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Waltz in E for String Quartet
Sheetmusic to print
5 sheet music found
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Skaters' Waltz by Waldteufel for Brass Quartet in Schools
Brass Quartet Euphonium,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1161…
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Brass Quartet Euphonium,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1161297 Composed by E. Waldteufel. Arranged by Joseph Judge. 19th Century,Chamber,Romantic Period. 22 pages. School Ensemble Music #761638. Published by School Ensemble Music (A0.1161297). Skaters' Waltz, E. Waldteufel, 3:00, for brass quartet. Trumpet, Trumpet, Trombone, Trombone or Tuba, with alternate lower parts for Bb Euphonium on treble staff. This recognizable song was arranged to be easy to play: range limited, rests provided, rehearsal marks designed for easy group cuing, and the workload shared (everyone gets to play the melody). Also available for other quartets: Saxophone, String, Woodwind. Submit feedback at SchoolEnsemble.com.
$8.99
8.29 €
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E
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Skaters' Waltz by Waldteufel for Brass Quartet in Schools
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School Ensemble Music
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SheetMusicPlus
Opus 03 Quarteto Brasileiro Nº 01. Brazilian Quartet Nº 01.
Instrumental Duet Guitar,Instrumental Duet,Ukulele - Level 4 - Digital Download SKU: A0…
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Instrumental Duet Guitar,Instrumental Duet,Ukulele - Level 4 - Digital Download SKU: A0.1002633 Composed by Carlos Gonçalves da Silva. Contemporary,Folk,Jazz,Latin,Standards. Score and parts. 64 pages. Carlos Goncalves da Silva #6449719. Published by Carlos Goncalves da Silva (A0.1002633). O Quarteto Brasileiro é uma formação que inclui o Bandolim, o Cavaquinho, o Violão e o Violão de 7 cordas. São instrumentos universais muito usados no Brasil, especialmente em grupos de choro. Quanto aos movimentos temos alguns ritmos universais como a Valsa, a Modinha, que é uma espécie de canção tÃpica do Brasil e Portugal, e a Marcha, mas todos muito comuns no Brasil e também estilos tipicamente brasileiros como o Choro e o Baião, que é uma dança caracterÃstica do nordeste Brasileiro.The Brazilian Quartet is a formation that includes the Mandolin, Cavaquinho, Guitar and 7-String Guitar. They are universal instruments widely used in Brazil, especially in choro groups. As for the movements we have some universal rhythms such as the Waltz, the Modinha, which is a kind of song typical of Brazil and Portugal, and the Marcha, but all very common in Brazil and also typically Brazilian styles such as Choro and Baião, which is a characteristic dance of northeastern Brazil.
$14.99
13.82 €
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Carlos Gonçalves da Silva
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Opus 03 Quarteto Brasileiro Nº 01. Brazilian Quartet Nº 01.
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Carlos Goncalves da Silva
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SheetMusicPlus
The Christmas Waltz
B-Flat instrument,Bass Clef Instrument,C Instrument,E-Flat Instrument,Viola - Level 4 - Di…
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B-Flat instrument,Bass Clef Instrument,C Instrument,E-Flat Instrument,Viola - Level 4 - Digital Download SKU: A0.512877 Composed by Jule Styne. Arranged by Roger Wallace. Christmas,Jazz. 44 pages. Roger Wallace #4845643. Published by Roger Wallace (A0.512877). Christmas Quartet with Multiple Part Options. The Frank Sinatra favorite features all parts in a classic waltz style. Designed mainly for family groups such as brass, woodwinds and strings. Mixing voice types can be done with care. See cover sheet on arrangement for instrumentation. NOTE: Audio sample clip begins at 2 measures before Letter A. A full length audio version can be heard in the YouTube video. The audio sample represents a Clarinet Quartet (3 Clarinets, Bass Clarinet).This arrangement is also available for many other ensembles and soloists. Look for more arrangements by Roger Wallace.
