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1
Celebration Fanfare
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1106327 By Colin G Dance. By Colin G Dance. 20th Century,Contemporary,Traditional. Brass Band. 26 pages. Dance is With Music #709445. Published by Dance is With Music (A0.1106327). I wrote this as part of a Wedding Suite I composed back in 2005, and to be honest, I'd forgotten all about it and it's never been played, whereas the other two movements have been! One of the movements is now published as 'The Love That We Share' by Musikverlag-Frank. This is a big, bright fanfare suitable for any occasion - not too short, and definitely not too long! I've rewritten it here in 2022 and added some big percussion. It'd make a great opener for any concert, but would equally work for special occasions outdoors.
$30.00
27.61 €
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Colin G Dance
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Celebration Fanfare
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Dance is With Music
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SheetMusicPlus
Whispering
Small Ensemble Bass Guitar,Drums,Piano,Voice - Level 3 - Digital Download SKU: A0.96909…
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Small Ensemble Bass Guitar,Drums,Piano,Voice - Level 3 - Digital Download SKU: A0.969094 Composed by Dick Coburn, John Schonberger, and Vincent Rose. Arranged by Dan Gabel. Contemporary. Score and parts. 2 pages. Daniel Clayton Gabel #6256055. Published by Daniel Clayton Gabel (A0.969094). A favorite of bands, jazz musicians, and dancers for one hundred years, Whispering has stood the test of time. It is a great tune, and one of great historic importance that deserves a place in your band's library!This is more than a lead sheet: it is an arrangement in Ab, including the lyrics, and the rarely-heard verse (with a second set of lyrics). This is ready to pass out to your combo: bass, guitar, drums, piano, voice, and some horns, too. The chart is professionally engraved and formatted for ease of reading. Optional Tag ending provides a nice arranged ending for your group as well.This arrangement is based on the stellar recording by Bing Crosby with Bob Scoby's Frisco Jazz Band on:Bing with a Beat (RCA Victor, 1957) - see history below.Whispering - a brief history:One of the first recordings made by a Big Band, it was a huge hit for Paul Whiteman and His Orchestra, selling over one-million copies in 1920. Benny Goodman's Trio recorded a famous version for Victor in 1936 featuring Teddy Willson on piano and Gene Krupa on drums. The pleasing chord changes are the basis for the famous contrafact by Dizzy Gillespie: Groovin' High. Revived once again with the original verse, Bing Crosby recorded it on one of the best jazz vocal albums of the 1950s: Bing with a Beat, with Bob Scoby's Frisco Jazz Band. Because of the historic importance and the great melody, Whispering was chosen by Dan Gabel (the arranger of this lead sheet) as his personal theme tune in 2010. Gabel opens every show with different arrangements of the song, featured by Dan Gabel's High Society Orchestra (Hot Jazz of the Roaring 20s), and recorded and featured with great success by Dan Gabel and The Abletones (Big Band).
$4.99
4.59 €
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Dick Coburn, John Schonberger, and Vincent Rose
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Whispering
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Daniel Clayton Gabel
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SheetMusicPlus
Livin' On A Prayer
Choral Choir,Choral,SAT Chorus - Level 2 - Digital Download SKU: A0.1431482 By Bon …
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Choral Choir,Choral,SAT Chorus - Level 2 - Digital Download SKU: A0.1431482 By Bon Jovi. By Desmond Child, Jon Bon Jovi, and Richie Sambora. Arranged by Julia Daintree. 20th Century,Contemporary,Pop,Rock. 5 pages. Julia Daintree #1003329. Published by Julia Daintree (A0.1431482). Flexible arrangement SSA, SAT, SABSchool Choirs, Youth Choirs, Community Choirs, Gospel ChoirsSo much fun to practice and perform. If you have a guitarist to play the instrumental solo, it adds a lot. Drums are a big help, too, but not essential. I wasn't sure how this would work with a choir but it was so great that I'm going to introduce a few more rock songs. The choir and the audience absolutely loved it :)Enjoy!
