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You've selected:
counterpoint
Sheetmusic to print
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Counterpoint Invariable
String Ensemble,String Trio Violin - Level 5 - Digital Download SKU: A0.800316 Comp…
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String Ensemble,String Trio Violin - Level 5 - Digital Download SKU: A0.800316 Composed by Sarah Wallin Huff. Contemporary. Score and parts. 47 pages. Novel Soundtrax #32443. Published by Novel Soundtrax (A0.800316). Appears on Soul of the Machine by Navona Records. Completed in 2011, this complex and experimental work for violin trio consists of three movements: I. Intervallic Structure (Andante con moto) II. Tone and Color (Meno mosso) III. Urban Rhythm (Allegro ma non troppo) Based upon a strict and unvarying formula of patterns that are passed equally between the three violin parts, all three movements utilize this same precise structure of A, B, C, and Ostinato phrases. Each movement, however, while based upon the same formulaic set of patterns, vary by the material of the four phrases themselves; the phrases’ material is each based upon very different scales, depending on the particular movement’s character. Counterpoint Invariable is a successful thought-experiment, turned to driving and evocative emotional artwork, highlighting Wallin Huff's ongoing fascination with the logic of mechanical structure giving way to outward beauty. It is a true, fulfilling reward to perform and explore this work in its entirety.
$18.00
16.59 €
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Sarah Wallin Huff
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Counterpoint Invariable
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Novel Soundtrax
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SheetMusicPlus
Counterpoint 4 -3
Brass Trio - Grade 2 - Digital Download SKU: B0.PDF-BAND-97 Composed by Robert Stor…
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Brass Trio - Grade 2 - Digital Download SKU: B0.PDF-BAND-97 Composed by Robert Storms. Counterpoint 4 -3 is a compelling choice for Grade 2 level band students. Multicultural. Score and Parts. 12 pages. PDF Band Music #PDF-BAND-97. Published by PDF Band Music (B0.PDF-BAND-97). 8.5 x 11 inches.Exciting brass trio for young players.
$15.00
13.82 €
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Robert Storms
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Counterpoint 4 -3
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PDF Band Music
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SheetMusicPlus
The Counter of The Point
Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.943859
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Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.943859 Composed by Jonah Koppitz. 20th Century,Contemporary. Score and parts. 1 pages. Jonah Koppitz #5748861. Published by Jonah Koppitz (A0.943859). The first thing that you should know about this piece is that it breaks nearly every rule of counterpoint that it can. To me, this composition represents the antithesis of how classical composers thought to compose. By directly contradicting the rules they follow and still creating music, it shows that stiff rule formats and limits on what makes good music are not necessary and oftentimes restrict creative composing. My only hope is that, if Johann Joseph Fux were alive today, he’d see my work as an abomination of all the rules he holds so dear.My Ruleset:1. In sixth species counterpoint (countercounterpoint/anticounterpoint), you may write as many notes as desired in your new melody for each note in the cantus firmus.2. The first note and the last note must not form either an octave, unison, or a fifth with the cantus firmus.3. The penultimate note of your melody should not be an even scale degree.4. Augmented Fourths must resolve down and Diminished Fifths must resolve up.5. You may use parallel motion very recklessly because it obscures the independence of the voices.6. The harmonic interval formed between the voices on the downbeat of every measure may not be a perfect/major consonance-unison, third, fifth, sixth or octave. Diminished, Augmented, and Minor are fine.7. The interval formed between the voices on the second beat of every measure may not be a major third or major sixth.8. The overall shape of your melody should have a single high-point, preferably as far from the middle as is reasonable.9. Except for on the first beat of a measure, Consonant intervals are only allowed if preceded by a dissonant interval on a strong beat.10. Every Chord is fair game.11. The interval between the first beat of each measure should alternate between even numbers and odd numbers.12. Leaps must prepare, leap, and resolve in the same direction and may be greater than a fifth.13. Functional Harmony is for cowards who let chords tell them what to do.
$1.99
1.83 €
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directly contradicting the rules they follow and still creating music, it shows that stiff rule formats and limits on what makes good music are not necessary and oftentimes restrict creative composing
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Jonah Koppitz
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The Counter of The Point
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Jonah Koppitz
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SheetMusicPlus
Counterpoint of the Animals
Chorus - Digital Download SKU: AX.00-PO-0005167 Composed by Adriano Banchieri. Arra…
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Chorus - Digital Download SKU: AX.00-PO-0005167 Composed by Adriano Banchieri. Arranged by Russell L. Robinson. Choral. 7 pages. Alfred Music - Digital Sheet Music #00-PO-0005167. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0005167). UPC: 654979007661.
$2.25
2.07 €
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Adriano Banchieri
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Counterpoint of the Animals
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Counterpoint of the Animals
Chorus - Digital Download SKU: AX.00-PO-0005166 Composed by Adriano Banchieri. Arra…
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Chorus - Digital Download SKU: AX.00-PO-0005166 Composed by Adriano Banchieri. Arranged by Russell L. Robinson. Choral. 7 pages. Alfred Music - Digital Sheet Music #00-PO-0005166. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0005166). UPC: 654979007654.
$2.25
2.07 €
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Adriano Banchieri
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Counterpoint of the Animals
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Little Counterpoint - F Horn and Piano
Instrumental Duet Horn,Instrumental Duet,Piano - Level 2 - Digital Download SKU: A0.983…
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Instrumental Duet Horn,Instrumental Duet,Piano - Level 2 - Digital Download SKU: A0.983220 Composed by John Wilks. Arranged by John Wilks. Baroque,Concert,Holiday,Traditional. Score and parts. 5 pages. John WIlks #3135651. Published by John WIlks (A0.983220). Original composition available in different arrangements - please check http://frontline.today/home/john-cloud/works for details .
