Version française
Free Sheet music
Instruments
ACCORDION
BAGPIPE
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET…
BOOKS
BOUZOUKI
BUGLE
CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLA
VIOLA DA GA…
VIOLIN - FI…
WHISTLE
XYLOPHONE
ZITHER
Home
Instrumentations
Composers
New additions
Top 100
Metronome
Staff paper
Musician's shop
Sheet music books
Digital sheet music
Music equipment
Gift ideas
About free-scores.com
Free
Sheet Music
1
Digital
Sheet Music
1,714
Sheet Music
Books
2,680
Music
Equipment
1,140
Digital scores
(access after purchase)
Post mailing
Digital sheet music
SORTING AND FILTERS
SORTING AND FILTERS
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
Not classified
1714
PIANO & KEYBOARDS
Piano solo
781
Easy Piano
153
Organ
135
Piano, Vocal and Guitar
72
Piano, Voice
70
Piano Accompaniment
57
C Instruments
36
1 Piano, 4 hands
27
Piano Trio: piano, violin, cello
7
2 Pianos, 4 hands
4
Keyboard
3
Accordion
3
Organ, Trumpet (duet)
3
Piano (band part)
1
Piano Quartet: piano, 2 violins, cello
1
Piano Quintet: piano, 2 violins, viola, cello
1
Harpsichord
1
Instrumentations suivantes
Retracter
GUITARS
Guitar notes and tablatures
1309
Ukulele
421
Guitar
302
Mandolin
273
Bass guitar
65
Melody line, (Lyrics) and Chords
24
2 Guitars (duet)
15
Piano, Guitar (duet)
7
4 Guitars (Quartet)
4
Banjo
4
3 Guitars (trio)
3
Lyrics and Chords
2
Guitar, Violin, Cello (trio)
1
Instrumentations suivantes
Retracter
VOICE
Choral SATB
233
Choral SSAA
91
Choral 3-part
52
Choral TTBB
40
Choral 2-part
22
Tenor voice, Piano
19
Vocal duet, Piano
11
Choral Unison
8
Soprano voice, Piano
7
High voice
7
Baritone voice, Piano
3
Tenor voice
2
Low voice, Piano
2
Alto voice, Piano
1
Choral, Organ
1
Medium voice, Piano
1
Voice solo
1
Soli, Mixted choir and accompaniment
1
Soprano voice
1
Choral SSATTB
1
Instrumentations suivantes
Retracter
WOODWIND
2 Saxophones (duet)
593
Saxophone, Clarinet (duet)
294
Descant (Soprano) Recorder
286
Ocarina
278
2 Clarinets (duet)
241
2 Flutes (duet)
212
Harmonica
202
Clarinet, Violin (duet)
197
Treble (Alto) Recorder
192
Clarinet, Trumpet (duet)
172
Saxophone Quartet: 4 saxophones
152
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
144
Flute and Piano
142
Oboe, Piano (duet)
130
Flute, Clarinet (duet)
125
2 Oboes (duet)
112
Saxophone Quintet: 5 Saxophones
109
Oboe, Bassoon (duet)
103
Clarinet and Viola
100
Flute, Oboe, Clarinet, Bassoon
99
Oboe, Clarinet (duet)
99
Flute, Saxophone (duet)
98
Clarinet and Piano
98
Flute, Violin
97
Clarinet Quartet: 4 clarinets
92
Oboe, Flute
90
Flute, Viola (duet)
82
Clarinet Quintet: 5 clarinets
81
Alto Saxophone and Piano
80
Flute, Trumpet (duet)
78
3 Clarinets (trio)
69
Alto Saxophone
69
3 Saxophones (trio)
64
Clarinet
59
Clarinet Ensemble
57
Tenor Saxophone
53
Flute Quartet: 4 flutes
53
Flute
52
Soprano Saxophone and Piano
50
Saxophone (band part)
50
Tenor Saxophone and Piano
49
Flute Trio: 3 flutes
43
Saxophone ensemble
41
Flute ensemble
38
Treble (Alto) Recorder, Piano
34
Oboe (band part)
30
English horn, Piano
26
Flute, Oboe, Clarinet (trio)
18
Flute Quintet : 5 flutes
17
English Horn
16
Oboe
15
3 Recorders (trio)
15
Baritone Saxophone, Piano
15
Clarinet (band part)
13
Flute, Violin, Piano
13
Bass Clarinet, Piano
12
Recorder
12
Flute, Clarinet and Bassoon.
