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Shake It Off
B-Flat Bass Saxophone,Instrumental Solo - Level 2 - Digital Download SKU: A0.1314444
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B-Flat Bass Saxophone,Instrumental Solo - Level 2 - Digital Download SKU: A0.1314444 By Taylor Swift. By Johan Schuster, Max Martin, Shellback, and Taylor Swift. Arranged by Glauco Fernandes. Pop. Individual part. 2 pages. Glauco Fernandes #903196. Published by Glauco Fernandes (A0.1314444). Shake It Off by Taylor Swift: A Musical Celebration of AuthenticityMusic has the incredible power to transport us to a place where we feel free to be ourselves. And when it comes to a song that exudes confidence, optimism, and authenticity, Taylor Swift's Shake It Off is an amazing choice. If you're a instrumental musician, this is a sheet music you should definitely consider adding to your repertoire.The contagious energy of this song is undeniable. With its captivating rhythm and inspiring lyrics, Shake It Off reminds us of the importance of not caring about others' criticisms and simply being who we are. It's a celebration of authenticity and the ability to overcome obstacles with a smile on our faces.Imagine playing this song on your instrument, feeling the vibrant beat, and sharing this positive energy with your audience. It's an opportunity to create a truly special and inspiring moment. Moreover, learning to play Shake It Off can be a rewarding musical challenge, helping you improve your skills and expand your repertoire.So, if you're an instrumental musician looking for sheet music that conveys joy, positivity, and authenticity, Shake It Off is a perfect choice. Get the sheet music, immerse yourself in the music, and share Taylor Swift's infectious spirit with the world. It will be a musical experience that you and your audience will never forget. Â
$4.99
4.59 €
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Taylor Swift
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Shake It Off
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Glauco Fernandes
#
SheetMusicPlus
Shake It Off
B-Flat Bass Saxophone,Instrumental Solo - Level 2 - Digital Download SKU: A0.1314441
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B-Flat Bass Saxophone,Instrumental Solo - Level 2 - Digital Download SKU: A0.1314441 By Taylor Swift. By Johan Schuster, Max Martin, Shellback, and Taylor Swift. Arranged by Glauco Fernandes. Pop. Individual part. 2 pages. Glauco Fernandes #903193. Published by Glauco Fernandes (A0.1314441). Shake It Off by Taylor Swift: A Musical Celebration of AuthenticityMusic has the incredible power to transport us to a place where we feel free to be ourselves. And when it comes to a song that exudes confidence, optimism, and authenticity, Taylor Swift's Shake It Off is an amazing choice. If you're a instrumental musician, this is a sheet music you should definitely consider adding to your repertoire.The contagious energy of this song is undeniable. With its captivating rhythm and inspiring lyrics, Shake It Off reminds us of the importance of not caring about others' criticisms and simply being who we are. It's a celebration of authenticity and the ability to overcome obstacles with a smile on our faces.Imagine playing this song on your instrument, feeling the vibrant beat, and sharing this positive energy with your audience. It's an opportunity to create a truly special and inspiring moment. Moreover, learning to play Shake It Off can be a rewarding musical challenge, helping you improve your skills and expand your repertoire.So, if you're an instrumental musician looking for sheet music that conveys joy, positivity, and authenticity, Shake It Off is a perfect choice. Get the sheet music, immerse yourself in the music, and share Taylor Swift's infectious spirit with the world. It will be a musical experience that you and your audience will never forget. Â
$4.99
4.59 €
#
Taylor Swift
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Shake It Off
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Glauco Fernandes
#
SheetMusicPlus
How Far Is It to Bethlehem?
Three-part treble voices - Digital Download SKU: C7.CGA999 Composed by Ken Berg. Ch…
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Three-part treble voices - Digital Download SKU: C7.CGA999 Composed by Ken Berg. Christmas. Select Voices. Sacred Anthem. Octavo. 8 pages. Chorister's Guild - Digital #CGA999. Published by Chorister's Guild - Digital (C7.CGA999). UPC: 749193009291.Two Manger Carols is a setting for handbells, optional handchimes, flute, and oboe incorporating Whence Comes this Rush of Wings Afar (also known as Carol of the Birds) and Sleep of the Child Jesus. The opening phrase uses the singing bell technique, over which the flute plays a figure representing the rush of wings and the oboe introduces the carol melody. Throughout the arrangement, the melody moves between handchimes, flute, oboe, and handbells. Care must be taken to balance the dynamics of the various instruments, especially taking care that the oboe doesn't overpower the ensemble. As the piece slows to the end, carefully observe dynamics and musically interpret the text, King of Glory, sleep.
$1.95
1.8 €
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Ken Berg
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How Far Is It to Bethlehem?