$1.99
1.83 €
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Bon Jovi
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Livin' On A Prayer
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Julia Daintree
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SheetMusicPlus
Livin' on a Prayer
Choral Choir,Choral,SAT Chorus - Level 2 - Digital Download SKU: A0.1407815 By Bon …
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Choral Choir,Choral,SAT Chorus - Level 2 - Digital Download SKU: A0.1407815 By Bon Jovi. By Richie Sambora, Jon Bon Jovi, Desmond Child. Arranged by Julia Daintree. 20th Century,Contemporary,Pop,Rock. 5 pages. Julia Daintree #990438. Published by Julia Daintree (A0.1407815). Flexible arrangement SSA, SAT, SABSchool Choirs, Youth Choirs, Community Choirs, Gospel ChoirsSo much fun to practice and perform. If you have a guitarist to play the instrumental solo, it adds a lot. Drums are a big help, too, but not essential. I wasn't sure how this would work with a choir but it was so great that I'm going to introduce a few more rock songs. The choir and the audience absolutely loved it :)Enjoy!
$1.99
1.83 €
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Bon Jovi
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Livin' on a Prayer
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Julia Daintree
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SheetMusicPlus
Tico Tico (tico Tico No Fuba)
Instrumental Duet,Piano B-Flat Trumpet,Instrumental Duet,Piano,Tenor Trombone - Level 4 - …
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Instrumental Duet,Piano B-Flat Trumpet,Instrumental Duet,Piano,Tenor Trombone - Level 4 - Digital Download SKU: A0.747015 By The Andrews Sisters. By Aloysio Oliveira, Ervin Drake, and Zequinha Abreu. Arranged by Keith Terrett. Classical,Latin,Multicultural,World. 10 pages. Keith Terrett #5870055. Published by Keith Terrett (A0.747015). Arranged for for Bb Trumpet, C Trombone & Piano Tico-Tico no fubá (sparrow in the cornmeal, or, literally, rufous-collared sparrow in the cornmeal) is a Brazilian choro song written by Zequinha de Abreu in 1917. A great arrangement for your next performance, sure to be a big hit with your audience!Its original title was Tico-Tico no farelo (sparrow in the bran), but since Brazilian guitarist Américo Jacomino Canhoto (1889–1928) had a work with the same title, Abreu's work was given its present name in 1931, and sometime afterward Aloysio de Oliveira wrote the original Portuguese lyrics.Eros Volusia and her dancers dance to Tico-Tico in 1942 Rio Rita. Ethel Smith performed Tico-Tico onscreen in Bathing Beauty (1944). Carmen Miranda performed Tico-Tico onscreen in Copacabana (1947); It was also featured in the Aquarela do Brasil segment of the Walt Disney film Saludos Amigos (1942) and in Woody Allen's Radio Days (1987).In Quebec the song has been used for several decades in commercials for Sico paint.In season three of Mama's Family episode An Ill Wind, an intoxicated Iola briefly sings the song's chorus before passing out onto a bed.This song can be heard on various episodes of the Belgian Kabouter Wesley cartoon.In season one of Narcos: Mexico, episode 3 (El Padrino), the orchestral version of the song is played by a band during a reception. A biographical movie about Zequinha de Abreu with the same title, Tico-Tico no Fubá was produced in 1952 by the Brazilian film studio Companhia Cinematográfica Vera Cruz, starring Anselmo Duarte as Abreu.The title phrase also features in the lyrics to the song O Pato made famous by João Gilberto.Choro (Portuguese pronunciation: [ˈʃoɾu], cry or lament), also popularly called chorinho (little cry or little lament), is an instrumental Brazilian popular music genre which originated in 19th century Rio de Janeiro. Despite its name, the music often has a fast and happy rhythm. It is characterized by virtuosity, improvisation and subtle modulations, and is full of syncopation and counterpoint. Choro is considered the first characteristically Brazilian genre of urban popular music. The serenaders who play choros are known as chorõe
$12.99
11.95 €
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The Andrews Sisters
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Tico Tico
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Keith Terrett
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SheetMusicPlus
Tico Tico (tico Tico No Fuba)
Horn,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.747005 By The Andrews Si…
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Horn,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.747005 By The Andrews Sisters. By Aloysio Oliveira, Ervin Drake, and Zequinha Abreu. Arranged by Keith Terrett. Classical,Latin,Multicultural,World. 