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Working Man
Sheetmusic to print
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Working Man
Small Ensemble Bass Voice,Cello,Drums,Steel Pan - Level 3 - Digital Download SKU: A0.93…
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Small Ensemble Bass Voice,Cello,Drums,Steel Pan - Level 3 - Digital Download SKU: A0.939377 By Various Artists. By Benjamin Arthur Mckee, Daniel Coulter Reynolds, and Daniel Wayne Sermon. Arranged by Adam Grim. Contemporary. Score and parts. 20 pages. Adam B. Grim #6199041. Published by Adam B. Grim (A0.939377). Working Man is a fun song from Imagine Dragons' Night Visions album. This is arranged for steel band (lead, 2nd lead/double tenor, double seconds, cello, bass, drums), for an intermediate level group. The groove is easy to find, and performers and audiences alike will love it. The arrangement stays fairly true to the original, with a few interesting additions to make the instruments shine. I hope you enjoy!
$35.00
31.84 €
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Various Artists
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Working Man
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Adam B. Grim
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SheetMusicPlus
Piano Trio in G Minor by William Wallace Gilchrist, edited and annotated by Rudy Volkmann
Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.1005641 Composed by…
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Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.1005641 Composed by William Wallace Gilchrist. Arranged by Rudy Volkmann. Romantic Period. Score and parts. 186 pages. Rudy Volkmann #6073867. Published by Rudy Volkmann (A0.1005641). The William Wallace Gilchrist Piano Trio in G Minor is a monumental, and historically significant work. In 1990, while chairman of the music department of Paine College, I spent a week doing research on a project in the Philadelphia Free Library. In the course of that project, I stumbled upon an unpublished major chamber piece by one of America’s first homegrown Romantic composers, William Wallace Gilchrist (1846-1916). The find was a vellum (ink on onion skin) working score and parts - working score in that there were changes made on the pages (assumed to be in the composer’s own handwriting) of Gilchrist’s first piano trio. I had other projects at hand, so it was 2005 before I finished editing and annotating the score and parts, presented here. I encourage the reader to refer to the editorial notes in preparing this piece for performance.
$80.00
72.77 €
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William Wallace Gilchrist
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Piano Trio in G Minor by William Wallace Gilchrist, edited and annotated by Rudy Volkmann
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Rudy Volkmann
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SheetMusicPlus
Lorelei from Romanzen und Balladen III, op. 53, Low Voice Transposition in C major
Low Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.799605 Composed by Robert…
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Low Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.799605 Composed by Robert Schumann. Arranged by Nicole Elyse DiPaolo. Romantic Period. 2 pages. Nicole Elyse DiPaolo #3455867. Published by Nicole Elyse DiPaolo (A0.799605). A low-voice-friendly transposition of this relatively little-known Schumann song about the Lorelei (a mythical mermaid-like creature from the Rhine river). It has a one-octave range from C3-C4 as written, so it’s great for an undergraduate singer still sorting out technique. If you would like to commission a customized transposition in another key, please contact me through my website (linked below).About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo is a versatile pianist, composer, and scholar currently based in Bloomington, Indiana. She holds a B.Mus in Music Theory from the University of Michigan-Ann Arbor, where she studied piano under Michele Cooker and Louis Nagel; she also studied composition with Bright Sheng and basso continuo/harpsichord accompaniment with Edward Parmentier. In 2006 and 2007, Nicole appeared as a concerto soloist with the Ambassador Chamber Players, featuring works of J. S. Bach and Mozart alongside two performances of her own Piano Trio in C minor. Following her graduation from Michigan, Nicole completed an MM in Music Theory from Indiana University-Bloomington, where she has recently become a PhD candidate in the same field; her dissertation research will explore relationships between selected early partimenti (instructional sketches used by Italian composition teachers) and George Frideric Handel’s compositional techniques. Currently, Nicole is a sought-after private instructor of piano, music theory, and composition on the IU campus, where she is also an active mostly-vocal accompanist. Nicole continues to enjoy musical partnerships with students of nearly every current IU voice department faculty member (and she unashamedly absorbs and borrows teaching/coaching/performing tips from all these professors). In addition, she has taken French and German diction courses with Prof. Gary Arvin. Notable recent engagements include the 2016 National Society of Arts and Letters Vocal Competition (multiple entrants); the Opera Night at North benefit concert with students of IU's top-ranked opera program (among them Accidental Tenor Andrew Lunsford); and two long-term cruise ship performing contracts with violinist Amy Schlicher as the Duo del Mare.When not working on one of her many concurrent musical projects, Nicole might be found maintaining The Collaborative Pianists’ Community on Facebook, cuddling the nearest dog, looking for opportunities to maintain her Spanish and Italian language skills, and raising and releasing monarch butterflies. To learn more about Nicole’s many and varied performing, teaching, research, and publishing pursuits, please visit her website at http://ndipaolo.musicaneo.com .
