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26
Paul Wehage: To You for baritone, tenor saxophone and piano
Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Downlo…
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Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Download SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary,Holiday,Love,Standards. Score and parts. 41 pages. Musik Fabrik Music Publishing #3396161. Published by Musik Fabrik Music Publishing (A0.534375). To You for Baritone, Tenor Saxophone and piano is dedicated to the American Baritone Kurt Ollmann, who has done much for the promotion and performance of American music both in the United States and abroad.Whitman’s poem speaks of seeing a stranger and feeling love for this person. In contrast to Poe’s To Helen, which treats a similar subject of a chance meeting of a stranger that the poet loves, Whitman does not idealize his subject but rather pointedly and brutally describes how he sees this person and what feelings (both negative and positive) this contemplation provokes in the poet’s mind In order to reflect this musically, there is an alternation between more introspective and brooding sections which are then followed by more ecstatic outbursts. The piece ends with the poet watching the stranger leave, expressing what the composer felt to be acceptance and release.As in any chamber music with voice, it is important that the two instruments allow the voice to predominate, regardless of the dynamics marked in their parts. The saxophonist should try as much as possible to match colour with the voice,in order to allow the contrapuntal exchanges between the voice and the saxophone to blend evenly. The pianist should play the passages at rehearsal marks E, G and K in a more soloist manner, always taking care not to cover the voice..To YouWhoever you are, I fear you are walking the walks of dreams,I fear these supposed realities are to melt from under your feet and hands,Even now your features, joys, speech, house, trade, manners,troubles, follies, costume, crimes, dissipate away from you,Your true soul and body appear before me.They stand forth out of affairs, out of commerce, shops, work,farms, clothes, the house, buying, selling, eating, drinking,suffering, dying.Whoever you are, now I place my hand upon you, that you be my poem,I whisper with my lips close to your ear.I have loved many women and men, but I love none better than you.O I have been dilatory and dumb,I should have made my way straight to you long ago,I should have blabb'd nothing but you, I should have chanted nothingbut you.I will leave all and come and make the hymns of you,None has understood you, but I understand you,None has done justice to you, you have not done justice to yourself,None but has found you imperfect, I only find no imperfection in you,None but would subordinate you, I only am he who will never consentto subordinate you,I only am he who places over you no master, owner, better, God,beyond what waits intrinsically in yourself.Painters have painted their swarming groups and the centre-figure of all,From the head of the centre-figure spreading a nimbus of gold-color'd light,But I paint myriads of heads, but paint no head without its nimbusof gold-color'd light,From my hand from the brain of every man and woman it streams,effulgently flowing forever.O I could sing such grandeurs and glories about you!You have not known what you are, you have slumber'd upon yourselfall your life,Your eyelids have been the same as closed most of the time,What you have done returns already in mockeries,(Your thrift, knowledge, prayers, if they do not return inmockeries, what is their return?)The mockeries are not you,Underneath them and within them I see you lurk,I pursue you where none else has pursued you,Silence, the desk, the flippant expression, the night, theaccustom'd routine, if these conceal you from others or fromyourself, they do not conceal you from me,The shaved face, the unsteady eye, the impure complexion, if thesebalk others they do not balk me,The pert apparel, the deform'd attitude, drunkenness, greed,premature death, all these I part aside.There is no endowment in man or woman that is not tallied in you,There is no virtue,.
$29.95
27.98 €
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Paul Wehage
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Paul Wehage: To You for baritone, tenor saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Do You Want To Build A Snowman?
B-Flat Trumpet,Cello,Double Bass,Flugelhorn,Flute,Percussion,Piano,Violin - Level 4 - Digi…
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B-Flat Trumpet,Cello,Double Bass,Flugelhorn,Flute,Percussion,Piano,Violin - Level 4 - Digital Download SKU: A0.1244317 By Kristen Bell. By Kristen Anderson-Lopez and Robert Lopez. Arranged by Dico. Broadway,Film/TV,Musical/Show,Wedding. 49 pages. Dico #839298. Published by Dico (A0.1244317). WEDDING SERIES - set of popular songs and wedding standards that I've been arranged for years (some aren't as standard, but still). The formations are varied, from duos to orchestras with chorus. Most are mixed/flexible sextets where some instruments can be replaced and, as a result, ensembles can be completely changed. Some arrangements have abbreviated versions (excerpts) and are in several keys to adapt to a wide range of voices. These options are available in my catalog.DO YOU WANT TO BUILD A SNOWMAN?Part of the soundtrack of the Disney's animated feature FROZEN. Here for a reduced ensemble for wedding purposes.INSTRUMENTATION: Flute | Trumpet | Percussion | Piano | Strings (-Viola)*The set can be reduced for a sextet with Flute, Trumpet, Percussion, Piano, Violin (1) and Cello.
$24.50
22.89 €
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Kristen Bell
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Do You Want To Build A Snowman?
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Dico
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SheetMusicPlus
Do You Want To Build A Snowman? (broadway Version)
B-Flat Trumpet,Cello,Double Bass,Flugelhorn,Flute,Percussion,Piano,Violin - Level 4 - Digi…
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B-Flat Trumpet,Cello,Double Bass,Flugelhorn,Flute,Percussion,Piano,Violin - Level 4 - Digital Download SKU: A0.1244321 Composed by Kristen Anderson-Lopez and Robert Lopez. Arranged by Dico. Broadway,Film/TV,Musical/Show,Wedding. 49 pages. Dico Ferreira #839302. Published by Dico Ferreira (A0.1244321). WEDDING SERIES - set of popular songs and wedding standards that I've been arranged for years (some aren't as standard, but still). The formations are varied, from duos to orchestras with chorus. Most are mixed/flexible sextets where some instruments can be replaced and, as a result, ensembles can be completely changed. Some arrangements have abbreviated versions (excerpts) and are in several keys to adapt to a wide range of voices. These options are available in my catalog.DO YOU WANT TO BUILD A SNOWMAN?Part of the soundtrack of the Disney's animated feature FROZEN. Here for a reduced ensemble.INSTRUMENTATION: Flute | Trumpet | Percussion | Piano | Strings (-Viola)*The set can be reduced for a sextet with Flute, Trumpet, Percussion, Piano, Violin (1) and Cello.
$24.50
22.89 €
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Kristen Anderson-Lopez and Robert Lopez
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Do You Want To Build A Snowman?
