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8 sheet music found
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1
"Joy" for Mixed Wind Octet, Piano and Marimba.
Large Ensemble Alto Saxophone,Baritone Saxophone,Clarinet,Flute,Horn,Marimba,Piano Accompa…
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Large Ensemble Alto Saxophone,Baritone Saxophone,Clarinet,Flute,Horn,Marimba,Piano Accompaniment,Soprano Saxophone,Trombone - Level 3 - Digital Download SKU: A0.844263 Composed by Dan Cutchen and Dan Cutchen. 20th Century,Contemporary,World. Score and parts. 54 pages. Dan Cutchen Music #2920627. Published by Dan Cutchen Music (A0.844263). For 4 to 8 of the following instruments: Flute, Soprano Sax, Bb Clarinet, Alto Sax, French Horn, Trombone, Bassoon, Baritone Saxophone PLUS, Marimba and Piano.https://www.youtube.com/watch?v=Sio4HdW28x4&feature=youtu.beSuggested arrangements of instrumentation (all parts are included in purchase, plus score):1. All 10 parts. 2. Flute, Bb Clarinet, Bassoon, Horn, Marimba, Piano. 3. Soprano Sax, Alto Sax, Bari Sax, Trombone, Marimba, PianoTime: Approximately 6:42The title came from the piece being dedicated to the composer’s wife. This composition reminded the composer of her delightful and kind character and her amazing and creative aptitude for organizing and resolving complicated issues. PianoThe composition process began with the opening piano motif. The harmonic and rhythmic foundation for this work is provided by the piano part. The piano serves a steady percussion with a repeating two-measure pattern of 8th notes. It also provides the harmonic foundation with an evolving arrangement of harmonies, which gradually change as the treble clef and bass clef harmonic progressions continually shift over time. The Wind Instruments This piece is comprised of three sections. Section A and C are similar in structure and harmony. In these two sections, the right hand of the piano part repeats a six-measure pattern composed of three triads: F, Edim and Dm. The left hand outlines a repeating eight-measure pattern of four triads: F, Dm, Cm and Bb. As these patterns repeat, the extra two measures in the bass clef cause the patterns to shift out of phase. This brings about a new set of harmonies for each repetition until the patterns begin again on the F major triad. The wind instruments are employed as a rhythmic and melodic counterpoint to the piano. Individually, and as a unit, they reinforce the harmony and rhythmic figures of the piano through echoing and syncopation. Section B utilizes the harmonic progressions of the other two sections but more notes to the triads to extend the harmony (examples: 9th, 11th and 13th chords.) There is also a clear contrast between the rhythms and harmony of the piano versus the wind instruments. The rhythmic and harmonic flow of this section decelerates until there is a complete stop. Section C begins abruptly with the wind instruments taking over the piano’s opening motif. This last section utilizes the same harmonic and rhythmic patterns as section A but the wind instruments become more active in their melodic and rhythmic counterpoint. The last part of this section is eventually dominated by the saxophone and low brass with a strong reiteration of the opening motif.
$20.00
18.28 €
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Dan Cutchen and Dan Cutchen
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"Joy" for Mixed Wind Octet, Piano and Marimba.
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Dan Cutchen Music
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SheetMusicPlus
Classics in Color (Teachers Edition, Band)
Large Ensemble Alto Saxophone,Bassoon,Bells,Clarinet,Flute,Horn,Oboe,Piano Accompaniment,T…
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Large Ensemble Alto Saxophone,Bassoon,Bells,Clarinet,Flute,Horn,Oboe,Piano Accompaniment,Trombone,Trumpet,Tuba - Level 1 - Digital Download SKU: A0.883222 Composed by Antonio Vivaldi, Franz Joseph Haydn, Franz Schubert, George Frideric Handel, Johannes Brahms, Ludwig van Beethoven, Michel Corrette, Peter Ilyich Tchaikovsky, Robert Schumann, and Wolfgang Amadeus Mozart. Arranged by Eugenia Goldman. Baroque,Classical,Romantic Period,Standards,World. Score and parts. 308 pages. Eugenia Goldman #5968509. Published by Eugenia Goldman (A0.883222). Classics in Color is a collection of themes from famous classical music compositions edited for beginner instrumental players. The pieces were selected for their melodic beauty and playability, and organized in the order of progressive difficulty. In addition, all pieces in the collection contain references to the extra-musical content, thus allowing to add the visual dimension to the musical experience. Students and music enthusiasts of all ages are invited to engage with music through several types of activities:learning basic facts about the composers and the pieces, playing the melodies,and coloring the artwork on the music pages. Suitable for individual and group instruction. Coloring can be done on paper or on an electronic device using a freestyle pen. Beginner/easy level. Teacher’s Edition includes conductor's score, 10 books for band instruments (Flute, Oboe, Alto Saxophone, Clarinet, Bassoon, Trumpet, Horn, Trombone, Tuba, Orchestral Bells), and piano accompaniments for all pieces.