14 pages. Keith Terrett #5869409. Published by Keith Terrett (A0.747005). Arranged for Brass Quartet, Tico-Tico no fubá (sparrow in the cornmeal, or, literally, rufous-collared sparrow in the cornmeal) is a Brazilian choro song written by Zequinha de Abreu in 1917. A great arrangement for your next performance, sure to be a big hit with your audience!Its original title was Tico-Tico no farelo (sparrow in the bran), but since Brazilian guitarist Américo Jacomino Canhoto (1889–1928) had a work with the same title, Abreu's work was given its present name in 1931, and sometime afterward Aloysio de Oliveira wrote the original Portuguese lyrics.Eros Volusia and her dancers dance to Tico-Tico in 1942 Rio Rita. Ethel Smith performed Tico-Tico onscreen in Bathing Beauty (1944). Carmen Miranda performed Tico-Tico onscreen in Copacabana (1947); It was also featured in the Aquarela do Brasil segment of the Walt Disney film Saludos Amigos (1942) and in Woody Allen's Radio Days (1987).In Quebec the song has been used for several decades in commercials for Sico paint.In season three of Mama's Family episode An Ill Wind, an intoxicated Iola briefly sings the song's chorus before passing out onto a bed.This song can be heard on various episodes of the Belgian Kabouter Wesley cartoon.In season one of Narcos: Mexico, episode 3 (El Padrino), the orchestral version of the song is played by a band during a reception. A biographical movie about Zequinha de Abreu with the same title, Tico-Tico no Fubá was produced in 1952 by the Brazilian film studio Companhia Cinematográfica Vera Cruz, starring Anselmo Duarte as Abreu.The title phrase also features in the lyrics to the song O Pato made famous by João Gilberto.Choro (Portuguese pronunciation: [ˈʃoɾu], cry or lament), also popularly called chorinho (little cry or little lament), is an instrumental Brazilian popular music genre which originated in 19th century Rio de Janeiro. Despite its name, the music often has a fast and happy rhythm. It is characterized by virtuosity, improvisation and subtle modulations, and is full of syncopation and counterpoint. Choro is considered the first characteristically Brazilian genre of urban popular music. The serenaders who play choros are known as chorões.
$12.99
11.95 €
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The Andrews Sisters
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Tico Tico
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Keith Terrett
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SheetMusicPlus
Piano Trio No 1
Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.966297 Composed by …
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Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.966297 Composed by David F Golightly. Contemporary. Score and parts. 151 pages. Modrana Music Publishers Ltd #3002975. Published by Modrana Music Publishers Ltd (A0.966297). The Piano Trio no 1 was commissioned, premiered and recorded by the Fenice Trio in 2002. This substantial piano trio contained much of Golightly's symbolism and is festooned with the composers use of DFG codes. Stylistically, it represents a landmark in the genre development of Golightly, linked as it is to much of the melodic and harmonic language of his first symphony. I highly personal work it is only for the most advanced piano trios. The duration is 26 minutes. Score and parts.Review. Piano Trio Letters of Regret. (2001/2)David Golightly's piano trio Letters of Regret was commissioned by The Fenice Trio, composed during the summer of 2001 and completed in February 2002. The first performance took place at the Middlesbrough Theatre in June 2002. The work is in three movements (Demon, Angel and Regrets). Demon, the shortest movement of the work, opens with a rhythmical gesture from the piano, soon joined by the strings. This moderately fast movement is actually some sort of whimsical Allegretto sometimes of Russian flavour. Reviewing David's First Symphony, the composerArthur Butterworth remarked that Golightly might well be a British Shostakovich.Indeed, the Piano Trio calls the Russian composer to mind, particularly so in this slightly ironic movement that rises up to a short-lived ghostly climax abruptly cut short. Angel opens mysteriously with ethereal static string textures softly punctuated by the piano. Later, the string's sustained notes are gently accompanied by piano arpeggios. Then the strings, and later the piano, make some unsuccessful attempts at a tune, hesitantly so and with some glissandi contradicting the attempted melody. Eventually, the cello, followed by the violin, launches a sorrowful lyrical song, still disrupted by nervous interjections eventually short-lived.The Angel movement, though remains emotionally and harmonically ambiguous throughout. It too ends unobtrusively. The Demon and Angel movements actually act as a twofold introduction to the last movement. Regrets that is some sort of theme and seven variations, a series of letters, written but not sent,as the composer remarks. This predominantly lyrical, often nostalgic movement is the emotional heart of what is obviously a deeply personal statement on the composer's part. Golightly's Piano Trio is a superbly crafted, beautifully moving work, not unworthy its models(Shostakovich or John Ireland), and a highly personal, quite accessible work of substance that deserves wider recognition and that should be eagerly picked-up by trios willing to add a new substantial work to their repertoire.Hubert Culot. British Music Society
$40.00
36.81 €
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David F Golightly
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Piano Trio No 1
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Modrana Music Publishers Ltd
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SheetMusicPlus
Lake Of Dreams
3 Ssax. 3 Asax. 3 Tsax. 3 Bsax. - Intermediate-Advanced - Digital Download SKU: F2.FM63…
