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essay for flute and piano
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You've selected:
essay for flute and piano
SheetMusicPlus
Sheetmusic to print
4 sheet music found
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Mouvements for Flute, Bassoon and Piano
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Marco Colabucci
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Mouvements for Flute, Bassoon
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Marco Colabucci
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SheetMusicPlus
Small Ensemble Bassoon,Flute,Piano - Level 4 - Digital Download SKU: A0.1514745 Composed by Marco Colabucci. 20th Century,Chamber,Classical,Contemporary....
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Small Ensemble Bassoon,Flute,Piano - Level 4 - Digital Download SKU: A0.1514745 Composed by Marco Colabucci. 20th Century,Chamber,Classical,Contemporary. 48 pages. Marco Colabucci #1089237. Published by Marco Colabucci (A0.1514745). Mouvements is a contemporary piece in four parts:I Mouvement of CadenceII Mouvements of Sicilienne (Audio sample)III Mouvement of GalopIV Mouvement of TangoDuration: 10 minThe musical language is very interesting, similar to musical languages of the first half of 20th century.Concerts, Recitals, Musical Essay.
$8.99
Trust. (Psalm 143)
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Sacred music
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Craig Wadley
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Trust.
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Wadley Publications
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SheetMusicPlus
Small Ensemble Piano Accompaniment,Piccolo - Level 4 - Digital Download SKU: A0.983165 Composed by Craig Wadley. 20th Century,Concert,Contemporary,Sacred...
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Small Ensemble Piano Accompaniment,Piccolo - Level 4 - Digital Download SKU: A0.983165 Composed by Craig Wadley. 20th Century,Concert,Contemporary,Sacred,Standards. Score and parts. 10 pages. Wadley Publications #3044195. Published by Wadley Publications (A0.983165). A beautiful lyric essay for piccolo (or flute) and piano utilizing nontraditional harmonies and modalities. While the technical requirements of the piece are of only intermediate difficulty, the demand for musical expression is high for both the soloist and accompanist. Trust is written as a musical meditation on Psalm 143, verses 1-11. These verses from the Bible underscore one of the basic (yet sometimes uncomfortable) truths of human existence: we need help. People often find it difficult to trust in anyone or anything other than themselves, but no matter how much we may desire complete independence and autonomy, human beings are simply not equipped to weather the storms life brings on our own. The difficulties of life can in fact make us feel isolated and deserted. Our culture’s celebration of strength and independence silently imply that we are weak if we are unable to stand alone, yet it is during troubling times, when we are totally incapable of moving forward on our own, that we find our greatest strength in embracing a helping hand.
$9.99
At Dead of Night, an Accompanied Reading
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Contemporary
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Paul Burnell
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At Dead of Night, an Accompani
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Paul Burnell
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SheetMusicPlus
Large Ensemble Alto Saxophone,Cello,Clarinet,Flute,Guitar,Handbell,Horn,Multi-Percussion,Oboe,Tenor Saxophone,Trombone,Trumpet,Tuba,Vibraphone,Viola,Violin - Le...
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Large Ensemble Alto Saxophone,Cello,Clarinet,Flute,Guitar,Handbell,Horn,Multi-Percussion,Oboe,Tenor Saxophone,Trombone,Trumpet,Tuba,Vibraphone,Viola,Violin - Level 3 - Digital Download SKU: A0.835775 Composed by Paul Burnell. Contemporary. Score and parts. 66 pages. Paul Burnell #3222585. Published by Paul Burnell (A0.835775). Composed 2017. One of a series of fourteen accompaniments to texts published between 1896 – 1899 Mary Elizabeth Coleridge (1861 – 1907) was a British novelist and poet who also wrote essays and reviews. 'At Dead of Night' appeared in her collection of poems 'Fancy's Following' published in 1896 under the pseudonym Anodos. Duration 5:00 For ensemble and narrator The wind/brass instrumentation is flexible. Examples of possible instrumentations are given below. If a multiple-octave handbells set is available play at a higher octave from rehearsal letter F. The conductor may lengthen or shorten the narrated sections at A, C and E, using the 3/4 bars to cue the ensemble before B, D and F. All trills are to be performed as semitone trills beginning on the written pitch. Score in CFluteWind/Brass 1 (Oboe, Clarinet, Horn, Trumpet)Wind/Brass 2 (Clarinet, Alto Saxophone, Horn) Wind/Brass 3 (Tenor Saxophone,Trombone) Wind/Brass 4 (Bassoon,Tenor Saxophone,Trombone,Tuba) Percussion 1 - Two Brake Drums (or similar) doubling Cymbal, Percussion 2 - High/Mid Toms (or similar), Percussion 3 - Bass Drum (or resonant Floor Tom) Vibraphone and/or Handbells and/or Piano/Celesta/Toy Piano Electric guitar Violin 1 Violin 2 Viola Violincello Narrator
$7.95
Grieg: Holberg Suite Op.40 - symphonic wind/bass
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Classical
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Edvard Grieg
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Ray Thompson
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Grieg: Holberg Suite Op.40 - s
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RayThompsonMusic
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SheetMusicPlus
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1311675 Composed by Edvard Grieg. Arranged by Ray Thompson. 20th Centur...
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Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1311675 Composed by Edvard Grieg. Arranged by Ray Thompson. 20th Century,Chamber,Romantic Period. 69 pages. RayThompsonMusic #900670. Published by RayThompsonMusic (A0.1311675). Arranged wind dectet/bass (double wind quintet)The Holberg Suite, Op. 40, more properly From Holberg's Time (Norwegian: Fra Holbergs tid, German: Aus Holbergs Zeit), subtitled Suite in olden style (Norwegian: Suite i gammel stil, German: Suite im alten Stil), is a suite of five movements based on eighteenth century dance forms, written by Edvard Grieg in 1884 to celebrate the 200th anniversary of the birth of Dano-Norwegian humanist playwright Ludvig Holberg.It exemplifies nineteenth century music which makes use of musical styles and forms from the preceding century.The movements of the suite are:Praeludium (Allegro vivace)Sarabande (Andante)Gavotte (Allegretto)Air (Andante religioso)Rigaudon (Allegro con brio)The Holberg Suite was originally composed for the piano, but a year later was adapted by Grieg himself for string orchestra. The suite consists of an introduction and a set of dances. It is an early essay in neoclassicism, an attempt to echo as much as was known in Grieg's time of the music of Holberg's era.Although it is not as famous as Grieg's incidental music from Peer Gynt, which is itself usually performed as arranged in a pair of suites, many critics regard the works as of equal merit. I have reduced the tempi in both the prelude and rigaudon. This makes it more playable as a wind player, but still maintains the musicality of the piece.The prelude is quite a long blow for a wind player, and is quite a challenge.
$19.95
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