$4.50
4.15 €
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John Wilks
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Little Counterpoint - F Horn and Piano
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John WIlks
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SheetMusicPlus
Chant and Counterpoint II - Agnus Dei
String Ensemble - Level 3 - Digital Download SKU: A0.1281881 Composed by George A. …
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String Ensemble - Level 3 - Digital Download SKU: A0.1281881 Composed by George A. Speckert. 21st Century,Chamber,Contemporary,Praise & Worship. 22 pages. George A. Speckert #873232. Published by George A. Speckert (A0.1281881).
$9.99
9.21 €
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George A
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Chant and Counterpoint II - Agnus Dei
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George A. Speckert
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SheetMusicPlus
Chant and Counterpoint I - Kyrie
String Ensemble - Level 3 - Digital Download SKU: A0.1281880 Composed by George A. …
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String Ensemble - Level 3 - Digital Download SKU: A0.1281880 Composed by George A. Speckert. 21st Century,Chamber,Contemporary,Praise & Worship. 31 pages. George A. Speckert #873231. Published by George A. Speckert (A0.1281880).
$9.99
9.21 €
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George A
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Chant and Counterpoint I - Kyrie
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George A. Speckert
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SheetMusicPlus
L.A.tric Counterpoint
7 guitares électriques et une basse électrique - Advanced - Digital Download SKU:…
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7 guitares électriques et une basse électrique - Advanced - Digital Download SKU: ZZ.DZ-3564 Composed by Nejc Kuhar. 21 pages. Les Productions d'OZ - Digital #DZ 3564. Published by Les Productions d'OZ - Digital (ZZ.DZ-3564). ISBN 9782897954819.
$15.95
14.7 €
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Nejc Kuhar
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L.A.tric Counterpoint
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Les Productions d'OZ - Digital
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SheetMusicPlus
Counterpoint in G Minor
Small Ensemble Clarinet,English Horn,Flute,Oboe,Piano,Violin - Level 4 - Digital Download …
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Small Ensemble Clarinet,English Horn,Flute,Oboe,Piano,Violin - Level 4 - Digital Download SKU: A0.990435 Composed by Mitch Boucher. Baroque,Instructional. Score and parts. 2 pages. Mitch Boucher #5751253. Published by Mitch Boucher (A0.990435).
$6.00
5.53 €
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Mitch Boucher
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Counterpoint in G Minor
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Mitch Boucher
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SheetMusicPlus
COOUNTERPOINT FOR TWO AND TWO MORE
Bass Clarinet,Harpsichord - Digital Download SKU: A0.1308659 By Michael Vondracek. …
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Bass Clarinet,Harpsichord - Digital Download SKU: A0.1308659 By Michael Vondracek. By Michael Vondracek. Arranged by Michael Vondracek. Chamber,Instructional,Traditional. 19 pages. Michael Vondracek #897900. Published by Michael Vondracek (A0.1308659). Two Bb clarinets, bass clarinet and harpsichord ensemble.
$5.00
4.61 €
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Michael Vondracek
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COOUNTERPOINT FOR TWO AND TWO MORE
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Michael Vondracek
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SheetMusicPlus
Duettino
Vibraphone (cymbal, gong, Tamtam) and piano - difficult - Digital Download SKU: S9.Q117…
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Vibraphone (cymbal, gong, Tamtam) and piano - difficult - Digital Download SKU: S9.Q11783 For vibraphone (cymbal, gong, tamtam) and piano. Composed by Bertold Hummel. This edition: score and part. Downloadable, score and part. Op. 82b. Duration 7 minutes. Schott Music - Digital #Q11783. Published by Schott Music - Digital (S9.Q11783). In the Meditation a passacaglia is built on the base of twelve different clusters in the piano; the series begins in the third bar after a short introduction, is completely repeated three times, and counterpointed by the ever transforming vibraphone melody. Framing the movement the introduction is repeated at the end.The character of the second movement Ostinato is moulded by an ascending four-note motive contrasted by a damper-pedalled eight-tone sequence developing into a short melody. Through numerous interactions of this musical idea the composer unfolds an amusing Rondo which also integrates Jazz rhythms.Daniela KoreimannTranslation: Jean Henssler.
$16.99
15.66 €
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Bertold Hummel
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Duettino
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Schott Music - Digital
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SheetMusicPlus
Josquin: 22 Duets for French Horn & Bass Trombone
Bass Trombone,Horn,Instrumental Duet - Level 3 - Digital Download SKU: A0.1074291 C…
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Bass Trombone,Horn,Instrumental Duet - Level 3 - Digital Download SKU: A0.1074291 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Renaissance,Traditional,Wedding. 50 pages. Jmsgu3 #678587. Published by jmsgu3 (A0.1074291). Josquin des Prez (c.1450-1521) was a composer of the Renaissance period, widely regarded as one of the greatest composers of all time. His compositions set the standard for polyphonic music and are considered a high point in the history of music. He wrote a wide range of works, including masses, motets, and chansons, and was the first composer to set popular secular tunes as mass movements. His influence can be seen in the works of many later composers, including Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.Josquin des Prez was a prolific composer of chamber music and duets during the Renaissance period. He wrote several types of chamber music and duets, including madrigals, chansons, and motets. His compositions are characterized by their intricate counterpoint, as well as their harmonic richness and emotional expressiveness. His works often featured two voices in harmony, and he was known to use imitation and complex canonic techniques to create interesting musical textures. Josquin's chamber music and duets are renowned for their complexity and beauty, and they remain some of the most influential and admired works from the Renaissance period.Josquin Desprez is widely regarded as one of the most influential composers of the Renaissance period. His innovative use of counterpoint and canon helped to revolutionize the musical landscape of the time. Counterpoint is a technique of combining two or more independent melodies in a way that creates harmony and a cohesive musical texture. Josquin was a master of this technique, often combining multiple voices in complex contrapuntal textures. His use of canon, or round, was also highly influential. Canon involves two or more voices repeating the same melody in different registers and often with different rhythms. Josquin wrote canons in various styles and forms, including the popular “circular canon†and the more complex “strict canon.†He was also an early adopter of the “inverted canon†form, in which the same melody is repeated but in an inverted form. Josquin’s use of counterpoint and canon had a lasting impact on the development of Western music and helped to establish the foundation for many of the musical forms and techniques still used today.Contents: I. Duo from the Augsberger LiederbuchII. Agnus Dei II from Missa De Beata Virgine III. Duo from the Hör Organ tablatureIV. Agnus Dei II from Missa Ave maris stellaV. Benedictus from Missa GaudeamusVI. Agnus Dei II from Missa GaudeamusVII. Pleni sunt coeli from the Sanctus of Missa Hercules dux Ferrarie VIII. Agnus Dei II from Missa La sol fa re mi IX. Benedictus from Missa L'homme armé super voces musicalesX. Benedictus from Missa L'homme armé Sexti Toni XI. Pleni sunt coeli from Missa Malheur me bat XII. Pleni sunt from Missa Mater patris (canon at the major second)XIII. Benedictus from Missa Mater patris XIV. Agnus Dei II from Missa Mater patris (canon at the unison)XV. Pleni sunt caeli from Missa Pange lingua XVI. Benedictus from Missa Pange lingua XVII. Agnus Dei II from Missa Pange lingua XVIII. Pleni sunt from Missa sine nomine XIX. Domine non secundum peccata nostra XX. Ave verum and Cuius latus XXI. In principio erat verbum from Motet Verbum caro factus est XXII. Per illud ave prolatum - Secunda pars of motet Benedicta es caelorum regina.