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Dico Ferreira
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SheetMusicPlus
Do You Want To Build A Snowman? (broadway Version)
B-Flat Trumpet,Cello,Double Bass,Flugelhorn,Flute,Percussion,Piano,Violin - Level 4 - Digi…
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B-Flat Trumpet,Cello,Double Bass,Flugelhorn,Flute,Percussion,Piano,Violin - Level 4 - Digital Download SKU: A0.1244320 Composed by Kristen Anderson-Lopez and Robert Lopez. Arranged by Dico. Broadway,Film/TV,Musical/Show,Wedding. 49 pages. Dico #839301. Published by Dico (A0.1244320). WEDDING SERIES - set of popular songs and wedding standards that I've been arranged for years (some aren't as standard, but still). The formations are varied, from duos to orchestras with chorus. Most are mixed/flexible sextets where some instruments can be replaced and, as a result, ensembles can be completely changed. Some arrangements have abbreviated versions (excerpts) and are in several keys to adapt to a wide range of voices. These options are available in my catalog.DO YOU WANT TO BUILD A SNOWMAN?Part of the soundtrack of the Disney's animated feature FROZEN. Here for a reduced ensemble.INSTRUMENTATION: Flute | Trumpet | Percussion | Piano | Strings (-Viola)*The set can be reduced for a sextet with Flute, Trumpet, Percussion, Piano, Violin (1) and Cello.
$24.50
22.89 €
#
Kristen Anderson-Lopez and Robert Lopez
#
Do You Want To Build A Snowman?
#
Dico
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SheetMusicPlus
Do You Want To Build A Snowman?
B-Flat Trumpet,Cello,Double Bass,Flugelhorn,Flute,Percussion,Piano,Violin - Level 4 - Digi…
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B-Flat Trumpet,Cello,Double Bass,Flugelhorn,Flute,Percussion,Piano,Violin - Level 4 - Digital Download SKU: A0.1244318 By Kristen Bell. By Kristen Anderson-Lopez and Robert Lopez. Arranged by Dico. Broadway,Film/TV,Musical/Show,Wedding. 49 pages. Dico Ferreira #839299. Published by Dico Ferreira (A0.1244318). WEDDING SERIES - set of popular songs and wedding standards that I've been arranged for years (some aren't as standard, but still). The formations are varied, from duos to orchestras with chorus. Most are mixed/flexible sextets where some instruments can be replaced and, as a result, ensembles can be completely changed. Some arrangements have abbreviated versions (excerpts) and are in several keys to adapt to a wide range of voices. These options are available in my catalog.DO YOU WANT TO BUILD A SNOWMAN?Part of the soundtrack of the Disney's animated feature FROZEN. Here for a reduced ensemble for wedding purposes.INSTRUMENTATION: Flute | Trumpet | Percussion | Piano | Strings (-Viola)*The set can be reduced for a sextet with Flute, Trumpet, Percussion, Piano, Violin (1) and Cello.
$24.50
22.89 €
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Kristen Bell
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Do You Want To Build A Snowman?
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Dico Ferreira
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SheetMusicPlus
O God, Beyond All Praising (Thaxted) (Bb) (String Quintet - 2 Violins, 1 Viola, 1 Cello, 1 Bass) (Do
String Ensemble,String Quintet - Level 3 - Digital Download SKU: A0.813746 Composed…
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String Ensemble,String Quintet - Level 3 - Digital Download SKU: A0.813746 Composed by Gustav Holst. Arranged by Regis Bookshar. 20th Century,Contemporary,Sacred,Standards,Wedding. Score and parts. 9 pages. Regis Bookshar #6475097. Published by Regis Bookshar (A0.813746). O God, Beyond All Praising (Thaxted) (Bb) (String Quintet) - Intermediate - Digital Download. This marvelous arrangement of O God, Beyond All Praising, a hymn tune based on the Andante Maestoso section from Jupiter, the Bringer of Jollity from Gustav Holst's The Planets, would be a fabulous addition to any music library and could be performed for church services, especially Weddings and Funerals, but would be appropriate any time during the church year. However, if you are looking to perform this selection for concerts or recitals, I would suggest you look for the arrangement of Jupiter (Andante Maestoso from Jupiter, the Bringer of Jollity from The Planets), also by Regis Bookshar. These arrangements are suitable for high school and college students but professional musicians would also enjoy playing these selections as well. Included are a score and a complete set of parts (9 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time. We have performed the Trumpet Quintet version of this composition quite often for numerous weddings and other special occasions.The Planets, written between 1914 and 1917 by the English composer Gustav Holst, premiered at the Queen's Hall in London, on September 29, 1918 for an invited audience of about 250 people. In the fourth movement, Jupiter, the Bringer of Jollity, Holst portrays Jupiter's supposedly characteristic abundance of life and vitality. Nobility and generosity are allegedly characteristics of those born under Jupiter, and in the slower, middle section marked Andante Maestoso, perhaps the most well-known theme from The Planets (and the theme on which this arrangement is based), Holst provides a broad tune embodying these traits. In 1921, Holst adapted the theme to fit the patriotic poem I Vow to Thee, My Country by Cecil Spring Rice, and was written as a unison song with orchestra. It did not appear as the hymn tune until 1926, when Holst harmonized this melody, named Thaxted, named after the English village where he had lived for many years. Holst's friend Ralph Vaughan Williams included it in Songs of Praise. It has since been performed at numerous occasions, most notably for the wedding of Prince Charles and Diana, Princess of Wales in 1981, and also at the funerals of Princess Diana in 1997, Margaret Thatcher in 2013 and Senator John McCain where it was performed at the Washington National Cathedral on September 1, 2018. In addition to being used as the melody for the solemn, patriotic hymn I Vow to Thee, My Country, other settings of this hymn tune also include O God, Beyond All Praising, by Michael Perry in 1982, O Spirit All Embracing by Delores Dufner in 1995 and We Praise You and Acknowledge You, O God, a paraphrase of the Te Deum Laudemus by Stephen P. Starke in 1999.Regis Bookshar thought that it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to the Trumpet Quintet version and this version for a String Quintet, consisting of 2 Violins, 1 Viola, 1 Violoncello and 1 Double Bass (which has the lead), he has made quite a few other arrangements of this selection. There are Quintets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are added as often as possible. I'm certain that this beautiful arrangement of O God, Beyond All Praising based on the Andante Maestoso section from Jupiter,.