$94.95
86.81 €
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Antonio Vivaldi, Franz Joseph Haydn, Franz Schubert, George Frideric Handel, Johannes Brahms, Ludwig van Beethoven, Michel Corrette, Peter Ilyich Tchaikovsky, Robert Schumann, and Wolfgang Amadeus Mozart
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Classics in Color
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Eugenia Goldman
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SheetMusicPlus
Let Us Break Bread Together - Choral
Double Bass,Drums,Piano Accompaniment - Level 4 - Digital Download SKU: A0.750182 B…
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Double Bass,Drums,Piano Accompaniment - Level 4 - Digital Download SKU: A0.750182 By Bradley Sowash. By Traditional. Arranged by Bradley Sowash. Jazz,Sacred,Spiritual. 17 pages. Bradley Sowash #4611311. Published by Bradley Sowash (A0.750182). At once meditative and celebratory SATB Especially appropriate for communion, it begins in a jazz ballad style with piano and soloist with the choir joining on the second verse. Since breaking bread can be both meditative or a celebration, the work progresses into an upbeat section in a Harlem Stride style before returning to its opening respectful mood hopefully just as the last cup is served.
$1.99
1.82 €
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Bradley Sowash
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Let Us Break Bread Together - Choral
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Bradley Sowash
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SheetMusicPlus
Hazy Purple, for flute or violin.
Small Ensemble Flute,Harp,Piano,Violin - Level 4 - Digital Download SKU: A0.947491 …
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Small Ensemble Flute,Harp,Piano,Violin - Level 4 - Digital Download SKU: A0.947491 Composed by George Arvola, Virginia Mathews. Contemporary,Instructional,Jazz,Standards,Wedding. Score and parts. 7 pages. George Arvola and Virginia Mathews #495095. Published by George Arvola and Virginia Mathews (A0.947491). Includes piano accompaniment and bass parts. arpeggioartistry.com shows more fun arpeggio studies from our book, Delicious Licorice, arranged for other instruments. Hazy Purple, 2:35 in length, is a relaxed tempo, dream-like arpeggio study on a sophisticated chord progression. This study works well as a wind instrument and piano duet with no percussion needed. Fun can be had by interjecting this jazzy arpeggio melody into a wedding service.
$5.99
5.48 €
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George Arvola, Virginia Mathews
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Hazy Purple, for flute or violin.
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George Arvola and Virginia Mathews
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SheetMusicPlus
Hazy Purple, alto sax
Woodwind Ensemble - Level 4 - Digital Download SKU: A0.947492 Composed by George Ar…
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Woodwind Ensemble - Level 4 - Digital Download SKU: A0.947492 Composed by George Arvola, Virginia Mathews. Contemporary,Instructional,Jazz,Standards,Wedding. 7 pages. George Arvola and Virginia Mathews #495101. Published by George Arvola and Virginia Mathews (A0.947492). Meeting the need for fun arpeggio studies, arpeggioartistry.com shows more from our book, Delicious Licorice, with arrangements for other instruments as well. Includes piano accompaniment and bass parts. Hazy Purple, 2:35 in length, is a relaxed tempo, dream-like arpeggio study on a sophisticated chord progression. This study works well as a wind instrument and piano duet with no other percussion needed. Fun can be had by interjecting this jazzy arpeggio melody into a wedding service.
