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You've selected:
Where Do I Begin
Sheetmusic to print
13 sheet music found
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1
Where Do I Begin (Love Theme)
Piano - Level 1 - Digital Download SKU: A0.1473404 By Andy Williams. By Carl Sigman…
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Piano - Level 1 - Digital Download SKU: A0.1473404 By Andy Williams. By Carl Sigman and Frances Lai. Arranged by DecPlay Ltd. 20th Century,Film/TV,Pop. DecPlay Piano. 4 pages. DecPlay Ltd #1051238. Published by DecPlay Ltd (A0.1473404). You have great taste - this is a great song! If you’re not a DecPlay student yet, you might be wondering why the song sheet isn’t using traditional notation or chord names …..This patented form of song sheet from DecPlay® enables songs to be learnt much quicker and more easily than using traditional notation or guitar chords. The simple numbers, colours and patterns method enables rapid results on piano.The same song sheet enables beginner and advanced playing styles, in any musical key.For more details and a FREE video lesson go to https://decplay.com(This type of sheet music is known as piano tabs or PianoTabz and includes lyrics, melody and chords).
$3.99
3.7 €
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Andy Williams
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Where Do I Begin
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DecPlay Ltd
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SheetMusicPlus
(Where Do I Begin) Love Story
Guitar,Piano - Digital Download SKU: A0.1406896 Arranged by Tunescribers. Pop. Scor…
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Guitar,Piano - Digital Download SKU: A0.1406896 Arranged by Tunescribers. Pop. Score and part. Tunescribers LLC #79267. Published by Tunescribers LLC (A0.1406896).
$7.95
7.37 €
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(Where Do I Begin) Love Story
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Tunescribers LLC
#
SheetMusicPlus
Where Do I Begin (theme from Love Story) (arr. Adrian Lucas)
Choral - Digital Download SKU: HX.353367 By Frances Lai. Arranged by Adrian Lucas. …
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Choral - Digital Download SKU: HX.353367 By Frances Lai. Arranged by Adrian Lucas. This edition: scorch. Choral. Film/TV. Octavo. 5 pages. Hal Leonard Europe #21510. Published by Hal Leonard Europe (HX.353367).
$1.70
1.58 €
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Frances Lai
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Where Do I Begin
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Hal Leonard Europe
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SheetMusicPlus
Where Do I Begin (love Theme)
Small Ensemble Alto Saxophone,Euphonium,Trombone,Trumpet - Level 2 - Digital Download S…
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Small Ensemble Alto Saxophone,Euphonium,Trombone,Trumpet - Level 2 - Digital Download SKU: A0.935784 By Andy Williams. By Frances Lai. Arranged by M. Contreras. Jazz. Score and parts. 10 pages. M. Contreras #5290257. Published by M. Contreras (A0.935784). Love Story O. S. T. for alto saxophone, trumpet, trombone and euphonium.
$12.99
12.04 €
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Andy Williams
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Where Do I Begin
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M. Contreras
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SheetMusicPlus
I’m Gonna Sing When the Spirit Says Sing for 8-note Bells and Boomwhackers® (with Color Coded Notes)
Small Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Multi-Percussion,Orff Instrument,R…
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Small Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Multi-Percussion,Orff Instrument,Recorder,Ukulele,Voice,Xylophone - Level 3 - Digital Download SKU: A0.565149 By Sharon Wilson. By Spiritual. Arranged by Sharon Wilson. Children,Folk,Instructional,Sacred,Spiritual. Score and parts. 9 pages. Sharon Wilson #3497141. Published by Sharon Wilson (A0.565149). This sheet music is notated for handbells on one staff and Boomwhackers® on a second staff creating an instrumental ensemble (requires one set of each instrument). Handbells play the melody while the Boomwhackers® keep a steady beat with three-note chords. Included in this set of scores is a combined score with both instrument parts on a grand staff plus a separate 1-staff score for each instrument. This set of scores uses colored noteheads corresponding to the Boomwhackers® color scheme. Handbells sold by Rhythm Band or KidsPlay also use this same color scheme (other brands may use different color schemes). Using color coded notes helps beginning musicians learn to read standard sheet music notation. This set of scores is also available (separate purchase) in black and white which will print clearer if you do not have access to a color printer.Notes used for each instrument are as follows: Bells – D E G A B C* where C* is high C, one octave above middle C  Boomwhackers® – C D E G A B C*Though this sheet music is notated for Handbells and Boomwhackers®, this arrangement is playable by any 8-note, C major diatonic scale (one octave) instrument such as a xylophone or glockenspiel.Only filled noteheads (quarter and eighth notes) are used so the notes are easier to see (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter and eighth rests are used