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--INSTRUMENTS--
ACCORDION
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CHORAL - VOCAL…
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Wide World
Not classified
867
Piano & keyboards
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593
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119
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119
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79
C Instruments
59
Organ
21
1 Piano, 4 hands
14
Piano Trio: piano, violin, cello
11
Piano Accompaniment
5
Piano Quartet: piano, violin, viola, cello
4
Accordion
4
Piano Quartet: piano, 2 violins, cello
3
Piano Quintet: piano, 2 violins, viola, cello
3
Organ, Trumpet (duet)
2
2 Pianos, 4 hands
2
Big Note Piano
2
Organ, Piano (duet)
1
Harpsichord
1
+ 13 instrumentations
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Retract
Guitars
Guitar notes and tablatures
38
Guitar
35
Melody line, (Lyrics) and Chords
23
Ukulele
10
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6
Bass guitar
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Mandolin
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4 Guitars (Quartet)
2
Lyrics and Chords
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Dulcimer
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Piano, Guitar (duet)
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Mandolin, Guitar (duet)
1
+ 8 instrumentations
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Retract
Voice
Choral SATB
147
Choral 3-part
45
Soprano voice, Piano
40
Choral 2-part
39
Alto voice, Piano
28
Baritone voice, Piano
27
Tenor voice, Piano
27
Choral Unison
21
Choral SSAA
20
Choral TTBB
14
Vocal duet, Piano
7
Vocal duet
4
Voice solo
3
Mezzo-Soprano voice, Piano
2
Tenor voice
1
Soli, Mixted choir and accompaniment
1
+ 11 instrumentations
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Retract
Woodwind
Clarinet and Piano
73
Flute and Piano
69
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
66
Saxophone Quintet: 5 Saxophones
63
Saxophone ensemble
56
Oboe, Piano (duet)
53
Flute
53
Saxophone Quartet: 4 saxophones
47
Clarinet
40
Alto Saxophone
35
Alto Saxophone and Piano
31
2 Saxophones (duet)
30
Clarinet Ensemble
30
Clarinet Quartet: 4 clarinets
29
Flute, Oboe, Clarinet, Bassoon
27
Tenor Saxophone and Piano
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25
Soprano Saxophone and Piano
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23
2 Clarinets (duet)
22
2 Flutes (duet)
21
Oboe
20
Oboe (band part)
20
Flute Quartet: 4 flutes
18
Flute, Clarinet (duet)
18
Baritone Saxophone, Piano
14
Saxophone, Clarinet (duet)
12
English horn, Piano
11
Clarinet Quintet: 5 clarinets
11
Flute Quintet : 5 flutes
9
3 Clarinets (trio)
8
Oboe, Bassoon (duet)
8
Clarinet, Violin (duet)
7
Clarinet, Trumpet (duet)
7
Bass Clarinet, Piano
7
Flute, Violin
7
2 Oboes (duet)
7
3 Saxophones (trio)
6
Flute ensemble
6
Flute Trio: 3 flutes
6
Flute and Guitar
5
Oboe, Clarinet (duet)
5
Flute, Violin, Piano
5
Soprano Saxophone
4
Flute, Saxophone (duet)
4
Recorder
3
Flute, Violoncello
3
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3
Ocarina
3
Flute, Trumpet (duet)
3
Clarinet and Viola
3
Saxophone and Organ
3
Clarinet, Bassoon (duet)
3
Oboe, Flute
2
2 Clarinets, Piano
2
Bagpipe
2
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2
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2
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2
2 Recorders (duet)
2
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2
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2
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2
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2
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2
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2
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2
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2
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1
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1
Harmonica
1
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1
Oboe, Cello
1
Clarinet, trumpet and piano
1
Clarinet, Cello (duet)
1
Clarinet, Cello, Piano (trio)
1
2 Flutes and Harp
1
Clarinet (band part)
1
Clarinet, Bassoon, Piano (trio)
1
Recorder, Harp
1
Flute, Cello, Guitar
1
Flute, Clarinet, Violin (trio)
1
Flute, Violin, Guitar
1
Pennywhistle
1
Flute, trombone and piano
1
Flute, Oboe, Violin
1
2 Oboes, Piano
1
Flute, Oboe (duet)
1
+ 85 instrumentations
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Retract
