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When I Get Old
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I'll tell my ma when I get home (The Belle of Belfast city) for double-reed trio and piano
Small Ensemble Bassoon,English Horn,Oboe,Piano Accompaniment - Level 2 - Digital Download …
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Small Ensemble Bassoon,English Horn,Oboe,Piano Accompaniment - Level 2 - Digital Download SKU: A0.577333 Composed by Traditional. Arranged by David Warin Solomons. 20th Century,Folk,Multicultural,World. Score and parts. 16 pages. David Warin Solomons #3629977. Published by David Warin Solomons (A0.577333). Arrangement of the old Ulster folk song I'll tell my ma when I get home (The Belle of Belfast city)
$8.00
7.4 €
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Traditional
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I'll tell my ma when I get home
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David Warin Solomons
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SheetMusicPlus
Nobody Love a Fairy When She's Forty - in C major (soprano key)
Voice Duet Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.779671 Composed b…
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Voice Duet Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.779671 Composed by Arthur Le Clerq. Arranged by Kim Kirkman. Broadway,Contemporary,Musical/Show,Traditional. Score. 4 pages. Kim Kirkman #6697501. Published by Kim Kirkman (A0.779671). This is a wonderful old comedy song.This is in C major - the high key for sopranosI have put in the first verse that Tessie sings, plus the spoken part. I have changed some of the words of the spoken part to update them.I have then constructed a third verse from other verses that Le Clerq wrote. To sing it exactly like Tessie please repeat first verse.Words:Verse:For years a fairy queen I've bin', For years I foiled the demon king.But alas, I'm getting on, The years have flown somehow,And I feel that Fairy Snowdrop isn't wanted now.Chorus One:Nobody loves a fairy when she's forty.Nobody loves a fairy when she's old.She may still have her magic power, But that is not enough,They like their bit of magic from a younger bit of fluff.When once your silver star has lost its glitter,And your tinsel looks like rust instead of gold.Your fairy days are ending when your wand has started bending.Noone loves a fairy when she's old.Spoken:T'was I who found the magic wand, I will not tell you where.T'was I who found young Tinkerbell, her head was full of airI’ve been a fairy of the flowers, and fairy daffodils,I’ve been a fairy of the wind, and suffer from it still!In certain covered valley hills I go down to the glenBeen loved by all the children and run after by the men. Huh!Noone could touch me at me splits, me splits were all the rage,Until the night woodman left his chopper on the stage, what a mess!Verse 2:Nobody loves a fairy when she's forty.Nobody loves a fairy when she's old.As far as I can see they try to push you off the map,When once your wand has withered and your wings refuse to flap.When you have lost your little fairy dimples,And the mothholes in your dress let in the cold,It seems that they would sooner listen to a blinkin' crooner,Noone loves a fai-y when she's old!
$1.99
1.84 €
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Arthur Le Clerq
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Nobody Love a Fairy When She's Forty - in C major
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Kim Kirkman
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SheetMusicPlus
Belle of Belfast City (I'll tell my ma) for flute, clarinet and guitar
Small Ensemble Clarinet,Flute,Guitar - Level 3 - Digital Download SKU: A0.577607 Co…
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Small Ensemble Clarinet,Flute,Guitar - Level 3 - Digital Download SKU: A0.577607 Composed by Traditional. Arranged by David Warin Solomons. 20th Century,Celtic,Folk,Irish,Multicultural,World. Score and parts. 10 pages. David Warin Solomons #2363141. Published by David Warin Solomons (A0.577607). Arrangement of the old Ulster folk song I'll tell my ma when I get home (The Belle of Belfast city) for 2 wind instruments and guitar.