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Chorister's Guild - Digital
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SheetMusicPlus
It's Beginning To Look Like Christmas
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.985298 Composed by Meredith Willson. Arranged by David Holt. Film/TV. Brass Band. 55 pages. David Holt #5865831. Published by David Holt (A0.985298). It's Beginning To Look Like Christmas was written in 1951 by Meredith Willson, and was first successful when recorded by Perry Como and The Fontane Sisters with Mitchell Ayres. This version is still widely played today and is fast approaching 100 million Spotify streams. Over the years it has been covered by numerous artists, notably reaching the top ten for both Johnny Mathis and Michael Bublé.
$40.00
36.83 €
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Meredith Willson
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It's Beginning To Look Like Christmas
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David Holt
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SheetMusicPlus
Wie Du warst (Octavian's Aria) from Der Rosenkavalier - Accessible Accompaniments Edition
Alto Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799612 Composed by Richa…
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Alto Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799612 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 6 pages. Nicole Elyse DiPaolo #5022023. Published by Nicole Elyse DiPaolo (A0.799612). The first of its kind, and the third entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Wie Du warst, Octavian's famous aria from Strauss's Der Rosenkavalier (1911). Mezzos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury. This edition also includes a two-measure recomposed ending four measures after rehearsal 25, making this edition a great choice for concert and audition situations in which another singer isn't available to sing the Marschallin's lines.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.24 €
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Richard Strauss
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Wie Du warst
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Nicole Elyse DiPaolo
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SheetMusicPlus
Largo al factotum (Figaro's aria) from Il barbiere di Siviglia - Accessible Accompaniments Edition
Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.1176334 Comp…
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Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #776458. Published by Nicole Elyse DiPaolo (A0.1176334). The first of its kind, this is a genuinely playable piano/vocal reduction of Largo al factotum,†the show-stopping first aria from Gioachino Rossini’s famous opera Il barbiere di Siviglia (The Barber of Seville). Most reductions of this aria pose a physical hazard to audition and other collaborative pianists who risk injury by trying to grab every fast repeated note and chord in this extremely long aria, nor do the repeated notes tend to come out properly or sound right on pianos compared to the string instruments for which they were written. With this reduction—which was specifically created to be more ergonomic at the piano and safer to get through on long audition-playing days—pianists may now enjoy playing this aria comfortably, without risking strain/injury. However, it’ll still be a tour de force for the baritone!Note that this score does not make any cuts to the aria; therefore, it is also suitable for recital settings without time limits.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations. About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.24 €
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Gioachino Rossini
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Largo al factotum
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Nicole Elyse DiPaolo
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SheetMusicPlus
Nobody Love a Fairy When She's Forty - in C major (soprano key)
Voice Duet Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.779671 Composed b…
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Voice Duet Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.779671 Composed by Arthur Le Clerq. Arranged by Kim Kirkman. Broadway,Contemporary,Musical/Show,Traditional. Score. 4 pages. Kim Kirkman #6697501. Published by Kim Kirkman (A0.779671). This is a wonderful old comedy song.This is in C major - the high key for sopranosI have put in the first verse that Tessie sings, plus the spoken part. I have changed some of the words of the spoken part to update them.I have then constructed a third verse from other verses that Le Clerq wrote. To sing it exactly like Tessie please repeat first verse.Words:Verse:For years a fairy queen I've bin', For years I foiled the demon king.But alas, I'm getting on, The years have flown somehow,And I feel that Fairy Snowdrop isn't wanted now.Chorus One:Nobody loves a fairy when she's forty.Nobody loves a fairy when she's old.She may still have her magic power, But that is not enough,They like their bit of magic from a younger bit of fluff.When once your silver star has lost its glitter,And your tinsel looks like rust instead of gold.Your fairy days are ending when your wand has started bending.Noone loves a fairy when she's old.Spoken:T'was I who found the magic wand, I will not tell you where.T'was I who found young Tinkerbell, her head was full of airI’ve been a fairy of the flowers, and fairy daffodils,I’ve been a fairy of the wind, and suffer from it still!In certain covered valley hills I go down to the glenBeen loved by all the children and run after by the men. Huh!Noone could touch me at me splits, me splits were all the rage,Until the night woodman left his chopper on the stage, what a mess!Verse 2:Nobody loves a fairy when she's forty.Nobody loves a fairy when she's old.As far as I can see they try to push you off the map,When once your wand has withered and your wings refuse to flap.When you have lost your little fairy dimples,And the mothholes in your dress let in the cold,It seems that they would sooner listen to a blinkin' crooner,Noone loves a fai-y when she's old!