$10.00
9.34 €
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Gustav Holst
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O God, Beyond All Praising
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Regis Bookshar
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SheetMusicPlus
Stabat Mater - string ensemble parts
Small Ensemble - Level 4 - Digital Download SKU: A0.1195919 Composed by Annemieke L…
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Small Ensemble - Level 4 - Digital Download SKU: A0.1195919 Composed by Annemieke Lustenhouwer. Contemporary. Score and parts. 80 pages. Annemieke Lustenhouwer #795094. Published by Annemieke Lustenhouwer (A0.1195919). What happens when you close your eyes and you see yourself standing next to Mother Mary when Jesus dies? What do you see and what do you feel? That was what I’ve been asking myself for years when I read the text Stabat Mater. This composition tells about this experience and this questions. Sometimes a motif tells quite literally about this story, like the moment when Jesus is nailed down the cross: first the right hand, then the left hand and finaly with one nail both feet. In the first part of the composition, the viola tells with sforzato accents about this.This Stabat Mater is not only an expression of the pain of the Virgin Mother, but is also a tribute to JS Bach as well. Bach is by some seen as a fith evangelist. Nowadays there are still a lot of people who are affected by how his music tells about biblical stories, like I am. In this Stabat Mater I use the number 5 to express that: the first part is written in 5/4th and the last part Quando corpus et Amen is written with 5 parts in the choir. There can also be found a reworked choral in the choir passages of  O quam tristis et afflicta. It is the choral Wie nahe mir mein Ende from BWV 166.Polyfony is a returning presence in this Stabat Mater. I had an visual idea about this. When I was young I saw in an exhibition a tapestry with all kinds of colours and threads, and everything felt in motion. It was a kind of organized mess, but it was beautiful and felt perfect. I wondered if I could manage to express this idea in music as well. Under one of the polyphonic passages there is a Latin-American dance rhythm to express that motion. I heard that rhythm in my childhood in a rhythmbox of the keyboard of my dad. Another passage has the baroque sarabande-rhythme underneath in the double bass.A lullaby-feeling in some parts of the Stabat Mater tells about another story that got intertwined with this composition. It’s the story of a mother who rocks her terminal dying little son in her arms. I once read that story and it felt connected with the Stabat Mater text for a long time. I decided to express that as well.This composition is dedicated to the Dutch conductor Geert van den Dungen. However I saw many conductors, while playing the oboe and clarinet from a young age, there was nobody who let me think very deeply about music. Geert was the one who changed that for me. I started to study scores and developed a great interest in music analysis and music psychology. Many moments of inspiration and understanding for this Stabat Mater happened on choir rehearsals and concerts where Geert was working. I am very grateful for that.String parts only, see for conductors/ choir score Sheet Music plus and Sheet music direct.
$19.00
17.75 €
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Annemieke Lustenhouwer
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Stabat Mater - string ensemble parts
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Annemieke Lustenhouwer
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SheetMusicPlus
Mysterious Moment for oboe and string trio
Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.576733 …
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Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.576733 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #90581. Published by David Warin Solomons (A0.576733). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00
7.47 €
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David Warin Solomons
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Mysterious Moment for oboe and string trio
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David Warin Solomons
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SheetMusicPlus
Gregory Sullivan Isaacs: The Death of Pyramus for bass buffo or baritone voice and piano
Small Ensemble - Level 4 - Digital Download SKU: A0.534549 Composed by Gregory Sull…
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Small Ensemble - Level 4 - Digital Download SKU: A0.534549 Composed by Gregory Sullivan Isaacs. Concert,Contemporary,Standards. Score and parts. 10 pages. Musik Fabrik Music Publishing #3627069. Published by Musik Fabrik Music Publishing (A0.534549). Text by William Shakespeare (A Midsummer Night's Dream Act V, Scene I)The ultimate overblown death scene for an actor of limited abilitiesIn the play, Nick Bottom thinks that he is the greatest actor alive. However, he is appallingly dreadful - he shamelessly overplays every line, mugs incessantly and makes word errors. He thinks that he is fabulous when, in fact, he is ridiculous. His suicide scene is one of the great moments for comic actors and it can take as long as the actor wishes - even up to 5 minutes. This aria is set in the same manner and many buffo singers immediately come to mind as models for such satire. This selection cannot be overplayed. It can be sung by any male voiceTEXT: Sweet Moon, I thank thee for thy sunny beams.I thank thee, Moon, for shining now so bright.For by thy gracious, golden, glittering gleams,I trust to take of truest Thisbe sight.—But stay, O spite!But mark, poor knight,What dreadful dole is here!Eyes, do you see?How can it be?O dainty duck! O dear!Thy mantle good,What, stained with blood?Approach, ye Furies fell!O Fates, come, come,Cut thread and thrum.Quail, crush, conclude, and quell!O wherefore, Nature, didst thou lions frame?Since lion vile hath here deflowered my dear,Which is—no, no—which was the fairest dameThat lived, that loved, that liked, that looked with cheer.Come, tears, confound!Out, sword, and wound!The pap of Pyramus— Ay, that left papWhere heart doth hop. (stabs himself)Thus die I, thus, thus, thus.Now am I dead.Now am I fled.My soul is in the sky.Tongue, lose thy light.Moon, take thy flight.Now die, die, die, die, die.(dies)
$11.95
11.16 €
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Gregory Sullivan Isaacs
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Gregory Sullivan Isaacs: The Death of Pyramus for bass buffo or baritone voice and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Guitar Chord Progression Generators for Common Scales ~ 12 Pages
Solo Guitar - Level 2 - Digital Download SKU: A0.1139670 Composed by Brian Streckfu…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1139670 Composed by Brian Streckfus. Instructional,Jazz,Singer/Songwriter. Individual part. 12 pages. Brian Streckfus #739941. Published by Brian Streckfus (A0.1139670). This is a 12-page PDF showing 7 guitar chords on each page. Rather than selling each PDF seperately (which is a bit overpriced and too much of a hassle), I decided to combine them and offer a great deal! Learn how to compose chord progressions like a pro while having fun and playing!Objective:Teach yourself the seven chords that belong to each type of scale. Rather than bombard you with a thousand guitar chords (which is easy to happen when browsing the internet or playing random songs), I'd rather show how a select few chords are working well together in common contexts. The hope is that you would then be able to see this happening in all 12 keys. What Scales/Modes are being harmonized? C Major (+jazz version) A (natural) minor (+jazz version) A harmonic minor (+jazz version) B Locrian D Dorian E Phyrigian F Lydian G Mixolydian Features: Slowly increases in physical and theoritcal difficulty at the same time. Many music theory books seem abstract and impractical whereas these chord charts show music theory applied to guitar. These chord progressions are a great composition aid. Guitar chord diagrams Traditional notation with letter names on the note heads Roman numerals color coded Modes included. The Beatles and jazz musicians use modal chord progressions to give their music uniqueness. It's almost as if one note is wrong intentionally. Practicality and flow on guitar is emphasized more then music theory conciseness. Letter names are not in a perfect order (as that is sometimes impossible for the guitar to do). Sometimes a more complex chord is opted for because it's actually easier to play physically. Tips: Order = Blue, Yellow, Red, Blue for stereotypical classical style chord progressions. Rock and blues often do more of a chord succession; red going to yellow happens often, even though it is breaking a rule. The professional names for blue, yellow, red: tonic, predominant, dominant respectively. I did not invent this theoretical concept, but I am probably one of the few musician's to color code the categories regularly. The colors explain the situation elegantly; the professional words seem like abstract PhD education, whereas saying blue is relaxing and red is uncomfortable is something a child can understand quickly. One fantastic tip I hardly hear anyone say: it doesn't so much matter that you play the same chord as the other musician in your ensemble (unless you are getting paid to do exactly that). It matters more that you simply play the same color as them. You will have a deeper understanding of how music works if you think like this, and mistakes will no longer be seen as mistakes. What happens when a C Major and A minor chord are played at the same time? Hardly anything! It's just a Am7! Big whoop! It isn't a horrendous sounding mistake. Circle a key on the circle of fifths. Now circle the two keys next to it (-1b, +1#). This leads to six chords that belong diatonically to the first key you circled! Memorizing these will allow you to better predict what composers are about to do, especially if you know ahead of time that the song does not change key. Get away from the echo chamber of common are arugably bad cowboy chords and be able to build your own.
