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Variations in Db
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You've selected:
Variations in Db
Sheetmusic to print
8 sheet music found
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1
Variations in Db
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Joe Strachan
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Variations in Db
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Joseph Strachan
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1254186 Composed by Joe Strachan. 21st Century,Blues,Classical,Jazz,Traditional. Brass Band. 37 pages. Joseph Strachan #847781. Published by Joseph Strachan (A0.1254186). I intend to compose using the structure of theme and variations, scored for a brass band which consists of an Eb Soprano cornet, Bb cornets, Flugelhorn, Eb Tenor horns, Bb Baritones, Tenor Trombones, Bass trombone, Bb Euphonium, Bb Tuba, Eb tuba and percussion. I intend to convey multiple moods and brass band techniques throughout my piece by creating blended harmony, jazzy rhythm, and modulation. With the theme, I intend to make the band blend in harmony with the music. Into the first variation to create different rhythms and to create a jazz mood. To create the theme, I intend to establish the key of Db major in 4/4 time with a homophonic texture. For Example, to establish the key of Db in bb.1-8. I intend to use the primary and secondary chords Db, Eb, Db, Bb, Eb, Bb, Db, Bb, Eb, Fm, Gm, Bb, Eb, Fm, Ab, Db. To strengthen the chords, I use the root note in the bass lines (e.g. Bb bass).  With creating the theme I also take into consideration having a structured flowing catchy melody to show the audience a clear statement that this is the theme. The Rhymtic features in the theme are crotchets and quavers. But which are soon to be embellished in the variations. The dynamic in the theme is mf (mezzo-forte)  and mp (mezzo-piano)  in the higher instruments.  And forte in the lower voices for balancing. The tempo marking is crotchet equals 60 beats per minute. In variation 1, I intend to maintain the original melody from the theme (solo cornet)  whole creating contrast with the inclusion of jazz-styled rhythms and dissonant chords. For example, I use a jazz-styled drum ostinato (bb. 9-61) Featuring dotted quavers and semiquavers. In addition to this, I feature dissonance with the use of 7th chords which can be seen at bb.18-26, 31-39, and bars  54-62 For example, in bars 18-26 the cornets are playing the melody in a four-part harmony only using 7th chords. The rhythmic features are more embellished using crotchets and quavers. But also using dotted quavers and semiquavers to show that this melody this a variation. The dynamics in the variation are extended with more instruments having a forte dynamic to have a strong expressive dynamic. Inspiration of this variation comes from people like (Maynard Ferguson, and Gordon Goodwin).
$40.00
Twinkle Twinkle Little Star for Violin and Piano in Db Major. Very Easy.
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French Folklore
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Matheus Araújo
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Twinkle Twinkle Little Star fo
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Matheus Araujo
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Violin,Voice - Level 1 - Digital Download SKU: A0.986531 Composed by French Folklore. Arranged by Matheus...
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Instrumental Duet,Piano Instrumental Duet,Piano,Violin,Voice - Level 1 - Digital Download SKU: A0.986531 Composed by French Folklore. Arranged by Matheus Araújo. Children,Classical,Instructional,Standards. Score and parts. 4 pages. Matheus Araujo #6865083. Published by Matheus Araujo (A0.986531). Twinkle Twinkle Little Star for Violin and Piano in Db Major.Very easy version, with some little variations in the repetition.
$3.99
Twinkle Twinkle Little Star in Db Major for Oboe and Piano. Very Easy.
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French Folklore
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Matheus Araújo
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Twinkle Twinkle Little Star in
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Matheus Araujo
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Oboe,Piano,Voice - Level 1 - Digital Download SKU: A0.986613 Composed by French Folklore. Arranged by Matheus A...
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Instrumental Duet,Piano Instrumental Duet,Oboe,Piano,Voice - Level 1 - Digital Download SKU: A0.986613 Composed by French Folklore. Arranged by Matheus Araújo. Children,Classical,Instructional,Standards. Score and parts. 4 pages. Matheus Araujo #6871505. Published by Matheus Araujo (A0.986613). Twinkle Twinkle Little Star in Db Major for Oboe and Piano.Very easy version, with some little variations in the repetition.
$3.99
Donut Etudes vol. 3: Don’t Step in the Holes! – Tuba Quartet (Tuba/Euphonium)
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Instructional
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Joshua Hauser
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Donut Etudes vol. 3: Don’t S
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Slide Ride
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SheetMusicPlus
Small Ensemble - Level 3 - Digital Download SKU: A0.784348 Composed by Joshua Hauser. Instructional. Score and parts. 74 pages. Slide Ride #5288731. Publ...
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Small Ensemble - Level 3 - Digital Download SKU: A0.784348 Composed by Joshua Hauser. Instructional. Score and parts. 74 pages. Slide Ride #5288731. Published by Slide Ride (A0.784348). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instrumentsIf this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$7.50
Donut Etudes vol. 3: Don’t Step in the Holes! – Trumpet Quartet (or Baritone T.C.)
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Instructional
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Joshua Hauser
#
#
Donut Etudes vol. 3: Don’t S
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Slide Ride
#
SheetMusicPlus
Small Ensemble - Level 3 - Digital Download SKU: A0.784334 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288661. Publ...
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Small Ensemble - Level 3 - Digital Download SKU: A0.784334 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288661. Published by Slide Ride (A0.784334). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Trombone, Euphonium, or Baritone Quartet
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Instructional
#
Joshua Hauser
#
#
Donut Etudes vol. 3: Don’t S
#
Slide Ride
#
SheetMusicPlus
Small Ensemble Trombone/Baritone B.C. - Level 3 - Digital Download SKU: A0.784336 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Sl...
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Small Ensemble Trombone/Baritone B.C. - Level 3 - Digital Download SKU: A0.784336 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288665. Published by Slide Ride (A0.784336). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Bass Quartet
#
Instructional
#
Joshua Hauser
#
#
Donut Etudes vol. 3: Don’t S
#
Slide Ride
#
SheetMusicPlus
Small Ensemble Double Bass - Level 3 - Digital Download SKU: A0.784342 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5...
(+)
Small Ensemble Double Bass - Level 3 - Digital Download SKU: A0.784342 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288689. Published by Slide Ride (A0.784342). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Double Concerto
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Tony Bridgewater
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Double Concerto
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Forton Music - Digital
#
SheetMusicPlus
Fl. Cl. Vln 1. Vln 2. Vla. Vc. Db. (Hp). (Pno). - Intermediate-Advanced - Digital Download SKU: F2.FM622 Composed by Tony Bridgewater. A large scale doub...
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Fl. Cl. Vln 1. Vln 2. Vla. Vc. Db. (Hp). (Pno). - Intermediate-Advanced - Digital Download SKU: F2.FM622 Composed by Tony Bridgewater. A large scale double concerto for flute, clarinet and Strings. Score and parts. 152 pages. Forton Music - Digital #FM622. Published by Forton Music - Digital (F2.FM622). ISBN 9790570485215.The lively first movement is based on two ideas; the opening rhythmic motif, played first by the flute and then echoed by the clarinet, and a contrasting lyrical melody, also introduced by each soloist in turn. The slow movement was inspired by the beautiful mountain scenery of Austria, and is a series of variations based on a 10 bar chord pattern. The variations become more serious and complex, but eventually the music returns to the tranquillity of the opening, and fades away into the distance. The final movement is a lively, dance-like rondo, with several contrasting episodes; the concluding coda includes brief references to the earlier movements before a final reprise of the rondo theme brings the piece to an exuberant conclusion.
$56.95
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