$4.95
4.5 €
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Robert Schumann
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Lorelei from Romanzen und Balladen III, op. 53, Low Voice Transposition in C major
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Nicole Elyse DiPaolo
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SheetMusicPlus
Carson Cooman: The Revelations of Divine Love (Metaphors from Sea and Sky) (2009) oratorio for sopra
Choral Choir (4-Part) - Level 5 - Digital Download SKU: A0.535382 Composed by Carso…
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Choral Choir (4-Part) - Level 5 - Digital Download SKU: A0.535382 Composed by Carson Cooman. Contemporary,Sacred. Octavo. 187 pages. Musik Fabrik Music Publishing #3025403. Published by Musik Fabrik Music Publishing (A0.535382). The Revelations of Divine Love (Metaphors from Sea and Sky) (2009), an oratorio for soprano,baritone, chorus, and chamber orchestra (0000.1100.1perc.strings), was commissioned for and is dedicated to the choir ofRoyal Holloway, University of London and Rupert Gough, director of choral music.The texts of the work are adapted primarily from the writings of Julian of Norwich (c. 1342–1416).Julian is best-known for her Sixteen Revelations of Divine Love (c. 1393), believed to be the first Englishlanguagebook written by a woman. Considered one of the most significant English mystics of alltime, Julian lived a reclusive life as an anchoress at the Church of St. Julian in Norwich, England (hertrue name is unknown). Regarded even during her lifetime as a spiritual authority, her optimisticvisions have been very influential in the years that have followed.Texts are also drawn from three additional sources: an excerpt from the Book of Margery Kempe(translated by Christopher M. Brunelle), two poems by English poet Robert Herrick (1591–1674),and a poem by the American writer Elizabeth Kirschner (b. 1955).The primary concept underlying this oratorio is the presence of two distinct discourses. One is asequence taken from Julian’s religious visions. The other is a sonic geography of Nantucket Island(located 30 miles off the coast of Massachusetts in the United States). This interconnected conceptwas inspired by the writings of the great Scottish poet George Mackay Brown (1921–1996). Livinghis entire life on Scotland’s Orkney Islands, Mackay Brown consistently explored the transpositionof religious imagery and events to his native landscape. (For example, the poem Apple-Basket, Apple-Blossom takes the story and structure of the Stations of the Cross, and maps them onto imagery ofdistinctly Orcadian character.)The landscape of Nantucket Island has been the driving force behind a large number of mycompositions for many years. In this oratorio, Julian’s visions are transposed from Norwich andmapped onto the Nantucket landscape. Each movement of the work thus has two parallel purposes:a setting of the visionary words, and a portrayal of a specific place in Nantucket’s geography. Muchof the music was planned in the actual locations. Since the soloists and choir must, by necessity, singthe words, a great deal of the landscape is left to the orchestra. Thus, the orchestra’s role issubstantially greater than simply accompaniment.Because of these two discourses, the oratorio is not intended as comprehensive working out of allaspects of Julian’s visions, nor does it use her own structure and sequence. Rather, it takes herbeautiful words, and the fundamentals of her visions, and attempts to create a new narrative andspiritual experience from them.This is the full score. The vocal score is available for sale. The parts are available on rental from the publisher.
$32.95
29.97 €
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Carson Cooman
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Carson Cooman: The Revelations of Divine Love
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Musik Fabrik Music Publishing
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SheetMusicPlus
Mozart: Romanze from K. 525 for Piano Quintet
Small Ensemble,Strings Piano - Level 3 - Digital Download SKU: A0.549783 Composed b…
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Small Ensemble,Strings Piano - Level 3 - Digital Download SKU: A0.549783 Composed by Wolfgang Amadeus Mozart. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Sacred,Standards,World. Score and parts. 27 pages. Jmsgu3 #3535793. Published by jmsgu3 (A0.549783). Mozart's Romanze from Eine Kleine Nachtmusik, K. 525 for String Quartet and Piano (Piano Quintet). Duration: ca. 7:00. Score: 11 pages. Violin I: 4 pages, Violin II: 3 pages, Viola: 3 pages, Cello: 2 pages, piano: 4 pages. This is one of the most beloved works in all of Mozart's catalog making it a strong choice for a recital, meditation, nightclub, church or wedding reception. Eine kleine Nachtmusik Eine kleine Nachtmusik is also at the same time known as Serenade No. 13. Indeed, we find it listed in the Köchel Catalog as K. 525. With this in mind, Mozart composed the piece by all means in 1787 probably as a commission. To clarify, the title translates as a little night-music. Mozart originally scored the work in particular for an ensemble of two violins, viola, and cello with double bass (optional). In modern times the work is certainly usually performed by string orchestras, though it is often in fact performed by a string quartet – with or without double bass. Publication A point often overlooked is that the name of the work derives from the entry Mozart made in his private journal. He wrote: Eine kleine Nacht-Musik. This explains that Mozart was probably not naming the piece, but only entering a record that he had completed it. Nevertheless, the work was published by and large in 1827. It had been sold to the publisher for the most part in 1799 by Mozart's widow Constanze. Nowadays, it is on balance extensively performed and recorded. Some critics ultimately claim that it is the most popular of all Mozart's works. Early Years Wolfgang Amadeus Mozart (1756 – 1791), was a productive and significant Austrian classical composer. Mozart displayed unusual musical capability from his earliest childhood. It seems like he was already capable on keyboard and violin at the age of two. He started composing at age five and performed before European royalty. Middle Period At 17, Mozart was working as a musician at the Salzburg Royal court but grew agitated from boredom and traveled to search for a more interesting job. While visiting Vienna in 1781, he was summarily dismissed from his Salzburg job. Nevertheless, he decided to stay in the capital (Vienna), where he achieved much fame but little economic haven. Throughout his concluding years in the Capital, he composed many of his most famous works: symphonies, operas, and concertos. Final Period The conditions surrounding his death have been much the subject of much conjecture and mythology. He composed more than 600 works, many recognized as highpoints of symphonic, chamber, concertante, choral and operatic. He is among the most everlastingly popular of classical composers, and his impact is substantial on succeeding Western art music. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com