$1.99
1.86 €
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Brian Streckfus
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Guitar Chord Progression Generators for Common Scales ~ 12 Pages
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Brian Streckfus
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SheetMusicPlus
The Ride of the Valkyries. Wagner
Small Ensemble Drums,Timpani - Level 5 - Digital Download SKU: A0.883766 Composed b…
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Small Ensemble Drums,Timpani - Level 5 - Digital Download SKU: A0.883766 Composed by Richard Wagner. Arranged by Phil Lawrence. Romantic Period. Score and parts. 102 pages. Phillip Lawrence #3534823. Published by Phillip Lawrence (A0.883766). The Ride of the Valkyries Wagner.What do brass bands like, a good tune, a challenge, a good blow and technical work-out, a chance to show that a brass band can do what any other instrumental group can do including the symphony orchestra, and being able to bring the great classics to locals in their community, in the concert hall and in the band stand where the music comes to the public too? I’m sure that desires and ideals might be listed above. Besides the history of bands 180 years ago having no music and those within arranged popular tunes of the day and great classic symphonic works (often truncated), not al lots has changed apart from the fantastic influx of composed works for band over the last 60+ years, there’s also been a steady influx of orchestral works form the 1980’s as the technical facility of players has grown beyond belief, for EG. My old mentor and teacher Howard Snell working with Desford and other bands into the 90’s started to arrange orchestral works that A. Were fantastic works of musical caliber (many unknown the the BB rep) and, B. A superb challenge to the band - Daphnis and Chole Suite No 2 Ravel and Pines of Rome Respighi to name just two. In the same vein I have recently released Romeo & Juliet Tchaikovsky recently premiered in London by The Fulham Band, and today I let fly again one of the best known musical works in the world yet so far either not arranged because of over all length and technical difficulty, or just too harder work for the arranger? The Ride of the Valkyries Richard Wagner. 4 pages of full on can’t take your eyes off for a second challenge! Will your band take it on? Chop fatigue guaranteed plus and standing ovation from the audience.
$59.99
56.04 €
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Richard Wagner
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The Ride of the Valkyries. Wagner
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Phillip Lawrence
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SheetMusicPlus
25 jazz etudes
B-Flat instrument, Bass Clef Instrument, C Instrument, E- Flat Instrument, Instrumental…
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B-Flat instrument, Bass Clef Instrument, C Instrument, E- Flat Instrument, Instrumental Solo - Level 3 - Digital Download By Darren Lloyd. By Darren Lloyd. Arranged by Darren Lloyd. Jazz, Latin. Individual part. 110 pages. Darren Lloyd #843171. Published by Darren Lloyd
25 jazz etudes is a book aimed at intermediate jazz students wanting something authentic to play over well known jazz standards.<br> <br> It has long been recognised that to develop jazz vocabulary we should copy the masters of the music but what if our favourite player is simply too advanced for where we currently are in our musical development?<br> <br> The 25 jazz etudes have been created with limited tricky passages, no high sustained playing but still uses great, authentic vocabulary.<br> Check out the demo.<br> <br> You should also check out www.jazzetudes.net where if you subscribe to the newsletter you receive a bunch of free etudes to try along with the backing and demo tracks!<br> <br> The book has 25 etudes and each etude is in concert pitch, Bb. pitch, Eb pitch and bass clef.<br> <br> The etudes are - <br> <br> Alfie – 60 bpm<br> Almost like being in love – 135 bpm <br> Bye bye blackbird - 135 bpm<br> Caravan – 180 bpm<br> Doxy – 100 bpm<br> East of the sun – 135 bpm<br> Fascinating rhythm – 160 bpm<br> Fly me to the moon – 140 bpm<br> Four - 170bpm<br> Giant steps – 185 bpm<br> Have you met miss Jones? 135 bpm<br> How high the moon – 175 bpm<br> I remember you – 165 bpm<br> I'll close my eyes – 160 bpm<br> I'm coming Virginia – 131 bpm<br> I've got rhythm changes – 175 bpm<br> Line for Lyons – 140 bpm<br> Makin' whoopee – 90 bpm<br> Night in Tunisia – 170 bpm<br> Scrapple from the apple – 160 bpm<br> Song for my father – 135 bpm<br> Star eyes – 115 bpm<br> Summertime – 105 bpm<br> Tempus fugit – 200 bpm<br> There will never be another you – 160 bpm <br> If you would like the backing tracks and demo recordings (free) you need to go here - https://www.jazzetudes.net/demo-backing-tracks-free
$14.99
14 €
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Darren Lloyd
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25 jazz etudes
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Darren Lloyd
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SheetMusicPlus
Popular Orchestral Excerpt Etudes For Double Bass: Expanded Ensemble Packet
Double Bass - Digital Download SKU: A0.1314900 Composed by Andrew Cody Williams and…
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Double Bass - Digital Download SKU: A0.1314900 Composed by Andrew Cody Williams and Jeff Bradetich. Classical,Instructional. Educational Exercises. 100 pages. Andrew Cody Williams #903659. Published by Andrew Cody Williams (A0.1314900). THIS IS NOT THE STANDARD PACKET. Within the Expanded Ensemble Packet, parts 3 and 4 expand on the accompaniment. While they are not needed for performance, they do fill spaces and provide more to the ensemble musically to create a trio or quartet. A score is also included“Popular Orchestral Excerpt Etudes For Double Bass†is a collection of 9 etudes written by Andrew Cody Williams and Jeff Bradetich from the pedagogical analysis of some of the most common orchestral excerpts in double bass repertoire including Beethoven Symphony 5 Scherzo and Trio, Brahms Symphony 2, Mahler Symphony 2, Mozart Symphony 40, Bach Orchestral Suite 2 Badinerie, Strauss Ein Heldenleben, Schubert Symphony 9 “Greatâ€, and Mendelssohn Symphony 4. Before you buy, try the FREE DEMO PACKET by contacting ExcerptEtudesBass@gmail.comThe focus of these excerpt etudes is as follows:Sequential Instruction- Taking a challenge one step at a time creates a manageable challenge without becoming overwhelmed. When a student meets successful attempt after successful attempt while gradually increasing difficulty, they are motivated to learn and are less likely to reinforce unwanted outcomes.Context- Practicing anything without understanding where it fits in the bigger picture is asking for failure. Accompanying parts to the etudes have been written to assist the learner through tempo consistency, performing other instrumental parts, and expanding beyond the provided excerpt.Ensemble- Performing with others improves intonation and listening, constructive teamwork, and can be a lot of fun. Four bass parts have been written for the etude in a layered accompaniment to keep the size of the ensemble flexible. Within the Standard Packet, part 1 is the etude itself, taking sections of the excerpts and practicing them in different ways to improve the original excerpt. Part 2 provides the most important accompanying music, allowing the etude to be practiced and performed with just two players. This is especially useful in private lessons, as the teacher can accompany the student as they wish. Within the Expanded Ensemble Packet, parts 3 and 4 expand on the accompaniment. While they are not needed for performance, they do fill spaces and provide more to the ensemble musically to create a trio or quartet. Other resources are provided within the excerpt etudes as well. A score is included in the Expanded Ensemble Packet with all four parts to allow easy comparison and study of each etude. The original excerpts are included in the Standard Packet as well, allowing the student to actively see where each rehearsal letter practice section derives from. An analysis of each rehearsal letter is offered defining the problem in question, as well as a practice solution and occasional extra tips. Finally, a difficulty rating sheet is provided to approximate the difficulty of each part.