$32.95
30.37 €
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Josquin des Prez
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Josquin: 22 Duets for French Horn & Bass Trombone
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jmsgu3
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SheetMusicPlus
Josquin: 22 Duets for Trombone & Tuba
Instrumental Duet,Tenor Trombone,Tuba - Level 3 - Digital Download SKU: A0.1074311 …
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Instrumental Duet,Tenor Trombone,Tuba - Level 3 - Digital Download SKU: A0.1074311 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Renaissance,Traditional,Wedding. 50 pages. Jmsgu3 #678601. Published by jmsgu3 (A0.1074311). Josquin des Prez (c.1450-1521) was a composer of the Renaissance period, widely regarded as one of the greatest composers of all time. His compositions set the standard for polyphonic music and are considered a high point in the history of music. He wrote a wide range of works, including masses, motets, and chansons, and was the first composer to set popular secular tunes as mass movements. His influence can be seen in the works of many later composers, including Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.Josquin des Prez was a prolific composer of chamber music and duets during the Renaissance period. He wrote several types of chamber music and duets, including madrigals, chansons, and motets. His compositions are characterized by their intricate counterpoint, as well as their harmonic richness and emotional expressiveness. His works often featured two voices in harmony, and he was known to use imitation and complex canonic techniques to create interesting musical textures. Josquin's chamber music and duets are renowned for their complexity and beauty, and they remain some of the most influential and admired works from the Renaissance period. Josquin Desprez is widely regarded as one of the most influential composers of the Renaissance period. His innovative use of counterpoint and canon helped to revolutionize the musical landscape of the time. Counterpoint is a technique of combining two or more independent melodies in a way that creates harmony and a cohesive musical texture. Josquin was a master of this technique, often combining multiple voices in complex contrapuntal textures. His use of canon, or round, was also highly influential. Canon involves two or more voices repeating the same melody in different registers and often with different rhythms. Josquin wrote canons in various styles and forms, including the popular “circular canon†and the more complex “strict canon.†He was also an early adopter of the “inverted canon†form, in which the same melody is repeated but in an inverted form. Josquin’s use of counterpoint and canon had a lasting impact on the development of Western music and helped to establish the foundation for many of the musical forms and techniques still used today.Contents: I. Duo from the Augsberger LiederbuchII. Agnus Dei II from Missa De Beata Virgine III. Duo from the Hör Organ tablatureIV. Agnus Dei II from Missa Ave maris stellaV. Benedictus from Missa GaudeamusVI. Agnus Dei II from Missa GaudeamusVII. Pleni sunt coeli from the Sanctus of Missa Hercules dux Ferrarie VIII. Agnus Dei II from Missa La sol fa re mi IX. Benedictus from Missa L'homme armé super voces musicalesX. Benedictus from Missa L'homme armé Sexti Toni XI. Pleni sunt coeli from Missa Malheur me bat XII. Pleni sunt from Missa Mater patris (canon at the major second)XIII. Benedictus from Missa Mater patris XIV. Agnus Dei II from Missa Mater patris (canon at the unison)XV. Pleni sunt caeli from Missa Pange lingua XVI. Benedictus from Missa Pange lingua XVII. Agnus Dei II from Missa Pange lingua XVIII. Pleni sunt from Missa sine nomine XIX. Domine non secundum peccata nostra XX. Ave verum and Cuius latus XXI. In principio erat verbum from Motet Verbum caro factus est XXII. Per illud ave prolatum - Secunda pars of motet Benedicta es caelorum regina.