$19.95
18.15 €
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Wolfgang Amadeus Mozart
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Mozart: Romanze from K. 525 for Piano Quintet
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jmsgu3
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SheetMusicPlus
One Day While Working at My Plough. A Favorite Duetto
Piano and voice (duet) - Digital Download SKU: LV.16634 Arranged by Thomas Carr. Fa…
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Piano and voice (duet) - Digital Download SKU: LV.16634 Arranged by Thomas Carr. Farms, Courtship & love, Farmers, Birds, Animals in human situations, Marriage. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.16634). One Day While Working at My Plough. A Favorite Duetto. Arranged by T. Carr. Published [n.d.] by Osbourn's Music Saloon, 30 So. Fourth St. in Philadelphia. Composition of strophic with chorus with piano and voice (duet) instrumentation. Subject headings for this piece include Farms, Courtship & love, Farmers, Birds, Animals in human situations, Marriage. First line reads One day while working at my plough.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.45 €
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One Day While Working at My Plough. A Favorite Duetto
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Half Man Half Goat
Cl.pft - Intermediate - Digital Download SKU: F2.FM424 Composed by David Osbon. Cla…
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Cl.pft - Intermediate - Digital Download SKU: F2.FM424 Composed by David Osbon. Clarinet and Piano. Score and part. 14 pages. Forton Music - Digital #FM424. Published by Forton Music - Digital (F2.FM424). ISBN 9790570483235.In the early 1990s I composed a work for clarinet and piano entitled 'The Revenge of Marsyas' which was a very political work inspired by the ancient Greek legend of Apollo, Marsyas and the theft of the 'gift' of music. All of which I discovered whilst working as Music Director on 'The Trackers of Oxyrinchus' at the National Theatre Studio. What I loved about this play, by Tony Harrison, was the brilliant use of comedy for dramatic effect. And that is what I've tried to bring to these two works. In Cabaret Song we have the rather comic antics of Marsyas and his fellow Satyrs then, in Marsyas Dances, the main protagonist - represented by the clarinet - performs a dance that celebrates the liberation of music from the Gods, so that it can be shared amongst the rest of society. It didn't end well for Marsyas, but at least the rest of us get to keep the music!
$7.95
7.23 €
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David Osbon
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Half Man Half Goat
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Forton Music - Digital
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SheetMusicPlus
If I Were A Rich Man
Woodwind Ensemble - Level 3 - Digital Download SKU: A0.985481 Composed by Jerry Boc…
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Woodwind Ensemble - Level 3 - Digital Download SKU: A0.985481 Composed by Jerry Bock. Arranged by Louise Braithwaite. Contemporary. 3 pages. Louise Braithwaite #5987413. Published by Louise Braithwaite (A0.985481). A classic song from the musical Fiddler on the Roof, this is a good concert piece for family and community entertaining. Suitable for intermediate players, especially those working on chromatic patterns! Professional quality details make this a satisfying duo for advanced performers too. This piece is a popular choice for community work with elders and those living with dementia- a good conversation starter and reminiscence piece. The arranger is a professional performer and teacher with 25 years' experience. To learn more about Louise and the clients who inspire her duo arranging, please visit www.louise-braithwaite.co.uk I hope you enjoy playing this music.
$6.50
5.91 €
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Jerry Bock
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If I Were A Rich Man
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Louise Braithwaite
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SheetMusicPlus
Puppet Man
Small Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Interactive Download SKU: A0.9120…
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Small Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Interactive Download SKU: A0.912007 By The Fifth Dimension. By Howard Greenfield and Neil Sedaka. Arranged by J. Randolph Hall. This edition: Interactive Download. Jazz,Pop,Rock. Score and parts. 11 pages. Duration 146. J. Randolph Hall #4goosk6gIhNLs7C6PRkAiL. Published by J. Randolph Hall (A0.912007). Key: G major.This soul piece was composed by Neil Sedaka who had also written Working on a Groovy Thing. After the song repeats a number of times, it finally ends on a blues type chord.
$5.00
4.55 €
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The Fifth Dimension
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Puppet Man
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J. Randolph Hall
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SheetMusicPlus
It's Working (Downloadable Choral Score)
SATB choir and piano or orchestra (2 [1/pic 2]222 – 4331 – Tmp +1 Drumset, Hrp, Pno, E…
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SATB choir and piano or orchestra (2 [1/pic 2]222 – 4331 – Tmp +1 Drumset, Hrp, Pno, Elec. Bass – Strings – SATB Chorus, Alto Solo) - Moderately Difficult - Digital Download SKU: MQ.50-3422-E Composed by Isaac Cates. African American Heritage. 16 pages. MorningStar Music Publishers - Digital Sheet Music #50-3422-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.50-3422-E). English. Romans 8:28-31.
