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Van Cao
Sheetmusic to print
7 sheet music found
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Republic of Vietnam National Anthem: Tiên Quân Ca
Composed by Van Cao (1923 - 1995). Arranged by Colin Kirkpatrick. Score, Set of Parts. 34 …
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Composed by Van Cao (1923 - 1995). Arranged by Colin Kirkpatrick. Score, Set of Parts. 34 pages. Published by Colin Kirkpatrick Publications (S0.277615). - Score,Set of Parts - - Colin Kirkpatrick Publications
$5.99
5.5 €
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Van Cao
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Republic of Vietnam National Anthem: Tiên Quân Ca
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Colin Kirkpatrick Publications
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SheetMusicPlus
Tiananmen
Small Ensemble Bassoon,English Horn,Flute,Timpani - Level 4 - Digital Download SKU: A0.…
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Small Ensemble Bassoon,English Horn,Flute,Timpani - Level 4 - Digital Download SKU: A0.1031573 Composed by Xiaowei Cao. Arranged by Xiaowei Cao. Contemporary. Score and parts. 16 pages. ShallV #4764939. Published by ShallV (A0.1031573). Notice: The mp3 file is played by midi instruments, not the actual recording of the piece.Tiananmen (2018) is a piece in memory of the Tiananmen Square protests of 1989, which was commonly known as the June Fourth Incident (å…四事件). The protests were students led demonstrations in Beijing, the capital of the People’s Republic of China, and were forcibly suppressed after the government declared martial law. In what became known in West as the Tiananmen Square Massacre, troops with automatic rifles and tanks killed at least several hundred demonstrators trying to block the military’s advance towards Tiananmen Square. The number of civilian deaths has been estimated variously from 180 to 10,454.The piece itself reflects the atmosphere of China chronologically from the day before the incident to the time when protests were completely suppressed. The piece was divided into two movements. The first part of the piece serves as an introduction setting up the depressing tone of the whole piece. The first part of the piece reflects the anxiety of the whole society when the martial law was declared. And the second part of the piece refers to Zhao Ziyang’s (赵紫阳) speech at the Tiananmen Square where he tries to communicate with the students and peacefully resolve the protest. The third part and the fourth part of the piece directly describes the protest on June 4th which show a catastrophic and desperate atmosphere.
$14.99
13.76 €
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Xiaowei Cao
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Tiananmen
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ShallV
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SheetMusicPlus
ADORAÇÃO - 124 Harpa Cristã
Percussion Ensemble Alto Saxophone,Baritone Saxophone,Bassoon,Cello,Clarinet,Euphonium,Flu…
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Percussion Ensemble Alto Saxophone,Baritone Saxophone,Bassoon,Cello,Clarinet,Euphonium,Flute,Horn,Oboe,Piano,Soprano Saxophone,Tenor Saxophone,Timpani,Trombone,Trumpet,Tuba,Viola,Violin - Digital Download SKU: A0.1072617 Composed by Ernesto Wootton (R.C. Ward). Arranged by Oscar de Oliveira. Contemporary,Gospel. Accompaniment. Duration 177. Oscar de Oliveira #4368756. Published by Oscar de Oliveira (A0.1072617). Arranjo para orquestra evangélica para cultos de adoração onde tem o canto congregacional. Hino tradicional da Igreja Assembléia de Deus no Brasil.
$64.80
59.5 €
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Ernesto Wootton
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ADORAÇÃO - 124 Harpa Cristã
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Oscar de Oliveira
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SheetMusicPlus
A Whitman Triptych: II. What Is the Grass? (Downloadable)
Tenor voice solo, SATB choir unaccompanied - Moderately Difficult - Digital Download SK…
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Tenor voice solo, SATB choir unaccompanied - Moderately Difficult - Digital Download SKU: MQ.8322-E Composed by David Conte. Advanced/Collegiate. Secular, 21st Century, Americana, Children, Creation/Nature, Hope/Assurance. Instrument part. 15 pages. Duration 5 minutes, 42 seconds. E. C. Schirmer Music Company - Digital #8322-E. Published by E. C. Schirmer Music Company - Digital (MQ.8322-E). UPC: 600313483226. English. The three a cappella choral pieces that comprise “A Whitman Triptych†were composed between 2012 and 2014. O Setting Sun was commissioned by the Madison Chamber Choir, Madison, Wisconsin, Anthony Cao, conductor, and was premiered on April 20th, 2012. “What is the Grass†was composed for Cappella SF, Ragnar Bohlin, conductor, and is being premiered on tonight’s concert. Facing West was commissioned in celebration of the 75th anniversary of the Golden Gate Bridge by the International Orange Chorale, Zane Fiala, conductor, and was premiered on May 27th, 2012. I first set Whitman to music in 1986,when I adapted part of “When Lilacs Last in the Dooryard Bloomed†as the basis for my composition “Invocation and Dance.†I went on to set “Good-Bye, My Fancy†for Male Chorus and Soprano Saxophone in 1992, and “Song of the Open Road†for Mixed Chorus and Piano in 2004. Like so many composers, I have found the visionary quality of Whitman’s verse inspiring; the vigor and intensity of the poetry seem naturally to draw out music. “What is the Grass?†is also an adaptation of a much longer poem, one of Whitman’s deepest, and most mysterious. The poem begins as a child-like meditation on grass; as hope, as an embodiment of new life and new growth in the plant world. Then suddenly there is a somber turn with the line “And now it seems to me the beautiful uncut hair of graves.†Here Whitman enters an extended mediation on how grass connects life and death, informed by his experiences in the Civil War. Hope returns with the line: “They are alive and well somewhere,†leading to the mysterious final line: “And to die is different from what anyone supposed, and luckier…†Here Whitman affirms that death can be an initiation into a broader participation of existence. In the words of poet Ivan M. Granger, Whitman offers a “Zen-like riddle that doesn’t offer an answer so much as a pathway of questioning.†My musical setting follows Whitman’s exploration, first taking a child’s point of view, expressed with lilting melodies set in a lively compound meter. The entry of the tenor soloist indicates a change of mood to the serious. The first mood returns, leading to a climax on the words “And led forward life…â€, set in 9-part harmony. The mood turns reverent, as the tenor soloist intones: “All goes onward and outward; nothing collapses.†The piece ends with a tone of gentle, slightly ironic questioning. -David ConteDuration: 5:42