$7.00
6.47 €
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Traditional
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Belle of Belfast City
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David Warin Solomons
#
SheetMusicPlus
I'll tell my ma (the Belle of Belfast City) for wind trio (oboe, clarinet, bassoon) and piano
Small Ensemble Bassoon,Clarinet,Oboe,Piano Accompaniment - Level 3 - Digital Download S…
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Small Ensemble Bassoon,Clarinet,Oboe,Piano Accompaniment - Level 3 - Digital Download SKU: A0.577320 Composed by Traditional. Arranged by David Warin Solomons. 20th Century,Celtic,Contemporary,World. Score and parts. 16 pages. David Warin Solomons #3446191. Published by David Warin Solomons (A0.577320). Arrangement of the old Ulster folk song I'll tell my ma when I get home (The Belle of Belfast city)
$7.00
6.47 €
#
Traditional
#
I'll tell my ma
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David Warin Solomons
#
SheetMusicPlus
I Shall See the King (Yo veré al Rey)
B-Flat Trumpet,Cello,Clarinet,Double Bass,Flute,Oboe,Piano,Viola,Violin - Level 2 - Digita…
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B-Flat Trumpet,Cello,Clarinet,Double Bass,Flute,Oboe,Piano,Viola,Violin - Level 2 - Digital Download SKU: A0.1217089 By Ron Hamilton. By Ron Hamilton. Arranged by Esaú Flores Carreño. 20th Century,Christian,Easter,Religious,Sacred. 42 pages. Esaú Flores Carreño #813625. Published by Esaú Flores Carreño (A0.1217089). Arrangement commissioned by the Iglesia Bautista Fundamental Independiente Puerta Abierta, in Oaxaca, Oax., for a small orchestra (2 Flts., 1 Oboe [or flute 3], 1 Clt., 1 Tpt., and strings) with piano.Original music and lyrics by Ron Hamilton. Lyrics: Behold, a future glimpse; I show you a mystery:A trumpet's mighty blast will pierce through the sky.The grave shall then be swallowed in victory.King Jesus will prevail, and death shall die.Chorus:I shall see the King in His beauty,Shining forth in brilliant light.I shall start the praise of eternity,When I shall see the glorious sight.Though each foe from hell fights mastery,Though each sin of earth tries to conquer me,With one word my King shall claim victory,When my eyes behold the King!Creation groans together,calling the King to come;Each royal child looks upward scanning the skies.Their unison crescendo pleads, Come quickly Lord,Pronounce the final word and we shall rise.Arreglo comisionado por la Iglesia Bautista Fundamental Independiente Puerta Abierta, en Oaxaca, Oax., para una orquesta pequeña (2 Flts., 1 Oboe [o flauta 3], 1 Clt., 1 Tpt., y cuerdas)con piano. Música original y letra de Ron Hamilton.Â
$29.90
27.65 €
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Ron Hamilton
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I Shall See the King
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Esaú Flores Carreño
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SheetMusicPlus
Above All with When I Survey the Wondrous Cross
Rhythm instruments - Level 3 - Digital Download SKU: H1.C5559RDP Composed by Lenny …
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Rhythm instruments - Level 3 - Digital Download SKU: H1.C5559RDP Composed by Lenny Leblanc and Paul Baloche. Arranged by Arnold B. Sherman. Sing & Ring Series. Classics, Contemporary, General Worship. Rhythm Parts. 32 pages. Hope Publishing - Digital #C5559RDP. Published by Hope Publishing - Digital (H1.C5559RDP). By Lenny LeBlanc & Paul Baloche. John 1:1 - John 1:2 - John 1:3 - Philippians 2:8 - Philippians 2:9 - Philippians 2:10 - Philippians 2:11 - Mark 15:16 - Mark 15:17 - Mark 15:18 - Mark 15:19 - Mark 15:20.Medley of classic tunes by Lenny LeBlanc & Paul Baloche Utilizing handbells, SATB choir and rhythm, Arnold Sherman brings both traditional and contemporary elements together in this dynamic new anthem for blended worship. The combination of these forces is the perfect opportunity to bring all of your church musicians together for a powerful worship presentation. The 3-5 octave handbell accompaniment and rhythm parts are optional. The bell setting can be performed alone or with the guitar, bass guitar, synth. , and drums. The CD track includes a rhythm only track for use with handbell choir. The Rhythm packet contains a Full Score and parts for: Electric Guitar, Electric Bass, Synthesizer and a Drum Kit.
$34.95
32.32 €
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Lenny LeBlanc & Paul Baloche
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Lenny Leblanc and Paul Baloche
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Above All with When I Survey the Wondrous Cross
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Hope Publishing - Digital
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SheetMusicPlus
Above All with When I Survey the Wondrous Cross
Choral, Handbell (Handbells, Rhythm) - Level 3 - Digital Download SKU: H1.C5559DP C…
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Choral, Handbell (Handbells, Rhythm) - Level 3 - Digital Download SKU: H1.C5559DP Composed by Lenny Leblanc and Paul Baloche. Arranged by Arnold B. Sherman. Sing & Ring Series. Classics, Contemporary, Ring & Sing, General Worship. Octavo. 8 pages. Hope Publishing - Digital #C5559DP. Published by Hope Publishing - Digital (H1.C5559DP). By Lenny LeBlanc & Paul Baloche. John 1:1 - John 1:2 - John 1:3 - Philippians 2:8 - Philippians 2:9 - Philippians 2:10 - Philippians 2:11 - Mark 15:16 - Mark 15:17 - Mark 15:18 - Mark 15:19 - Mark 15:20.Medley of classic tunes by Lenny LeBlanc & Paul Baloche Utilizing handbells, SATB choir and rhythm, Arnold Sherman brings both traditional and contemporary elements together in this dynamic new anthem for blended worship. The combination of these forces is the perfect opportunity to bring all of your church musicians together for a powerful worship presentation. The 3-5 octave handbell accompaniment and rhythm parts are optional. The bell setting can be performed alone or with the guitar, bass guitar, synth. , and drums. The CD track includes a rhythm only track for use with handbell choir. The Rhythm packet contains a Full Score and parts for: Electric Guitar, Electric Bass, Synthesizer and a Drum Kit.
$3.25
3.01 €
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Lenny LeBlanc & Paul Baloche
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Lenny Leblanc and Paul Baloche
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Above All with When I Survey the Wondrous Cross
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Hope Publishing - Digital
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SheetMusicPlus
If Not Now, When?