$5.00
4.67 €
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Andrew Cody Williams and Jeff Bradetich
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Popular Orchestral Excerpt Etudes For Double Bass: Expanded Ensemble Packet
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Andrew Cody Williams
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SheetMusicPlus
Soldiers' March for 8-note Bells and Boomwhackers® (with Color Coded Notes)
Small Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Xylophon…
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Small Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Xylophone - Level 2 - Digital Download SKU: A0.565031 By Sharon Wilson. By Robert Schumann. Arranged by Sharon Wilson. Children,Classical,Instructional,Romantic Period,Standards. Score and parts. 7 pages. Sharon Wilson #3243819. Published by Sharon Wilson (A0.565031). This song from Schumann's Album for the Young is notated for 8-note (one octave, C major diatonic scale) instruments with handbells on one staff and Boomwhackers® on a second staff creating an instrumental ensemble (requires one set of each instrument). Included in this set of scores is a 2-page combined score with both parts on a grand staff plus a separate 1-page, 1-staff score for each instrument. This set of scores uses colored noteheads corresponding to the Boomwhackers® color scheme. Handbells sold by Rhythm Band or KidsPlay also use this same color scheme (other brands may use different color schemes). Using color coded notes helps beginning musicians learn to read standard sheet music notation. This set of scores is also available (separate purchase) in black and white which will print clearer if you do not have access to a color printer.Each instrument part uses all 8 notes: C D E F G A B C* where C* is one octave above middle C. The two parts are interchangeable. Though this sheet music is notated for handbells and Boomwhackers®, this arrangement is playable by any 8-note, C major diatonic scale (one octave) instrument such as a xylophone or glockenspiel (though the color coding may not match).The number of ringers and whackers needed will vary depending on the skill level of the participants. For more advanced players, each person could be assigned two notes for a total group size of 8 players. For beginners, it is best to assign one note to each person. At one note per person, a group of 16 players would be required. Note assignment suggestions are included.Other suggestions and uses:* have both parts played by bells or both parts played using only Boomwhackers®* form a choir using multiple sets of bells and/or Boomwhackers® (this would amplify the sound and allow more people to participate) * use as part of the music education for children at school, home, or church:* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, just to name a few:Permission is granted to make up to 10 copies of each score. For more than 10 copies, please purchase additional sets. This song is one of ten in the collection Ten Classical Favorites for 8-note Bells and Boomwhackers®. Boomwhackers® is a registered trademark of Rhythm Band Instruments, LLC. Used by permission.Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$5.99
5.6 €
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Sharon Wilson
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Soldiers' March for 8-note Bells and Boomwhackers®
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Sharon Wilson
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SheetMusicPlus
Vocalise-Étude ( en forme d'Habanera ) by Ravel for Flute Solo and flute ensemble / choir
Large Ensemble Alto Flute,Bass Flute,Choir,Orff Instrument,Voice - Level 4 - Digital Downl…
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Large Ensemble Alto Flute,Bass Flute,Choir,Orff Instrument,Voice - Level 4 - Digital Download SKU: A0.874260 Composed by Maurice Ravel. Arranged by a do Ray me flute studio production, Ray-Michael Kauffman. 20th Century,Concert,Contemporary,Instructional,Standards. Score and parts. 25 pages. As do Ray meflute studio production #5203415. Published by as do Ray meflute studio production (A0.874260). Vocalise-Étude ( en forme d'Habanera ) by Ravel for Flute Solo and flute ensemble / choirThe famous Vocalise Etude by M Ravel, arranged scored smartly for Flute Solo and flute ensemble/ choir. This piece will give you advanced adult student, college /high student, professional a real solo with flute choir to let them shine . This piece is beautiful in texture , color, and expression. Playing this solo flute part would be any flutists dream to show case their talents.Looking for a great piece, a challenging technique in the solo part, but easier and adaptable for the ensemble?? This is it!!This will surely be a great part of your flute choir /ensemble collection, or even a treasured classic of you own private collection.This piece is scored where as can be played with a small (one per part backign) or even larger ensemble.You be just as excited about this arrangement as I am and all my flutist friends are.And I did want to dedicate this arrangement to my really good friend, who's like fmaily to me, and an incredible music and flutist ; Dorothea Dot Lippart.-- also, check my website out @ doRaymeflute.comhttps://youtu.be/Y-r8Hsfep6E
$15.99
14.94 €
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Maurice Ravel
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Dorothea Dot Lippart
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Vocalise-Étude
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as do Ray meflute studio production
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SheetMusicPlus
Trumpet Voluntary for 8-note Bells and Boomwhackers® (with Color Coded Notes)
Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Xylophon…
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Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Xylophone - Level 1 - Digital Download SKU: A0.565023 By Sharon Wilson. By Jeremiah Clarke. Arranged by Sharon Wilson. Baroque,Children,Classical,Instructional,Standards. Score and parts. 