to help visualize the number of beats per measure. Lyrics and chord names are provided as well to aid in the learning and teaching of this song. The staves are shown without sharps or flats for simplicity since even though this song is actually written in the key of G major, no sharps or flats are used.The number of ringers and whackers needed will vary depending on the skill level of the participants. For more advanced players, each person could be assigned two notes. For beginners, it is best to assign one note to each person. Instrument assignment suggestions are provided on the last page for 7 or 13 players.Other suggestions and uses: * have both parts played by bells or both parts played using only Boomwhackers®* form a choir using multiple sets of bells and/or Boomwhackers® (this would amplify the sound and allow more people to participate)* use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, just to name a few Permission is granted to make up to 10 copies of each score. For more than 10 copies, please purchase additional sets.TThis arrangement is one of the 10 songs included in the collection Ten Traditional Spirituals for 8-Note Bells and Boomwhackers®.Boomwhackers® is a registered trademark of Rhythm Band Instruments, LLC. Used by permission.Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$5.99
5.55 €
#
Sharon Wilson
#
I’m Gonna Sing When the Spirit Says Sing for 8-note Bells and Boomwhackers®
#
Sharon Wilson
#
SheetMusicPlus
I’m So Glad Jesus Lifted Me for 8-note Bells and Boomwhackers® (with Color Coded Notes)
Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,…
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Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,Voice,Xylophone - Level 2 - Digital Download SKU: A0.565151 By Sharon Wilson. By Traditional Spiritual. Arranged by Sharon Wilson. Children,Folk,Instructional,Sacred,Spiritual. Score and parts. 9 pages. Sharon Wilson #3499561. Published by Sharon Wilson (A0.565151). This sheet music is notated for handbells on one staff and Boomwhackers® on a second staff creating an instrumental ensemble (requires one set of each instrument). Handbells play the melody while the Boomwhackers® keep a steady beat with three-note chords. Included in this set of scores is a combined score with both instrument parts on a grand staff plus a separate 1-staff score for each instrument. This set of scores uses colored noteheads corresponding to the Boomwhackers® color scheme. Handbells sold by Rhythm Band or KidsPlay also use this same color scheme (other brands may use different color schemes). Using color coded notes helps beginning musicians learn to read standard sheet music notation. This set of scores is also available (separate purchase) in black and white which will print clearer if you do not have access to a color printer.Notes used for each instrument are as follows: Bells – C D E F G A C* where C* is high C, one octave above middle C  Boomwhackers® – C D E F G A B Though this sheet music is notated for Handbells and Boomwhackers®, this arrangement is playable by any 8-note, C major diatonic scale (one octave) instrument such as a xylophone or glockenspiel (though the color coding may not match).Only filled noteheads (quarter and eighth notes) are used so the notes are full color and easier to see (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter rests are used to help visualize the number of beats per measure. Lyrics and chord names are provided as well to aid in the learning and teaching of this song. The staves are shown without sharps or flats for simplicity since even though this song is actually written in the key of F major, no sharps or flats are used.The number of ringers and whackers needed will vary depending on the skill level of the participants. For more advanced players, each person could be assigned one to three notes. For beginners, it is best to assign one note to each person. Instrument assignment suggestions are provided on the last page for 6 to 14 players.Other suggestions and uses: * have both parts played by bells or both parts played using only Boomwhackers®* form a choir using multiple sets of bells and/or Boomwhackers® (this would amplify the sound and allow more people to participate)* use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, just to name a few Permission is granted to make up to 10 copies of each score. For more than 10 copies, please purchase additional sets.This arrangement is one of the 10 songs included in the collection Ten Traditional Spirituals for 8-Note Bells and Boomwhackers®.Boomwhackers® is a registered trademark of Rhythm Band Instruments, LLC. Used by permission.Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$5.99
5.55 €
#
Sharon Wilson
#
I’m So Glad Jesus Lifted Me for 8-note Bells and Boomwhackers®
#
Sharon Wilson
#
SheetMusicPlus
Every Time I Feel the Spirit for 8-note Bells and Boomwhackers® (with Color Coded Notes)
Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Multi-Percussion,Orff In…