11
2 Recorders (duet)
8
Flute (band part)
8
Oboe, Clarinet, Bassoon (trio)
8
Descent (Soprano) Recorder, Piano
6
Clarinet, Cello (duet)
5
Flute, Oboe (duet)
5
2 Flutes, Piano
4
3 Oboes
3
Piccolo, Piano
3
Flute, Violoncello
3
Clarinet, Bassoon (duet)
2
Clarinet, Trombone (duet)
2
Clarinet, Cello, Piano (trio)
2
Tenor Recorder
2
Flute, Oboe, Piano (trio)
2
Flute, Clarinet, Piano (trio)
2
Flute and Guitar
2
Recorder Quartet
2
Flute, Violin and Violoncello
1
Clarinet, Harp (duet)
1
4 Oboes
1
Saxophone
1
2 Clarinets, Piano
1
2 Flutes and Harp
1
Flute, Cello, Piano (trio)
1
Oboe, Violin, Viola and Violoncello (Quartet)
1
Oboe, Harp
1
Recorder Ensemble
1
Flute, Clarinet, Violin (trio)
1
Piccolo
1
Flute, Oboe, Bassoon
1
Baritone Saxophone
1
Bass Clarinet
1
Clarinet, Bassoon, Piano (trio)
1
5 Recorders
1
Flute, Bassoon, and Piano
1
Oboe, Violin (duet)
1
Pennywhistle
1
Instrumentations suivantes
Retracter
WOODBRASS
Trumpet, Saxophone (duet)
209
Trumpet, Trombone (duet)
113
2 Trombones (duet)
100
2 Trumpets (duet)
96
Brass Quintet: 2 trumpets, horn, trombone, tuba
67
Brass quartet : 2 trumpets, trombone, tuba
62
Trumpet
55
Trumpet, Piano
49
Trombone and Piano
48
Trombone
45
French Horn and Piano
39
French horn
28
English horn, Piano
26
3 Trumpets (trio)
25
Trumpet (band part)
19
Brass Quartet: 2 trumpets, horn, trombone
18
Euphonium, Piano (duet)
17
English Horn
16
Brass Quartet: 4 horns
15
3 Trombones (trio)
14
Euphonium
13
Brass Quartet
11
Trombone (band part)
9
Tuba and Piano
7
Brass Trio
7
French horn (band part)
7
2 French horns (duet)
6
Horn Ensemble
6
Tuba
6
Brass Quartet: 4 trombones
5
Tuba (band part)
3
Trombone, Tuba (duet)
3
2 Tubas (duet)
2
French Horn and Harp
1
Tuba and Organ
1
Euphonium, Tuba (duet)
1
Trombone ensemble
1
2 Euphoniums (duet)
1
Trumpet ensemble
1
4 Tubas
1
Trumpet, Horn (duert)
1
Trumpet, Tuba (duet)
1
Brass Quartet: 2 trumpets, 2 trombones
1
3 Euphoniums
1
Instrumentations suivantes
Retracter
STRINGS
String Quartet: 2 violins, viola, cello
251
Violin, Cello (duet)
126
2 Violins (duet)
123
Violin, Viola (duet)
121
2 Violas (duet)
112
Violin and Piano
100
2 Cellos (duet)
100
String Trio: violin, viola, cello
75
Violin
74
Viola, Piano
73
Cello, Piano
63
Cello
56
String Quintet: 2 violins, viola, cello, bass
46
Violin (band part)
38
Viola
33
String Trio: 3 violins
24
Viola (band part)
20
Harp
20
Cello (band part)
12
Doublebass (band part)
10
String Trio: 3 cellos
10
Double Bass
9
Violin, Guitar (duet)
9
Double bass, Piano (duet)
7
String Trio: 2 violins, cello
6
String trio
5
2 Harps (duet)
4
Cello, Guitar (duet)
4
Piano Trio: Violin, Viola, Piano
4
Cello Ensemble
4
String Quartet : 4 violas
3
String Quintet: 2 violins, viola, 2 cellos
3
2 Double basses (duet)
3
Harp, Flute (duet)
3
Cello, String Bass (duet)
3
String Trio: 2 violins, viola
3
Harp, Violin (duet)
2
String Trio: 3 violas
2
Viola, Cello (duet)
2
Autoharp
1
Harp, Cello (duet)
1
String quartet: 4 violins
1
String Quintet: 2 violins, 2 violas, cello