$32.95
30.37 €
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Josquin des Prez
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Josquin: 22 Duets for Trombone & Tuba
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jmsgu3
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SheetMusicPlus
Josquin: 22 Duets for Bassoon & Contrabassoon
Contrabassoon,Instrumental Duet - Level 2 - Digital Download SKU: A0.1074025 Compos…
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Contrabassoon,Instrumental Duet - Level 2 - Digital Download SKU: A0.1074025 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Renaissance,Traditional,Wedding. 50 pages. Jmsgu3 #678293. Published by jmsgu3 (A0.1074025). Josquin des Prez (c.1450-1521) was a composer of the Renaissance period, widely regarded as one of the greatest composers of all time. His compositions set the standard for polyphonic music and are considered a high point in the history of music. He wrote a wide range of works, including masses, motets, and chansons, and was the first composer to set popular secular tunes as mass movements. His influence can be seen in the works of many later composers, including Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.Josquin des Prez was a prolific composer of chamber music and duets during the Renaissance period. He wrote several types of chamber music and duets, including madrigals, chansons, and motets. His compositions are characterized by their intricate counterpoint, as well as their harmonic richness and emotional expressiveness. His works often featured two voices in harmony, and he was known to use imitation and complex canonic techniques to create interesting musical textures. Josquin's chamber music and duets are renowned for their complexity and beauty, and they remain some of the most influential and admired works from the Renaissance period.Josquin Desprez is widely regarded as one of the most influential composers of the Renaissance period. His innovative use of counterpoint and canon helped to revolutionize the musical landscape of the time. Counterpoint is a technique of combining two or more independent melodies in a way that creates harmony and a cohesive musical texture. Josquin was a master of this technique, often combining multiple voices in complex contrapuntal textures. His use of canon, or round, was also highly influential. Canon involves two or more voices repeating the same melody in different registers and often with different rhythms. Josquin wrote canons in various styles and forms, including the popular “circular canon†and the more complex “strict canon.†He was also an early adopter of the “inverted canon†form, in which the same melody is repeated but in an inverted form. Josquin’s use of counterpoint and canon had a lasting impact on the development of Western music and helped to establish the foundation for many of the musical forms and techniques still used today.Contents: I. Duo from the Augsberger LiederbuchII. Agnus Dei II from Missa De Beata Virgine III. Duo from the Hör Organ tablatureIV. Agnus Dei II from Missa Ave maris stellaV. Benedictus from Missa GaudeamusVI. Agnus Dei II from Missa GaudeamusVII. Pleni sunt coeli from the Sanctus of Missa Hercules dux Ferrarie VIII. Agnus Dei II from Missa La sol fa re mi IX. Benedictus from Missa L'homme armé super voces musicalesX. Benedictus from Missa L'homme armé Sexti Toni XI. Pleni sunt coeli from Missa Malheur me bat XII. Pleni sunt from Missa Mater patris (canon at the major second)XIII. Benedictus from Missa Mater patris XIV. Agnus Dei II from Missa Mater patris (canon at the unison)XV. Pleni sunt caeli from Missa Pange lingua XVI. Benedictus from Missa Pange lingua XVII. Agnus Dei II from Missa Pange lingua XVIII. Pleni sunt from Missa sine nomine XIX. Domine non secundum peccata nostra XX. Ave verum and Cuius latus XXI. In principio erat verbum from Motet Verbum caro factus est XXII. Per illud ave prolatum - Secunda pars of motet Benedicta es caelorum regina.
$32.95
30.37 €
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Josquin des Prez
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Josquin: 22 Duets for Bassoon & Contrabassoon
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jmsgu3
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SheetMusicPlus
Josquin: 22 Duets for Trumpet & Bass Trombone
Bass Trombone,C Trumpet,Instrumental Duet - Level 3 - Digital Download SKU: A0.1074276
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Bass Trombone,C Trumpet,Instrumental Duet - Level 3 - Digital Download SKU: A0.1074276 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Renaissance,Traditional,Wedding. 50 pages. Jmsgu3 #678569. Published by jmsgu3 (A0.1074276). Josquin des Prez (c.1450-1521) was a composer of the Renaissance period, widely regarded as one of the greatest composers of all time. His compositions set the standard for polyphonic music and are considered a high point in the history of music. He wrote a wide range of works, including masses, motets, and chansons, and was the first composer to set popular secular tunes as mass movements. His influence can be seen in the works of many later composers, including Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.Josquin des Prez was a prolific composer of chamber music and duets during the Renaissance period. He wrote several types of chamber music and duets, including madrigals, chansons, and motets. His compositions are characterized by their intricate counterpoint, as well as their harmonic richness and emotional expressiveness. His works often featured two voices in harmony, and he was known to use imitation and complex canonic techniques to create interesting musical textures. Josquin's chamber music and duets are renowned for their complexity and beauty, and they remain some of the most influential and admired works from the Renaissance period.Josquin Desprez is widely regarded as one of the most influential composers of the Renaissance period. His innovative use of counterpoint and canon helped to revolutionize the musical landscape of the time. Counterpoint is a technique of combining two or more independent melodies in a way that creates harmony and a cohesive musical texture. Josquin was a master of this technique, often combining multiple voices in complex contrapuntal textures. His use of canon, or round, was also highly influential. Canon involves two or more voices repeating the same melody in different registers and often with different rhythms. Josquin wrote canons in various styles and forms, including the popular “circular canon†and the more complex “strict canon.†He was also an early adopter of the “inverted canon†form, in which the same melody is repeated but in an inverted form. Josquin’s use of counterpoint and canon had a lasting impact on the development of Western music and helped to establish the foundation for many of the musical forms and techniques still used today.Contents: I. Duo from the Augsberger LiederbuchII. Agnus Dei II from Missa De Beata Virgine III. Duo from the Hör Organ tablatureIV. Agnus Dei II from Missa Ave maris stellaV. Benedictus from Missa GaudeamusVI. Agnus Dei II from Missa GaudeamusVII. Pleni sunt coeli from the Sanctus of Missa Hercules dux Ferrarie VIII. Agnus Dei II from Missa La sol fa re mi IX. Benedictus from Missa L'homme armé super voces musicalesX. Benedictus from Missa L'homme armé Sexti Toni XI. Pleni sunt coeli from Missa Malheur me bat XII. Pleni sunt from Missa Mater patris (canon at the major second)XIII. Benedictus from Missa Mater patris XIV. Agnus Dei II from Missa Mater patris (canon at the unison)XV. Pleni sunt caeli from Missa Pange lingua XVI. Benedictus from Missa Pange lingua XVII. Agnus Dei II from Missa Pange lingua XVIII. Pleni sunt from Missa sine nomine XIX. Domine non secundum peccata nostra XX. Ave verum and Cuius latus XXI. In principio erat verbum from Motet Verbum caro factus est XXII. Per illud ave prolatum - Secunda pars of motet Benedicta es caelorum regina.