$1.99
1.83 €
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Arthur Le Clerq
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Nobody Love a Fairy When She's Forty - in C major
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Kim Kirkman
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SheetMusicPlus
When The Party's Over
Instrumental Solo - Level 4 - Digital Download SKU: A0.1304398 By Billie Eilish. By…
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Instrumental Solo - Level 4 - Digital Download SKU: A0.1304398 By Billie Eilish. By Finneas O'Connell. Arranged by Rollin' Car. 21st Century,Contemporary. Individual part. 4 pages. Rollin' Car #893892. Published by Rollin' Car (A0.1304398). I was really moved by this song, so here's an arrangement for piano. I tried to capture the ethereal beuty and emotion that went into this one, and I hope you enjoy it.
$7.00
6.45 €
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Billie Eilish
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When The Party's Over
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Rollin' Car
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SheetMusicPlus
O SACRED HEAD, NOW WOUNDED with Overhead PDF Text
Small Ensemble High Voice,Low Voice,Medium Voice,Piano Accompaniment - Level 3 - Digital D…
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Small Ensemble High Voice,Low Voice,Medium Voice,Piano Accompaniment - Level 3 - Digital Download SKU: A0.931668 Composed by 1. Hans Leo Hassler 2. J.S. Bach. Arranged by Wanda J. Cooley. 20th Century,Classical,Easter,Sacred. Score and parts. 14 pages. Wanda J. COOLEY #6270121. Published by Wanda J. COOLEY (A0.931668). Classical Style - This piece begins with a simple plaintive motif in flowing triplets, which is interrupted by occasional duplets. Each verse is text-painted to enhance the words, from minor key reflective verse at the crucifixion scene leading to exciting rapturous cascades in the final verse. The simple style of the original motif returns at the end. It is definitely a reflective piece, appropriate for the Lord's Supper or Easter. Singers will find the accompaniment simple, supportive, and the vocal range narrow [C Major and D Major]. The piano is a straightforward accompanyiment to a singer or instrumentalist, yet it speaks well on its own when sequenced with Overhead PowerPoint Text to provide deeper reflection opportunities. Length is 4:10 minutes. O SACRED HEAD, NOW WOUNDED is available at SheetMusicPlus.com within IN THE CROSS, a complete Pianist's Kit for presenting the Gospel thru 10 hymns arrangements with sequenced Overhead PowerPoint Text. Also included are program and organizational aids, narratives, and promotional graphics so that the pianist's only responsibility is playing the music!
$3.99
3.67 €
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1
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O SACRED HEAD, NOW WOUNDED with Overhead PDF Text
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Wanda J. COOLEY
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SheetMusicPlus
Wedding March from “A Midsummer Night's Dream” Op. 61 for Brass Ensemble
Brass Ensemble Bass Trombone,Euphonium,Horn,Trumpet,Tuba - Level 5 - Digital Download S…
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Brass Ensemble Bass Trombone,Euphonium,Horn,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1297452 Composed by Felix Bartholdy Mendelssohn. Arranged by Shinya Ishida. 19th Century,Classical,Wedding. Score and Parts. 31 pages. BitNotes.jp #887509. Published by BitNotes.jp (A0.1297452). The Wedding March is a delightful composition by the German composer Felix Mendelssohn, originally conceived as part of the incidental music for William Shakespeare's play A Midsummer Night's Dream. This enchanting piece comes to life during the wedding scene, set on a magical night where fairies revel and four young lovers, along with the Fairy King and Queen, find themselves entangled in the mischief of a love potion, ultimately celebrating two joyous unions.Composed in 1842, this piece gained widespread recognition when it was performed alongside Wagner's Bridal Chorus at the wedding of Prince Friedrich of Prussia and Princess Victoria of the United Kingdom in 1858. Since then, it has remained a timeless classic and a staple in weddings and joyous celebrations worldwide.We have meticulously transcribed this iconic wedding composition for a brass ensemble featuring ten musicians (3 trumpets, 3 horns, 3 trombones, and 1 tuba). For those seeking to add an extra layer of grandeur to their performance, optional percussion instruments (cymbals and triangle) can be seamlessly incorporated.It's worth noting that the Bass Trombone part can be played on the Euphonium as well, offering flexibility to the ensemble. Given the piece's length and multiple repetitions, individual performers can consider omitting repeats or making cuts to suit the performance scene and endurance levels.Elevate your special occasion with this timeless masterpiece, the Wedding March, expertly arranged for brass ensemble. It's the perfect choice to add a touch of elegance and magic to your wedding or celebratory event.