Woodbrass
Brass quartet : 2 trumpets, trombone, tuba
73
Brass Quintet: 2 trumpets, horn, trombone, tuba
72
Trumpet, Piano
54
Trumpet
53
Trombone and Piano
44
Brass Quartet: 2 trumpets, horn, trombone
37
French horn
33
French Horn and Piano
33
Trombone
33
Tuba and Piano
19
Trombone ensemble
16
Tuba
16
2 Trumpets (duet)
13
Trumpet ensemble
11
English horn, Piano
11
2 Trombones (duet)
11
Trumpet, Horn (duert)
7
Euphonium, Piano (duet)
7
Trumpet (band part)
6
Trumpet, Saxophone (duet)
6
2 French horns (duet)
6
Trumpet, Trombone (duet)
6
French Horn and Harp
2
Brass Quartet: 4 horns
2
Trombone (band part)
2
Trumpet, Cello (duet)
2
3 Trumpets (trio)
2
2 Trumpets, Keyboard (piano or organ)
2
Trumpet, Harp
2
3 Trombones (trio)
2
English Horn
2
Brass Trio
2
Brass Quartet: 2 trumpets, 2 trombones
1
Trombone and Orchestra
1
French horn and Basson (duet)
1
Euphonium, Tuba (duet)
1
Brass Quartet
1
2 French horns, Piano
1
Horn, Cello (duet)
1
Horn and Organ
1
2 Euphoniums and 2 Tubas
1
Trombone, Organ
1
Brass Quartet: 4 trombones
1
2 Tubas (duet)
1
Brass Quartet: 4 trumpets
1
Trumpet, Bassoon (duet)
1
+ 41 instrumentations
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Retract
Strings
String Quartet: 2 violins, viola, cello
211
Violin and Piano
106
Viola, Piano
93
Violin
71
Cello, Piano
68
Viola
52
Cello
49
Violin, Cello (duet)
46
2 Violins (duet)
39
Violin, Viola (duet)
33
String Trio: violin, viola, cello
30
String Trio: 2 violins, cello
25
Harp
24
2 Violas (duet)
23
String Quintet: 2 violins, viola, cello, bass
22
2 Cellos (duet)
21
Double bass, Piano (duet)
15
String Trio: 3 violas
13
String Trio: 3 violins
11
Violin ensemble
10
Double Bass
10
Viola ensemble
9
String Trio: 2 violins, viola
8
Viola (band part)
6
String quartet: 4 violins
6
4 Cellos
5
Piano Trio: Violin, Viola, Piano
5
2 Harps (duet)
3
Viola, Guitar (duet)
3
Harp, Flute (duet)
3
String Trio: 3 cellos
3
Viola and Harp
2
2 Violas, Piano
2
Violin, Bassoon (duet)
2
2 Violins, Piano
2
Cello, Guitar (duet)
2
Viola and Bassoon
2
Violin (band part)
1
Violin, Clarinet, Piano (trio)
1
Viola, Cello (duet)
1
Violin, Guitar (duet)
1
Harp, Violin (duet)
1
3 Harps
1
4 Harps
1
Cello, Organ
1
Harp, Cello (duet)
1
+ 41 instrumentations
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Orchestra & Percussion
Concert band
283
String Orchestra
95
Orchestra
42
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19
Chamber Orchestra
16
Marching band
7
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7
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6
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5
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4
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2
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
2
Percussion
1
School Ensemble
1
Marimba
1
3 Marimbas
1
Drums
1
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867 sheet music found
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The Greatest Christmas Card in the Whole Wide World - Singer's Edition
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Christmas
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Betty Hager and Fred Bock
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The Greatest Christmas Card in
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Fred Bock Music Company
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SheetMusicPlus
2-Part Singer's Edition Children's Choir; Choral (2 Part Children's Choir) SKU: HL.8738007 Sacred Children's Musical. Composed by Betty Hager and ...
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2-Part Singer's Edition Children's Choir; Choral (2 Part Children's Choir) SKU: HL.8738007 Sacred Children's Musical. Composed by Betty Hager and Fred Bock. Fred Bock Publications. Christmas, Christmas Sacred, Christmas/Advent Sacred, Collection, Elementary, Musicals. Singer's Edition. 24 pages. Fred Bock Music Company #BG0735. Published by Fred Bock Music Company (HL.8738007). UPC: 073999380071. 7.0x10.5x0.072 inches. Betty Hager/Fred Bock.At Christmas time a family explores the various types of Christmas cards and their meanings. They find that the best card tells of Christ's coming to the world as a baby. Songs include: Deck the Halls, We Wish You a Merry Christmas, A Shepherd Has a Very Hard Life, You Are God's Son, and other delightful Christmas songs for children.Available: Director's Edition, 2-Part Singer's Edition, Accompaniment Cassette, Listening Cassette, Book/Cassette Pack, Posters (12-Pack). Performance Time: 30 minutes. For Grades 1-6.