7 pages. Sharon Wilson #3243789. Published by Sharon Wilson (A0.565023). This sheet music is notated for 8-note (one octave, C major diatonic scale) instruments with handbells on one staff and Boomwhackers® on a second staff creating an instrumental ensemble (requires one set of each instrument). Included in this set of scores is a 2-page combined score with both parts on a grand staff plus a separate 1-page, 1-staff score for each instrument. This set of scores uses colored noteheads corresponding to the Boomwhackers® color scheme. Handbells sold by Rhythm Band or KidsPlay also use this same color scheme (other brands may use different color schemes). Using color coded notes helps beginning musicians learn to read standard sheet music notation. This set of scores is also available (separate purchase) in black and white which will print clearer if you do not have access to a color printer.Though this sheet music is notated for handbells and Boomwhackers®, this arrangement is playable by any 8-note, C major diatonic scale (one octave) instrument such as a xylophone or glockenspiel (though the color coding may not match).Notes used for each instrument are as follows: Bells – C D E F G A C* where C* is one octave above middle C  Boomwhackers® – all 8 ~ C D E F G A B C*The number of ringers and whackers needed will vary depending on the skill level of the participants. For more advanced players, each person could be assigned two notes for a total group size of 7 players. For beginners, it is best to assign one note to each person. At one note per person, a group of 15 players would be required. Note assignment suggestions are included.Other suggestions and uses:* have both parts played by bells or both parts played using only Boomwhackers®* form a choir using multiple sets of bells and/or Boomwhackers® (this would amplify the sound and allow more people to participate) * use as part of the music education for children at school, home, or church:* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, just to name a few:Permission is granted to make up to 10 copies of each score. For more than 10 copies, please purchase additional sets. This song is one of ten in the collection Ten Classical Favorites for 8-note Bells and Boomwhackers®. Boomwhackers® is a registered trademark of Rhythm Band Instruments, LLC. Used by permission.Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$5.99
5.6 €
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Sharon Wilson
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Trumpet Voluntary for 8-note Bells and Boomwhackers®
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Sharon Wilson
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SheetMusicPlus
Every Time I Feel the Spirit for 8-note Bells and Boomwhackers® (with Color Coded Notes)
Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Multi-Percussion,Orff In…
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Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Multi-Percussion,Orff Instrument,Ukulele,Voice,Xylophone - Level 2 - Digital Download SKU: A0.565159 By Sharon Wilson. By Traditional Spiritual. Arranged by Sharon Wilson. Children,Folk,Sacred,Spiritual,Standards. Score and parts. 12 pages. Sharon Wilson #3499905. Published by Sharon Wilson (A0.565159). This sheet music is notated for handbells on one staff and Boomwhackers® on a second staff creating an instrumental ensemble (requires one set of each instrument). Handbells play the melody while the Boomwhackers® keep a steady beat with three-note chords. Included in this set of scores is a combined score with both instrument parts on a grand staff plus a separate 1-staff score for each instrument. This set of scores uses colored noteheads corresponding to the Boomwhackers® color scheme. Handbells sold by Rhythm Band or KidsPlay also use this same color scheme (other brands may use different color schemes). Using color coded notes helps beginning musicians learn to read standard sheet music notation. This set of scores is also available (separate purchase) in black and white which will print clearer if you do not have access to a color printer.Notes used for each instrument are as follows: Bells – C D E F G A C* where C* is high C, one octave above middle C  Boomwhackers® – C D E F G A BThough this sheet music is notated for Handbells and Boomwhackers®, this arrangement is playable by any 8-note, C major diatonic scale (one octave) instrument such as a xylophone or glockenspiel (though the color coding may not match).Only filled noteheads (quarter and eighth notes) are used so the notes are full color and easier to see (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter and eighth rests are used to help visualize the number of beats per measure. Lyrics and chord names are provided as well to aid in the learning and teaching of this song. The number of ringers and whackers needed will vary depending on the skill level of the participants. For more advanced players, each person could be assigned one to three notes. For beginners, it is best to assign one note to each person. Instrument assignment suggestions are provided on the last page for 7 to 14 players.Other suggestions and uses: * have both parts played by bells or both parts played using only Boomwhackers®* form a choir using multiple sets of bells and/or Boomwhackers® (this would amplify the sound and allow more people to participate)* use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, just to name a few Permission is granted to make up to 10 copies of each score. For more than 10 copies, please purchase additional sets.This arrangement is one of the 10 songs included in the collection Ten Traditional Spirituals for 8-Note Bells and Boomwhackers®.Boomwhackers® is a registered trademark of Rhythm Band Instruments, LLC. Used by permission.Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$5.99
5.6 €
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Sharon Wilson
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Every Time I Feel the Spirit for 8-note Bells and Boomwhackers®
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Sharon Wilson
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SheetMusicPlus
Rise and Shine for 8-note Bells and Boomwhackers® (with Color Coded Notes)
Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,…
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Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,Voice,Xylophone - Level 1 - Digital Download SKU: A0.565161 By Sharon Wilson. By Traditional Spiritual. Arranged by Sharon Wilson. Children,Folk,Romantic Period,Spiritual,Standards. Score and parts. 9 pages. Sharon Wilson #3500051. Published by Sharon Wilson (A0.565161). This sheet music is notated for handbells on one staff and Boomwhackers® on a second staff creating an instrumental ensemble (requires one set of each instrument). Handbells play the melody while the Boomwhackers® keep a steady beat with three-note chords. Included in this set of scores is a combined score with both instrument parts on a grand staff plus a separate 1-staff score for each instrument. This set of scores uses colored noteheads corresponding to the Boomwhackers® color scheme. Handbells sold by Rhythm Band or KidsPlay also use this same color scheme (other brands may use different color schemes). Using color coded notes helps beginning musicians learn to read standard sheet music notation. This set of scores is also available (separate purchase) in black and white which will print clearer if you do not have access to a color printer.Notes used for each instrument are as follows: Bells – all 8 ~ C D E F G A B C* Boomwhackers® – all 8 ~ C D E F G A B C*where C* is high C, one octave above middle C  Though this sheet music is notated for Handbells and Boomwhackers®, this arrangement is playable by any 8-note, C major diatonic scale (one octave) instrument such as a xylophone or glockenspiel (though the color coding may not match).Only filled noteheads (quarter and eighth notes) are used so the notes are full color and easier to see (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter rests are used to help visualize the number of beats per measure. Lyrics and chord names are provided as well to aid in the learning and teaching of this song. The number of ringers and whackers needed will vary depending on the skill level of the participants. For more advanced players, each person could be assigned two or three notes. For beginners, it is best to assign one or two notes to each person. Instrument assignment suggestions are provided on the last page for 6 to 10 players.Other suggestions and uses: * have both parts played by bells or both parts played using only Boomwhackers®* form a choir using multiple sets of bells and/or Boomwhackers® (this would amplify the sound and allow more people to participate)* use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, just to name a few Permission is granted to make up to 10 copies of each score. For more than 10 copies, please purchase additional sets.This arrangement is one of the 10 songs included in the collection Ten Traditional Spirituals for 8-Note Bells and Boomwhackers®.Boomwhackers® is a registered trademark of Rhythm Band Instruments, LLC. Used by permission.Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$5.99