$32.95
30.37 €
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Josquin des Prez
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Josquin: 22 Duets for Trumpet & Bass Trombone
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jmsgu3
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SheetMusicPlus
Josquin: 22 Duets for Baritone Horn & Bass Trombone
Baritone Horn TC,Bass Trombone,Instrumental Duet - Level 3 - Digital Download SKU: A0.1…
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Baritone Horn TC,Bass Trombone,Instrumental Duet - Level 3 - Digital Download SKU: A0.1074280 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Renaissance,Traditional,Wedding. 50 pages. Jmsgu3 #678573. Published by jmsgu3 (A0.1074280). Josquin des Prez (c.1450-1521) was a composer of the Renaissance period, widely regarded as one of the greatest composers of all time. His compositions set the standard for polyphonic music and are considered a high point in the history of music. He wrote a wide range of works, including masses, motets, and chansons, and was the first composer to set popular secular tunes as mass movements. His influence can be seen in the works of many later composers, including Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.Josquin des Prez was a prolific composer of chamber music and duets during the Renaissance period. He wrote several types of chamber music and duets, including madrigals, chansons, and motets. His compositions are characterized by their intricate counterpoint, as well as their harmonic richness and emotional expressiveness. His works often featured two voices in harmony, and he was known to use imitation and complex canonic techniques to create interesting musical textures. Josquin's chamber music and duets are renowned for their complexity and beauty, and they remain some of the most influential and admired works from the Renaissance period.Josquin Desprez is widely regarded as one of the most influential composers of the Renaissance period. His innovative use of counterpoint and canon helped to revolutionize the musical landscape of the time. Counterpoint is a technique of combining two or more independent melodies in a way that creates harmony and a cohesive musical texture. Josquin was a master of this technique, often combining multiple voices in complex contrapuntal textures. His use of canon, or round, was also highly influential. Canon involves two or more voices repeating the same melody in different registers and often with different rhythms. Josquin wrote canons in various styles and forms, including the popular “circular canon†and the more complex “strict canon.†He was also an early adopter of the “inverted canon†form, in which the same melody is repeated but in an inverted form. Josquin’s use of counterpoint and canon had a lasting impact on the development of Western music and helped to establish the foundation for many of the musical forms and techniques still used today.Contents: I. Duo from the Augsberger LiederbuchII. Agnus Dei II from Missa De Beata Virgine III. Duo from the Hör Organ tablatureIV. Agnus Dei II from Missa Ave maris stellaV. Benedictus from Missa GaudeamusVI. Agnus Dei II from Missa GaudeamusVII. Pleni sunt coeli from the Sanctus of Missa Hercules dux Ferrarie VIII. Agnus Dei II from Missa La sol fa re mi IX. Benedictus from Missa L'homme armé super voces musicalesX. Benedictus from Missa L'homme armé Sexti Toni XI. Pleni sunt coeli from Missa Malheur me bat XII. Pleni sunt from Missa Mater patris (canon at the major second)XIII. Benedictus from Missa Mater patris XIV. Agnus Dei II from Missa Mater patris (canon at the unison)XV. Pleni sunt caeli from Missa Pange lingua XVI. Benedictus from Missa Pange lingua XVII. Agnus Dei II from Missa Pange lingua XVIII. Pleni sunt from Missa sine nomine XIX. Domine non secundum peccata nostra XX. Ave verum and Cuius latus XXI. In principio erat verbum from Motet Verbum caro factus est XXII. Per illud ave prolatum - Secunda pars of motet Benedicta es caelorum regina.
$32.95
30.37 €
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Josquin des Prez
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Josquin: 22 Duets for Baritone Horn & Bass Trombone
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jmsgu3
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SheetMusicPlus
Josquin: 22 Duets for Oboe d'Amore & Bassoon
Bassoon,Instrumental Duet,Oboe d'Amore - Level 2 - Digital Download SKU: A0.1073999…
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Bassoon,Instrumental Duet,Oboe d'Amore - Level 2 - Digital Download SKU: A0.1073999 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Renaissance,Wedding. 50 pages. Jmsgu3 #678267. Published by jmsgu3 (A0.1073999). Josquin des Prez (c.1450-1521) was a composer of the Renaissance period, widely regarded as one of the greatest composers of all time. His compositions set the standard for polyphonic music and are considered a high point in the history of music. He wrote a wide range of works, including masses, motets, and chansons, and was the first composer to set popular secular tunes as mass movements. His influence can be seen in the works of many later composers, including Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.Josquin des Prez was a prolific composer of chamber music and duets during the Renaissance period. He wrote several types of chamber music and duets, including madrigals, chansons, and motets. His compositions are characterized by their intricate counterpoint, as well as their harmonic richness and emotional expressiveness. His works often featured two voices in harmony, and he was known to use imitation and complex canonic techniques to create interesting musical textures. Josquin's chamber music and duets are renowned for their complexity and beauty, and they remain some of the most influential and admired works from the Renaissance period.Josquin Desprez is widely regarded as one of the most influential composers of the Renaissance period. His innovative use of counterpoint and canon helped to revolutionize the musical landscape of the time. Counterpoint is a technique of combining two or more independent melodies in a way that creates harmony and a cohesive musical texture. Josquin was a master of this technique, often combining multiple voices in complex contrapuntal textures. His use of canon, or round, was also highly influential. Canon involves two or more voices repeating the same melody in different registers and often with different rhythms. Josquin wrote canons in various styles and forms, including the popular “circular canon†and the more complex “strict canon.†He was also an early adopter of the “inverted canon†form, in which the same melody is repeated but in an inverted form. Josquin’s use of counterpoint and canon had a lasting impact on the development of Western music and helped to establish the foundation for many of the musical forms and techniques still used today.Contents: I. Duo from the Augsberger LiederbuchII. Agnus Dei II from Missa De Beata Virgine III. Duo from the Hör Organ tablatureIV. Agnus Dei II from Missa Ave maris stellaV. Benedictus from Missa GaudeamusVI. Agnus Dei II from Missa GaudeamusVII. Pleni sunt coeli from the Sanctus of Missa Hercules dux Ferrarie VIII. Agnus Dei II from Missa La sol fa re mi IX. Benedictus from Missa L'homme armé super voces musicalesX. Benedictus from Missa L'homme armé Sexti Toni XI. Pleni sunt coeli from Missa Malheur me bat XII. Pleni sunt from Missa Mater patris (canon at the major second)XIII. Benedictus from Missa Mater patris XIV. Agnus Dei II from Missa Mater patris (canon at the unison)XV. Pleni sunt caeli from Missa Pange lingua XVI. Benedictus from Missa Pange lingua XVII. Agnus Dei II from Missa Pange lingua XVIII. Pleni sunt from Missa sine nomine XIX. Domine non secundum peccata nostra XX. Ave verum and Cuius latus XXI. In principio erat verbum from Motet Verbum caro factus est XXII. Per illud ave prolatum - Secunda pars of motet Benedicta es caelorum regina.
