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You've selected:
When You Say Nothing At All
Sheetmusic to print
18 sheet music found
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1
When You Say Nothing At All
Guitar Ensemble Guitar - Level 3 - Digital Download SKU: A0.797826 By Keith Whitley…
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Guitar Ensemble Guitar - Level 3 - Digital Download SKU: A0.797826 By Keith Whitley. By Don Schlitz and Paul Overstreet. Arranged by Derek Hasted. Contemporary,Pop. Score and parts. 20 pages. Derek Hasted #6414637. Published by Derek Hasted (A0.797826). WHEN YOU SAY NOTHING AT ALL - GUITAR TRIO with OPTIONAL BASS PARTFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar. Derek Hasted writes This lovely melody, first made famous by Alison Krauss, and more recently by Ronan Keating, makes a delightful concert piece for guitars.My arrangement is based on Ronan Keating’s version, where the distinctive guitar accompaniment is a little different to Alison’s original. The music doesn’t have the slow fade-out of Keating’s piece - it’s not that easy for a guitar ensemble on stage to emulate that! Besides - the fade-out in Keating’s version is lots of repeated notes sung with different syllables - on the guitar it loses any sense of variety.But this arrangement does have all the rest of the thematic material, including the strange but seldom noticed fact that verse two is one measure shorter than verse one. A lot of the vocal countermelodies are here too.The optional fourth part is suitable for novice guitar, for bass or acoustic guitar or for pizzicato double bass, and is included in both treble and bass clefs. But this arrangement works fine with just three guitars too...The key is the same as Keating’s version and includes the rather lovely key changes - both seem to go up slightly in pitch, yet the second key change actually returns back to the starting key.I hope you enjoy performing this!
$4.99
4.58 €
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Keith Whitley
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When You Say Nothing At All
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Derek Hasted
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SheetMusicPlus
When You Say Nothing At All
Alto Voice,Baritone Horn TC,Bass Voice,Soprano voice,Tenor Voice - Level 1 - Digital Downl…
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Alto Voice,Baritone Horn TC,Bass Voice,Soprano voice,Tenor Voice - Level 1 - Digital Download SKU: A0.1291441 By Alison Krauss & Union Station. By Don Schlitz and Paul Overstreet. Arranged by Mark Stevens. Barbershop,Country,Folk,Pop. 8 pages. Mark Stevens #882091. Published by Mark Stevens (A0.1291441). SATBB a cappella arrangement of Paul Overstreet and Don Schlitz's beautiful ballad.Learning tracks available at gmastevens1975@gmail.com.
$15.00
13.78 €
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Alison Krauss & Union Station
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When You Say Nothing At All
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Mark Stevens
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SheetMusicPlus
When You Say Nothing At All
Brass Ensemble Euphonium,Tuba - Level 3 - Digital Download SKU: A0.759001 By Keith …
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Brass Ensemble Euphonium,Tuba - Level 3 - Digital Download SKU: A0.759001 By Keith Whitley. By Don Schlitz and Paul Overstreet. Arranged by Tim Olt. Country. Score and parts. 9 pages. Olt Music #3447083. Published by Olt Music (A0.759001). Having been a great fan of Alison Krauss I could not resist this arrangement! The goal is to capture the pure, angelic quality of her voice on our instruments. Everyone gets a shot at the melody so time to put on your most lyric timbre!
$15.00
13.78 €
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Keith Whitley
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When You Say Nothing At All
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Olt Music
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SheetMusicPlus
When You Say Nothing At All
Brass Ensemble Horn - Level 3 - Digital Download SKU: A0.759065 By Keith Whitley. B…
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Brass Ensemble Horn - Level 3 - Digital Download SKU: A0.759065 By Keith Whitley. By Don Schlitz and Paul Overstreet. Arranged by Tim Olt. Country. Score and parts. 13 pages. Olt Music #3878593. Published by Olt Music (A0.759065). One of the most beautiful voices of all time belongs to Alison Krauss. What better way to translate this piece that the glorious sound of a horn quartet! All the players get a piece of the melody in this easy to perform arrangement.