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Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Multi-Percussion,Orff Instrument,Ukulele,Voice,Xylophone - Level 2 - Digital Download SKU: A0.565159 By Sharon Wilson. By Traditional Spiritual. Arranged by Sharon Wilson. Children,Folk,Sacred,Spiritual,Standards. Score and parts. 12 pages. Sharon Wilson #3499905. Published by Sharon Wilson (A0.565159). This sheet music is notated for handbells on one staff and Boomwhackers® on a second staff creating an instrumental ensemble (requires one set of each instrument). Handbells play the melody while the Boomwhackers® keep a steady beat with three-note chords. Included in this set of scores is a combined score with both instrument parts on a grand staff plus a separate 1-staff score for each instrument. This set of scores uses colored noteheads corresponding to the Boomwhackers® color scheme. Handbells sold by Rhythm Band or KidsPlay also use this same color scheme (other brands may use different color schemes). Using color coded notes helps beginning musicians learn to read standard sheet music notation. This set of scores is also available (separate purchase) in black and white which will print clearer if you do not have access to a color printer.Notes used for each instrument are as follows: Bells – C D E F G A C* where C* is high C, one octave above middle C  Boomwhackers® – C D E F G A BThough this sheet music is notated for Handbells and Boomwhackers®, this arrangement is playable by any 8-note, C major diatonic scale (one octave) instrument such as a xylophone or glockenspiel (though the color coding may not match).Only filled noteheads (quarter and eighth notes) are used so the notes are full color and easier to see (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter and eighth rests are used to help visualize the number of beats per measure. Lyrics and chord names are provided as well to aid in the learning and teaching of this song. The number of ringers and whackers needed will vary depending on the skill level of the participants. For more advanced players, each person could be assigned one to three notes. For beginners, it is best to assign one note to each person. Instrument assignment suggestions are provided on the last page for 7 to 14 players.Other suggestions and uses: * have both parts played by bells or both parts played using only Boomwhackers®* form a choir using multiple sets of bells and/or Boomwhackers® (this would amplify the sound and allow more people to participate)* use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, just to name a few Permission is granted to make up to 10 copies of each score. For more than 10 copies, please purchase additional sets.This arrangement is one of the 10 songs included in the collection Ten Traditional Spirituals for 8-Note Bells and Boomwhackers®.Boomwhackers® is a registered trademark of Rhythm Band Instruments, LLC. Used by permission.Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$5.99
5.55 €
#
Sharon Wilson
#
Every Time I Feel the Spirit for 8-note Bells and Boomwhackers®
#
Sharon Wilson
#
SheetMusicPlus
I Shall Not Be Moved for 8-note Bells and Boomwhackers® (with Color Coded Notes)
Small Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Multi-Percussion,Orff In…
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Small Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Multi-Percussion,Orff Instrument,Ukulele,Voice - Level 2 - Digital Download SKU: A0.565163 By Sharon Wilson. By Spiritual. Arranged by Sharon Wilson. Children,Folk,Instructional,Sacred,Spiritual. Score and parts. 12 pages. Sharon Wilson #3500091. Published by Sharon Wilson (A0.565163). This sheet music is notated for handbells on one staff and Boomwhackers® on a second staff creating an instrumental ensemble (requires one set of each instrument). Handbells play the melody while the Boomwhackers® keep a steady beat with three-note chords. Included in this set of scores is a combined score with both instrument parts on a grand staff plus a separate 1-staff score for each instrument. This set of scores uses colored noteheads corresponding to the Boomwhackers® color scheme. Handbells sold by Rhythm Band or KidsPlay also use this same color scheme (other brands may use different color schemes). Using color coded notes helps beginning musicians learn to read standard sheet music notation. This set of scores is also available (separate purchase) in black and white which will print clearer if you do not have access to a color printer.Notes used for each instrument are as follows: Bells –C D E G A B C* Boomwhackers® – C D E G A Bwhere C* is high C, one octave above middle C  Though this sheet music is notated for Handbells and Boomwhackers®, this arrangement is playable by any 8-note, C major diatonic scale (one octave) instrument such as a xylophone or glockenspiel (though the color coding may not match).Only filled noteheads (quarter and eighth notes) are used so the notes are full color and easier to see (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter rests are used to help visualize the number of beats per measure. Lyrics and chord names are provided as well to aid in the learning and teaching of this song. The staves are shown without sharps or flats for simplicity since even though this song is actually written in the key of G major, no sharps or flats are used.The number of ringers and whackers needed will vary depending on the skill level of the participants. For more advanced players, each person could be assigned two or three notes. For beginners, it is best to assign one or two notes to each person. Instrument assignment suggestions are provided on the last page for 6 or 10 players.Other suggestions and uses: * have both parts played by bells or both parts played using only Boomwhackers®* form a choir using multiple sets of bells and/or Boomwhackers® (this would amplify the sound and allow more people to participate)* use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, just to name a few Permission is granted to make up to 10 copies of each score. For more than 10 copies, please purchase additional sets.This arrangement is one of the 10 songs included in the collection Ten Traditional Spirituals for 8-Note Bells and Boomwhackers®.Boomwhackers® is a registered trademark of Rhythm Band Instruments, LLC. Used by permission.Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$5.99
