - Level 3 - Interactive D…
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Choral Alto Saxophone,Piano and Keyboard,Soprano Saxophone (SSA) - Level 3 - Interactive Download SKU: A0.1284709 By Pentatonix Featuring Meghan Trainor. By Jared Conrad, Kevin Olusola, Matt Sallee, Meghan Trainor, Scott Hoying, and Trannie Stevens. Arranged by Dan Garrett. This edition: Interactive Download. Christmas,Holiday,Pop,Rock. Octavo. 20 pages. Duration 188. Daniel Garrett #6MKEXmJ0AICuCwm1LgaDZU. Published by Daniel Garrett (A0.1284709). Key: G major.First performed in 2022 by Pentatonix and Meghan Trainor, Kid on Christmas is an up-tempo song in an early rock and roll style with a great message. This arrangement is suitable for high school and community choirs. Lyrics: May your holidays be jolly Your hallways filled with holly Your fireside stays burning brighter Than it did before May your string lights keep that twinkle May your silver bells all jingle And carolers sing carols at your door Chorus: And may your heart be evergreen Every December And a part of you believe And always remember That sugarplums dance and reindeer fly And Santa always reads your letters And may you stay a kid on Christmas forever May you're turning eighty-seven Be going on elеven You never grow too old for stockings Full of candy canеs May you stay up late and listen To hear, Comet, Cupid, Donner and Blitzen Prancing on the rooftop (Santa's down the chimney) Oh, dropping off your presents (for some milk and cookies) Chorus You know I hope you wake up eyes wide open A little love and joy in every moment Hope you never lose your wonder And every year you're growing younger And when the snowflakes fall Deck the halls And still feel the magic of it all.
$2.49
2.27 €
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Pentatonix Featuring Meghan Trainor
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Kid On Christmas
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Daniel Garrett
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SheetMusicPlus
Kid On Christmas
Choral Alto Saxophone,Bass Voice,Piano and Keyboard,Soprano voice (SAB) - Level 3 - Intera…
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Choral Alto Saxophone,Bass Voice,Piano and Keyboard,Soprano voice (SAB) - Level 3 - Interactive Download SKU: A0.1284720 By Pentatonix Featuring Meghan Trainor. By Jared Conrad, Kevin Olusola, Matt Sallee, Meghan Trainor, Scott Hoying, and Trannie Stevens. Arranged by Dan Garrett. This edition: Interactive Download. Christmas,Holiday,Pop,Rock. Octavo. 20 pages. Duration 189. Daniel Garrett #7kjDv9c8fAbENYuZHl3dq8. Published by Daniel Garrett (A0.1284720). Key: G major.First performed in 2022 by Pentatonix and Meghan Trainor, Kid on Christmas is an up-tempo song in an early rock and roll style with a great message. This arrangement is suitable for high school and community choirs. Lyrics: May your holidays be jolly Your hallways filled with holly Your fireside stays burning brighter Than it did before May your string lights keep that twinkle May your silver bells all jingle And carolers sing carols at your door Chorus: And may your heart be evergreen Every December And a part of you believe And always remember That sugarplums dance and reindeer fly And Santa always reads your letters And may you stay a kid on Christmas forever May you're turning eighty-seven Be going on elеven You never grow too old for stockings Full of candy canеs May you stay up late and listen To hear, Comet, Cupid, Donner and Blitzen Prancing on the rooftop (Santa's down the chimney) Oh, dropping off your presents (for some milk and cookies) Chorus You know I hope you wake up eyes wide open A little love and joy in every moment Hope you never lose your wonder And every year you're growing younger And when the snowflakes fall Deck the halls And still feel the magic of it all Chorus.
$2.49
2.27 €
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Pentatonix Featuring Meghan Trainor
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Kid On Christmas
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Daniel Garrett
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SheetMusicPlus
Parsifal
Solo parts, choir and orchestra - Digital Download SKU: S9.Q17848 From the new C…
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Solo parts, choir and orchestra - Digital Download SKU: S9.Q17848 From the new Complete Edition. Composed by Richard Wagner. This edition: study score. Choral music - Ernst Eulenburg - Score. Eulenburg Miniature Scores. Downloadable, Study score. Ernst Eulenburg & Co. GmbH - Digital #Q17848. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q17848). German.Parsifal, the last musico-dramatic work of Wagner, was premiered in Bayreuth on 26 July 1882 and, at first, were reserved for this performance venue according to the composer's will. Apart from only a few exceptions, it was not until 30 years later (i.e. after the expiration of the term of protection) that other opera-houses too were allowed to perform the 'sacred festival drama'. The new edition of the Eulenburg Study Score follows the Wagner Complete Edition which is based on the autograph score. All other editions published up to now only used as a source the first edition of 1883, unauthorized by Wagner, which differs from the autograph in important details. The original musical text is now available in a handy format - and ideally suited for studying. With a preface in various languages and Critical Report!
$71.99
65.55 €
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Richard Wagner
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Parsifal
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
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