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3 Ssax. 3 Asax. 3 Tsax. 3 Bsax. - Intermediate-Advanced - Digital Download SKU: F2.FM634 Composed by Jachin Pousson. For 12-part Saxophone Choir. Score and parts. 129 pages. Forton Music - Digital #FM634. Published by Forton Music - Digital (F2.FM634). ISBN 9790570485338.For the opening bar, the performers are to begin the individual parts offstage, walking to their designated posi ons while playing the percussive of textural effects. Players may reach their posi ons freely in their own me but it is necessary to reach their places no later than bar 12. The func ons of the layers of material in this piece are o en changing roles slowly, allowing something that was a background texture to develop into something featured in the foreground, and vice versa. The transi ons between these roles are o en ambiguous, therefore keen a en on to dynamic balance is necessary to avoid the overall sound from becoming too clu ered or opaque. Balance voices mostly for transparency but allow material with notated accents, staccato marks or tenutos to stand out against the rest. Regarding rhythm, the exact tempo changes during accelerando or ritardando are not as important as a general feeling of surge and release. It is suggested that the 7/8 signature be conducted as one pulse for each bar, except where it is crucial to play rhythms precisely, for example at places of orchestrated crescendo in 8th notes (e.g. bar 136). This is in the interest of the feeling of me flowing subjec vely, in streams and ripples as in a dream.
$27.95
25.72 €
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Jachin Pousson
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Lake Of Dreams
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Forton Music - Digital
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SheetMusicPlus
The Wooded Blur
Flute Solo - Level 4 - Digital Download SKU: A0.1515510 Composed by Jose Luis Arell…
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Flute Solo - Level 4 - Digital Download SKU: A0.1515510 Composed by Jose Luis Arellano Jr. Arranged by Jose Luis Arellano Jr. 21st Century,Contemporary. Individual part. 4 pages. Arellano, Jose Luis Jr #1089863. Published by Arellano, Jose Luis Jr (A0.1515510). Wooded Blur was based on the ideas of an impressionist style painting that if you take a closer look at a piece art you could only see blurriness.However, if you took a step back you could see the whole context. The main idea that you hear in the piece is the “closer look” that is so blurred that you don’tunderstand the context until you see the big picture. You hear this repeating pattern (the main idea) becoming home and the root of this atonal piece. The variation around thismain idea becomes the context and helps create the bigger picture. It allows youas the listener to see the character of the piece. The piece is the forest itself who isplayful, a trickster, and a guardian of his own home. The sections that take you on this strangejourney will give you glimpses of imagery that you can picture that gets you involved.Building you a perception of this Wooded Blur.
$7.99
7.35 €
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Jose Luis Arellano Jr
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The Wooded Blur
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Arellano, Jose Luis Jr
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SheetMusicPlus
Foot Tapper
Guitar - Level 2 - Digital Download SKU: A0.1383550 By The Shadows. By Bruce Welch …
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Guitar - Level 2 - Digital Download SKU: A0.1383550 By The Shadows. By Bruce Welch and Hank Marvin. Arranged by Derek Hasted. Pop,Rock. 23 pages. Derek Hasted #968000. Published by Derek Hasted (A0.1383550). FOOT TAPPER (The Shadows) - 3 GUITARS or LARGE ENSEMBLEFor Classical Guitar - also suits Acoustic Guitar or Electric GuitarDerek Hasted writes It’s a bit of a blast from the past, but this is a really “under-the-fingers†piece that lives up to its name.My arrangement for 3 early intermediate guitars is devoid of the drum part, so a few extra notes have been added and a few empty bars removed, so that continuity is assured where the short drum breaks of the original took place.That apart, the speed, the key and the structure of the original are all here.Guitar 1 is the tune, and I’ve lifted it up an octave in the slow section so it’s easier to hear amongst the strummed chords, which can be quite heavy sounding on a classical guitar.Guitar 2 is the rhythm guitar part - all the chords are named, so that a school ensemble teacher, for example, can suggest 3- or 4-string versions of the big chords here. And you may find the usual first position G chord is less tiring than the barré version here, though it will sound a little bass-heavy.Either or both of the treble clef and bass clef versions of Guitar 3 can be played. In a large ensemble, having both will give a bigger sound.This exudes foot tapping happiness…I hope you enjoy playing this piece!This is one of a large and growing range of accessible ensembles from experienced arranger Derek Hasted, and is supplied as full score and parts. Derek's website at www.derek-hasted.co.uk/smp lists all his arrangements by title and by number of instruments, with links to soundclips and sample score.