$2.85
2.62 €
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David Conte
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A Whitman Triptych: II. What Is the Grass?
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
A Whitman Triptych: III. Facing West (Downloadable)
Soprano voice and tenor voice soli, SATB choir unaccompanied - Moderately Difficult - Digi…
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Soprano voice and tenor voice soli, SATB choir unaccompanied - Moderately Difficult - Digital Download SKU: MQ.8323-E Composed by David Conte. Advanced/Collegiate. Secular, 21st Century, Americana, Children, Creation/Nature, Hope/Assurance. Instrument part. 9 pages. Duration 5 minutes, 42 seconds. E. C. Schirmer Music Company - Digital #8323-E. Published by E. C. Schirmer Music Company - Digital (MQ.8323-E). UPC: 600313483233. English. The three a cappella choral pieces that comprise “A Whitman Triptych†were composed between 2012 and 2014. O Setting Sun was commissioned by the Madison Chamber Choir, Madison, Wisconsin, Anthony Cao, conductor, and was premiered on April 20th, 2012. “What is the Grass†was composed for Cappella SF, Ragnar Bohlin, conductor, and is being premiered on tonight’s concert. Facing West was commissioned in celebration of the 75th anniversary of the Golden Gate Bridge by the International Orange Chorale, Zane Fiala, conductor, and was premiered on May 27th, 2012. I first set Whitman to music in 1986,when I adapted part of “When Lilacs Last in the Dooryard Bloomed†as the basis for my composition “Invocation and Dance.†I went on to set “Good-Bye, My Fancy†for Male Chorus and Soprano Saxophone in 1992, and “Song of the Open Road†for Mixed Chorus and Piano in 2004. Like so many composers, I have found the visionary quality of Whitman’s verse inspiring; the vigor and intensity of the poetry seem naturally to draw out music. Facing West is drawn from the Children of Adam book from Walt Whitman's Leaves of Grass. The full title of the poem is Facing West From California's Shores. Though Whitman never visited California, his biographer Justin Kaplan made the insightful observation that he imagined California's shores to be the starting point for a journey through time and culture. Here was Walt, 'a child, very old,' facing home again, looking over to it, joyous, as after long travel, growth, and sleep, asking: 'But where is what I started for, so long ago?/And why is it yet unfound?' The invitation from the International Orange Chorale to compose a piece in honor of the 75th anniversary of the Golden Gate Bridge led me easily and naturally to this great poem. The tone of Facing West is rich and complex, and draws on one of Whitman's favorite themes of using travel to distant lands as a metaphor for spiritual development. In his poem, Whitman strikes notes of reflection, of longing for adventure, and ultimately ends with a question. The continuing relevance of this question is for me beautifully addressed by the contemporary American writer Edmund White in his 1980 book States of Desire. To paraphrase somewhat, White writes: California is where dreams may come true, and the problem it presents is whether, after all, we wanted these particular dreams to be fulfilled - or would we have preferred others? Did we know what price these dreams would exact? Did we anticipate the ways in which they would unsuit us for the business of daily life? Or should our notion of daily life itself be transformed? For Americans, California's coast is as far as one can go in establishing new roots and new ways of living. As a transplanted Midwesterner who has made California his home for nearly three decades, I experience the Golden Gate Bridge as a beautiful monument to the aspirations and dreams of a restless and inventive people, qualities that Whitman's poem captures perfectly. -David ConteDuration: 5:42
$2.65
2.43 €
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David Conte
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A Whitman Triptych: III. Facing West
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
A Whitman Triptych: I. O Setting Sun (Downloadable)
Baritone voice solo, SATB choir unaccompanied - Moderately Difficult - Digital Download
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Baritone voice solo, SATB choir unaccompanied - Moderately Difficult - Digital Download SKU: MQ.8321-E Composed by David Conte. Advanced/Collegiate. Secular, 21st Century, Americana, Creation/Nature, Evening. Instrument part. 16 pages. Duration 5 minutes, 42 seconds. E. C. Schirmer Music Company - Digital #8321-E. Published by E. C. Schirmer Music Company - Digital (MQ.8321-E). UPC: 600313483219. English.The three unaccompanied choral pieces that comprise A Whitman Triptych were composed between 2012 and 2014. O Setting Sun was commissioned by the Madison Chamber Choir, Madison, Wisconsin, Anthony Cao, conductor, and received its premiere performance on April 20, 2012. What Is the Grass? was commissioned by Cappella SF, Ragnar Bohlin, conductor, and was premiered on February 6, 2015. Facing West was commissioned in celebration of the 75th anniversary of the Golden Gate Bridge by the International Orange Chorale, Zane Fiala, conductor, and received its premiere performance on May 27, 2012.