$32.95
30.37 €
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Josquin des Prez
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Josquin: 22 Duets for Oboe d'Amore & Bassoon
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jmsgu3
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SheetMusicPlus
Invenção em La for Guitarra Portuguesa
Instrumental Solo - Level 3 - Digital Download SKU: A0.1431865 By Simon Arruda. By …
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Instrumental Solo - Level 3 - Digital Download SKU: A0.1431865 By Simon Arruda. By Simon Arruda. Classical,Folk,Multicultural,World. Individual part. 4 pages. Simon Arruda #1012340. Published by Simon Arruda (A0.1431865). Tuning for the Guitarra Portuguesa: DABEABInvenção em La is an intermediate composition specifically designed for the Portuguese guitar, focusing on the instrument's counterpoint capabilities. This piece presents a challenge for intermediate players and explores the interplay of multiple melodic lines.The composition emphasizes the technical aspects of playing the Guitarra Portuguesa as a self-accompanied instrument. It requires finger dexterity and precision, with a particular emphasis on stretching and finger placement. By mastering these techniques, guitarristas can enhance their technical skills and unlock the expressive potential of the instrument.Invenção em La showcases the depth and complexity that counterpoint brings to the composition. Through carefully crafted musical phrases, the piece creates a rich sonic tapestry, highlighting the unique sound of the Portuguese guitar. Intermediate players can use this composition as a platform to expand their musical horizons and deepen their understanding of the instrument's capabilities.Overall, Invenção em La offers an engaging challenge for intermediate players of the Portuguese guitar, allowing them to explore the instrument's counterpoint capabilities while improving their finger dexterity and stretching techniques. It celebrates the expressive potential of the guitar and provides a rewarding musical experience.
$2.00
1.84 €
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Simon Arruda
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Invenção em La for Guitarra Portuguesa
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Simon Arruda
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SheetMusicPlus
Variations on "La ci darem la mano"
Woodwind Ensemble,Woodwind Trio - Level 4 - Digital Download SKU: A0.927392 Compose…
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Woodwind Ensemble,Woodwind Trio - Level 4 - Digital Download SKU: A0.927392 Composed by Ludwig van Beethoven. Arranged by International Counterpoint. Classical. 17 pages. International Counterpoint #3627197. Published by International Counterpoint (A0.927392). Beethoven's Variations on La ci darem la mano has been transcribed for flute, alto saxophone, and bass clarinet so that each instrument has an opportunity to display technical virtuosity. The theme is repeated with varying style. .
$20.00
18.43 €
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Ludwig van Beethoven
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Variations on "La ci darem la mano"
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International Counterpoint
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SheetMusicPlus
Madrigal Pavane / Timburibá
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4287 Composed by Francisco Braga. A…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Published by Les Productions d'OZ - Digital (ZZ.DZ-4287). ISBN 9782898522048.Antônio Francisco Braga (1868-1945) belongs to the generation of Brazilian composers of the first republican period, aesthetically tied to romanticism, alongside Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914), and Barrozo Neto (1881-1941). Born in Rio de Janeiro, on April 15th, 1868, he began his musical studies at the Asilo dos Meninos Desvalidos, in 1876. In 1883, he enrolled at the Imperial Conservatório de Música where he studied harmony and counterpoint with Carlos de Mesquita – a former student of César Franck, Durand, and Massenet – and clarinet with Antônio Luís de Moura. Braga's first compositions date from this period: Sonho de Dante (1885), Dolce far niente (1886), the first Valse Romantique for piano (1886), among others.In 1887, he premiered his first symphonic work, Fantasia-Abertura. In 1890, being one of the finalists in a competition to choose the new Brazilian national anthem, Braga was awarded a scholarship to study in Europe, where he took classes with Jules Massenet at the Paris Conservatory. During this period, he wrote some of his most important symphonic works, Paysage, Cauchemar, Episódio Sinfônico, and Marabá (which was performed by Richard Strauss and the Vienna Philharmonic in 1920, in Brazil). His opera Jupyra is considered one of the greatest Brazilian compositions of that genre.Back in Brazil, he was appointed professor of counterpoint, fugue, and composition at the Instituto Nacional de Música, in 1902. There, some of the finest Brazilian composers studied with him, like Glauco Velásquez and Lorenzo Fernândez.Braga wrote operas, symphonic works, songs, sacred music, two Masses, music for piano, different chamber formations, band, and choir. He is the author of many patriotic hymns, the most popular of which is Hino à Bandeira (with lyrics by Olavo Bilac). He explored