$12.00
11.05 €
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Felix Bartholdy Mendelssohn
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Wedding March from “A Midsummer Night's Dream” Op. 61 for Brass Ensemble
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BitNotes.jp
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SheetMusicPlus
Kangaroo´s Lullabye
Small Ensemble - Digital Download SKU: A0.1017918 Composed by Andreas Kleinert. Con…
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Small Ensemble - Digital Download SKU: A0.1017918 Composed by Andreas Kleinert. Contemporary. Score and parts. 2 pages. Andreas Kleinert #6343411. Published by Andreas Kleinert (A0.1017918). Dieses verträumte „Kangaroo´s Lullabye wurde schon angenommen als Duo-Stück für den Violinunterricht, wie ein Video auf Youtube zeigt. Etwas leichter, für Anfänger, die nur erste Lage Spielen, wäre das Stück, wenn man es eine Quarte abwärts transponierte, - nach G-Dur. Es gibt hiervon außerdem Duofassungen für alle Arten von Streichinstrumenten. Es gibt auch eine Klavierfassung, für den Klavierunterricht geeignet! This dreamy „Kangaroo´s Lullabye was already accepted as a duo piece for violin lesson, as it is shown by a video on youtube many years ago. The piece would be even easier when it was transposed a fourth down, to G major. There are duo versions for all kinds of string instruments and moreover, there is a piano version, suitable for piano lesson!
$2.99
2.75 €
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Andreas Kleinert
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Kangaroo´s Lullabye
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Andreas Kleinert
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SheetMusicPlus
Overture to "The Magic Flute"
Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Clarinet,Bassoon,Flute,Oboe,Picco…
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Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Clarinet,Bassoon,Flute,Oboe,Piccolo,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1354312 Composed by Wolfgang Amadeus Mozart. Arranged by Jacob Vogel. Chamber,Classical. 81 pages. Jacob Vogel #939029. Published by Jacob Vogel (A0.1354312). When programming repertoire for your wind ensemble, it's easy to find fanfares that feature the brass and percussion sections, but material for the woodwind family is not as easy to come by. Arranged for the woodwind sections of a wind ensemble, this thrilling rendition of Mozart's Overture to 'The Magic Flute' will offer the opportunity to feature their woodwind players.
$70.00
64.46 €
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Wolfgang Amadeus Mozart
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Overture to "The Magic Flute"
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Jacob Vogel
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SheetMusicPlus
The Poet and Peasant Overture
Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Clarinet,Bassoon,E-Flat Clarinet,…
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Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Clarinet,Bassoon,E-Flat Clarinet,Flute,Oboe,Tenor Saxophone - Level 5 - Digital Download SKU: A0.1249448 By Shawn Postell. By Franz von Suppe. Arranged by Shawn Postell. 19th Century,Classical,Contest,Festival. 110 pages. Encore Music LLC #843882. Published by Encore Music LLC (A0.1249448). The Poet and Peasant Overture has been arranged for an advanced woodwind choir! The parts are challenging, the reward - the satisfaction on performance day when all the work that went into preparing this outstanding Classical composition receives thunderous applause and the cheers from a an appeciative audience at it's conclusion.
$30.00
27.62 €
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Shawn Postell
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The Poet and Peasant Overture
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Encore Music LLC
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SheetMusicPlus
It Is Well With My Soul (When Peace Like a River)
Small Ensemble Horn,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.971700 Compos…
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Small Ensemble Horn,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.971700 Composed by Horatio Spafford (lyric) and Phillip Bliss (music). Arranged by Michael E. Ropp. Christian,Sacred,Spiritual. Score and parts. 11 pages. Michael E. Ropp #2959209. Published by Michael E. Ropp (A0.971700). I have always loved this hymn, and one Sunday morning when I had been called upon to write something lyric for our brass quartet (two trumpets in Bb, horn in F, and tuba), I went straight for It Is Well With My Soul. This arrangement tells in music the story of Horatio Spafford and the circumstances under which he wrote the lyric for this hymn. The piece opens with sounding of the horn of Spafford’s ship as she passes over the point at which Spafford's four daughters were lost. The first verse builds dramatically as the lyric comes to Spafford and ends with the lovely chorus. The next section is based on the third stanza of the hymn in which Spafford writes, My sin, not the part, but the whole, is nailed to the cross… The horn gets the melody, evoking the sound of Spafford’s own voice, and the other instruments vividly paint the hammering of the nails. However, as Spafford moves into the chorus, the harmony becomes dark and uncertain as Spafford’s grief overwhelms him; his faith wavers as he tries to believe what he is writing. Then, the melody transfers to the trumpet as Spafford is answered by the higher voice from above-his daughters assuring him that, yes, it IS well, it is well. The piece then ends with a peaceful statement of the chorus, evocative of the rolling sea and Spafford’s soul at peace. This piece can be played by a student ensemble; the primary challenge is in achieving the level of expression and emotion required to pull off a piece like this.