$2.85
2.62 €
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David Conte
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A Whitman Triptych: I. O Setting Sun
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Il sole e la luna (Aspettando l'eclissi)
Small Ensemble Flute,Piano,Violin - Level 3 - Digital Download SKU: A0.976827 Compo…
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Small Ensemble Flute,Piano,Violin - Level 3 - Digital Download SKU: A0.976827 Composed by Monica Bergo. 20th Century. Score and parts. 54 pages. Monica Bergo #3234597. Published by Monica Bergo (A0.976827). 2017 Holiday Contest Entry IL SOLE E LA LUNA (aspettando l’eclissi) Vorrei andarmene lontano In questi giorni senza te Vorrei sparire come un sogno Che se apri gli occhi più non c’è Vorrei tornare indietro al tempo In cui esistevi solo tu Ai bei momenti passati , le risate ed i baci Come il sole e la luna io e te Ma poi ritorno al mio presente E la tua assenza brucia in me Così lontani e distanti Tu , come tutti quanti E gentili parole che svaniscono al sole Noi siamo come sole e luna Che non si incontreranno mai Eterna lotta nel tempo si corrono incontro Per non abbracciarsi mai E come il sole con la luna Noi non ci sfioreremo mai Ti scaldo solo un istante Ma sei freddo, scostante Ed il giorno con me non vivi mai Il sole e la luna Due amanti vaganti Tenuti distanti, dal caos degli eventi Scandiscono il ritmo il senso del tempo Il sole risplende La luna nasconde Ed è il girotondo Più antico del mondo È un tragico valzer Come questa mia danza senza te Proprio come la luna con il sole sempre fa Senza te Mentre cala la notte Il mio cuore che batte senza te aspettando un’eclissi che da me ti porterà E tramonto e risorgo e sarà un nuovo giorno Senza te Guarda la luna come illumina Tra mille stelle lei risplenderà Con il suo alone profondo Ti nasconde dal mondo Ed i tuoi segreti celerà Ma guarda il sole come è magico Quando si alza e tutto brillerà Con i suoi mille colori, i tramonti ed i fiori È vita e tutto si rinnoverà Nell’universo impenetrabile Questi 2 astri si rincorrono Ma non c’è senso nel sole Se non ha la sua luna Aspettando l’eclissi, arriverà Aspetto l’eclissi Il tempo che passi Conservo il calore Per stringerti al cuore E penso all’istante Quel breve momento All’allineamento tra ombra e fulgore E fasi lunari, riflessi solari Tra stelle e pianeti È un eclissi del cuore senza te Proprio come la luna con il sole sempre fa Senza te Mentre cala la notte Il mio cuore che batte senza te aspettando un’eclissi che da me ti porterà E tramonto e risorgo e sarà un nuovo giorno Senza te E ballo sempre sola e triste è Questo mio valzer senza te Non lo hai saputo imparare come non sai amare Una donna come me che preferisce volare non si vuole fermare al mondo e a tutti i vizi suoi perché gli orrori son tanti ma la luce del sole può placare il dolore io sono il sole e tu la luna come raggiungerti non so Perché quest’anima vola Anche se è sempre sola Non si ferma un momento Non conosce il rimpianto E proprio come il sole con la luna noi Siam destinati a non sfiorarci mai se mentre chiudo i miei.
$3.99
3.66 €
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Monica Bergo
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Il sole e la luna
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Monica Bergo
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SheetMusicPlus
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