$2.85
2.59 €
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Isaac Cates
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It's Working
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Telemann Viola Concerto for Three Violas
String Ensemble,String Trio Viola - Digital Download SKU: A0.859920 Composed by Geo…
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String Ensemble,String Trio Viola - Digital Download SKU: A0.859920 Composed by Georg Philipp Telemann. Arranged by Steven Kruse. Baroque,Standards. Score and parts. 43 pages. String Play for All #3876025. Published by String Play for All (A0.859920). Your students will love playing this new arrangement for three violas of one of the first concertos every violist studies. Very few students have the opportunity to perform the work with orchestra. Keyboard accompaniment provides the melodic lines and harmonies, but it is not the same feeling as performing with a string ensemble. Hearing the individual parts adds to the ensemble experience. This arrangement for three violas is designed to provide this ensemble experience. It is intended for three students all working on the Telemann Concerto. The Viola I part is the solo viola part as it appears in the original, with bowings, fingerings and cadenzas provided by the arranger. The Viola II part consists mostly of the orchestra ripieno part, with the melody in tutti sections and contrapuntal lines with the Viola I part. The Viola III part is provides the bass line and includes melodic lines as well. By learning and playing all three parts, students become familiar with how the solo part relates to the orchestra. Students learn to listen more carefully to the orchestra lines, developing a better sense of ensemble. By playing all parts, students develop a more complete sense of the concerto. A new approach to teaching the Telemann Concerto!
$10.99
10 €
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learning and playing all three parts, students become familiar with how the solo part relates to the orchestra
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Georg Philipp Telemann
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Telemann Viola Concerto for Three Violas
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String Play for All
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SheetMusicPlus
Pavane de la belle au bois dormant (da "Ma mere l'oye")
Small Ensemble Clarinet,Flute,Guitar,Orff Instrument,Vibraphone,Violin - Level 1 - Digital…
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Small Ensemble Clarinet,Flute,Guitar,Orff Instrument,Vibraphone,Violin - Level 1 - Digital Download SKU: A0.758129 Composed by M.Ravel. Arranged by Ester Alessandrini. 20th Century,Children,Christmas,Concert. Score and parts. 13 pages. Ester #2024553. Published by ester (A0.758129). Facilitated reworking for orchestra of students in the first 2 years of study consisting of piccolo, flute, clarinet in Bb (or keyboard), violin I and II, guitar, triangle and vibraphone.
$14.00
12.73 €
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M
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Pavane de la belle au bois dormant
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ester
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SheetMusicPlus
Waldegger Polka - German Band - Oktoberfest
Accordion,B-Flat Clarinet,B-Flat Trumpet,Double Bass,Drum Set,Keyboard,Tenor Saxophone,Tro…
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Accordion,B-Flat Clarinet,B-Flat Trumpet,Double Bass,Drum Set,Keyboard,Tenor Saxophone,Trombone,Tuba - Level 3 - Digital Download SKU: A0.1099342 Composed by German Folk Dance. Arranged by Dennis Ruello. 19th Century,Folk,March,Traditional,Wedding. 29 pages. Chicory Music #703212. Published by Chicory Music (A0.1099342). WALDEGGER POLKA is a German dance invented by the working-class. It was meant to provide enjoyment and relaxation after long days of hard physical labor. It continues to gain popularity even today. This arrangement for German Oktoberfest Band, written at the Intermediate Level includes: Full Score, 1st and 2nd Clarinet, Tenor Sax (2nd Clarinet Sub. Part), Trumpet, Trombone, Tuba, Accordion /Piano, Acoustic Bass ( Tuba Sub.) and Drum Set. Performance Time: Approx. 2 minutes.
$19.99
18.18 €
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German Folk Dance
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Waldegger Polka - German Band - Oktoberfest
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Chicory Music
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SheetMusicPlus
Working for the Crown
Small Ensemble Horn,Trombone,Trumpet,Tuba - Interactive Download SKU: A0.482579 Arr…
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Small Ensemble Horn,Trombone,Trumpet,Tuba - Interactive Download SKU: A0.482579 Arranged by J. Randolph Hall. This edition: Interactive Download. Country,Folk,Praise & Worship,Standards. Score and parts. 6 pages. Duration 40. Published by J. Randolph Hall (A0.482579). I found a few harmonic errors in the original and corrected them according to what I was taught in freshman theory.
$3.50
3.18 €
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Working for the Crown
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J. Randolph Hall
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SheetMusicPlus
Ah, scostati!...Smanie implacabili (Dorabella) from Così fan tutte - Accessible Accompaniments Ed.