$4.99
4.59 €
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The Shadows
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Foot Tapper
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Derek Hasted
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SheetMusicPlus
Sunrise, Sunset
Guitar - Level 2 - Digital Download SKU: A0.797700 Composed by Jerry Bock. Arranged…
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Guitar - Level 2 - Digital Download SKU: A0.797700 Composed by Jerry Bock. Arranged by Derek Hasted. Contemporary. 14 pages. Derek Hasted #3560053. Published by Derek Hasted (A0.797700). SUNRISE, SUNSET (Fiddler on the Roof) - 4 GUITARS/LARGE ENSEMBLEFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This arrangement has plenty of interest for everyone! It’s based on the arrangement I made for Hampshire Guitar Orchestra, and has been reworked to suit four guitars (or a large ensemble). The overall level is intermediate, but would also suit a mixed ability ensemble. It's a haunting piece that would suit a school teacher's group as well as an adult ensemble with modest experience - it's easy to fit all the parts together and it creates a big sound for not too much effort.Guitar One uses the full range of the top string to make a big sound.Guitar Two shadows the tune and incorporates some weaving motifs to maintain forward motion under the long notes of the top part.Guitars Three and Four are in two voices but using familiar first and second position shapes.
$4.99
4.59 €
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Jerry Bock
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Sunrise, Sunset
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Derek Hasted
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SheetMusicPlus
They Saw a Star - Epiphany/Christmas -Strings Quintet and piano
Cello,Piano Accompaniment,Violin - Level 3 - Digital Download SKU: A0.1324340 Compo…
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Cello,Piano Accompaniment,Violin - Level 3 - Digital Download SKU: A0.1324340 Composed by Connie Boss. Christian,Christmas,Holiday,Religious. 25 pages. Connie Boss #912539. Published by Connie Boss (A0.1324340). This is an original song I composed about the Wisemen coming from the East searching for the infant King. When they saw the star, they knew they had to follow it. It is a great song for Epiphany. It contains 3 verses and a bridge. If you think it's too long, you could cut out the bridge or can cut out some of the verses. This is for Strings quintet and piano. Parts are included with purchase.This can be played without the piano accompaniment if desired.This could be played while a choir sings - you can purchase SATB on here as wellemail cdboss@cvalley.net for requests or questionsLyrics below:They Saw a StarVerse 1:Three wisemen came from the eastA desert camel, their traveling beastThey traveled far, they traveled wideSearching for the infant child.Then they looked toward the sky….. Refrain:They saw a star, They saw a star, They saw a starLighting up in the darkest nightThey saw a star, They saw a star, They saw a starOh …..what a wondrous sight Verse 2:They followed where the light shown downAnd came upon a tiny townThen they scarce believed their eyesWhere it stopped a big surpriseThen they looked toward the light…… Refrain: Verse 3:A crowd of people gathered roundIncluding shepherds kneeling downTheir flocks of sheep by their sideThen the noise would subsideThey made it to the light……. Bridge:They saw the tiniest of KingsLying in a mangerHis mother was close by His sideKeeping him from dangerHe was the son of GodThe greatest King of KingsThe wisemen brought from their landsThe greatest gifts they could bring. Final Refrain:.
$7.99
7.35 €
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Connie Boss
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They Saw a Star - Epiphany/Christmas -Strings Quintet and piano
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Connie Boss
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SheetMusicPlus
Forty-second Street
Guitar Ensemble Guitar - Level 3 - Digital Download SKU: A0.797728 Composed by Harr…
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Guitar Ensemble Guitar - Level 3 - Digital Download SKU: A0.797728 Composed by Harry Warren. Arranged by Derek Hasted. Broadway,Contemporary,Film/TV,Musical/Show,Standards. Score and parts. 16 pages. Derek Hasted #4297841. Published by Derek Hasted (A0.797728). 42nd STREET - GUITAR QUARTET or LARGE ENSEMBLEFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This energetic piece by Harry Warren, made famous on stage and screen in the eponymous show, works equally well with a quartet and with a large ensemble. The parts vary between easy and intermediate, so it's ideal for a mixed ability ensemble, such as a school group or an adult ensemble with limited experience. This arrangement is based on a version played by Hampshire Guitar Orchestra, and it proved a crowd-pleaser with audiences, who love the driving beat and uplifting melody.The bass part would also suit a treble-clef octave or contra guitar.There are no page turns or repeats to worry about!This piece makes a big and satisfying sound for not too much effort...
