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You've selected:
Wooden Heart - Muß I den
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Muss i denn, muss i denn, zum Städele hinaus - Wooden Heart (Elvis Presley) - Flute Quintet
Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.568473…
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Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.568473 Composed by Trad. Arranged by Thomas Graf. Folk,Multicultural,Pop,World. 17 pages. Thomas Graf - the-hit-factory.com #2961059. Published by Thomas Graf - the-hit-factory.com (A0.568473). Muss i' denn zum Städtele hinaus - is a German folk song by Friedrich Silcher, originating from the Rems Valley in Württemberg, southwest Germany. A famous cover version called Wooden Heart is a song best known for its use in the 1960 Elvis Presley film G.I. Blues. Here you have a richly contrapuntal and rewarding arrangement to play which features all players. Not technically difficult, confident players of grade 3 standard should be able to get much from this music. Your audience will love it, too!   Instrumentation: Flute 1/2/3, Alto Flute, Bass Flute            Listen to the recording - a challenge for your ensemble. Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N...                               Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic  New catalogue includedVideo: https://www.youtu.be/qvjTGLJ8PQ4
$14.99
13.7 €
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Trad
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Muss i denn, muss i denn, zum Städele hinaus - Wooden Heart
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Wooden Heart
Trumpet Quartet Baritone Horn TC,Bass Trombone,Trumpet,Tuba - Level 3 - Digital Download
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Trumpet Quartet Baritone Horn TC,Bass Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1231047 By Elvis Presley. By Ben Weisman, Bert Kaempfert, Fred Wise, and Kay Twomey. Arranged by Thomas Graf. Broadway,Country,Film/TV,Folk,Musical/Show,Pop. 20 pages. Thomas Graf - the-hit-factory.com #826728. Published by Thomas Graf - the-hit-factory.com (A0.1231047). Wooden Heart is a pop song recorded by Elvis Presley. The composition is based on a German folk song Muss i denn (lit. Must I then) and it was featured in the 1960 Elvis Presley film G.I. Blues. The song was a hit single for Presley in the UK Singles Chart, reaching No. 1 for six weeks in March and April 1961.About this arrangement: Composed by: By Fred Wise, Berthold Kaempfert, Kay Twomey, Ben WeismanArranged by: Thomas H. GrafInstrumentation: Full Score and Parts as listed below:Trumpet 1 in BbTrumpet 2 in BbTrombone 1Trombone 2Trombone 1 in BbTrombone 2 in BbTubaBass in EbBass in BbAny individual arrangement and substitute parts are available on request.Call +49 (0) 172 2515987  E-Mail: info@the-hit-factory.com.  www.the-hit-factory.comfacebook: https://www.facebook.com/hitfactorymusic
$18.00
16.46 €
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Elvis Presley
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Wooden Heart
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Muss I Denn (Wooden Heart) - German Band with Optional Vocal - Oktoberfest
Composed by German Folk Song. Arranged by Dennis Ruello. For Piano Accompaniment,Clarinet,…
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Composed by German Folk Song. Arranged by Dennis Ruello. For Piano Accompaniment,Clarinet,Trumpet,Trombone,Tuba,Double Bass,Drum Set,Voice,German (Oktoberfest) Band: Voice,1 and 2nd Clarinet,Trumpet,Trombone,Piano/Accordion,Tuba or Acoustic Bass and Drum
$9.99
9.13 €
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German Folk Song
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Muss I Denn
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SheetMusicPlus
Duo Mpingo
Woodwind Ensemble - Level 5 - Digital Download SKU: A0.1028053 Composed by Sarah He…
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Woodwind Ensemble - Level 5 - Digital Download SKU: A0.1028053 Composed by Sarah Hersh. 20th Century,Contemporary. 14 pages. Burbury Lane Music #4276953. Published by Burbury Lane Music (A0.1028053). No clarinet duet has made me stop in rehearsal and just smile so much from how cool things sounded. - Marcus Moore, clarinetist on Duo MpingoDuo Mpingo is an approximately 6 minute crowd pleaser that is perfect for any occasion. It is a modern but accessible piece that is loosely based on the lifecycle of a mpingo, or African blackwood, tree. It is a relatively advanced piece but could be performed by advanced level students. Duo Mpingo can be programmed equally well on environmental-themed or any other type of concert.Program Note: When I began to research the mpingo (African blackwood) tree in preparation for writing this piece, I came to learn that it is a fascinating tree. It has the ability to survive