Large Ensemble Cello,Clarinet,Flute,Piano,Piccolo,Viola,Violin - Level 3 - Digital Downloa…
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Large Ensemble Cello,Clarinet,Flute,Piano,Piccolo,Viola,Violin - Level 3 - Digital Download SKU: A0.841258 Composed by Chris Gordon. 20th Century. Score and parts. 39 pages. Cool Wind Music Digital #3056419. Published by Cool Wind Music Digital (A0.841258). Full set of parts: Please contact Chris Gordon at the email address on the first page of music for details.IF NOT NOW, WHEN? If Not Now, When? gets its title from the novel by Primo Levi, the Italian author who both survived life in Auschwitz and fought the continued German military presence in Italy with the Resistance after the Italian surrender to the Allies in September 1943. Levi meant that revolution and the overthrow of tyranny should never be 'put off until tomorrow'. If you believe you are on the side of right, then 'seize the day'- tomorrow may be too late. The inspiration for INNW? grew from research I was doing into an early song by Alban Berg called An Leukon which Berg wrote in 1907 while a student of Arnold Schoenberg. In delving into the kind of world which Berg inhabited in the Vienna of 100 years ago, I was fascinated by the café culture* which played a pivotal role in the lives of most artists: not only composers, but also writers, painters, architects and journalists. They swirled around the fashionable 'watering holes' sucking up current thoughts and ideas, high on Viennese coffee, cigar smoke and idealism! I envisaged a play which tried to encapsulate all this and wrote a few scenes with characters such as Schoenberg, Berg, Webern, Steuermann, Pisk, Kraus, Gropius and Altenberg heatedly discussing music, art and poetry over large cups of milky coffee. This grew into the framework for INNW? which, to paraphrase Pirandello's play about characters seeking an author, is a 'play without words in several scenes'. The piece is organised into 8 short movements or 'scenes' showing the 'Schoenberg cirle' sharing their radical and daring ideas and the shock or delight (or both simultaneously) with which those ideas are greeted. The first, which happens to be the longest, is rooted in conventional tonality. It begins with a fanfare in D flat major ('aux armes, citoyens!'), then seeks a 'freer' tonality by means of the 'emancipation of the semitone' only to capitulate in the central section and, finally, to 'fall back to earth' by winding down in G sharp minor. These 'scenes' are not meant to represent particular composers. They are, however, meant to represent the kinds of directions in which music could progress, given the 'breakdown' or 'stretching to its limits' of traditional harmony which had occurred in the previous 10 to 20 years. So many ways forward were promulgated, with one after another extraordinary, and often unexpected, futuristic musical panoramas glimpsed momentarily. My aim is to demonstrate which directions they decided they could head in having cleared the 'overgrown' path before them. * I even discovered that, around this time, in the Café Central, a certain Leon (Lev) Bronstein, otherwise known as Leon Trotsky, banished by the Okhrana (Imperial secrect police) from his native Russia, would spend all day in a back room playing chess. How delicious, I thought, if Schoenberg had ever brushed passed Trotsky or, indeed, had ever spoken to him: the one planning political and the other musical revolution!
$25.00
23.12 €
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Chris Gordon
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If Not Now, When?
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Cool Wind Music Digital
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SheetMusicPlus
Piano Trio No. 1 "Poets and Prophets" (piano score - pno, vln, cel)
Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861898 Composed by …
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Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861898 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 55 pages. Mark O'Connor Musik International #6206157. Published by Mark O'Connor Musik International (A0.861898). Piano Trio No. 1 Poets and Prophets (piano score – piano, vln, cel) MO160APiano Score (parts available)Music by Mark O’Connor51 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO160A
$22.50
20.81 €
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Mark O'Connor
#
Johnny Cash
#
Piano Trio No. 1 "Poets and Prophets"
#
Mark O'Connor Musik International
#
SheetMusicPlus
Piano Trio No. 1 "Poets and Prophets" (violin part - pno, vln, cel)
Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861899 Composed by …
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Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861899 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 23 pages. Mark O'Connor Musik International #6206159. Published by Mark O'Connor Musik International (A0.861899). Piano Trio No. 1 Poets and Prophets (violin part – piano, vln, cel) MO160BViolin Part (score and parts available)Music by Mark O’Connor20 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO160.
$15.00
13.87 €
#
Mark O'Connor
#
Johnny Cash
#
Piano Trio No. 1 "Poets and Prophets"
#
Mark O'Connor Musik International
#
SheetMusicPlus
Piano Trio No. 1 "Poets and Prophets" (cello part - pno, vln, cel)
Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861901 Composed by …
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Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861901 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 21 pages. Mark O'Connor Musik International #6206161. Published by Mark O'Connor Musik International (A0.861901). Piano Trio No. 1 Poets and Prophets (cello part – piano, vln, cel) MO160CCello Part (score and parts available)Music by Mark O’Connor18 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number.