$4.99
4.59 €
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Harry Warren
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Forty-second Street
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Derek Hasted
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SheetMusicPlus
Overture to The Marriage of Figaro
Woodwind Ensemble - Level 5 - Digital Download SKU: A0.996103 Composed by Wolfgang …
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Woodwind Ensemble - Level 5 - Digital Download SKU: A0.996103 Composed by Wolfgang Amadeus Mozart. Arranged by Erik Cole. Classical. 108 pages. Erik Cole #4792771. Published by Erik Cole (A0.996103). When approaching how to arrange this piece, the biggest challenge was the motor rhythm of the repeated eighth notes constantly present in the string parts. It is also occasionally present in the original bassoon parts, however, and is playable if the piece is taken at a more conservative tempo. Double-tonguing certainly makes it possible at faster speeds, but having an entire ensemble that can do it is an unlikely scenario. Leaving it out completely made for a much less exciting arrangement. As such, I've tried to spread those passages among all the parts so that no one part had to do it for too long a stretch at a time. Also, the option to replace the eighth notes with quarter notes is present in all the parts - that can be done uniformly throughout the ensemble, only for players that need it, or even would be fine if players who can mostly keep up with the tonguing need just a measure or two break. As typical in my large transcriptions, all of the oboe and bassoon parts are divisi in two parts. I did my best to keep up with the tonguing in the layered recording attached, and, as always, keep in mind that I'm an oboist, and please forgive my inelegant attempt at what is a very standard and challenging bassoon excerpt.
$49.00
45.09 €
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Wolfgang Amadeus Mozart
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Overture to The Marriage of Figaro
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Erik Cole
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SheetMusicPlus
Tannhäuser und der Sängerkrieg auf Wartburg
Digital Download SKU: S9.Q25917 Vocal Score based on the Richard Wagner Complete…
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Digital Download SKU: S9.Q25917 Vocal Score based on the Richard Wagner Complete Edition edited by Wolfgang M. Wagner. Composed by Richard Wagner. This edition: vocal/piano score. Erstveröffentlichung - Oper - Theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Schott Music - Digital #Q25917. Published by Schott Music - Digital (S9.Q25917). German • French.An important addition to Schott's newly published orchestral material is the first publication of piano scores for the ten major operas by Richard Wagner in all major versions. For the first time, we offer the stages and interested opera lovers piano scores as urtext editions that were designed according to uniform editorial criteria.•The score is aligned with the performance material of the Complete Edition. •All piano scores have study numbers and continuous measure numbers for rehearsal and study practice. •The editors are renowned musicologists from the circles of those working on the Richard Wagner Complete Edition who contribute detailed information on the respective editions to the critical prefaces.•The prefaces are printed in three languages (German, English, French). •The uniform appealing cover design with reproductions of paintings from the Wagner era emphasizes the serial character of the edition.TANNHÄUSERFor the Richard Wagner Complete Edition, the editors Egon Voss, Peter Jost and Reinhard Strohm as well as Cristina UrchueguÃa have researched and presented Tannhäuser's genesis and history of more than thirty years, which also took about thirty years of scientific work, on 2,959 pages in eight volumes. With the present piano score, the findings gathered therein shall now also to be made accessible for the musical practice. (Wolfgang M. Wagner, quoted from the foreword to the new Tannhäuser piano score)The piano score unites for the first time all four stages of the work (the score as of 1845, the score as of 1860, the Paris version as of 1861/62 with the complete French text of this version, and the Vienna version as of 1875) in a single excerpt for rehearsal and study practice, thus allowing the comparison of the versions, without sacrificing practicability.All variants are printed one after the other in the chronological sequence of the action on the stage, so that each of them can be explored in their context of action by