$5.99
5.52 €
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Horatio Spafford
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It Is Well With My Soul
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Michael E. Ropp
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SheetMusicPlus
Roll it on Down the Highway (Ahio & Cast) from "The Kings - ACT 2:Song 3
Bass Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.784829 Composed by McCor…
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Bass Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.784829 Composed by McCorkle, Dennis F. Broadway,Christian,Gospel,Musical/Show,Rock. 23 pages. DF McCorkle Music and eBook Publications #11749. Published by DF McCorkle Music and eBook Publications (A0.784829). ACT TWO: Song 3. The King, by Dennis McCorkle, is a contemporary pop-rock musical of the first two kings of Israel, Saul ben Kish and David ben Jesse and explores the contrasting lives and outcome of each man’s choices in life. [1 Chronicles 13:1-3 - And David consulted with the captains of thousands and of hundreds, even with every leader. 2 And David said unto all the assembly of Israel: ‘If it seem good to you, and if it be of Yahweh our God, let us send abroad everywhere unto our brethren that are left in all the land of Israel, and with them to the priests and Levites that are in their cities that have open land about them, that they may gather themselves unto us; 3 and let us bring back the ark of our God to us; for we sought not unto it in the days of Saul.’] [1 Chronicles 13:7-10 - And they set the ark of God upon a new cart, and brought it out of the house of Abinadab; and Uzza and Ahio drove the cart. 8 And David and all Israel played before God with all their might; even with songs, and with harps, and with psalteries, and with timbrels, and with cymbals, and with trumpets. 9 And when they came unto the threshing-floor of Chidon, Uzza put forth his hand to hold the ark; for the oxen stumbled. 10 And the anger of Yahweh was kindled against Uzza, and He smote him, because he put forth his hand to the ark; and there he died before God.] Realizing the need for a central capital from which to govern, DAVID and the united clans capture the fortress of Zion in Jerusalem. Concerned about the people and solidifying the position, DAVID assembles the commanders and leaders of the people to discuss the possibility of relocating the Ark of the Covenant from the house of Abinadab in Kiriath-jearim, where it had been stored for seventy years, to Jerusalem. DAVID orders a new cart be made for its transport, disregarding the directives from God that only permitted the Levites to move the Ark and only carried with the poles on their shoulders [Role it on Down the Highway – Ahio and David’s Troops]. When the Ark reaches the threshing-floor at Nacon, the oxen stumble and Uzzah puts his hand out to steady it and is instantly killed. Also included with your order is our new 20 page catalog of over 150 titles at no additional charge.
$2.99
2.75 €
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McCorkle, Dennis F
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Roll it on Down the Highway
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
If Not Now, When?
Large Ensemble Cello,Clarinet,Flute,Piano,Piccolo,Viola,Violin - Level 3 - Digital Downloa…
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Large Ensemble Cello,Clarinet,Flute,Piano,Piccolo,Viola,Violin - Level 3 - Digital Download SKU: A0.841258 Composed by Chris Gordon. 20th Century. Score and parts. 39 pages. Cool Wind Music Digital #3056419. Published by Cool Wind Music Digital (A0.841258). Full set of parts: Please contact Chris Gordon at the email address on the first page of music for details.IF NOT NOW, WHEN? If Not Now, When? gets its title from the novel by Primo Levi, the Italian author who both survived life in Auschwitz and fought the continued German military presence in Italy with the Resistance after the Italian surrender to the Allies in September 1943. Levi meant that revolution and the overthrow of tyranny should never be 'put off until tomorrow'. If you believe you are on the side of right, then 'seize the day'- tomorrow may be too late. The inspiration for INNW? grew from research I was doing into an early song by Alban Berg called An Leukon which Berg wrote in 1907 while a student of Arnold Schoenberg. In delving into the kind of world which Berg inhabited in the Vienna of 100 years ago, I was fascinated by the café culture* which played a pivotal role in the lives of most artists: not only composers, but also writers, painters, architects and journalists. They swirled around the fashionable 'watering holes' sucking up current thoughts and ideas, high on Viennese coffee, cigar smoke and idealism! I envisaged a play which tried to encapsulate all this and wrote a few scenes with characters such as Schoenberg, Berg, Webern, Steuermann, Pisk, Kraus, Gropius and Altenberg heatedly discussing music, art and poetry over large cups of milky coffee. This grew into the framework for INNW? which, to paraphrase Pirandello's play about characters seeking an author, is a 'play without words in several scenes'. The piece is organised into 8 short movements or 'scenes' showing the 'Schoenberg cirle' sharing their radical and daring ideas and the shock or delight (or both simultaneously) with which those ideas are greeted. The first, which happens to be the longest, is rooted in conventional tonality. It begins with a fanfare in D flat major ('aux armes, citoyens!'), then seeks a 'freer' tonality by means of the 'emancipation of the semitone' only to capitulate in the central section and, finally, to 'fall back to earth' by winding down in G sharp minor. These 'scenes' are not meant to represent particular composers. They are, however, meant to represent the kinds of directions in which music could progress, given the 'breakdown' or 'stretching to its limits' of traditional harmony which had occurred in the previous 10 to 20 years. So many ways forward were promulgated, with one after another extraordinary, and often unexpected, futuristic musical panoramas glimpsed momentarily. My aim is to demonstrate which directions they decided they could head in having cleared the 'overgrown' path before them. * I even discovered that, around this time, in the Café Central, a certain Leon (Lev) Bronstein, otherwise known as Leon Trotsky, banished by the Okhrana (Imperial secrect police) from his native Russia, would spend all day in a back room playing chess. How delicious, I thought, if Schoenberg had ever brushed passed Trotsky or, indeed, had ever spoken to him: the one planning political and the other musical revolution!