Mezzo-Soprano Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1186002 Compose…
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Mezzo-Soprano Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1186002 Composed by Wolfgang Amadeus Mozart. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 10 pages. Nicole Elyse DiPaolo #785660. Published by Nicole Elyse DiPaolo (A0.1186002). The first of its kind, this is a much more readable and sight-playable piano/vocal reduction of Ah, scostati!...Smanie implacabili,†Dorabella’s first aria from Mozart’s Così fan tutte (1790). The sextuplets in the right hand found in most standard reductions have been condensed into triplets with a grace note, emphasizing that the gestural shape is what needs to be heard rather than every individual note, and the result is a much clearer and less note-filled score for the audition pianist. Some large spans in the left hand have also been reduced out and redistributed for more ergonomic playing on long audition days. When a grace note has an accidental that is then repeated later in the gesture, I’ve rewritten that accidental on the full-size note containing it for ease of reading (so the cue-size accidental is not the only indication of said accidental in the measure, which would make it too easy to miss). The recitative “Ah, scostati!†is also included with slight alterations and courtesy accidentals in the melodic minor scales.As with any Accessible Accompaniments edition that’s not also an audition/solo cut, I suggest bringing two copies to each audition: one Accessible Accompaniment and one copy of a standard edition. Audition pianists who don’t know the aria will almost always choose the cleaner look of the Accessible Accompaniment, but those who know “Smanie†well might prefer to play from the edition they learned it from. This will provide singers and their audition pianists every chance of a successful collaboration.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included additional courtesy accidentals.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. I’ve also replaced text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.14 €
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Wolfgang Amadeus Mozart
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Ah, scostati!...Smanie implacabili
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Nicole Elyse DiPaolo
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SheetMusicPlus
Aj Samajel AchI(Un Hombre Trabajador - A Hard-Working Man)
(Full Performance) - Digital Download SKU: HX.249326 Composed by David Par Chavajay…
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(Full Performance) - Digital Download SKU: HX.249326 Composed by David Par Chavajay. Arranged by Fernando Archila. Concert,Festival,Latin American,Light Concert,Multicultural. Choral. Duration 80. Published by Hal Leonard - Digital (HX.249326).
$1.99
1.81 €
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David Par Chavajay
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Aj Samajel AchI(Un Hombre Trabajador - A Hard-Working Man)
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Hal Leonard - Digital
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SheetMusicPlus
Chording to the Dance Masters Full Score Version with chords Book 2 - Score Only
Level 3 - Digital Download SKU: A0.1133721 By Various. By Anonymous, Claude Gervais…
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Level 3 - Digital Download SKU: A0.1133721 By Various. By Anonymous, Claude Gervaise, Claudin de Sermisy, Erasmus Widmann, Giorgio Mainerio, Henry VIII, Juan Del Encina, Michael Praetorius, Pierre Attaignant, Pierre Phalese, Thoinot Arbeau, Tielman Susato, and William Cornysh. Arranged by Alastair Lodge. Early Music,Folk,Historic,Medieval,Renaissance. 50 pages. Wold Meridian #733832. Published by Wold Meridian (A0.1133721). This is a companion to my earlier volume Chording to the Dance Masters which presented 44 of my favourite Renaissance Dance band tunes and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited 22 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances.  You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNSAs a help to those less confident in playing harmony lines, I have provided links to playlists of videos online for each part of each piece. You will hear the selected line on its own with chords and percussion, with the melody line added on repeats. The final repeat includes the other harmony lines, but the featured line is slightly louder in the mix. The performance starts with a percussion beat introduction to set the tempo.Who were the Publishers and the Dance Masters? What did they do? Sometime around the 1500s, the popularity of dance music exploded in Europe. Dance Masters were collecting chansons and dance tunes from courts and rural parts and were teaching these to new audiences, spreading their arrangements and reflecting the performance styles of the areas from which they had collected the tunes. Publishers were able to take these tunes that were becoming known across the regions and nations and spread them even more widely, thanks to technological innovations in music printing which made it quicker and therefore cheaper to produce collections of these dances in four or more parts. These publishers were often highly accomplished composers in their own right, who were both able to provide distinctive harmony lines and compose new tunes in the style of their sources, feeding the courts with enduring tunes. Composers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on. Working with this publication For those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00
10.92 €
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Various
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Chording to the Dance Masters Full Score Version with chords Book 2 - Score Only
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Wold Meridian
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SheetMusicPlus
Aleksander Czarnecki - Tales of the Hidden Kingdom, Op. 15
Small Ensemble Flute,Harp,Piano,Piccolo - Level 5 - Digital Download SKU: A0.1032136