$15.00
13.87 €
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Mark O'Connor
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Johnny Cash
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Piano Trio No. 1 "Poets and Prophets"
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Mark O'Connor Musik International
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SheetMusicPlus
Black Hounds of Cŵn Annwn for Harp Ensemble (C minor) - Score Only
Level 4 - Digital Download SKU: A0.1264876 By Laura Olson. By Laura Olson. Arranged…
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Level 4 - Digital Download SKU: A0.1264876 By Laura Olson. By Laura Olson. Arranged by Laura Olson. Celtic,Classical,Folk,Irish,Multicultural,New Age,World. 12 pages. Blue Steer Studios #857714. Published by Blue Steer Studios (A0.1264876). Perform this original work of Celtic Irish setting from her CD (Gypsy Road,2012) scored for harp ensemble of intermediate to advanced players.  Scored in E minor with no lever changes it features a creative slip-jig with lush and effective harmonies.  A rare opportunity to showcase programmatic skills for the harp ensemble.  The dark and mysterious musical message will touch the hearts of all who hear it.About the CompositionI wrote this when I was very angry at the world.  Someday I might meet a black hound on a dark night... and we’ll both go hunting together.Black Dogs,  Black Hounds, The Hounds of Hell,  Dogs of Hell,  Gabriel Hounds, Yell Hounds,  Barghest,  Black Dog of the Hanging Hills, Gurt Dog or the Hounds of Herne the Hunter… by whatever name, they are a common feature in the folklore of the British Isles.  The Black Hounds of Cŵn Annwn are the spectral hounds of Annwn, the otherworld of Welsh myth.  Early Christians came to dub these mythical creatures as The Hounds of Hell or Dogs of Hell and erroneously theorized they were therefore owned by Satan.  However, the Annwn of medieval Welsh tradition is an otherworldly paradise and not a hell or abode of dead souls. The Black Hounds are a nocturnal apparition, and their appearance was regarded as a portent of death. They are supposed to hunt on specific nights in the autumn and winter when it is believed that the howling of these huge dogs foretold death to anyone who heard them. *************************************************About the Composer Laura Olson (ASCAP) is a retired California music educator with over 30 years of experience specializing in stringed instruments and orchestras. She holds a B.A. in Music Education and M.A. in Irish Traditional Music Performance (fiddle, flute, and harp). Her experience as a symphonic musician, ethnic musician, and Film/TV composer led her to combining the three aspects of music into her own compositions and arrangements; storybook music in cinematic style. She is the owner of her recording and publishing label Blue Steer Studios(ASCAP) which allows her to combine her composing skills with knowledge of both the business and publishing aspects of music industry. Winner of a Silver Ace Award from the Las Vegas Film Festival she has composed music for all types of media, including Film/TV, web and advertising, and her own personal music in audio CD and sheet music. In 2021 she took time off from composing to relocate her studio to Eastern Washington (Spokane) and is now getting started on new projects and pursuing music composition full time. Look for them soon!************************************************* Discography Mossflower Country (2010) Border Guardians of Ackernon (2011) Gypsy Road (2012) which released with proceeds going to Fresno Bully Rescue and Animal Compassion Team Moon Trees and Sun Seas (2015) A Grimm-ly Lit Forest (2018). *************************************************SocialSpotify: LauraOlsonMusic Apple Music: https://music.lnk.to/0GVvSr Facebook https://www.facebook.com/BlueSteerStudios/ Twitter https://twitter.com/BlueSteerStudio Soundcloud https://soundcloud.com/laura-olson *************************************************.
$4.99
4.61 €
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Laura Olson
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Black Hounds of Cŵn Annwn for Harp Ensemble
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Blue Steer Studios
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SheetMusicPlus
My Father's Love, a Father's Day Tribute
Choral Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.824259 Composed by Ke…
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Choral Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.824259 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Praise & Worship,Sacred,Spiritual. Score. 8 pages. Kevin G. Pace #431091. Published by Kevin G. Pace (A0.824259). A beautiful vocal solo paying tribute to all fathers. Music by Kevin G. Pace. Text by Mary Ann W. Snowball. Text: My father’s love was manifest when in his arms I laid. His strength would ever hold me tight, a bond securely made. My father’s love was shown to me each day when I’d confide. My father’s love still radiates. To him I’m ever tied. We’ve been together through the years; he gave me wings to fly. He taught me how to live my life and gave me reasons why. He often said to be my best, keep promises I heard, to show great kindness when I spoke, and of our God to learn. My father’s love extends beyond to all posterity, to ev’ry single grandchild now, plus new births yet to be. He wants each one to feel his love and know he deeply cares. My father’s love still multiplies and is so very rare. My father’s love is manifest up to this very day. His strength still holds me carefully in his respectful way. His special love is shown to me each time I hear his voice. My father’s love still radiates; he’ll always be my choice.