$25.00
23.02 €
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Chris Gordon
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If Not Now, When?
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Cool Wind Music Digital
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SheetMusicPlus
Overture “A Midsummer Night's Dream” Op. 21 for Brass Ensemble
Brass Ensemble Bass Trombone,Euphonium,Horn,Piccolo Trumpet,Tuba - Level 4 - Digital Downl…
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Brass Ensemble Bass Trombone,Euphonium,Horn,Piccolo Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1292240 Composed by Felix Bartholdy Mendelssohn. Arranged by Shinya Ishida. 19th Century. Score and Parts. 19 pages. BitNotes.jp #882854. Published by BitNotes.jp (A0.1292240). The Overture A Midsummer Night's Dream is originally composed by the German composer Felix Mendelssohn, who was inspired by reading William Shakespeare's play A Midsummer Night's Dream. It was initially created as a piano piece for duet, intended for enjoyment with his sister Fanny. Notably, Mendelssohn himself later arranged it for orchestra in 1826 when he was just 17 years old.Fast forward 16 years, this piece took an unconventional path to composition. It was commissioned by King Wilhelm IV of Prussia at the time, and the overture became part of a larger work known as Incidental Music, where it was accompanied by other pieces, apart from the overture.The Overture A Midsummer Night's Dream begins with four chords that evoke a gentle breeze, as if beckoning you into the world of fairies, in line with the folklore that claims that on the eve of Midsummer (Walpurgis Night), fairies and witches gather for revelry. It then transitions into the theme of the fairy's fluttering wings, followed by the music of the Fairy King's palace, the lovers' theme, and passages for clowns and hunting scenes. Finally, it returns to the fairies, dancing and disappearing as if carried away by the wind.We have arranged this enchanting piece for a brass ensemble, featuring ten players (3 trumpets, 3 horns, 3 trombones, and 1 tuba). The 1st Trumpet part includes an optional switch to Piccolo Trumpet, but this is purely optional and not mandatory to perform the arrangement.Additionally, please note that the 3rd Trombone part is intended for the Bass Trombone but can also be performed using Euphonium or Tenor Bass Trombone.
$12.00
11.05 €
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Felix Bartholdy Mendelssohn
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Overture “A Midsummer Night's Dream” Op. 21 for Brass Ensemble
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BitNotes.jp
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SheetMusicPlus
Gangsta's Paradise
Bass Guitar,Drum Set,Piano,Synthesizer,Tenor Saxophone,Trombone,Trumpet - Level 3 - Digita…
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Bass Guitar,Drum Set,Piano,Synthesizer,Tenor Saxophone,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1187021 By Coolio Featuring L.V. By Artis Ivey, Doug Rasheed, Larry Sanders, and Stevie Wonder. Arranged by Christopher Alexander. Hip-Hop,Jazz,R & B,Ragtime,Standards. 48 pages. Christopher Alexander #786650. Published by Christopher Alexander (A0.1187021). When the original song was released in 1995 it became a worldwide sensation, inspiring many artists to create their own covers of this song with their unique twist. Â Postmodern Jukebox fashioned their version into a 1920's jazz and cabaret style to illustrate the gangsters of the era, of which this choral arrangement is based. Â With an easy swing feel and accessible harmonizations, your choir will love to perform this song over and over again.