5.6 €
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Sharon Wilson
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Rise and Shine for 8-note Bells and Boomwhackers®
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Sharon Wilson
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SheetMusicPlus
Take Five
Orff instruments Orff instruments - Level 3 - Digital Download SKU: A0.1276583 By P…
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Orff instruments Orff instruments - Level 3 - Digital Download SKU: A0.1276583 By Paul Desmond. By Paul Desmond. Arranged by Doug Edwards. Children,Jazz,Standards. 26 pages. Doug Edwards #868285. Published by Doug Edwards (A0.1276583). Here is the iconic Dave Brubeck song Take Five arranged for Orff/marimba ensemble. This arrangement is intended for school Orff and marimba ensembles of all levels. It comes with score, student parts and lead sheets for transposing instruments. The Orff student parts are in alphanote format to help young musicians who may not have strong enough skills to read standard notation. Please note - the student parts do not match the score but rather only show the basic patterns to be played for the arrangement. Any variations should be taught via rote instruction from the score. Several options are provided for playing the melody. One way is to have the Orff instruments play it using the alternate melody. The alternate melody avoids the accidentals and chromaticism found in the original version. Another way is to have the melody played by a chromatic mallet instrument (if available) or wind or string instrument.  Here is where the transposed lead sheets are valuable. Also included is the transcribed Paul Desmond improv solo which can be inserted in the piece to expand the arrangement. The youtube video link below demonstrates this expanded version: Suggested grade level: 4 and up.Style: Jazz Duration: 3:55 minutes   Level: medium  Instrumentation: LeadSATBBDoug Edwards is a published arranger and composer with Heritage Music Press. He offers arrangements for various ensembles including Orff, marimba and saxophone ensembles.Audio recordings, teaching tips, performance suggestions and more available at www.marimbaguy.comVideos of many of these arrangements found at www.youtube.com/watch?v=iwd2M2s-NC4&list=PLAE195B9D4583BCA0C 2023 Doug Edwards Marimba Mojo Publications www.marimbaguy.com.
$14.99
14 €
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Paul Desmond
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Take Five
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Doug Edwards
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SheetMusicPlus
Awesome God
Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Xylophone - Level 2 - D…
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Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Xylophone - Level 2 - Digital Download SKU: A0.565016 By Rich Mullins. By Rich Mullins. Arranged by Sharon Wilson. Children,Contemporary,Instructional,Praise & Worship,Sacred. 12 pages. Sharon Wilson #3233879. Published by Sharon Wilson (A0.565016). This sheet music is for a three-part ensemble requiring three (3) sets of 8-note, C major diatonic scale (one octave) instruments (notated for two sets of Handbells and one set of Boomwhackers®). Each instrument set carries the melody for one verse and plays harmony on the other verses. When not playing the melody, the Boomwhackers® maintain a steady rhythm with 2-note chords. Included in this set of scores is a 3-page combined score with all three parts on a grand staff plus a separate 2-page, 1-staff score for each individual part. This set of scores uses colored noteheads corresponding to the Boomwhackers® color scheme. Handbells sold by Rhythm Band or KidsPlay also use this same color scheme (other brands may use different color schemes). Using color coded notes helps beginning musicians learn to read standard sheet music notation. This set of scores is also available (separate purchase) in black and white which will print clearer if you do not have access to a color printer.The two Handbell sets have the same note range: C D E F G A C* where C* is one octave above middle C. The notes used by the Boomwhackers® are C D E F G A. Though this sheet music is notated for Handbells and Boomwhackers®, this arrangement is playable by any 8-note, C major diatonic scale (one octave) instrument such as a xylophone or glockenspiel (though the color coding may not match).The number of ringers and whackers needed will vary depending on the skill level of the participants. For more advanced players, each person could be assigned two or three notes for a total group size of 9 players. For beginners, it is best to assign one or two notes to each person. At one note per person, a group of 20 players would be required. Other suggestions and uses: * have all parts played by only bells (requires 3 sets) or all parts played using only Boomwhackers®* use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, just to name a few Permission is granted to make up to 20 copies of each score. For more than 20 copies, please purchase additional sets.Boomwhackers® is a registered trademark of Rhythm Band Instruments, LLC. Used by permission.Visit Sharon Wilson's website: https://www.sharonwilsonmusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusicKeywords: boomwhacker, boomwacker, boomwackers, pitched percussion, tuned percussion tubes, idiophone percussion, plastic tubes, elementary classroom music, supplemental education for classrooms, pitched instruments
$12.99
12.13 €
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Rich Mullins
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Awesome God
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Sharon Wilson
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SheetMusicPlus
Aria for 8-note Bells and Boomwhackers® (with Color Coded Notes)
Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Xylophon…
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Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Xylophone - Level 1 - Digital Download SKU: A0.565033 By Sharon Wilson. By Giuseppe Verdi. Arranged by Sharon Wilson. Children,Classical,Instructional,Multicultural,Romantic Period,World. Score and parts. 7 pages. Sharon Wilson #3243825. Published by Sharon Wilson (A0.565033). This Aria from Verdi's opera Rigoletto is notated for 8-note (one octave, C major diatonic scale) instruments with handbells on one staff and Boomwhackers® on a second staff creating an instrumental ensemble (requires one set of each instrument). Included in this set of scores is a 2-page combined score with both parts on a grand staff plus a separate 1-page, 1-staff score for each instrument. This set of scores uses colored noteheads corresponding to the Boomwhackers® color scheme. Handbells sold by Rhythm Band or KidsPlay also use this same color scheme (other brands may use different color schemes). Using color coded notes helps beginning musicians learn to read standard sheet music notation. This set of scores is also available (separate purchase) in black and white which will print clearer if you do not have access to a color printer.Each instrument part uses all 8 notes: C D E F G A B C* where C* is one octave above middle C. The two parts are interchangeable. Though this sheet music is notated for handbells and Boomwhackers®, this arrangement is playable by any 8-note, C major diatonic scale (one octave) instrument such as a xylophone or glockenspiel (though the color coding may not match).The number of ringers and whackers needed will vary depending on the skill level of the participants. For more advanced players, each person could be assigned two notes for a total group size of 8 players. For beginners, it is best to assign one note to each person. At one note per person, a group of 16 players would be required. Note assignment suggestions are included.Other suggestions and uses:* have both parts played by bells or both parts played using only Boomwhackers®* form a choir using multiple sets of bells and/or Boomwhackers® (this would amplify the sound and allow more people to participate) * use as part of the music education for children at school, home, or church:* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, just to name a few:Permission is granted to make up to 10 copies of each score. For more than 10 copies, please purchase additional sets. This song is one of ten in the collection Ten Classical Favorites for 8-note Bells and Boomwhackers®. Boomwhackers® is a registered trademark of Rhythm Band Instruments, LLC. Used by permission.Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$5.99