$3.99
3.69 €
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Kevin G
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he gave me wings to fly
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My Father's Love, a Father's Day Tribute
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Kevin G. Pace
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SheetMusicPlus
Que Pasa
Double Bass,Drum Set - Level 3 - Interactive Download SKU: A0.1297026 By Joe Hender…
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Double Bass,Drum Set - Level 3 - Interactive Download SKU: A0.1297026 By Joe Henderson. By Horace Silver. Arranged by Horace Silver. This edition: Interactive Download. Jazz. 37 pages. Duration 355. George Kaplan #C5SAErxqDpwnfFE1mI7uF. Published by George Kaplan (A0.1297026). Key: Db major.This is a note-for-note transcription of the October 31, 1963 trio recording of Horace Silver’s tune Que Pasa. It is notated for piano, bass and drums, although the bass is a three-note figure that hardly ever varies. For his improvisations, Horace employed a call-and-response pattern between his two hands, with little overlap. This means that the solo pianist can play the string bass part with her left hand while handling both piano staves with her right. Horace observed, “We never used this trio version but I really like this earlier version. I approached it differently in that I didn’t always resolve it when I was improvising. It’s different and I like it.†See bar 67 for an example of his reluctance to resolve. To create Que Pasa, Horace took the first line of Gershwin's Nice Work If You Can Get It (“Holding hands at midnightâ€) and put a samba bassline underneath. It is written in the theoretical key of Db minor, together with the non-diatonic chords G13 and F13. The tune stayed in his bandbook for the next three years and has become something of a mini-standard over the years.
$9.99
9.24 €
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Joe Henderson
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Que Pasa
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George Kaplan
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SheetMusicPlus
Wedding March
Guitar,Instrumental Solo - Level 3 - Interactive Download SKU: A0.1196681 Composed …
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Guitar,Instrumental Solo - Level 3 - Interactive Download SKU: A0.1196681 Composed by Felix Bartholdy Mendelssohn. Arranged by Robert Clarke. This edition: Interactive Download. Classical,Wedding. Individual part. 2 pages. Duration 139. Robert Clarke #1jHHCNiaZwR3ohffZKCUT6. Published by Robert Clarke (A0.1196681). Key: C major.This wedding classic arranged for classical guitar omits the triplet opening so as to begin with the most recognizable part of the tune. The form used here is AABAABA and is just over 2 minutes in length. Note in measure 11 how the two upper notes are played simultaneously with i and then the next two with m and so on, rather than playing the two notes as usual with i & m together. The effect is a more powerful sound mimicking the brass from the original score. It is suggested to trill to the dot (beat two) for best results, i.e. stop trilling when you get to beat two.
$4.99
4.61 €
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Felix Bartholdy Mendelssohn
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Wedding March
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Robert Clarke
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SheetMusicPlus
Focus on Grace ... A concerto for jazz saxophone and orchestra (2010)
Small Ensemble - Level 4 - Digital Download SKU: A0.869266 Composed by Thomas Oboe …
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Small Ensemble - Level 4 - Digital Download SKU: A0.869266 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin,Romantic Period. Score and parts. 73 pages. Thomas Oboe Lee #2019061. Published by Thomas Oboe Lee (A0.869266). Instrumentation: Alto sax solo and orchestra, 2222-4231-perc-drum set-strings Program note. Maestro Max Hobart called me in the spring of 2009 and told me to check out this young jazz phenom on the saxophone named Grace Kelly. I said OK, that’s cool. That summer we went to the Regatta Bar in Harvard Square to hear her play with her band, and I was duly impressed by her musicality, soulfulness and chops. Max asked if I would be interested in writing a concerto for her and the Wellesley Symphony. I said, Sure. It sounds like a great idea. One of the most cherished jazz records in my vast collection is the collaboration between Stan Getz and Eddie Sauter entitled Focus. Eddie, who used to be an arranger for the Benny Goodman Band in the forties, went on to create the Sauter Finegan Band in the early fifties. The band was one of the first to include the piccolo, oboe, bassoon, harp, celesta, French horn, tuba, xylophone, glockenspiel, chimes, timpani, and other unusual symphonic instruments in the standard big band format of trumpets, trombones, saxophones and rhythm section of piano, bass and drum set. On the album Focus Eddie Sauter composed seven tracks of music for string orchestra and rhythm section. Stan Getz did not have a written part - he just improvised over the written music. If you are not familiar with this recording, then you will do yourself a huge favor if you go find it and add it to your own CD collection. The music is phenomenal and Stan is on top of his game, soaring above the strings with endless melodic inventions, flights of imagination and whimsy! It is one of those desert island CDs one should not be without. When I emailed Grace about this project and mentioned Stan Getz’s Focus, she said, It’s one of my favorite albums. So, we got off on a positive note immediately. My work, Focus on Grace … Concerto for Jazz Saxophone and Orchestra, is very much inspired both by the Stan Getz album and by the performances I heard of Grace and her band. The first movement is based on a funk groove in D minor: Grace’s part is initially written-out but she improvises freely in the coda. The second movement is a boss nova: as in the Stan Getz album, Grace does not have a written part but improvises over a set of chord changes provided by the orchestra. The third and last movement is an Afro-Cuban groove in six-eight: Grace has a written melody at first but soon launches into improvisation on a 12-bar blues in F. She ends the concerto in a free cadenza to show off her virtuosity and saxophone chops. ENJOY!!!