5.55 €
#
Sharon Wilson
#
I Shall Not Be Moved for 8-note Bells and Boomwhackers®
#
Sharon Wilson
#
SheetMusicPlus
Dissolvere, for piano with optional instruments in three parts and optional drone - Score and Parts
Level 2 - Digital Download SKU: A0.1424607 Composed by Paul Burnell. 21st Century,C…
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Level 2 - Digital Download SKU: A0.1424607 Composed by Paul Burnell. 21st Century,Classical,Contemporary. 16 pages. Paul Burnell #1005781. Published by Paul Burnell (A0.1424607). Dissolvere by Paul Burnell.Composed 2020 for piano with optional instruments in three parts and optional drone.Duration: 6.00 approx.Optional: drone on D4 from beginning, stopping at end of bar 96. Suggested drone instruments include - violas, 'cellos playing a natural harmonic, organ, synthesised strings, wine glasses. In a large ensemble, those instruments which cannot easily play quietly may be positioned 'off-stage' - as if playing in the distance.Programme note:Dissolvere is an Italian verb, borrowed from Latin, meaning to dissolve, dissipate, disperse or fade away.Excerpts from 'Ode to a Nightingale' written by John Keats in 1819:Fade far away, dissolve, and quite forgetWhat thou among the leaves hast never known,The weariness, the fever, and the fretHere, where men sit and hear each other groan;Where palsy shakes a few, sad, last grey hairs,Where youth grows pale, and spectre-thin, and dies;Where but to think is to be full of sorrowAnd leaden-eyed despairs;Where beauty cannot keep her lustrous eyes,Or new Love pine at them beyond to-morrow.Adieu! adieu! thy plaintive anthem fadesPast the near meadows, over the still stream,Up the hill-side; and now 'tis buried deepIn the next valley-glades:Was it a vision, or a waking dream?Fled is that music:—Do I wake or sleep?The English poet John Keats was born in London in 1795 and died in Rome in 1821.
$2.99
2.77 €
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Paul Burnell
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Dissolvere, for piano with optional instruments in three parts and optional drone - Score and Parts
#
Paul Burnell
#
SheetMusicPlus
Mysterious Moment for oboe and string trio
Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.576733 …
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Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.576733 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #90581. Published by David Warin Solomons (A0.576733). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00
7.41 €
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David Warin Solomons
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Mysterious Moment for oboe and string trio
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David Warin Solomons
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SheetMusicPlus
Oh Holy Night
Alto Voice,Soprano voice - Level 3 - Digital Download SKU: A0.1354327 By Steven Ere…
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Alto Voice,Soprano voice - Level 3 - Digital Download SKU: A0.1354327 By Steven Erekson. By Adolphe Charles Adam/Placide Cappeau. Arranged by Steven L. Erekson. Christian,Christmas,Holiday,Sacred,Spiritual. 6 pages. Steven L. Erekson #939042. Published by Steven L. Erekson (A0.1354327). Written for 1 saprano and 2 altos, this arrangment of Oh Holy Night was written upon request of a family member who had difficulty finding an arrangement for 3 female vocalists. 4 days later and with a day to spare before they left for holidays, the request was happily filled and the result as you see it here. It features two of the 3 verses with a reference to the most important phrase found in the origional's third verse. The chord structures at some points differ from what is commonly associated with this carol and a number of key changes attempt to keep things in a suitable range and entertain the singers with added difficulty, but mostly enables a reverent capture of the attention of the audience. The third verse was not included in full to keep the piece to a suitable length for settings of worship.To my surprise, some church services at Christmas time leave me un-fed. I keep longing for the reverence that should be and would have been felt in the presence of the newborn of whom this song speaks. There is glory and rejoicing in the arrival of the Christ, yes; I do not wish to overlook this aspect of the season, but the greater emphasis that I intended to accompany this arrangement is that of the often-lacking submissive reverence embodied in the concluding phrase; behold your King.The best way to bring the best verision of this piece is to vary the tempo throughout to create more emotion and exagerate the dynamic markings. Begin the piece with awe and contained anticipation, increase in majesty to reflect the praise of angels and the glory of the Christ, then sing as though you enter the place where He rests as you lead your audience thereto. A voice recording is in the works.