$5.99
5.48 €
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George Arvola, Virginia Mathews
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Hazy Purple, alto sax
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George Arvola and Virginia Mathews
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SheetMusicPlus
Hazy Purple for clarinet or tenor sax
Small Ensemble Clarinet,Tenor Saxophone,Trumpet - Level 4 - Digital Download SKU: A0.94…
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Small Ensemble Clarinet,Tenor Saxophone,Trumpet - Level 4 - Digital Download SKU: A0.947488 Composed by George Arvola, Virginia Mathews. Contemporary,Instructional,Jazz,Standards,Wedding. Score and parts. 9 pages. George Arvola and Virginia Mathews #495091. Published by George Arvola and Virginia Mathews (A0.947488). With piano accompaniment and bass parts. arpeggioartistry.com lists the complete set of fun arpeggio studies from our book, Delicious Licorice with arrangements for other instruments. Hazy Purple is 2:35 in length. Hazy Purple is a relaxed tempo dream-like arpeggio study on a sophisticated chord progression. This study works well as a wind instrument and piano duet with no percussion needed. Fun can be had by interjecting this jazzy arpeggio melody into a wedding service.
$5.99
5.48 €
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George Arvola, Virginia Mathews
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Hazy Purple for clarinet or tenor sax
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George Arvola and Virginia Mathews
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SheetMusicPlus
Castle On The Hill
Choral Choir (4-Part) - Level 4 - Digital Download SKU: A0.1279926 By Ed Sheeran. B…
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Choral Choir (4-Part) - Level 4 - Digital Download SKU: A0.1279926 By Ed Sheeran. By Benjamin Levin and Ed Sheeran. Arranged by Julian Hay. 21st Century,A Cappella,Contemporary,Pop,Rock. Octavo. 8 pages. Julian Hay #871338. Published by Julian Hay (A0.1279926). This arrangement was commissioned for, and premiered by, Voices Co. Pop A Cappella Academy. It is versatile and catchy, and has been performed by our Vocal Bands as well as our larger ensembles. This arrangement has the drive and momentum of the original song but with delicate moments, and some 5-part harmony as the song progresses. VOCAL LAYOUT:The melody, or lead line, is divided amongst the vocal parts to give variety. The B.G (background) parts replicate the instrumental accompaniment of the original track, filling out the arrangement and creating the contemporary texture that is at the heart of Pop A Cappella. When it's performed, it should be heavy on the rhythm and bass! The Rhythm (Beatbox) and Bass should be a feature, and they provide the arrangement with the groove and vibe it needs.The dynamics give an indication which vocal parts should be strongest at any given moment, but changes may need to be made depending on the number / balance of singers, and the strengths of each vocal section. As a general rule, the melody or lead should be strongest, followed by any harmony parts (those with lyrics), followed by any background parts (Oos / Ahs / Dms, etc).The full arrangement is scored for SSAB and Vocal Percussion (beatboxing). The song also works as SATB and could be transposed into lower key to help with some of the higher passages.RHYTHM and BASS:This Beatboxing part is suitable for moderate to advanced performers, and is scored used drum notation. Specific Beatboxing notes are included in their own section.If your ensemble is without a bass or a beatboxer you could consider the following options:- Use electric bass guitar playing the bass part- Use a drum kit or drum box (Cajon)- Use a piano to provide some simple background accompanimentPERSONAL ASSISTANCE:If you need any assistance please don't hesitate to get in touch with us directly, we'd be happy to reply to any questions via email, or you can also book in a 1:1 consultation between your M.D and Julian Hay, or a Zoom workshop with your ensemble for specific feedback:E.  hello@voicesco.nzW.  www.voicesco.nz.
$2.99
2.73 €
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Ed Sheeran
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Castle On The Hill
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Julian Hay
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SheetMusicPlus
Descent to Madness
Large Ensemble Flute,Hand Percussion,Marimba,Piano,Triangle - Level 4 - Digital Download
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Large Ensemble Flute,Hand Percussion,Marimba,Piano,Triangle - Level 4 - Digital Download SKU: A0.1010668 Composed by Zachary C. Daniels. Contemporary. Score and parts. 18 pages. Divisi Labs #2062381. Published by Divisi Labs (A0.1010668). Descent to Madness is a work written to feature flute accompanied by prepared piano, marimba, and assorted percussion that was composed by on commission from a colleague, Emily Keeling, for a capstone recital. This piece explores and pushes musical confines, clearly innovating preconceived boundaries for piano and flute alike. The opening melody is written in a more classical style with some twists that foreshadow the rest of the piece. The piano part descends with the flute as if the flute is descending and dragging the pianist down with it. The flute solo adds more complexity and extended techniques as the piece progresses, further simulating more folly as the flutist departs from classical styles of playing and descends into a state of compositional madness. The end is the acceptance of having descended and, in the end, acceptance of a new beginning.
$9.99
9.13 €
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Zachary C
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Descent to Madness
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Divisi Labs
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SheetMusicPlus
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