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Small Ensemble Flute,Harp,Piano,Piccolo - Level 5 - Digital Download SKU: A0.1032136 Composed by Aleksander Czarnecki. Contemporary. Score and parts. 162 pages. Aleksander Norbert Czarnecki #4411649. Published by Aleksander Norbert Czarnecki (A0.1032136). Aleksander Czarnecki (1993-2018) was a Polish polymath, pianist - composer, mathematician and a philosopher. His research focused on the Calabi Yau manifold. He left an astonishing musical legacy, unprecedently rich, diverse and impressive for his young age, including several large scale works as well as piano/orchestra miniatures, chamber music, pieces for piano solo etc. His unmistakingly personal compositional style could be easiest described as post-classical/post - tonal, and is instantly recognizable by its highly intrinsic, intellectually refined idiom of Scriabinesque, modernist/ avant guarde, New Complexity , later minimalist/repetitive music influences married with frequent appeals to historic techniques (contrapunctus, Gregorian plain chant, French harpsichordists, ethnic modality), a dense emotional drive and a profound sensitivity, all in the best of the resolutely post-Romantic tradition further enhanced with a super-human - as if machine induced - level of pianistic/structural difficulty, typically far beyond the one represented by the most demanding examples of, say, Godovsky's/Cziffra's transcriptions or Sorabji's works. (Jozef Kapustka, pianist)Aleksander Czarnecki on his scientific research: My research work concentrates on the modularity conjecture for Calabi-Yau manifolds according to which the Galois representation is isomorphic ( exact to the semisimplification and the finite number of Euler factors) to the Galois representation assigned to an automorphic form -equivalently the L-series of the Calabi-Yau manifold should be equal to the L-series of a certain modular form. The modularity conjecture has been extensively studied by many algebraic geometricians (Dieulefait, van Straten, Yuri, Schoen, Hulek, Verrill, Schuett, Meyer) however these studies have not resulted in producing a sufficiently representative number of examples of small level modular forms. In the best understood, rigid case of Calabi-Yau threefolds defined over the field of rational numbers, the modularity conjecture delivers from a more general Serre conjecture, as proven by Wirtemberger and Khare. Additionally, the modularity has been known a property only for certain particular Calabi-Yau varieties. For some non rigid Calabi-Yau threefolds (certain double octics) defined over rationals ( or more generally over particular number fields) the existence of modular or Hilbert modular forms has been hypothetically suggested. I am mainly interested in Frobenius polynomials of non-rigid double octics and have been extensively working with variants of Dwork's deformation method, monodromy and selected p-adic methods including algorithms by Kedlaya, Lauder, Tuitman et al. , Picard-Fuchs operators etc. (Aleksander Czarnecki, 2018)
$99.00
90.05 €
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Aleksander Czarnecki
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Aleksander Czarnecki - Tales of the Hidden Kingdom, Op. 15
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Aleksander Norbert Czarnecki
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SheetMusicPlus
Heavy Metal for Balinese gamelan and chamber ensemble
Small Ensemble Bass Guitar,Violin - Level 4 - Digital Download SKU: A0.1013048 Comp…
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Small Ensemble Bass Guitar,Violin - Level 4 - Digital Download SKU: A0.1013048 Composed by Christine Southworth. Contemporary,World. Score and parts. 76 pages. Airplane Ears Music #5802059. Published by Airplane Ears Music (A0.1013048). HEAVY METAL (2006, 18') for Balinese Gamelan Gong Kebyar, guitar, violin, bass, lyricon, and robotic instruments. Commissioned by the Boston Museum of Science with the support of NEFA and Meet the Composer. Premiered on Wednesday, January 25, 2006 at Cahner's Theater in the Boston Museum of Science as part of Music & The Invasion of Technology, performed by Gamelan Galak Tika, Blake Newman, Erik Nugent, Todd Reynolds, and Eddie Whalen. Heavy Metal represents a new kind of fusion, multi-dimensional, making connections across cultures acoustic and electronic, western and eastern, high and low, human and machine. The piece was written for Gamelan Galak Tika, a Balinese gamelan in residence at MIT that has worked with electric instruments many times in the past, but this is certainly the first time a traditional Balinese gamelan has shared the stage with robotic instruments. In other ways, though, there is something very natural about these combinations: they reflect the way we all experience music in the 21st century. It could also be argued that this is simply an extension of the way music has always progressed and changed, as Chinese shawms morphed into oboes, and exotic middle eastern percussion instruments, like the cymbal and triangle, worked their way into the symphony orchestra. Heavy Metal engages the full force of two ensembles, Galak Tika and Ensemble Robot, as well as a living history of electroacoustic instruments, from the vintage lyricon to the Whirlybot. The sounds implicit in both senses of the title find their way into new combinations of struck bronze and excitable circuitry. Heavy Metal is based on American hard rock music from the late 1970’s through the early 1990s. The idea started as a pun, because the keys of many Balinese gamelan instruments are made of metal, but when I began studying the melodic ideas and rhythms in heavy metal music, I found that they leant themselves very well to gamelan. The problem was that a gamelan has a very specific sound and limited timbral variation, the sounds of hit metal and skin. I feel that the sounds of the gamelan become much more interesting when combined with string sounds. Also, the gamelan uses a pentatonic scale so I am using western instruments and robots to expand the sound universe to a full spectrum. In this piece, the gamelan and the western/robotic instruments play separately – rhythmically they are together, and they are working through the same material at the same time, but the western instruments and robots do not play the 5 notes that the gamelan plays, and more often than not they stay out of that key (a variation of E Major, the gamelan tuning being C#, D#, E, G, and A) altogether. This creates a sense of two harmonic worlds co-existing and cooperating, the West and our technology with Bali and their technology, much more primitive but very powerful nonetheless.About the ComposerChristine Southworth (b. 1978) is a composer and video artist based in Lexington, Massachusetts, dedicated to creating music born from a cross-pollination of sonic ideas. Inspired by intersections of technology and art, nature and machines, and musics from cultures around the world, her music employs sounds from man and nature, from Van de Graaff Generators to honeybees, Balinese gamelan to seismic data from volcanoes. Website: www.kotekan.com
$25.00
22.74 €
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Christine Southworth