$25.00
23.02 €
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Coolio Featuring L
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Gangsta's Paradise
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Christopher Alexander
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SheetMusicPlus
Gnome`s Dream For Harp And Strings
Small Ensemble Cello,Double Bass,Harp,Viola,Violin - Level 3 - Digital Download SKU: A0…
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Small Ensemble Cello,Double Bass,Harp,Viola,Violin - Level 3 - Digital Download SKU: A0.889415 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 18 pages. Luis Anjos Teixeira #3479405. Published by Luis Anjos Teixeira (A0.889415). Dear music Lovers and Friends. Gnome`s Dream revealed in the2018 Chamber Music Contest Entry. Gnome`s Dream was designed to be performed by a group of five artists, or even seven, nine, one thousand or more! Any kind of diatonic Harp can be used to perform this piece. When playing the harp with the rest of the ensemble it might be better to perform it mostly as it was written. In the absence of a Double bass, than should the cello take its part. In the case of an ensemble with more artists where we have already formed a bowed stringed orquestra, The double bass while playing the introduction of the piece remains a soloist and it will than be reenforced with a cello while the other bowed instruments are also playing. It would be good to tune the E string of the double bass down to a D but if this is not possible than simply play the lower „D notes one octave higher. It is a perfect piece for a mixed group of early beginners and „early soloists, it is very easy to perform. It can be played by a group of five artists, as well as a complete string orquestra with harp. Some interpretation symbols where used in the score as a performance suggestion. Most of the score is left virgin to the interpretation of the artists involved, particularly the use of bowing and fingering. It is a very flexible piece that can be used in all kinds of events. The score For the 2018 Chamber Music Contest Entrywas written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was produced with samplers from Garritan, conceived as an audio support for the presentation of the score. It is here presented as a Harp Quintet. Thank you very much for taking your time to read this text and to listen to the file. This is the first time that it has been published in Sheet Music Plus. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Teixeira Thanks to Claudia Eppelt for the cover design, all the Love and inspiration. Thanks to Stray Queen Mimi for my Family, all the Love and Compassion. Special thanks to my feline Family for all the Patience, Love and Compassion. Luis Anjos Teixeira
$16.44
15.14 €
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Luis Anjos Teixeira
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Gnome`s Dream For Harp And Strings
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Luis Anjos Teixeira
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SheetMusicPlus
When You Got It, Flaunt It from THE PRODUCERS
Large Ensemble - Level 4 - Digital Download SKU: A0.790051 Composed by Mel Brooks. …
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Large Ensemble - Level 4 - Digital Download SKU: A0.790051 Composed by Mel Brooks. Arranged by W. Brent Sawyer. Contemporary. Score and parts. 48 pages. Diamond S Music #3554319. Published by Diamond S Music (A0.790051). WHEN YOU’VE GOT IT, FLAUNT IT from the musical THE PRODUCERS - VOCAL SOLO in the KEY of C with 10 Piece Band accompaniment. FULL SCORE & PARTS. This is a funny and jazzy arrangement of the comedically exuberant song from the hit Broadway musical written by Mel Brooks. The 10 piece accompaniment is scored for: Tenor Sax, Trumpet 1 & 2, Trombone, Piano, Synth (Strings), Guitar, Bass, Drums, Percussion. The Producers is a musical adapted by Mel Brooks and Thomas Meehan from Brooks's 1967 film of the same name. As in the film, the story concerns two theatrical producers who scheme to get rich by overselling interests in a Broadway flop. Complications arise when the show unexpectedly turns out to be successful. Max and Ulla, Swedish bombshell who wants to audition for their next play. She auditions for them by singing When You've Got It, Flaunt It. The producers are impressed, mostly by her beauty, and hire her to be their secretary-slash-receptionist. Other similar arrangements from DIAMOND S MUSIC available at: https://www.sheetmusicplus.com/publishers/diamond-s-music/6940
$40.99
37.74 €
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Mel Brooks
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PARTS.
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When You Got It, Flaunt It from THE PRODUCERS
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Diamond S Music
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SheetMusicPlus
We Shall Overcome
Instrumental Duet,Piano Clarinet,Instrumental Duet,Piano - Level 2 - Digital Download S…
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Instrumental Duet,Piano Clarinet,Instrumental Duet,Piano - Level 2 - Digital Download SKU: A0.850756 Composed by Zilphia Horton. Arranged by Spike Maiden Müller. Patriotic. Score and parts. 5 pages. Spike Maiden Mueller #6087481. Published by Spike Maiden Mueller (A0.850756). A gospel song which became a protest song and the signal anthem of the civil rights movement, We Shall Overcome is commonly believed to be lyrically descended from I'll Overcome Some Day, a hymn by Charles Albert Tindley. The modern version was first contributed to the People's Songs Bulletin by Zilphia Horton, who said she had learned it from tobacco workers organizer Lucille Simmons in 1945. It became associated with the civil rights movement in 1959 when Guy Carawan and Pete Seeger began using their version at the Highlander Folk School in Tennessee. Within a year, it had spread across the south, becoming the unofficial anthem of the civil rights movement.