simply turning over the pages. Only two variants rejected before the Paris premiere were printed separately in the appendix. A fascinating insight into Richard Wagner's thinking in terms of stage practice and into his very precise ideas of tonal balance, scenic details and role-conception are made possible by the quotations printed in key passages from his work On the Performance of Tannhäuser, published in 1852.For example, soon after the world premiere, Wagner suggested the deletion of bars in the orchestral part in the 4th scene of Act I, reasoning that […] due to the tremendous woodenness and self-consciousness of our usual supernumeraries, the impression of overwhelming liveliness, which was intended by me and which was to imply a heightening of the mood led up to by the liveliest manifestations of life, was not achieved. (piano reduction, p. 221)In the big ensemble scene at the end of Act II, Wagner puts in a comment at a certain passage, referring to the conductor and his great responsibility for tonal balance:The exclamations 'Ach, erbarm' dich mein!' require such a piercing emphasis that he [the performer of Tannhauser] as a mere, well-trained singer is not enough; it is but the highest dramatic art that has to provide him the energy of pain and desperation for an expression that must seem to break forth from the most gruesome depths of an awfully woeful heart, like a cry for salvation. The conductor has to ensure that the implied success is made possible for the principal singer by the most discrete accompaniment of the other singers as well as of the orchestra. (piano reduction, p. 367)3 (3. auch Picc.) · 2 · 2 · Bassklar. [nicht in Pariser F.] · 2 - 2 Ventilhr. · 2 Waldhr. · 3 Ventiltrp. · 3 · 1 [Pariser F.: Ophicléïde] - P. S. (Trgl. · Beck. · Tamb. · gr. Tr. · Tamt. [Pariser F.] · Kast. [Pariser/Wiener F.) (2-3 Spieler) - Str. Auf dem Theater: 2 Picc. [P/W: 1] · 4 Fl. [P/W: 2] · 4 Ob. [P/W: 2] · Engl. Hr. · 6 Klar. [P/W: 3] · 4 Fg. [P: 2, W: 0] - 12 Wald-Hr. · 12 Trp. [P: 9] · 4 Pos. [P/W: 4 Hr.] - Trgl. · Beck. · Tamb. · Kast. [nur in P] - Hfe. [in P/W].
$53.99
49.69 €
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Richard Wagner
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Tannhäuser und der Sängerkrieg auf Wartburg
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Schott Music - Digital
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SheetMusicPlus
Three Painters (parts)
Small Ensemble B-Flat Clarinet,Bassoon,Oboe,Tenor Saxophone - Level 4 - Digital Download
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Small Ensemble B-Flat Clarinet,Bassoon,Oboe,Tenor Saxophone - Level 4 - Digital Download SKU: A0.799463 Composed by Drake Mabry. Contemporary. Score and parts. 48 pages. Drake Mabry #1989265. Published by Drake Mabry (A0.799463). Three Painters was a 2008 commission from the Conservatory of Music in Chalons, France. Each of the three movements is inspired by some of my favorite painters, in this case Yves Klein, Zao Wou-ki and Jackson Pollock for the first, second and third movements respectively. I first saw Yves Klein work on a visit to Balbao, Spain during an exhibit of his art at the Guggenheim Museum. There was a kind of giant sandbox filled with his famous blue pigment. The lighting created timbral shadows which varied depending on where the viewer stood. It was difficult to leave. I first saw Zao Wou-ki's paintings during an exhibit in Paris around 2000 – I don't remember where. The abstract shape and colors fascinated me and each work seemed to explore a different emotional perspective. And they were simply beautiful. In 1967 I began my music studies in New York and within a few months of arriving went to the Museum of Modern Art at W. 53rd street. On the way there I crossed paths with Moondog on the street near the museum dressed in his Viking outfit. From my first visit, the two artists I remember most vividly were Jackson Pollock and Alexander Calder. Jackson Pollock's art washed over my senses and I stared at One: Number 31 1950 for what seemed to be hours. And Calder's mobiles danced in slow motion and also captivated me. Someday I will write a work to pay homage to him. Three Painters depicts what I see in the works of these artists as sound over time. The first movement (Yves Klein) explores the subtle changing orchestrational timbres on the pitch 'F'. The second movement (Zao Wou-ki) uses the instruments without their reeds and/or mouthpieces resulting in waves of air sounds washing over the senses. The Third movement (Jackson Pollock) is a jazz-like romp which transfers his vibrant visual energy to a full blown big band style played by the ensemble. The duration is 12 minutes.