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Heavy Metal for Balinese gamelan and chamber ensemble
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Airplane Ears Music
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SheetMusicPlus
Something There
Guitar,Voice - Level 3 - Digital Download SKU: A0.1374704 By The Candlelight Guitar…
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Guitar,Voice - Level 3 - Digital Download SKU: A0.1374704 By The Candlelight Guitarist. By Alan Menken and Howard Ashman. Arranged by Brad Powell. Broadway,Classical,Film/TV,Musical/Show,Pop,Wedding. Guitar Tab with Voice. 6 pages. Geofonica Artistworks #959258. Published by Geofonica Artistworks (A0.1374704). This is an instrumental solo arrangement of Something There created by Brad Powell for his performances in Disney's Princess Breakfast Adventure at the Disneyland Resort's Grand Californian hotel (Napa Rose restaurant), from 2019 to early 2024. It's an intermediate solo guitar arrangement, mixing jazz and classical techniques and chord voicings. You can hear the full arrangement performed in the YouTube link provided. NOTE: This instrumental arrangement is in standard notation with TAB (LYRICS are included for reference). It is also available as standard notation (without TAB).ABOUT: Brad Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso, and at California State University, Northridge under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for Little House on the Prairie). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. When not making music, Brad is often out hiking with his four dogs. Brad also played as the solo guitarist for Disney's Princess Breakfast Adventure at Disney's Grand Californian Resort by Disneyland (March 2019-January 2024), providing music for the Disney Princesses (Belle, Tiana, Jasmine, Rapunzel, Mulan, Aurora, Ariel, Pocahontas, Cinderella, and their friends and guests).COMMENTS FROM LONG-ESTABLISHED REVIEWERS (for this and other Candlelight Guitarist recordings)...Bill Binkelman - Music Reviewer for Zone Music Reporter and New Age RetailerThe Candleight Guitarist is your tour guide to a land of easy-going, warm, and inviting instrumentals.Rebecca of Amazon - Amazon.com HALL OF FAME TOP 500 REVIEWERBradley Powell's flawless playing allows you to completely relax into sleep or relax into an evening of candlelight and romance. I've fallen into a peaceful sleep while listening to this music and have also spent relaxing afternoons reading while The Candlelight Guitarist wove an intricate tapestry of sounds to nurture my heart. ...  Bradley Powell's music is infused with natural ambience. As rich sounds renew your spirit, you can relax into a deep sigh of the heart. His style is artistic, heart healing and filled with romantic and cultural influences.Vicki Blizzard (Editor, PaperWorks and Crazy for Cross-Stitch! magazines) in CREATIVITY e-Letter: Music to filter into my dreams. My new favorite to listen to is classical guitar music by Bradley Powell.Bob McKillop, founder and publisher, MaineFolkMusic.com...perfect for situations in which candlelight figures prominently. Quiet meditation, romance, intellectual stimulation – the soft, pure tones of his Spanish and classic instrumental style open up your heart and render it more receptive to the spiritual messages that these pursuits engender..
$4.99
4.54 €
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The Candlelight Guitarist
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Something There
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Geofonica Artistworks
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SheetMusicPlus
Minuet BWV 814 Bach Woodwind Duet (Flute and Bass Clarinet)
Instrumental Duet Bass Clarinet,Flute,Instrumental Duet - Level 2 - Digital Download SK…
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Instrumental Duet Bass Clarinet,Flute,Instrumental Duet - Level 2 - Digital Download SKU: A0.981385 Composed by Johann Sebastian Bach. Arranged by Bruno Cavalcante. Baroque,Concert,Instructional,World. Score and parts. 6 pages. Bruno Cavalcante #5749371. Published by Bruno Cavalcante (A0.981385). In Baroque music, the key of B minor had a melancholy quality. Bach reserved it for a few of his most impressive works, such as the Kyrie in the Mass in B minor. Bach composed his ‘French’ suites as a young man of thirty, when he was working at the court of Köthen. However, the suites have nothing to do with the court. Bach wrote them for teaching purposes in his own private circle. The first five appear in their original form in the little music book he compiled in 1722 for his second wife Anna Magdalena, possibly as a wedding present. But Bach continued to rework the pieces. The later versions, with the addition of a sixth suite, have survived thanks to the many copies made by his pupils. They are rewarding practice pieces that despite a certain compositional complexity (it is Bach, after all), do not make extreme demands on the player.
$1.99
1.81 €
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Johann Sebastian Bach
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Minuet BWV 814 Bach Woodwind Duet
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Bruno Cavalcante
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SheetMusicPlus
Minuet BWV 814 Bach Woodwind Duet (Oboe and Bass Clarinet)
Instrumental Duet Bass Clarinet,Instrumental Duet,Oboe - Level 2 - Digital Download SKU…
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Instrumental Duet Bass Clarinet,Instrumental Duet,Oboe - Level 2 - Digital Download SKU: A0.981387 Composed by Johann Sebastian Bach. Arranged by Bruno Cavalcante. Baroque,Concert,Instructional,World. Score and parts. 6 pages. Bruno Cavalcante #5749381. Published by Bruno Cavalcante (A0.981387). In Baroque music, the key of B minor had a melancholy quality. Bach reserved it for a few of his most impressive works, such as the Kyrie in the Mass in B minor. Bach composed his ‘French’ suites as a young man of thirty, when he was working at the court of Köthen. However, the suites have nothing to do with the court. Bach wrote them for teaching purposes in his own private circle. The first five appear in their original form in the little music book he compiled in 1722 for his second wife Anna Magdalena, possibly as a wedding present. But Bach continued to rework the pieces. The later versions, with the addition of a sixth suite, have survived thanks to the many copies made by his pupils. They are rewarding practice pieces that despite a certain compositional complexity (it is Bach, after all), do not make extreme demands on the player.