$9.99
9.24 €
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Thomas Oboe Lee
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Focus on Grace ... A concerto for jazz saxophone and orchestra
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Thomas Oboe Lee
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SheetMusicPlus
Do You Remember Piano Vocal Performance
Piano,Voice - Digital Download SKU: A0.1069971 Composed by Steven H. Boothe. Arrang…
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Piano,Voice - Digital Download SKU: A0.1069971 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop,Sacred. Full Performance. Duration 150. Boothe Publishing #4633709. Published by Boothe Publishing (A0.1069971). When I was little I used to sit on Mom's lap while she read me Bible stories. We would read them and look at the pictures and then I had a lot of questions. I remember in particular once picture of Herod's soldiers killing little babies in Bethlehem. I was horrified by what I saw. They were trying to kill the baby Jesus by killing every child that could possibly be Him. The discussions I had with my mom in those formative years helped mold me into the person I am today. I treasure those moments.... I still remember them.... do you? It's never too late to start the tradition of reading and talking together.
$1.99
1.84 €
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Steven H
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Do You Remember Piano Vocal Performance
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Boothe Publishing
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SheetMusicPlus
Do You Remember Guitar Minus Vocal
Guitar - Digital Download SKU: A0.1069952 Composed by Steven H. Boothe. Christian,P…
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Guitar - Digital Download SKU: A0.1069952 Composed by Steven H. Boothe. Christian,Pop,Sacred. Accompaniment. Duration 153. Boothe Publishing #4633637. Published by Boothe Publishing (A0.1069952). When I was little I used to sit on Mom's lap while she read me Bible stories. We would read them and look at the pictures and then I had a lot of questions. I remember in particular once picture of Herod's soldiers killing little babies in Bethlehem. I was horrified by what I saw. They were trying to kill the baby Jesus by killing every child that could possibly be Him. The discussions I had with my mom in those formative years helped mold me into the person I am today. I treasure those moments.... I still remember them.... do you? It's never too late to start the tradition of reading and talking together.
$1.99
1.84 €
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Steven H
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Do You Remember Guitar Minus Vocal
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Boothe Publishing
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SheetMusicPlus
Do You Remember Guitar Vocal Performance
Bass Guitar,Voice - Digital Download SKU: A0.1069970 Composed by Steven H. Boothe. …
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Bass Guitar,Voice - Digital Download SKU: A0.1069970 Composed by Steven H. Boothe. Christian,Pop,Sacred. Full Performance. Duration 153. Boothe Publishing #4633707. Published by Boothe Publishing (A0.1069970). When I was little I used to sit on Mom's lap while she read me Bible stories. We would read them and look at the pictures and then I had a lot of questions. I remember in particular once picture of Herod's soldiers killing little babies in Bethlehem. I was horrified by what I saw. They were trying to kill the baby Jesus by killing every child that could possibly be Him. The discussions I had with my mom in those formative years helped mold me into the person I am today. I treasure those moments.... I still remember them.... do you? It's never too late to start the tradition of reading and talking together.
$1.99
1.84 €
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Steven H
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Do You Remember Guitar Vocal Performance
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Boothe Publishing
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SheetMusicPlus
Cool Cowboy Glen (TAB guitar part of duet)
Guitar - Level 4 - Digital Download SKU: A0.1422149 By The Candlelight Guitarist fe…
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Guitar - Level 4 - Digital Download SKU: A0.1422149 By The Candlelight Guitarist feat. Frank Sanchez. By Bradley Powell. Arranged by Brad Powell. Classical,Country,Folk,Latin. Guitar Tab. 9 pages. Geofonica Artistworks #1003495. Published by Geofonica Artistworks (A0.1422149). This is the GUITAR PART (in standard notation with TAB) of the GUITAR and BASS DUET recording of Cool Cowboy Glen (tribute to Glen Campbell).  This guitar and bass duet features advanced-intermediate fingerstyle guitar playing, combining country, folk, popular, classical and Spanish styles. The guitar plays most of the melody in the first half, with the Bass playing fills, then bass takes over playing the melody in the second half and the guitar accompanies. Then guitar and bass trade off melody, before returning to guitar melody for the final section. It's got lively parts (like a hoedown), and smooth and beautiful parts.The BASS PART is available separately. The GUITAR PART in standard notation (without TAB) is also available separately.Glen Campbell (who inspired this piece) was played guitar on many popular hit songs as a member of The Wrecking Crew group of session musicians, incluing hits by The Beach Boys, The Monkees, Frank Sinatra, and many others. He became as singing star with several hit songs, including Gentle On My Mind, By The Time I Get To Phoenix, Witchita Lineman, Galveston, Rhinestone Cowboy and Southern Nights. He co-starred with John Wayne inthe movie True Grit, also singing the hit title song.Brad Powell (The Candlelight Guitarist) and his bandmate friend Frank Sanchez (both 16 years old) were guests of Glen Campbell in a recording session at Capitol Records, in September 1971. This duet song and recording is their tribute to Glen Campbell.  Frank Sanchez was the original bass player for Weird Al Yankovic... Alfred called him Frank (from the bank) Sanchez.ABOUT the composer: Brad Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso, and at California State University, Northridge under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for Little House on the Prairie). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. When not making music, Brad is often out hiking with his four dogs. Brad also played as the solo guitarist for Disney's Princess Breakfast Adventure at Disney's Grand Californian Resort by Disneyland (March 2019-January 2024), providing music for the Disney Princesses (Belle, Tiana, Jasmine, Rapunzel, Mulan, Aurora, Ariel, Pocahontas, Cinderella, and their friends and guests).