$12.99
11.93 €
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Keith Whitley
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When You Say Nothing At All
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Olt Music
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SheetMusicPlus
What Will We Say?
Cello,Piano,Steel Pan,Violin - Level 4 - Digital Download SKU: A0.1095566 Composed …
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Cello,Piano,Steel Pan,Violin - Level 4 - Digital Download SKU: A0.1095566 Composed by Aaron Gage. 20th Century,Chamber,Contemporary. 38 pages. Aaron Gage #699558. Published by Aaron Gage (A0.1095566). At the time this piece was conceived, the world had fallen into chaos. We were in the midst of a vast economic crisis leaving millions in poverty, racism had once again found its foothold in the foreground of US culture, climate change had decimated the west coast in flames while southern coastal cities were being bombarded with floods from storms. We have also been forced to see the ugliness of domestic terrorists establishing themselves in the hopes of hurting their fellow citizens. However, these issues pale in comparison to the utter devastation we have faced from COVID-19. As I write this note, we are just shy of nearly a quarter of a million people having senselessly died from COVID-19. The utter failure we’ve had in leadership and lack of empathy from our fellow citizens have caused countless families to now have empty seats at their table. There was no need for this. Hundreds of thousands of men, women, and children have died from means that could have been completely preventable. When I was asked to write this piece, I wanted to come up with a simple concept as an elegy to those lost to the virus. A simple question arose; What will we say? 50 years from now, how will we answer to those younger generations while we collectively sat by and did nothing to help each other? How are we going to excuse letting the rot that has sunk in go unpunished? How do we defend the indefensible? This question haunts me. The music you will hear channels my answer to that question. There is no true resolution. There is no happy ending. When we have finally moved on past this pandemic, we are still left in the wake of hundreds of thousands of dead citizens. One day it will hit us all how many lives we really lost. So I ask this; while you listen, reflect on every individual who suffered at the hands that did not act. Allow yourself to absorb the true gravity of what we have experienced. Give those victims a few minutes of your time. When the time comes for you to be asked, what will you say?
$19.99
18.36 €
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Aaron Gage
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What Will We Say?
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Aaron Gage
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SheetMusicPlus
When You Say Nothing At All
Digital Download SKU: HX.361319 By Alison Krauss, Keith Whitley, and Ronan Keating.…
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Digital Download SKU: HX.361319 By Alison Krauss, Keith Whitley, and Ronan Keating. Country,Pop. Recorder Solo. 2 pages. Published by Hal Leonard Europe (HX.361319).
$1.99
1.83 €
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Alison Krauss, Keith Whitley, and Ronan Keating
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When You Say Nothing At All
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Hal Leonard Europe
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SheetMusicPlus
When You Say Nothing At All
Tenor Saxophone Solo,Tenor Saxophone - Interactive Download SKU: HX.373027 By Aliso…
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Tenor Saxophone Solo,Tenor Saxophone - Interactive Download SKU: HX.373027 By Alison Krauss & Union Station and Keith Whitley. This edition: Interactive Download,scorch. Love,Pop,Wedding. Individual part. 1 pages. Published by Hal Leonard - Digital (HX.373027).
$2.99
2.75 €
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Alison Krauss & Union Station and Keith Whitley
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When You Say Nothing At All
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Hal Leonard - Digital
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SheetMusicPlus
When You Say Nothing At All
Large Ensemble Alto Saxophone,Flute,Oboe,Soprano Saxophone,Synthesizer,Tenor Saxophone,Tru…
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Large Ensemble Alto Saxophone,Flute,Oboe,Soprano Saxophone,Synthesizer,Tenor Saxophone,Trumpet,Violin - Level 2 - Digital Download SKU: A0.519792 By Keith Whitley. By Don Schlitz and Paul Overstreet. Arranged by Miranda Wong. Country. Score and parts. 2 pages. Miranda Wong #1986883. Published by Miranda Wong (A0.519792). Greatest Hits of Pop Song. Suitable for Wedding. Easy to play. With Chords. A Key. 1 Page. Suitable for Flute, Violin, Oboe, Trumpet, Clarinet.