$1.99
1.81 €
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Johann Sebastian Bach
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Minuet BWV 814 Bach Woodwind Duet
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Bruno Cavalcante
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SheetMusicPlus
Livin' On A Prayer
String Ensemble Cello - Level 5 - Digital Download SKU: A0.526260 By Glee Cast (Mas…
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String Ensemble Cello - Level 5 - Digital Download SKU: A0.526260 By Glee Cast (Mashup With 782170). By Desmond Child, Jon Bon Jovi, and Richie Sambora. Arranged by Sarah Cellobat Chaffee. Pop,Rock,Wedding. 22 pages. Sarah Cellobat Chaffee #6248797. Published by Sarah Cellobat Chaffee (A0.526260). *INSTRUMENTATION: FOUR CELLOS*Livin' On A Prayer is one of the most iconic rock songs of the 80's and it is still beloved by millions to this day - and people just can't help singing along! With as much energy and hair-metal passion as the original, this arrangement is a ton of fun to play and to listen to. An equal-opportunity chart, this arrangement for cello quartet divides the melodies and solos among all four players so everyone gets a chance to shine. Rated advanced for some upper thumb position and a few tricky rhythms - it's pretty much sightreadable for adult professionals, but for everyone else I recommend to work on it before performing. Why choose Cellobat Charts arrangements? For any musician who knows what they're doing, the answer is easy: just listen to them. Every freelance musician has thrown hard-earned money away on questionable, error-filled charts by unknown arrangers from weird corners of the Internet. But watch out -- inferior arrangements not only make gigs less enjoyable to play, but they also make your group sound bad to your client and audience, no matter how great your players really are. That's why Cellobat Charts is here: to provide students and working string players alike with high-quality versions of highly requested music. My arrangements are guaranteed to be energetic, fun to play, and enjoyable to listen to, whether or not you're familiar with the original songs. Hear the difference for yourself! Full videos of many Cellobat Charts arrangements are available on YouTube so you know exactly what you're getting. Click Watch near the item details at the top of the page for full video of Livin' On A Prayer. Crowd pleasing guaranteed. Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat
$16.99
15.45 €
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Glee Cast
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Livin' On A Prayer
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Sarah Cellobat Chaffee
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SheetMusicPlus
Heartbreaker
String Ensemble Cello - Level 4 - Digital Download SKU: A0.1250783 By Pat Benatar. …
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String Ensemble Cello - Level 4 - Digital Download SKU: A0.1250783 By Pat Benatar. By Cliff Wade and Geoff Gill. Arranged by Sarah Cellobat Chaffee. Contemporary,Film/TV,Pop,Rock,Video Game. 27 pages. Sarah Cellobat Chaffee #845047. Published by Sarah Cellobat Chaffee (A0.1250783). *INSTRUMENTATION: 4 CELLOS*Heartbreaker, one of the most iconic songs in female rock history, was released by Pat Benatar as a single from her debut album in 1978. Originally released by an English singer named Jenny Darren, Benatar's cover proved to be her breakthrough song; it topped the Billboard charts for nearly 5 weeks and was ultimately named one of VH1's 100 best hard rock songs of all time. It has since been featured in video games, movies, TV shows, movies, and has generally become a staple of pop culture -- and now you can rock out on it with your cello buddies! This Cellobat arrangement for cello quartet is just as hard-hitting as the original, with epic vocal lines, powerful harmonies, a driving rock beat, and even a fun guitar solo. I guarantee your group will have a blast! Rated advanced-intermediate for tenor/treble clef and basic thumb position in some of the parts; this will be learnable for students and easily sightreadable for professionals.Why choose Cellobat Charts arrangements? For any musician who knows what they're doing, the answer is easy: just listen to them. Every freelance musician has thrown hard-earned money away on questionable, error-filled charts by unknown arrangers from weird corners of the Internet. But watch out -- inferior arrangements not only make gigs less enjoyable to play, but they also make your group sound bad to your client and audience, no matter how great your players really are. That's why Cellobat Charts is here: to provide students and working string players alike with high-quality versions of highly requested music. My arrangements are guaranteed to be energetic, fun to play, and enjoyable to listen to, whether or not you're familiar with the original songs. Hear the difference for yourself! Full videos of many Cellobat Charts arrangements are available on YouTube so you know exactly what you're getting. Click Watch near the item details at the top of the page for full video of Heartbreaker. Crowd pleasing guaranteed.Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.
$16.99
15.45 €
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Pat Benatar
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Heartbreaker
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Sarah Cellobat Chaffee
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SheetMusicPlus
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