Brazilian nationalist elements in some of his works, as in Variações sobre um Tema Brasileiro and in the Trio for violin, cello and piano, whose third movement is based on a lundu (a musical genre and dance of Afro-Brazilian origin).In addition to being a composer, Braga was one of the most active conductors of his time, having been ahead of three orchestras in Rio de Janeiro: Instituto Nacional de Música, Sociedade de Concertos Sinfônicos, and Theatro Municipal. Braga conducted the Brazilian premiere of major symphonic works such as La Mer (Debussy), Pacific 231 (Honegger) besides other numerous Brazilian compositions.In 1938, he retired from Instituto Nacional de Música. He passed away on March 14th, 1945, in Rio de Janeiro.Unfortunately, Francisco Braga never wrote for the guitar. However, over a century ago his music had already been incorporated to its repertoire. According to information found in newspapers of the time, Spanish guitarist Josefina Robledo included transcriptions of pieces by Braga in her programs when she performed in Brazil: Gavota e Minuete (from the melodrama Contratador de Diamantes), in 1919, in São Paulo, and the waltz-caprice Corrupio, in 1921, in Rio de Janeiro.The piano score of Madrigal Pavane was dedicated to Alexina Leitão and published by Casa Vieira Machado, in 1901. According to the composer’s catalogue, there are two other versions of this piece: strings orchestra (1901) and quartet (which is still in manuscript). Dedicated to Braga’s childhood friend José de Souza Rocha, Timburibá (the name of a Brazilian tree) is a tango for piano from 1886, published by Narciso & Arthur Napoleão.Antônio Francisco Braga (1868-1945) appartient à la génération des compositeurs brésiliens de la première période républicaine, esthétiquement liés au romantisme, aux côtés de Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914) , et Barrozo Neto (1881-1941). Né à Rio de Janeiro, le 15 avril 1868, il commence ses études musicales à l'Asilo dos Meninos Desvalidos, en 1876. En 1883, il s'inscrit au Imperial Conservatório de Música où il étudie l'harmonie et le contrepoint avec Carlos de Mesquita – ancien élève de César Franck, Durand et Massenet – et clarinette avec Antônio Luís de Moura. De cette période datent les premières compositions de Braga : « Sonho de Dante » (1885), « Dolce far niente » (1886), la première « Valse Romantique » pour piano (1886), entre autres.En 1887, il crée sa première œuvre symphonique, « Fantasia-Abertura ». En 1890, étant l'un des finalistes d'un concours pour choisir le nouvel hymne national brésilien, Braga obtient une bourse pour étudier en Europe, où il suit les cours de Jules Massenet au Conservatoire de Paris. Durant cette période, il écrit certaines de ses œuvres symphoniques les plus importantes, « Paysage », « Cauchemar », « Episódio Sinfônico » et « Marabá » (interprétée par Richard Strauss et la Philharmonie de Vienne en 1920, au Brésil). Son opéra « Jupyra » est considéré comme l'une des plus grandes compositions brésiliennes de ce genre.De retour au Brésil, il fut nommé professeur de contrepoint, de fugue et de composition à l'Instituto Nacional de Música, en 1902. Là, certains des meilleurs compositeurs brésiliens étudièrent avec lui, comme Glauco Velásquez et Lorenzo Fernândez.Braga a écrit des opéras, des œuvres symphoniques, des chansons, de la musique sacrée, deux messes, de la musique pour piano, différentes formations de chambre, un orchestre et une chorale. Il est l'auteur de nombreux hymnes patriotiques, dont le plus populaire est « Hino à Bandeira » (avec des paroles d'Olavo Bilac). Il a exploré des éléments nationalistes brésiliens dans certaines de ses œuvres, comme dans « Variações sobre um Tema Brasileiro » et dans le Trio pour violon, violoncelle et piano, dont le troisième mouvement est basé sur un « lundu » (un genre musical et une danse afro-américaine). Origine brésilienne).En plus d'être compositeur, Braga a été l'un des chefs d'orchestre les plus actifs de son époque, ayant dirigé trois orchestres à Rio de Janeiro : « Instituto Nacional de Música », « Sociedade de Concertos Sinfônicos » et « Theatro Municipal ». Braga a dirigé la première brésilienne d'œuvres symphoniques majeures telles que « La Mer » (Debussy), « Pacific 231 » (Honegger) ainsi que de nombreuses autres compositions brésiliennes.En 1938, il prend sa retraite de l'Instituto Nacional de Música. Il est décédé le 14 mars 1945 à Rio de Janeiro.Malheureusement, Francisco Braga n’a jamais écrit pour la guitare. Cependant, il y a plus d'un siècle, sa musique était déjà incorporée à son répertoire. Selon des informations trouvées dans les journaux de l'époque, la guitariste espagnole Josefina Robledo incluait des transcriptions de pièces de Braga dans ses programmes lorsqu'elle se produisait au Brésil : « Gavota e Minuete » (du mélodrame « Contratador de Diamantes »), en 1919, à São Paulo, et la valse-caprice « Corrupio », en 1921, à Rio de Janeiro.La partition pour piano de « Madrigal Pavane » a été dédiée à Alexina Leitão et publiée par « Casa Vieira Machado », en 1901. Selon le catalogue du compositeur, il existe deux autres versions de cette pièce : orchestre à cordes (1901) et quatuor (qui est encore manuscrit). Dédié à José de Souza Rocha, ami d'enfance de Braga, « Timburibá » (nom d'un arbre brésilien) est un tango pour piano de 1886, publié par « Narciso & Arthur Napoleão ».Envoyer des commentairesPanneaux latérauxHistoriqueEnregistrées.