$3.99
3.69 €
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The Candlelight Guitarist feat
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Cool Cowboy Glen
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Geofonica Artistworks
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SheetMusicPlus
Cool Cowboy Glen (guitar part of duet)
Acoustic Guitar,Electric Bass Guitar,Instrumental Duet - Level 3 - Digital Download SKU…
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Acoustic Guitar,Electric Bass Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.1422145 By The Candlelight Guitarist feat. Frank Sanchez. By Bradley Powell. Arranged by Brad Powell. Classical,Country,Folk,Latin. 5 pages. Geofonica Artistworks #1003478. Published by Geofonica Artistworks (A0.1422145). This is the GUITAR PART (in standard notation) of the GUITAR and BASS DUET recording of Cool Cowboy Glen (tribute to Glen Campbell).  This guitar and bass duet features advanced-intermediate fingerstyle guitar playing, combining country, folk, popular, classical and Spanish styles. The guitar plays most of the melody in the first half, with the Bass playing fills, then bass takes over playing the melody in the second half and the guitar accompanies. Then guitar and bass trade off melody, before returning to guitar melody for the final section. It's got lively parts (like a hoedown), and smooth and beautiful parts.The BASS PART is available separately. The GUITAR PART in TABS-plus-standard notation is also available separately.Glen Campbell (who inspired this piece) was played guitar on many popular hit songs as a member of The Wrecking Crew group of session musicians, incluing hits by The Beach Boys, The Monkees, Frank Sinatra, and many others. He became as singing star with several hit songs, including Gentle On My Mind, By The Time I Get To Phoenix, Witchita Lineman, Galveston, Rhinestone Cowboy and Southern Nights. He co-starred with John Wayne inthe movie True Grit, also singing the hit title song.Brad Powell (The Candlelight Guitarist) and his bandmate friend Frank Sanchez (both 16 years old) were guests of Glen Campbell in a recording session at Capitol Records, in September 1971. This duet song and recording is their tribute to Glen Campbell. Frank Sanchez was the original bass player for Weird Al Yankovic... Alfred called him Frank (from the bank) Sanchez.ABOUT the composer: Brad Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso, and at California State University, Northridge under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for Little House on the Prairie). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. When not making music, Brad is often out hiking with his four dogs. Brad also played as the solo guitarist for Disney's Princess Breakfast Adventure at Disney's Grand Californian Resort by Disneyland (March 2019-January 2024), providing music for the Disney Princesses (Belle, Tiana, Jasmine, Rapunzel, Mulan, Aurora, Ariel, Pocahontas, Cinderella, and their friends and guests).
$2.99
2.76 €
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The Candlelight Guitarist feat
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Cool Cowboy Glen
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Geofonica Artistworks
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SheetMusicPlus
Cool Cowboy Glen (bass part of duet)
Acoustic Guitar,Electric Bass Guitar,Instrumental Duet - Level 3 - Digital Download SKU…
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Acoustic Guitar,Electric Bass Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.1422152 By The Candlelight Guitarist feat. Frank Sanchez. By Bradley Powell. Arranged by Brad Powell. Country,Folk,Latin,Pop,Rock. 5 pages. Geofonica Artistworks #1003498. Published by Geofonica Artistworks (A0.1422152). This is the BASS PART (in standard notation) of the GUITAR and BASS DUET recording of Cool Cowboy Glen (tribute to Glen Campbell).  This guitar and bass duet features advanced-intermediate fingerstyle guitar playing, combining country, folk, popular, classical and Spanish styles. The guitar plays most of the melody in the first half, with the Bass playing fills, then bass takes over playing the melody in the second half and the guitar accompanies. Then guitar and bass trade off melody, before returning to guitar melody for the final section. It's got lively parts (like a hoedown), and smooth and beautiful parts.The GUITAR PART is available separately, in standard notation, and also in TABS-plus-standard notation.Glen Campbell (who inspired this piece) was played guitar on many popular hit songs as a member of The Wrecking Crew group of session musicians, incluing hits by The Beach Boys, The Monkees, Frank Sinatra, and many others. He became as singing star with several hit songs, including Gentle On My Mind, By The Time I Get To Phoenix, Witchita Lineman, Galveston, Rhinestone Cowboy and Southern Nights. He co-starred with John Wayne inthe movie True Grit, also singing the hit title song.Brad Powell (The Candlelight Guitarist) and his bandmate friend Frank Sanchez (both 16 years old) were guests of Glen Campbell in a recording session at Capitol Records, in September 1971. This duet song and recording is their tribute to Glen Campbell.  Frank Sanchez was the original bass player for Weird Al Yankovic... Alfred called him Frank (from the bank) Sanchez.ABOUT the composer: Brad Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso, and at California State University, Northridge under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for Little House on the Prairie). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. When not making music, Brad is often out hiking with his four dogs. Brad also played as the solo guitarist for Disney's Princess Breakfast Adventure at Disney's Grand Californian Resort by Disneyland (March 2019-January 2024), providing music for the Disney Princesses (Belle, Tiana, Jasmine, Rapunzel, Mulan, Aurora, Ariel, Pocahontas, Cinderella, and their friends and guests).