$12.99
11.98 €
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Jule Styne
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The Christmas Waltz
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Roger Wallace
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SheetMusicPlus
Madrigal Pavane / Timburibá
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4287 Composed by Francisco Braga. A…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Published by Les Productions d'OZ - Digital (ZZ.DZ-4287). ISBN 9782898522048.Antônio Francisco Braga (1868-1945) belongs to the generation of Brazilian composers of the first republican period, aesthetically tied to romanticism, alongside Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914), and Barrozo Neto (1881-1941). Born in Rio de Janeiro, on April 15th, 1868, he began his musical studies at the Asilo dos Meninos Desvalidos, in 1876. In 1883, he enrolled at the Imperial Conservatório de Música where he studied harmony and counterpoint with Carlos de Mesquita – a former student of César Franck, Durand, and Massenet – and clarinet with Antônio Luís de Moura. Braga's first compositions date from this period: Sonho de Dante (1885), Dolce far niente (1886), the first Valse Romantique for piano (1886), among others.In 1887, he premiered his first symphonic work, Fantasia-Abertura. In 1890, being one of the finalists in a competition to choose the new Brazilian national anthem, Braga was awarded a scholarship to study in Europe, where he took classes with Jules Massenet at the Paris Conservatory. During this period, he wrote some of his most important symphonic works, Paysage, Cauchemar, Episódio Sinfônico, and Marabá (which was performed by Richard Strauss and the Vienna Philharmonic in 1920, in Brazil). His opera Jupyra is considered one of the greatest Brazilian compositions of that genre.Back in Brazil, he was appointed professor of counterpoint, fugue, and composition at the Instituto Nacional de Música, in 1902. There, some of the finest Brazilian composers studied with him, like Glauco Velásquez and Lorenzo Fernândez.Braga wrote operas, symphonic works, songs, sacred music, two Masses, music for piano, different chamber formations, band, and choir. He is the author of many patriotic hymns, the most popular of which is Hino à Bandeira (with lyrics by Olavo Bilac). He explored Brazilian nationalist elements in some of his works, as in Variações sobre um Tema Brasileiro and in the Trio for violin, cello and piano, whose third movement is based on a lundu (a musical genre and dance of Afro-Brazilian origin).In addition to being a composer, Braga was one of the most active conductors of his time, having been ahead of three orchestras in Rio de Janeiro: Instituto Nacional de Música, Sociedade de Concertos Sinfônicos, and Theatro Municipal. Braga conducted the Brazilian premiere of major symphonic works such as La Mer (Debussy), Pacific 231 (Honegger) besides other numerous Brazilian compositions.In 1938, he retired from Instituto Nacional de Música. He passed away on March 14th, 1945, in Rio de Janeiro.Unfortunately, Francisco Braga never wrote for the guitar. However, over a century ago his music had already been incorporated to its repertoire. According to information found in newspapers of the time, Spanish guitarist Josefina Robledo included transcriptions of pieces by Braga in her programs when she performed in Brazil: Gavota e Minuete (from the melodrama Contratador de Diamantes), in 1919, in São Paulo, and the waltz-caprice Corrupio, in 1921, in Rio de Janeiro.The piano score of Madrigal Pavane was dedicated to Alexina Leitão and published by Casa Vieira Machado, in 1901. According to the composer’s catalogue, there are two other versions of this piece: strings orchestra (1901) and quartet (which is still in manuscript). Dedicated to Braga’s childhood friend José de Souza Rocha, Timburibá (the name of a Brazilian tree) is a tango for piano from 1886, published by Narciso & Arthur Napoleão.Antônio Francisco Braga (1868-1945) appartient à la génération des compositeurs brésiliens de