fires, it does not reach maturity for about 70 – 100 years, and it improves soil fertility. However, it is endangered in several African countries due to illegal logging and over-harvesting, in part because of its beautiful dark heartwood. The outside of the mpingo tree looks like any other tree with a light brown color; the inside, however, is a gorgeous, dark brown-black color – a color you have seen if you’ve ever seen a clarinet, as clarinets, along with other western instruments, are made out of the dark heartwood of the mpingo tree. I had never stopped to think about why wooden clarinets have such a dark color instead of what one typically thinks of as a wood color. I was astonished by the hidden beauty of this tree and what secrets lay inside.Duo Mpingo is somewhat programmatic in that it loosely chronicles the imagined life of a mpingo tree. There is a short section close to the middle of the piece (the inner part of the piece, if you will) that is meant to evoke the beautiful, mysterious, endangered dark heartwood of the mpingo tree. The direction to the performers for this section is solemn, prayer-like, reverential, which is how I feel we should look at every tree – not as something in our way that needs to be cut down, but with reverence for the amazing living things they are.Duo Mpingo was commissioned and premiered by Daraja Music Initiative and Clarinets for Conservation to promote a sustainable planet. This recording is by members of Terminus Ensemble, Marcus Moore and Lauren Murphy. To hear the entire piece, please visit www.sarahhersh.com.The composer is a member of ASCAP and may be reached at www.sarahhersh.com or sarahhershcomposer@gmail.com.
$9.99
9.13 €
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Sarah Hersh
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Duo Mpingo
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Burbury Lane Music
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SheetMusicPlus
Tannhäuser und der Sängerkrieg auf Wartburg
Digital Download SKU: S9.Q25917 Vocal Score based on the Richard Wagner Complete…
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Digital Download SKU: S9.Q25917 Vocal Score based on the Richard Wagner Complete Edition edited by Wolfgang M. Wagner. Composed by Richard Wagner. This edition: vocal/piano score. Erstveröffentlichung - Oper - Theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Schott Music - Digital #Q25917. Published by Schott Music - Digital (S9.Q25917). German • French.An important addition to Schott's newly published orchestral material is the first publication of piano scores for the ten major operas by Richard Wagner in all major versions. For the first time, we offer the stages and interested opera lovers piano scores as urtext editions that were designed according to uniform editorial criteria.•The score is aligned with the performance material of the Complete Edition. •All piano scores have study numbers and continuous measure numbers for rehearsal and study practice. •The editors are renowned musicologists from the circles of those working on the Richard Wagner Complete Edition who contribute detailed information on the respective editions to the critical prefaces.•The prefaces are printed in three languages (German, English, French). •The uniform appealing cover design with reproductions of paintings from the Wagner era emphasizes the serial character of the edition.TANNHÄUSERFor the Richard Wagner Complete Edition, the editors Egon Voss, Peter Jost and Reinhard Strohm as well as Cristina UrchueguÃÂa have researched and presented Tannhäuser's genesis and history of more than thirty years, which also took about thirty years of scientific work, on 2,959 pages in eight volumes. With the present piano score, the findings gathered therein shall now also to be made accessible for the musical practice. (Wolfgang M. Wagner, quoted from the foreword to the new Tannhäuser piano score)The piano score unites for the first time all four stages of the work (the score as of 1845, the score as of 1860, the Paris version as of 1861/62 with the complete French text of this version, and the Vienna version as of 1875) in a single excerpt for rehearsal and study practice, thus allowing the comparison of the versions, without sacrificing practicability.All variants are printed one after the other in the chronological sequence of the action on the stage, so that each of them can be explored in their context of action by simply turning over the pages. Only two variants rejected before the Paris premiere were printed separately in the appendix. A fascinating insight into Richard Wagner's thinking in terms of stage practice and into his very precise ideas of tonal balance, scenic details and role-conception are made possible by the quotations printed in key passages from his work On the Performance of Tannhäuser, published in 1852.For example, soon after the world premiere, Wagner