$4.95
The Greatest Christmas Card in the Whole Wide World - Posters (12 Pack)
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Christmas
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Betty Hager and Fred Bock
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The Greatest Christmas Card in
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Fred Bock Music Company
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SheetMusicPlus
Children's Choir (12 Pack) SKU: HL.8738508 Sacred Children's Musical. Composed by Betty Hager and Fred Bock. Fred Bock Publications. Christmas, Co...
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Children's Choir (12 Pack) SKU: HL.8738508 Sacred Children's Musical. Composed by Betty Hager and Fred Bock. Fred Bock Publications. Christmas, Collection, Elementary, Musicals, Sacred, Winter. Posters. 11 pages. Fred Bock Music Company #BG7540. Published by Fred Bock Music Company (HL.8738508). UPC: 073999385083. 11x17 inches. Betty Hager/Fred Bock.At Christmas time a family explores the various types of Christmas cards and their meanings. They find that the best card tells of Christ's coming to the world as a baby.Available: Director's Edition, 2-Part Singer's Edition, Accompaniment Cassette, Listening Cassette, Book/Cassette Pack, Posters (12-Pack). Performance Time: 30 minutes. Grades 1-6.
$12.00
The Greatest Christmas Card in the Whole Wide World - CD 10-Pak
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Christmas
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Betty Hager and Fred Bock
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The Greatest Christmas Card in
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Fred Bock Music Company
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SheetMusicPlus
Choral (CD 10-pak) SKU: HL.8739869 Sacred Children's Musical. Composed by Betty Hager and Fred Bock. Fred Bock Publications. Children, Christmas, ...
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Choral (CD 10-pak) SKU: HL.8739869 Sacred Children's Musical. Composed by Betty Hager and Fred Bock. Fred Bock Publications. Children, Christmas, Christmas Sacred, Elementary, Musicals, Winter. CD only. Fred Bock Music Company #BG7539CP. Published by Fred Bock Music Company (HL.8739869). UPC: 073999726947. 5x5 inches. Betty Hager/Fred Bock.At Christmas time a family explores the various types of Christmas cards and their meanings. They find that the best card tells of Christ's coming to the world as a baby. Songs include: Deck the Halls, We Wish You a Merry Christmas, A Shepherd Has a Very Hard Life, You Are God's Son, and other delightful Christmas songs for children.Available: Director's Edition, 2-Part Singer's Edition, Accompaniment Cassette, Listening Cassette, Book/Cassette Pack, Posters (12-Pack). Performance Time: 30 minutes. For Grades 1-6.10 Preview CD's for individual learning - Not for performance
$75.00
The Greatest Christmas Card in the Whole Wide World - Accompaniment CD
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Christmas
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Betty Hager and Fred Bock
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The Greatest Christmas Card in
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Fred Bock Music Company
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SheetMusicPlus
Children's Choir, Choral (Accompaniment CD) SKU: HL.8738033 Sacred Children's Musical. Composed by Betty Hager and Fred Bock. Accomp. CD. Fred Boc...
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Children's Choir, Choral (Accompaniment CD) SKU: HL.8738033 Sacred Children's Musical. Composed by Betty Hager and Fred Bock. Accomp. CD. Fred Bock Publications. Christmas, Christmas Sacred, Collection, Elementary, Musicals, Winter. CD only. Fred Bock Music Company #BGTC0738. Published by Fred Bock Music Company (HL.8738033). UPC: 073999380330. 5x5.5 inches. Betty Hager/Fred Bock.At Christmas time a family explores the various types of Christmas cards and their meanings. They find that the best card tells of Christ's coming to the world as a baby. Songs include: Deck the Halls, We Wish You a Merry Christmas, A Shepherd Has a Very Hard Life, You Are God's Son, and other delightful Christmas songs for children.Available: Director's Edition, 2-Part Singer's Edition, Accompaniment Cassette, Listening Cassette, Book/Cassette Pack, Posters (12-Pack). Performance Time: 30 minutes. For Grades 1-6.