$7.99
7.41 €
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Steven Erekson
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Oh Holy Night
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Steven L. Erekson
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SheetMusicPlus
Epilogue
B-Flat Clarinet,Medium Voice,Piano Accompaniment - Level 3 - Digital Download SKU: A0.1…
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B-Flat Clarinet,Medium Voice,Piano Accompaniment - Level 3 - Digital Download SKU: A0.1264319 Composed by Ali Hanna, Madison Julius Cawein, and Mark Twain. 21st Century,Contemporary. 6 pages. Ali Hanna #857172. Published by Ali Hanna (A0.1264319). I wrote this piece as an epilogue (pun definitely intended) to a traumatic religious event that took place in February 2023. I won't go into details so I don't risk triggering anyone, but let's just say it was a lot. This is also the first piece I've written where the text isn't my own because my composition professor at the time challenged me to do so.The text of the first half of the piece comes from Mark Twain's poem Warm Summer Sun. It's intended to be an acceptance of the fact that the singer isn't the same person they once were. As the poem repeats, the singer begins to say goodbye to their old self and lay them to rest.The text of the second half of the piece comes from Madison Julius Cawein's poem Take Heart. I see this part as someone in the singer's life giving them hope to keep on living, and who that entity is can be interpreted in a number of ways. For me, it was the friends and professors around me that helped me keep going. I didn't talk to many people about what happened, but just seeing everyone's faces every day taught me that if they can continue living their lives, then so can I.I ended up adding the clarinet part after a moment of inspiration during my trip to the ICA ClarinetFest 2023 in Denver, Colorado. Voice and clarinet are my two passions, so I thought I would use Epilogue to put them together. This piece has yet to be premiered in its current form, but I hope to someday. If you would like to premiere it, please email me at alisonhanna29@gmail.com.
$10.00
9.27 €
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Ali Hanna, Madison Julius Cawein, and Mark Twain
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Epilogue
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Ali Hanna
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SheetMusicPlus
Four for Five
2tpt. Hn. Tbn. tba - Intermediate-Advanced - Digital Download SKU: F2.FM481 Compose…
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2tpt. Hn. Tbn. tba - Intermediate-Advanced - Digital Download SKU: F2.FM481 Composed by Roma Cafolla. Brass Quintet. Score and parts. 58 pages. Forton Music - Digital #FM481. Published by Forton Music - Digital (F2.FM481). ISBN 9790570483808.Brass 4 All This piece was inspired by the brass section of the WNO, the importance of 'Music For All', and the need to make it accessible to children. A stately introduction opens the piece, with all the instruments passing the theme between them. This leads into a the main body of the piece, a bold, driving tune that contrasts with a more lyrical middle section before bursting out into fanfares of repeated notes to bring the music to a thrilling finish. Brass Neck The tuba is featured prominently in ths piece. The repeated motif drives the rhythm forward: 'Cry the tears for the freezing years. Just walk away' ... as the other players finally do. Marked Andantino and in Bb major the central section changes to Bb minor, where the horn and trombone carry the melody. This is then taken up be the second trumpet and the players stand as the music modulates back to Bb major. As each player finishes they sit down until the tuba is left to finish alone. Autumn Breeze A sultry September evening and a gentle breeze fans the last of the fading flowers. The family are gathered informally, and the music begins.... Marked Andante and with flowing descending quavers, the opening has interest for every player. The horn and then the trombone pick up the central theme, and this is then embellished by the trumpets. A gentle phrase marks the ending. Bankers Notes A letter drops on the mat. A final demand and the thought of the 'green paper rotting in their clutch' assails my mind. I write notes of a differnt kind! The opening is marked Vivace and is rather punchy, but soon settles into the main theme with driving rhythms throughout. The extended ending climaxes in rising staccato semiquavers for all.
$17.95
16.64 €
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Roma Cafolla
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Four for Five
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Forton Music - Digital
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SheetMusicPlus
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