5.6 €
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Sharon Wilson
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Aria for 8-note Bells and Boomwhackers®
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Sharon Wilson
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SheetMusicPlus
Waltz for 8-note Bells and Boomwhackers® (with Color Coded Notes)
Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Xylophon…
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Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Xylophone - Level 2 - Digital Download SKU: A0.565021 By Sharon Wilson. By Johannes Brahms. Arranged by Sharon Wilson. Baroque,Children,Classical,Instructional,Romantic Period. Score and parts. 10 pages. Sharon Wilson #3243783. Published by Sharon Wilson (A0.565021). This Waltz by Brahms (Op. 39, No. 15) is notated for 8-note (one octave, C major diatonic scale) instruments with handbells on one staff and Boomwhackers® on a second staff creating an instrumental ensemble (requires one set of each instrument). Included in this set of scores is a 3-page combined score with both parts on a grand staff plus a separate 2-page, 1-staff score for each instrument. This set of scores uses colored noteheads corresponding to the Boomwhackers® color scheme. Handbells sold by Rhythm Band or KidsPlay also use this same color scheme (other brands may use different color schemes). Using color coded notes helps beginning musicians learn to read standard sheet music notation. This set of scores is also available (separate purchase) in black and white which will print clearer if you do not have access to a color printer.Each instrument part uses all 8 notes: C D E F G A B C* where C* is one octave above middle C. The two parts are interchangeable. Though this sheet music is notated for handbells and Boomwhackers®, this arrangement is playable by any 8-note, C major diatonic scale (one octave) instrument such as a xylophone or glockenspiel (though the color coding may not match).The number of ringers and whackers needed will vary depending on the skill level of the participants. For more advanced players, each person could be assigned two notes for a total group size of 8 players. For beginners, it is best to assign one note to each person. At one note per person, a group of 16 players would be required. Note assignment suggestions are included.Other suggestions and uses:* have both parts played by bells or both parts played using only Boomwhackers®* form a choir using multiple sets of bells and/or Boomwhackers® (this would amplify the sound and allow more people to participate) * use as part of the music education for children at school, home, or church:* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, just to name a few:Permission is granted to make up to 10 copies of each score. For more than 10 copies, please purchase additional sets. This song is one of ten in the collection Ten Classical Favorites for 8-note Bells and Boomwhackers®. Boomwhackers® is a registered trademark of Rhythm Band Instruments, LLC. Used by permission.Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$5.99
5.6 €
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Sharon Wilson
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Waltz for 8-note Bells and Boomwhackers®
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Sharon Wilson
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SheetMusicPlus
Minuet for 8-note Bells and Boomwhackers® (with Color Coded Notes)
Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Xylophon…
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Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Xylophone - Level 2 - Digital Download SKU: A0.565018 By Sharon Wilson. By Christian Petzold and Johann Sebastian Bach. Arranged by Sharon Wilson. Baroque,Children,Classical,Instructional,Traditional. Score and parts. 10 pages. Sharon Wilson #3243755. Published by Sharon Wilson (A0.565018). This Minuet from the Notebook for Anna Magdalena Bach (most recently attributed to Christian Petzold) is notated for 8-note (one octave, C major diatonic scale) instruments with handbells on one staff and Boomwhackers® on a second staff creating an instrumental ensemble (requires one set of each instrument). Included in this set of scores is a 3-page combined score with both parts on a grand staff plus a separate 2-page, 1-staff score for each instrument.This set of scores uses colored noteheads corresponding to the Boomwhackers® color scheme. Handbells sold by Rhythm Band or KidsPlay also use this same color scheme (other brands may use different color schemes). Using color coded notes helps beginning musicians learn to read standard sheet music notation. This set of scores is also available (separate purchase) in black and white which will print clearer if you do not have access to a color printer.Each instrument part uses all 8 notes: C D E F G A B C* where C* is one octave above middle C. The two parts are interchangeable. Though this sheet music is notated for handbells and Boomwhackers®, this arrangement is playable by any 8-note, C major diatonic scale (one octave) instrument such as a xylophone or glockenspiel (though the color coding may not match).The number of ringers and whackers needed will vary depending on the skill level of the participants. For more advanced players, each person could be assigned two notes for a total group size of 8 players. For beginners, it is best to assign one note to each person. At one note per person, a group of 16 players would be required. Note assignment suggestions are included.Other suggestions and uses:* have both parts played by bells or both parts played using only Boomwhackers®* form a choir using multiple sets of bells and/or Boomwhackers® (this would amplify the sound and allow more people to participate) * use as part of the music education for children at school, home, or church:* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, just to name a few:Permission is granted to make up to 10 copies of each score. For more than 10 copies, please purchase additional sets. This song is one of ten in the collection Ten Classical Favorites for 8-note Bells and Boomwhackers®. Boomwhackers® is a registered trademark of Rhythm Band Instruments, LLC. Used by permission.Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$5.99
5.6 €
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Sharon Wilson
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Minuet for 8-note Bells and Boomwhackers®
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Sharon Wilson
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SheetMusicPlus
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