la première période républicaine, esthétiquement liés au romantisme, aux côtés de Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914) , et Barrozo Neto (1881-1941). Né à Rio de Janeiro, le 15 avril 1868, il commence ses études musicales à l'Asilo dos Meninos Desvalidos, en 1876. En 1883, il s'inscrit au Imperial Conservatório de Música où il étudie l'harmonie et le contrepoint avec Carlos de Mesquita – ancien élève de César Franck, Durand et Massenet – et clarinette avec Antônio Luís de Moura. De cette période datent les premières compositions de Braga : « Sonho de Dante » (1885), « Dolce far niente » (1886), la première « Valse Romantique » pour piano (1886), entre autres.En 1887, il crée sa première œuvre symphonique, « Fantasia-Abertura ». En 1890, étant l'un des finalistes d'un concours pour choisir le nouvel hymne national brésilien, Braga obtient une bourse pour étudier en Europe, où il suit les cours de Jules Massenet au Conservatoire de Paris. Durant cette période, il écrit certaines de ses œuvres symphoniques les plus importantes, « Paysage », « Cauchemar », « Episódio Sinfônico » et « Marabá » (interprétée par Richard Strauss et la Philharmonie de Vienne en 1920, au Brésil). Son opéra « Jupyra » est considéré comme l'une des plus grandes compositions brésiliennes de ce genre.De retour au Brésil, il fut nommé professeur de contrepoint, de fugue et de composition à l'Instituto Nacional de Música, en 1902. Là, certains des meilleurs compositeurs brésiliens étudièrent avec lui, comme Glauco Velásquez et Lorenzo Fernândez.Braga a écrit des opéras, des œuvres symphoniques, des chansons, de la musique sacrée, deux messes, de la musique pour piano, différentes formations de chambre, un orchestre et une chorale. Il est l'auteur de nombreux hymnes patriotiques, dont le plus populaire est « Hino à Bandeira » (avec des paroles d'Olavo Bilac). Il a exploré des éléments nationalistes brésiliens dans certaines de ses œuvres, comme dans « Variações sobre um Tema Brasileiro » et dans le Trio pour violon, violoncelle et piano, dont le troisième mouvement est basé sur un « lundu » (un genre musical et une danse afro-américaine). Origine brésilienne).En plus d'être compositeur, Braga a été l'un des chefs d'orchestre les plus actifs de son époque, ayant dirigé trois orchestres à Rio de Janeiro : « Instituto Nacional de Música », « Sociedade de Concertos Sinfônicos » et « Theatro Municipal ». Braga a dirigé la première brésilienne d'œuvres symphoniques majeures telles que « La Mer » (Debussy), « Pacific 231 » (Honegger) ainsi que de nombreuses autres compositions brésiliennes.En 1938, il prend sa retraite de l'Instituto Nacional de Música. Il est décédé le 14 mars 1945 à Rio de Janeiro.Malheureusement, Francisco Braga n’a jamais écrit pour la guitare. Cependant, il y a plus d'un siècle, sa musique était déjà incorporée à son répertoire. Selon des informations trouvées dans les journaux de l'époque, la guitariste espagnole Josefina Robledo incluait des transcriptions de pièces de Braga dans ses programmes lorsqu'elle se produisait au Brésil : « Gavota e Minuete » (du mélodrame « Contratador de Diamantes »), en 1919, à São Paulo, et la valse-caprice « Corrupio », en 1921, à Rio de Janeiro.La partition pour piano de « Madrigal Pavane » a été dédiée à Alexina Leitão et publiée par « Casa Vieira Machado », en 1901. Selon le catalogue du compositeur, il existe deux autres versions de cette pièce : orchestre à cordes (1901) et quatuor (qui est encore manuscrit). Dédié à José de Souza Rocha, ami d'enfance de Braga, « Timburibá » (nom d'un arbre brésilien) est un tango pour piano de 1886, publié par « Narciso & Arthur Napoleão ».Envoyer des commentairesPanneaux latérauxHistoriqueEnregistrées.
$7.95
7.33 €
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Francisco Braga
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Madrigal Pavane / Timburibá
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Les Productions d'OZ - Digital
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SheetMusicPlus
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