$4.99
4.58 €
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Keith Whitley
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When You Say Nothing At All
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Miranda Wong
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SheetMusicPlus
When You Say Nothing at All by Paul Overstreet - Guitar TAB
Performed by: Alison Krauss & Union Station: When You Say Nothing At All Digital Sheet…
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Performed by: Alison Krauss & Union Station: When You Say Nothing At All Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Guitar Tab;Guitar/Vocal;Instrumental Solo, instruments: Voice;Guitar; 4 pages -- Country~~Holiday & Special Occasion~~Wedding~~Adult Contemporary~~Fingerpicking
$5.79
5.32 €
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Alison Krauss & Union Station
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Guitar TAB
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Musicnotes
Mysterious Moment for oboe and string trio
Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.576733 …
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Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.576733 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #90581. Published by David Warin Solomons (A0.576733). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00
7.35 €
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David Warin Solomons
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Mysterious Moment for oboe and string trio
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David Warin Solomons
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SheetMusicPlus
When You Say Nothing at All - Lead Sheet in G Key (Cello Solo)
By Alison Krauss. Arranged by Miranda Wong. Movies, TV, Pop, Country, Wedding. Lead Sheet,…
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By Alison Krauss. Arranged by Miranda Wong. Movies, TV, Pop, Country, Wedding. Lead Sheet, Sheet Music Single. 2 pages. Published by Miranda Wong (H0.114875-928765). - Lead Sheet,Sheet Music Single - Movies,TV,Pop,Country,Wedding - Miranda Wong
$4.99
4.58 €
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Alison Krauss
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When You Say Nothing at All - Lead Sheet in G Key
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Miranda Wong
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SheetMusicPlus
When You Say Nothing at All - Lead Sheet in G Key (With Chords)
By Alison Krauss. Arranged by Miranda Wong. Movies, TV, Pop, Country, Wedding. Lead Sheet,…
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By Alison Krauss. Arranged by Miranda Wong. Movies, TV, Pop, Country, Wedding. Lead Sheet, Sheet Music Single. 2 pages. Published by Miranda Wong (H0.114703-928765). - Lead Sheet,Sheet Music Single - Movies,TV,Pop,Country,Wedding - Miranda Wong
$4.99
4.58 €
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Alison Krauss
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When You Say Nothing at All - Lead Sheet in G Key
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Miranda Wong
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SheetMusicPlus
When You Say Nothing at All - Lead Sheet in G Key (Bass Clef)
By Alison Krauss. Arranged by Miranda Wong. Movies, TV, Pop, Country, Wedding. Lead Sheet,…
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By Alison Krauss. Arranged by Miranda Wong. Movies, TV, Pop, Country, Wedding. Lead Sheet, Sheet Music Single. 2 pages. Published by Miranda Wong (H0.114871-928765). - Lead Sheet,Sheet Music Single - Movies,TV,Pop,Country,Wedding - Miranda Wong
$4.99
4.58 €
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Alison Krauss
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When You Say Nothing at All - Lead Sheet in G Key
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Miranda Wong
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SheetMusicPlus
When You Say Nothing At All
Pop; Rock. Chdbdy. 2 pages. Published by Hal Leonard - Digital Sheet Music (HX.326336). - …
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Pop; Rock. Chdbdy. 2 pages. Published by Hal Leonard - Digital Sheet Music (HX.326336). - chdbdy - Pop; Rock - Hal Leonard - Digital Sheet Music
$2.99
2.75 €
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Rock
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When You Say Nothing At All
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
A Night In Tunisia
Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.746991 By Diz…