$75.00
The Greatest Christmas Card in the Whole Wide World - Singer 5-Pak
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Christmas
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Betty Hager and Fred Bock
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The Greatest Christmas Card in
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Fred Bock Music Company
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SheetMusicPlus
Choral (Singer 5 Pak) SKU: HL.8739870 Sacred Children's Musical. Composed by Betty Hager and Fred Bock. Fred Bock Publications. Children, Christma...
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Choral (Singer 5 Pak) SKU: HL.8739870 Sacred Children's Musical. Composed by Betty Hager and Fred Bock. Fred Bock Publications. Children, Christmas, Christmas Sacred, Elementary, Musicals, Winter. Fred Bock Music Company #BG0735SP. Published by Fred Bock Music Company (HL.8739870). UPC: 073999727142. 7x10.5 inches. Betty Hager/Fred Bock.At Christmas time a family explores the various types of Christmas cards and their meanings. They find that the best card tells of Christ's coming to the world as a baby. Songs include: Deck the Halls, We Wish You a Merry Christmas, A Shepherd Has a Very Hard Life, You Are God's Son, and other delightful Christmas songs for children.Available: Director's Edition, 2-Part Singer's Edition, Accompaniment Cassette, Listening Cassette, Book/Cassette Pack, Posters (12-Pack). Performance Time: 30 minutes. For Grades 1-6.5 Booklets of vocal lines and dialog
$19.95
The Greatest Christmas Card in the Whole Wide World - Director's Manual
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Christmas
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Betty Hager and Fred Bock
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The Greatest Christmas Card in
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Fred Bock Music Company
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SheetMusicPlus
Children's Choir, Choral (Director's Manual) SKU: HL.8738008 Sacred Children's Musical. Composed by Betty Hager and Fred Bock. Fred Bock Publicati...
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Children's Choir, Choral (Director's Manual) SKU: HL.8738008 Sacred Children's Musical. Composed by Betty Hager and Fred Bock. Fred Bock Publications. Christmas, Christmas Sacred, Collection, Elementary, Musicals, Winter. Fred Bock Music Company #BG0736. Published by Fred Bock Music Company (HL.8738008). UPC: 073999380088. 9x12 inches. Betty Hager/Fred Bock.At Christmas time a family explores the various types of Christmas cards and their meanings. They find that the best card tells of Christ's coming to the world as a baby. Songs include: Deck the Halls, We Wish You a Merry Christmas, A Shepherd Has a Very Hard Life, You Are God's Son, and other delightful Christmas songs for children.Available: Director's Edition, 2-Part Singer's Edition, Accompaniment Cassette, Listening Cassette, Book/Cassette Pack, Posters (12-Pack). Performance Time: 30 minutes. For Grades 1-6.Songs, dialog and piano accompaniments, teaching materials, lesson plans and movement
$24.95
Largo (from "Symphony No. 9") ("From the New World") (Db) Viola Quintet)
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Classical
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Sacred music
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
String Ensemble,String Quintet Viola - Level 3 - Digital Download SKU: A0.813839 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contempo...
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String Ensemble,String Quintet Viola - Level 3 - Digital Download SKU: A0.813839 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533949. Published by Regis Bookshar (A0.813839). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Viola Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Viola Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumental.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (French Horn Quintet)
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Classical
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Sacred music
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Brass Ensemble Horn - Level 3 - Digital Download SKU: A0.813830 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Romantic Period,Stan...
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Brass Ensemble Horn - Level 3 - Digital Download SKU: A0.813830 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533921. Published by Regis Bookshar (A0.813830). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (French Horn Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a French Horn Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instr.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Violoncello Quintet)
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Classical
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Sacred music
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
String Ensemble,String Quintet Cello - Level 3 - Digital Download SKU: A0.813841 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Fol...
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String Ensemble,String Quintet Cello - Level 3 - Digital Download SKU: A0.813841 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533955. Published by Regis Bookshar (A0.813841). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Violoncello Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Violoncello Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of.
$15.00
World Sound Matters
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World Sound Matters
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Schott Music - Digital
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SheetMusicPlus
Voice and/or different Instruments - easy - Digital Download SKU: S9.Q54940 An anthology of music from around the world. This edition: score for v...