$8.99
8.28 €
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Zilphia Horton
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We Shall Overcome
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Spike Maiden Mueller
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SheetMusicPlus
Kommos (Lamentation) / "When the World Moved On" - Timpani
Percussion Solo,Timpani - Level 4 - Digital Download SKU: A0.1018954 Composed by Be…
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Percussion Solo,Timpani - Level 4 - Digital Download SKU: A0.1018954 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078699. Published by Benjamin Sajo (A0.1018954). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.22 €
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
When I'm Sixty-four
Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 3 - Digital Download SKU:…
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Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 3 - Digital Download SKU: A0.588144 By The Beatles. By John Lennon, John Winston Lennon, Paul James Mccartney, and Paul McCartney. Arranged by David McKeown. Rock. Score and parts. 5 pages. David McKeown #5306107. Published by David McKeown (A0.588144). When I’m Sixty-Four first appeared on the Beatles’ 1967 album, Sgt. Pepper’s Lonely Hearts Club Band. Despite the song’s appearance relatively late in the Beatles’ discography, it was one of the first songs that Paul McCartney wrote, at the age of 16. When the song was finally recorded in 1966, Paul McCartney felt it was too slow and turgid. George Martin simply solved the problem by speeding up the tape and raising the pitch by one semitone. This version of When I’m Sixty-Four is arranged as a duet for one Oboe and one Cor Anglais. The full YouTube performance above is the Clarinet version of this duet.Musicians at an intermediate level will find this ideal for formal and informal concert performance. The overall performance time is around two and a half minutes. Teachers will enjoy using this arrangement as a fun way to help with ensemble skills and expressive playing. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
5.52 €
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The Beatles
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When I'm Sixty-four
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David McKeown
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SheetMusicPlus
God Bless The U.S.A.
Alto Recorder,Baritone Recorder,Soprano Recorder,Tenor Recorder - Level 3 - Digital Downlo…
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Alto Recorder,Baritone Recorder,Soprano Recorder,Tenor Recorder - Level 3 - Digital Download SKU: A0.734482 By Lee Greenwood. By Lee Greenwood. Arranged by Dennis Ruello. 20th Century,Country,Historic,Patriotic,Singer/Songwriter. 13 pages. Chicory Music #5968687. Published by Chicory Music (A0.734482). God Bless the U.S.A. (also known as Proud to Be an American) is an American patriotic song written and recorded by American country music artist Lee Greenwood, and is considered to be his signature song. The first album it appears on is 1984's You've Got a Good Love Comin'. It reached No. 7 on the Billboard magazine Hot Country Singles chart when originally released in the spring of 1984, and was played at the 1984 Republican National Convention with President Ronald Reagan and First Lady Nancy Reagan in attendance, but the song gained greater prominence during the Gulf War in 1990 and 1991, as a way of boosting morale, and was re-included on his 1992 album American Patriot as a result of its newfound popularity.The popularity of the song rose sharply after the September 11 attacks and during the 2003 invasion of Iraq, and the song was re-released as a single, re-entering the country music charts at No. 16 and peaking at No. 16 on the Billboard Hot 100 pop chart in 2001. The song was also re-recorded in 2003 and released as God Bless the U.S.A. 2003. Greenwood also wrote a Canadian version of this song called God Bless You Canada. The song has sold over a million copies in the United States by July 2015.This version is arranged in F concert for Recorder Quartet at the Intermediate Level.Performance time: approx. 3 minutes.
$12.99
11.96 €
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Lee Greenwood
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God Bless The U.S.A.
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Chicory Music
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SheetMusicPlus
God Bless The U.s.a.
Bass Trombone,Double Bass,Drum Set,Tenor Trombone - Level 4 - Digital Download SKU: A0.…
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Bass Trombone,Double Bass,Drum Set,Tenor Trombone - Level 4 - Digital Download SKU: A0.734492 By Lee Greenwood. By Lee Greenwood. Arranged by Dennis Ruello. 20th Century,Contemporary,Historic,Patriotic,Singer/Songwriter. 18 pages. Chicory Music #6018071. Published by Chicory Music (A0.734492). God Bless the U.S.A. (also known as Proud to Be an American) is an American patriotic song written and recorded by American country music artist Lee Greenwood, and is considered to be his signature song. The first album it appears on is 1984's You've Got a Good Love Comin'. It reached No. 7 on the Billboard magazine Hot Country Singles chart when originally released in the spring of 1984, and was played at the 1984 Republican National Convention with President Ronald Reagan and First Lady Nancy Reagan in attendance, but the song gained greater prominence during the Gulf War in 1990 and 1991, as a way of boosting morale, and was re-included on his 1992 album American Patriot as a result of its newfound popularity.The popularity of the song rose sharply after the September 11 attacks and during the 2003 invasion of Iraq, and the song was re-released as a single, re-entering the country music charts at No. 16 and peaking at No. 16 on the Billboard Hot 100 pop chart in 2001. The song was also re-recorded in 2003 and released as God Bless the U.S.A. 2003. Greenwood also wrote a Canadian version of this song called God Bless You Canada. The song has sold over a million copies in the United States by July 2015.This version is arranged in F concert for Trombone Quintet / Choir plus Optional Acoustic Bass and Drum Set at the Adv. Intermediate Level.Performance time: approx. 3 minutes.
$17.99
16.57 €
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Lee Greenwood
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God Bless The U.s.a.
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Chicory Music
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SheetMusicPlus
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