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Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.746991 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. 13 pages. Keith Terrett #5827945. Published by Keith Terrett (A0.746991). A great sounding arrangement of A Night in Tunisia, your Wind Quintet will love it!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$14.99
13.77 €
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Dizzy Gillespie
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
A Night In Tunisia
Guitar,Piano - Level 3 - Digital Download SKU: A0.747044 By Dizzy Gillespie. By Diz…
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Guitar,Piano - Level 3 - Digital Download SKU: A0.747044 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5953127. Published by Keith Terrett (A0.747044). A great sounding arrangement of A Night in Tunisia arranged for Guitar (notaion) & Piano, Guitarists will love this! Tab is available on request: keithterrett@gmail.comA jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99
8.26 €
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Dizzy Gillespie
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
A Night In Tunisia
Instrumental Duet,Piano Instrumental Duet,Marimba,Piano,Vibraphone - Level 3 - Digital Dow…
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Instrumental Duet,Piano Instrumental Duet,Marimba,Piano,Vibraphone - Level 3 - Digital Download SKU: A0.747043 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. 12 pages. Keith Terrett #5953111. Published by Keith Terrett (A0.747043). A great sounding arrangement of A Night in Tunisia arranged for Vibraphone/Marimba & Piano, Vibe players will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99
8.26 €
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Dizzy Gillespie
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
Flowers of Edinburgh, Celtic Song Arranged by Gustavo Fuentes
Woodwind Ensemble - Digital Download SKU: A0.900410 Composed by Traditional. Arrang…
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Woodwind Ensemble - Digital Download SKU: A0.900410 Composed by Traditional. Arranged by Gustavo Fuentes. Celtic,Folk,Holiday,New Age,World. 3 pages. Gustavo Fuentes #3637565. Published by Gustavo Fuentes (A0.900410). Flowers of Edinburgh. Scotish music song, arranged for three voices. Two melody instruments, such as tin whistle, low whistle, flute, recorder, harmonic or violin, and low voice like cello or bass, with chords for piano or guitar. The audio is from to the Gustavo Fuentes CD Almas en vuelo that you can listen to on Spotify. The hornpipe is a traditional dance in Ireland and Scotland. The legend says that sailors used to dance the hornpipe before setting sail. It makes sense that they would dance atop bar tables until their legs gave out: after all, on each journey they put their lives at risk. Dancing is a way to face one’s fears and find the happiness that lies within. It is a way to find hope amidst uncertainty.We should dance when we are happy, so we can be happier. We should dance when we are sad, so our sadness can be soothed. We should dance like our sailor ancestors once did, so that we can know that even though the journey might be dangerous, if we are tired from dancing, nothing can go wrong. Canción tradicional escocesa, arreglada para tres voces. Dos agudas como tin-whistle, low whistle, flauta traversa, flauta dulce, armónica o violÃn, y un instrumento grave como cello o bajo, con cifrado de acordes para piano o guitarra. El audio pertenece al CD de Gustavo Fuentes Almas en vuelo, que se puede escuchar completo en Spotify. El hornpipe es una danza muy tradicional en Irlanda y Escocia. Cuenta la leyenda que lo bailaban los marineros antes de embarcar. Y suena lógico que zapatearan hasta el cansancio sobre las mesas de los bares porque en cada viaje ellos arriesgaban sus vidas. Bailar es una forma de ponerle el cuerpo al miedo, de ahuyentar los fantasmas, de conectarnos con nuestra alegrÃa más profunda. Bailar es un modo de encontrar esperanza cuando el porvenir nos llena de incertidumbre.Bailemos cuando estemos felices, porque aumentará nuestra felicidad. Bailemos cuando estemos tristes, porque atenuará nuestra tristeza. Bailemos como lo hacÃan nuestros ancestros marineros, para tomar conciencia de que aunque el viaje puede ser peligroso, si nuestro cuerpo está cansado de felicidad, nada saldrá mal.
$4.99
4.58 €
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Traditional
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Flowers of Edinburgh, Celtic Song Arranged by Gustavo Fuentes
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Gustavo Fuentes
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SheetMusicPlus
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