$7.95
7.33 €
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Francisco Braga
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Madrigal Pavane / Timburibá
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Les Productions d'OZ - Digital
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SheetMusicPlus
The First Noel
String Ensemble - Level 2 - Digital Download SKU: A0.796734 Composed by Traditional…
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String Ensemble - Level 2 - Digital Download SKU: A0.796734 Composed by Traditional English Carol. Arranged by Gary D. Belshaw (ASCAP). Baroque,Christmas,Concert,Contemporary. Score and parts. 6 pages. DR GARY D BELSHAW #3675771. Published by DR GARY D BELSHAW (A0.796734). 2018 Holiday Contest EntryThe famous Traditional English Carol is here arranged for two Early Intermediate level Violas. At a little over a minute in duration, this carol will make an impressive contribution to a holiday recital or social event. Naturally, it's ideal for any and all church functions during which younger or less-experienced players may participate. Fashioned after the early intermediate level character pieces found the famous Anna Magdalena Bach books, the melody is accompanied by an original counterpoint. The repetition (second verse) of the carol allows each instrument to play the counterpoint.Follow us on Twitter. Like this song on our Facebook page. Your reviews here in Sheet Music Plus are also incredibly valuable to us. We are also ready at any time to create something just for you.
$3.99
3.68 €
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Traditional English Carol
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The First Noel
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DR GARY D BELSHAW
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SheetMusicPlus
"Te Deum", op. 5 (parts & vocal score)
Choral Choir - Level 4 - Digital Download SKU: A0.1204466 Composed by Adrian Gagiu.…
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Choral Choir - Level 4 - Digital Download SKU: A0.1204466 Composed by Adrian Gagiu. 20th Century,Baroque,Christian,Classical. Octavo. 370 pages. Adrian Gagiu #802933. Published by Adrian Gagiu (A0.1204466). The orchestral parts and vocal score of a Neo-Baroque, medium-sized, large scale composition for 4 vocal soloists, mixed chorus in 4 to 8 voices, and full orchestra with organ, setting the traditional canticle text, mostly with church modes and alternating polyphonic intricacies with solemn, intense or profound moments. It would work both for worship and in concert, as it includes powerful outbursts, elaborate counterpoint, and also soft and humble moments, while avoiding any harsh excesses of modernism. Total duration: 46 min. Performing Rights Organization: SOCAN. The audio sample is the 3rd movement. The first two choruses, in 4 parts, follow the general outline of the Baroque French overture: a solemn introduction followed by an elaborate fugue. The 3rd movement is a solemn arioso for bass, followed by a grand chorus in 4 and 5 parts. The 4th movement is an arioso for tenor, followed by a complex chorus in 5 parts. The 5th movement is a suite of two ariosos for alto and soprano, followed by a grand, but brief chorus in 6 parts, and then by a mysterious instrumental evocation of the Last Judgment. The 6th movement is a vocal quartet a cappella, based on a well-known Orthodox hymn and alternated with a refrain for chorus in 7 parts and organ, then followed by a grand choral complex ended in humble supplication. The final, 7th movement is a grand motet for double chorus and orchestra, with four themes more and more intricately combined, up to the majestic coda treated in quadruple counterpoint.
$30.00
27.65 €
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Adrian Gagiu
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"Te Deum", op. 5
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Adrian Gagiu
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SheetMusicPlus
Interplay for Bassoon/Trombone/Euphonium, Tuba/Bass Clarinet and Piano
Small Ensemble Bassoon,Clarinet,Euphonium,Piano Accompaniment,Trombone,Tuba - Level 4 - Di…
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Small Ensemble Bassoon,Clarinet,Euphonium,Piano Accompaniment,Trombone,Tuba - Level 4 - Digital Download SKU: A0.755131 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 86 pages. Sy Brandon #3399593. Published by Sy Brandon (A0.755131). Interplay was composed for the Maxwell Trio, an ensemble consisting of Kansas State University faculty members with the unusual combination of instruments of bassoon, tuba, and piano. It was premiered at the 2013 International Double Reed Society Conference. The composition can be performed with trombone or euphonium substituting for the bassoon and bass clarinet substituting for the tuba (parts are provided). The title of this three-movement work was derived from the large use of counterpoint throughout the composition. The first movement is in a quasi sonata form. The second movement is in an ABA form. The middle section of this movement uses an ostinato to accompany the melodic interplay. The last movement is lighter than the first two movements and utilizes a loose rondo form. Its allegro tempo and frequent meter changes add a humorous quality. The interplay in this movement relies less on counterpoint. Instead, the shifting of colors through alternating the melodic material among the three instruments creates interplay between sections within the rondo form.
$14.99
13.81 €
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Sy Brandon
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Interplay for Bassoon/Trombone/Euphonium, Tuba/Bass Clarinet and Piano
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Sy Brandon
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SheetMusicPlus
The First Noel
Woodwind Ensemble - Level 2 - Digital Download SKU: A0.796720 Composed by Tradition…
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Woodwind Ensemble - Level 2 - Digital Download SKU: A0.796720 Composed by Traditional English Carol. Arranged by Gary D. Belshaw (ASCAP). Baroque,Christmas,Concert,Contemporary. 6 pages. DR GARY D BELSHAW #3674673. Published by DR GARY D BELSHAW (A0.796720). 2018 Holiday Contest EntryKey of B-flat MajorThe famous Traditional English Carol is here arranged for two Early Intermediate level bass clarinetists At a little over a minute in duration, this carol will make an impressive contribution to a holiday recital or social event. Naturally, it's ideal for any and all church functions during which younger or less-experienced players may participate. Fashioned after the early intermediate level character pieces found the famous Anna Magdalena Bach books, the melody is accompanied by an original counterpoint. The repetition (second verse) of the carol allows each instrument to play the counterpoint.Follow us on Twitter. Like this song on our Facebook page. Your reviews here in Sheet Music Plus are also incredibly valuable to us. We are also ready at any time to create something just for you.
$3.99
3.68 €
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Traditional English Carol
#
The First Noel
#
DR GARY D BELSHAW
#
SheetMusicPlus
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