suggested the deletion of bars in the orchestral part in the 4th scene of Act I, reasoning that […] due to the tremendous woodenness and self-consciousness of our usual supernumeraries, the impression of overwhelming liveliness, which was intended by me and which was to imply a heightening of the mood led up to by the liveliest manifestations of life, was not achieved. (piano reduction, p. 221)In the big ensemble scene at the end of Act II, Wagner puts in a comment at a certain passage, referring to the conductor and his great responsibility for tonal balance:The exclamations 'Ach, erbarm' dich mein!' require such a piercing emphasis that he [the performer of Tannhauser] as a mere, well-trained singer is not enough; it is but the highest dramatic art that has to provide him the energy of pain and desperation for an expression that must seem to break forth from the most gruesome depths of an awfully woeful heart, like a cry for salvation. The conductor has to ensure that the implied success is made possible for the principal singer by the most discrete accompaniment of the other singers as well as of the orchestra. (piano reduction, p. 367)3 (3. auch Picc.) · 2 · 2 · Bassklar. [nicht in Pariser F.] · 2 - 2 Ventilhr. · 2 Waldhr. · 3 Ventiltrp. · 3 · 1 [Pariser F.: Ophicléïde] - P. S. (Trgl. · Beck. · Tamb. · gr. Tr. · Tamt. [Pariser F.] · Kast. [Pariser/Wiener F.) (2-3 Spieler) - Str. Auf dem Theater: 2 Picc. [P/W: 1] · 4 Fl. [P/W: 2] · 4 Ob. [P/W: 2] · Engl. Hr. · 6 Klar. [P/W: 3] · 4 Fg. [P: 2, W: 0] - 12 Wald-Hr. · 12 Trp. [P: 9] · 4 Pos. [P/W: 4 Hr.] - Trgl. · Beck. · Tamb. · Kast. [nur in P] - Hfe. [in P/W].
$53.99
49.36 €
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Richard Wagner
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Tannhäuser und der Sängerkrieg auf Wartburg
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Schott Music - Digital
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SheetMusicPlus
Sea Songs
Mixed choir (SSSAAATTTBBB) - difficult - Digital Download SKU: S9.Q19671 For mix…
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Mixed choir (SSSAAATTTBBB) - difficult - Digital Download SKU: S9.Q19671 For mixed choir. Composed by Steve Martland. This edition: choral score. Choral Music of Our Time. Downloadable, Choral score. Duration 23 minutes. Schott Music - Digital #Q19671. Published by Schott Music - Digital (S9.Q19671). English.Sea Songs, commissioned jointly by Ars Nova Copenhagen and Glasgow Concert Halls, is a kind of sequel to Martland's Street Songs (originally written for the Kings Singers and Evelyn Glennie). As with the earlier piece, Martland made use of to the library of the English Folk Song and Dance Society at Cecil Sharp House in north London. I wanted specifically to find texts that were not just the usual nautical heave-ho sort of thing, but instead explored the dangers and hardships still being experienced by sailors as recently as the early 19th century. I was also very happy to see in these texts the sense of camaraderie and mutual support that existed between the sailors. (Steve Martland) Dance to your Daddy sets the scene of a sailor's wife at home, dandling her baby son and singing to him about his daddy away fishing, and about the future. Both the tune and the words come from the Northumberland area around Newcastle. This song is very well known in the UK and gave the title to a famous television series When the boat comes in. Fire Down Below is about the effects of fire - a constant danger on board wooden ships. At the end of this song the words take on an extended meaning: Fire in our hearts for the friends that we love. The Dead Horse is about the initial month of work without pay in which all seamen had to take part. They referred to it as the dead horse - hence the expression to flog a dead horse when something is a waste of time. The seamen resented this unpaid time, and the text expresses their frustrations metaphorically by listing what they would do to the horse! The music's frantic gallop alludes to the horse's desperation. Although The Sea Martyrs presents itself as a ballad, this text has a more literary feel, and unlike the other songs it doesn't include a chorus refrain. It concerns the sailors' lack of pay, the consequences of asking for pay (being hanged!), and the poverty of their families at home. The poem portrays the sailors' deaths as an almost religious sacrifice to help future seamen. At the end of the work, the opening of Dance to your Daddy returns as a kind of descant, sung by an angel calling to the hanged men. © Paul Hillier, 2012.
$12.99
11.88 €
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Steve Martland
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Sea Songs
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Schott Music - Digital
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SheetMusicPlus
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