$9.99
9.19 €
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Drake Mabry
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Three Painters
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Drake Mabry
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SheetMusicPlus
Three Painters (score)
Small Ensemble B-Flat Clarinet,Bassoon,Oboe,Tenor Saxophone - Level 4 - Digital Download
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Small Ensemble B-Flat Clarinet,Bassoon,Oboe,Tenor Saxophone - Level 4 - Digital Download SKU: A0.799462 Composed by Drake Mabry. Contemporary. Score and parts. 24 pages. Drake Mabry #1989261. Published by Drake Mabry (A0.799462). Three Painters was a 2008 commission from the Conservatory of Music in Chalons, France. Each of the three movements is inspired by some of my favorite painters, in this case Yves Klein, Zao Wou-ki and Jackson Pollock for the first, second and third movements respectively. I first saw Yves Klein work on a visit to Balbao, Spain during an exhibit of his art at the Guggenheim Museum. There was a kind of giant sandbox filled with his famous blue pigment. The lighting created timbral shadows which varied depending on where the viewer stood. It was difficult to leave. I first saw Zao Wou-ki's paintings during an exhibit in Paris around 2000 – I don't remember where. The abstract shape and colors fascinated me and each work seemed to explore a different emotional perspective. And they were simply beautiful. In 1967 I began my music studies in New York and within a few months of arriving went to the Museum of Modern Art at W. 53rd street. On the way there I crossed paths with Moondog on the street near the museum dressed in his Viking outfit. From my first visit, the two artists I remember most vividly were Jackson Pollock and Alexander Calder. Jackson Pollock's art washed over my senses and I stared at One: Number 31 1950 for what seemed to be hours. And Calder's mobiles danced in slow motion and also captivated me. Someday I will write a work to pay homage to him. Three Painters depicts what I see in the works of these artists as sound over time. The first movement (Yves Klein) explores the subtle changing orchestrational timbres on the pitch 'F'. The second movement (Zao Wou-ki) uses the instruments without their reeds and/or mouthpieces resulting in waves of air sounds washing over the senses. The Third movement (Jackson Pollock) is a jazz-like romp which transfers his vibrant visual energy to a full-blown big band style played by the ensemble. The duration is 12 minutes.Three Painters was premiered by an ensemble conducted by Philippe Cambreling at the Auditorium, CRR de Chalon sur Saône, France on March 22, 2009.
$9.99
9.19 €
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Drake Mabry
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Three Painters
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Drake Mabry
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SheetMusicPlus
Aura Lee - Love me tender - Elvis - Flute Quintet
Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.568467…
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Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.568467 Composed by Traditional. Arranged by Thomas Graf. Folk,Multicultural,World. 15 pages. Thomas Graf - the-hit-factory.com #2960923. Published by Thomas Graf - the-hit-factory.com (A0.568467). Arrangement of the famous folk tune Aura Lee (aka 'Aura Lea') is an American Civil War song about a maiden. It was written by W. W. Fosdick (words) and George R. Poulton (music). Elvis Presley took the melody in his song Love me tender . The song starts slow, and goes to a funny beat. Easy while big fun to perform! Instrumentation: Flute 1/2/3, Alto Flute, Bass Flute Listen to the recording - a challenge for your ensemble. Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N... Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic New catalogue includedVideo: https://www.youtu.be/Sj_gb2OUUUA
$14.99
13.8 €
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Traditional
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Instrumentation:
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Aura Lee - Love me tender - Elvis - Flute Quintet
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Just a Closer Walk with Thee for Clarinet Quintet/Quartet
Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.11…
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Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1135165 By Ella Fitzgerald. By Traditional. Arranged by Vanessa Klassen. Jazz,Religious,Spiritual,Standards. 21 pages. Vanessa Klassen #735208. Published by Vanessa Klassen (A0.1135165). “Just a Closer Walk with Thee†dates back to the southern African-American churches of the nineteenth century, frequently being performed as part of a traditional New Orleans-style funeral march. Composer Kenneth Morris heard a train station porter singing the song while traveling from Kansas City to Chicago in 1940. The music became so prominent in his mind that Morris exited his train and took a different train back to the previous station to ask the porter to sing it again. Morris wrote down the music and lyrics and had the song published. The song soon became a standard in both the gospel and jazz genres and has since been recorded by numerous artists. The original author or composer is unknown. This arrangement for clarinet quintet is closely based on Ella Fitzgerald’s recording of the song which was featured on her 1967 album, “Brighten the Corner.†Ella’s voice is represented in the Clarinet 1 part which has been transcribed exactly as she sung. There is also a simplified Clarinet 1 part which is easier to read and allows the soloist more freedom to embellish as desired. The accompanying parts are the background vocals and upright bass, with the light piano riffs in the E♠Clarinet part. The E♠part may be omitted for an easier quartet version. The biggest challenge in this arrangement is the balance as the solo is often in the lower register of the clarinet (below the break).
$9.99
9.19 €
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Ella Fitzgerald
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Just a Closer Walk with Thee for Clarinet Quintet/Quartet
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Vanessa Klassen
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SheetMusicPlus
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