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Voice and/or different Instruments - easy - Digital Download SKU: S9.Q54940 An anthology of music from around the world. This edition: score for voice and/or instruments. Downloadable, Vocal and performing score. Schott Music - Digital #Q54940. Published by Schott Music - Digital (S9.Q54940). English.World Sound Matters is a fully-integrated anthology of music from around the world, the entire series comprising: 2 compact discs of 58 traditional music recordings (ED 12572), representing 35 different countries - notated transcriptions of each recorded example (ED 12571), and a teacher’s book containing explanatory texts covering the special context of each style and its musical content , with 2 sets of progressive pupil listening-based questions for each musical style (ED 12460). Suitable for use at GCSE and A level. Each unit is free-standing and can be used effectively on its own. Alternatively, multiple units can be combined, in any order, to provide an Introduction to the musical traditions of the world.The music incorporated in World Sound Matters has been carefully selected and prepared by the author in consultation with other music specialists and professionals actively engaged in music education. Two aims have been paramount: on the one hand, readers need analyses of a wide range of musical traditions which are both authoritative and yet remain accessible to the non-specialist; on the other hand, the many musicians whose work appears on the sound recording deserve a thorough and sympathetic study which neither cheapens nor dilutes their artistry. The result is a publication which should be of practical use to a wide range of musicians, from secondary school teachers to their pupils, from adults interested in knowing more about world music to music students wishing to specialize in this field, and to composers.
$12.99
Largo (from "Symphony No. 9") ("From the New World") (Db) (String Quintet - 2 Violins, 1 Viola, 1 Ce
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Classical
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Sacred music
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
String Ensemble,String Quintet - Level 3 - Digital Download SKU: A0.813833 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,F...
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String Ensemble,String Quintet - Level 3 - Digital Download SKU: A0.813833 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533931. Published by Regis Bookshar (A0.813833). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (String Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a String Quintet, consisting of 2 Violins, 1 Viola, 1 Violoncello and 1 Double Bass, he has made quite a few other arrangements of this sel.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Woodwind Ensemble)
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Classical
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Sacred music
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble - Level 3 - Digital Download SKU: A0.813846 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic ...
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Woodwind Ensemble - Level 3 - Digital Download SKU: A0.813846 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6537757. Published by Regis Bookshar (A0.813846). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Woodwind Ensemble) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (24 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, he has created this version for a Woodwind Ensemble. Parts included with the purchase are a 1st Flute, a 2nd Flute, a 1st Oboe, a 2nd Oboe, a 1st Clarinet in Bb, a 2nd Clari.
$18.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Euphonium Quintet - Bass Clef)
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Classical
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Sacred music
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Brass Ensemble Euphonium - Level 3 - Digital Download SKU: A0.813827 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Romantic Period...
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Brass Ensemble Euphonium - Level 3 - Digital Download SKU: A0.813827 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533911. Published by Regis Bookshar (A0.813827). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Euphonium Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Euphonium Quintet written in Bass Clef, he has made quite a few other arrangements of this selection which are readily available for a.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Brass Quintet - 3 Trp, 2 Trb)
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Classical
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Sacred music
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Brass Ensemble Trombone,Trumpet - Level 3 - Digital Download SKU: A0.813825 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,...
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Brass Ensemble Trombone,Trumpet - Level 3 - Digital Download SKU: A0.813825 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533903. Published by Regis Bookshar (A0.813825). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Brass Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Brass Quintet, but in this case, consisting of 3 Trumpets and 2 Trombones, he has made quite a few other arrangements of this selection wh.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Euphonium Quintet - Treble Clef)
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Classical
#
Sacred music
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Brass Ensemble Euphonium - Level 3 - Digital Download SKU: A0.813828 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic P...
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Brass Ensemble Euphonium - Level 3 - Digital Download SKU: A0.813828 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533917. Published by Regis Bookshar (A0.813828). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Euphonium Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Euphonium Quintet written in Treble Clef, he has made quite a few other arrangements of this selection which are readily available for a wi.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (String Quintet - 3 Violins, 1 Cello, 1 Ba
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Classical
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Sacred music
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Antonin Dvorak
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Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
String Ensemble,String Quintet - Level 3 - Digital Download SKU: A0.813834 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,F...
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String Ensemble,String Quintet - Level 3 - Digital Download SKU: A0.813834 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533937. Published by Regis Bookshar (A0.813834). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (String Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a String Quintet, consisting of 3 Violins, 1 Violoncello and 1 Double Bass, he has made quite a few other arrangements of this selection which a.
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