$2.99
2.76 €
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The Candlelight Guitarist feat
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Cool Cowboy Glen
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Geofonica Artistworks
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SheetMusicPlus
LOOK DOWN, LORD
Medium-High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.1171213 By PAUL L…
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Medium-High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.1171213 By PAUL LUTHER VINES. By PAUL LUTHER VINES. Arranged by PAUL LUTHER VINES. Blues,Christian,Folk,Religious,Spiritual. 1 pages. PAUL Luther VINES #770148. Published by PAUL Luther VINES (A0.1171213). I wrote this song when I moved from home on the farm to a lonely, low cost, one studio apartment in downtown Seattle where I aspired to become an artist. I still recall those days and joys of writing songs between my breaks of playing tennis and oil painting. Happily, two of my paintings sold which helped me get by.
$3.00
2.77 €
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PAUL LUTHER VINES
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LOOK DOWN, LORD
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PAUL Luther VINES
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SheetMusicPlus
Can't Take My Eyes Off Of You
Small Ensemble Cello,Drums,Flute,Viola,Violin - Level 3 - Digital Download SKU: A0.9352…
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Small Ensemble Cello,Drums,Flute,Viola,Violin - Level 3 - Digital Download SKU: A0.935267 By Frankie Valli. By Bob Crewe and Bob Gaudio. Arranged by Cristian Ordoñez. Oldies. Score and parts. 13 pages. Cristian Ordonez #6091153. Published by Cristian Ordonez (A0.935267). The best way to play a song is with these arrangements. I take care of reviewing each note and that it sounds excellent when you play.You can subscribe to my YouTube Channel. https://www.youtube.com/channel/UCuNZR396zEgqdZzBbEzdcIgYou can also get access to my Patreon-only feed supporting my work and be the first to find out when I post new arrangements. https://www.patreon.com/CristianDavid.
$12.99
12.01 €
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Frankie Valli
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Can't Take My Eyes Off Of You
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Cristian Ordonez
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SheetMusicPlus
Beyond the Rainbow Bridge - backing track
String Ensemble Drum Set,Electric Bass Guitar,Piano Accompaniment - Level 3 - Digital Down…
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String Ensemble Drum Set,Electric Bass Guitar,Piano Accompaniment - Level 3 - Digital Download SKU: A0.1105087 By David Kai. By David Kai. Arranged by David Kai. Christian,Contemporary,Country,Rock. Accompaniment. Duration 221. David Kai #708333. Published by David Kai (A0.1105087). A song for those grieving the loss of a pet, especially those whose pets support them through issues such as PTSD and depression. The death of a pet is certainly one the most difficult things that pet lovers experience. Pets offer us companionship, affection and healing, but their relatively short lifespan means that we will experience this loss many times in our lives. Many of us take comfort in the idea of a rainbow bridge that our pets cross when they die, and that we too will cross to be united with our pets. This song expresses the grief that we experience with the death of a pet, but also the hope that we will be reunited with them one day. This version of the song is a backing track for a soloist. BEYOND THE RAINBOW BRIDGE by David Kai ©2019 The day that I first met you, I held you in the palm of my hand And from that moment onward I knew that we would be the best of friends And though you started as a Christmas gift to set beneath the tree You know you really were a gift from God to me. We walked through fields and forests, we’d hit the trail in sun and wind and rain When I was at my lowest, you licked my hand and raised me up again But time passed much too quickly, and you know just what you did You took a piece of my broken heart beyond the rainbow bridge. I’m not sure what heaven’s like , I’m not sure how things will be But if we won’t be together, it won’t feel like heaven to me But if the Lord be willing, I’ll hear your welcome bark again, And see you running to me, through the golden fields of grain Most faithful of companions, you’d been with me in sickness and in health You always loved to see me, even when I couldn’t really love myself And when you licked my hand that one last time, then you know just what you did You took a piece of my broken heart beyond the rainbow bridge. You took a piece of my broken heart beyond the rainbow bridge.
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David Kai
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Beyond the Rainbow Bridge - backing track
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David Kai
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