1
2 Violins, Piano
1
4 Cellos
1
Instrumentations suivantes
Retracter
PERCUSSION & ORCHESTRA
Concert band
436
String Orchestra
249
Orchestra
116
Jazz Ensemble
100
Jazz combo
79
Chamber Orchestra
60
Brass ensemble
54
Drums
14
Percussion Ensemble
9
Percussion (band part)
9
Handbells
8
Marching band
6
Timpani (band part)
2
Bongos
1
Percussion
1
Orchestra, Violin
1
Xylophone, Piano
1
Instrumentations suivantes
Retracter
OTHERS
You've selected:
for info.
Sheetmusic to print
1,714 sheet music found
<
1
26
51
....
1701
Four for Five
2tpt. Hn. Tbn. tba - Intermediate-Advanced - Digital Download SKU: F2.FM481 Compose…
(+)
2tpt. Hn. Tbn. tba - Intermediate-Advanced - Digital Download SKU: F2.FM481 Composed by Roma Cafolla. Brass Quintet. Score and parts. 58 pages. Forton Music - Digital #FM481. Published by Forton Music - Digital (F2.FM481). ISBN 9790570483808.Brass 4 All This piece was inspired by the brass section of the WNO, the importance of 'Music For All', and the need to make it accessible to children. A stately introduction opens the piece, with all the instruments passing the theme between them. This leads into a the main body of the piece, a bold, driving tune that contrasts with a more lyrical middle section before bursting out into fanfares of repeated notes to bring the music to a thrilling finish. Brass Neck The tuba is featured prominently in ths piece. The repeated motif drives the rhythm forward: 'Cry the tears for the freezing years. Just walk away' ... as the other players finally do. Marked Andantino and in Bb major the central section changes to Bb minor, where the horn and trombone carry the melody. This is then taken up be the second trumpet and the players stand as the music modulates back to Bb major. As each player finishes they sit down until the tuba is left to finish alone. Autumn Breeze A sultry September evening and a gentle breeze fans the last of the fading flowers. The family are gathered informally, and the music begins.... Marked Andante and with flowing descending quavers, the opening has interest for every player. The horn and then the trombone pick up the central theme, and this is then embellished by the trumpets. A gentle phrase marks the ending. Bankers Notes A letter drops on the mat. A final demand and the thought of the 'green paper rotting in their clutch' assails my mind. I write notes of a differnt kind! The opening is marked Vivace and is rather punchy, but soon settles into the main theme with driving rhythms throughout. The extended ending climaxes in rising staccato semiquavers for all.
$17.95
16.41 €
#
Roma Cafolla
#
Four for Five
#
Forton Music - Digital
#
SheetMusicPlus
Sinfonia I
2 Fl. Afl. BFl. (CbFl) - Intermediate-Advanced - Digital Download SKU: F2.FM653 Com…
(+)
2 Fl. Afl. BFl. (CbFl) - Intermediate-Advanced - Digital Download SKU: F2.FM653 Composed by Felix Bartholdy Mendelssohn. Arranged by Robert Rainford. This is the first of a series of 13 String Symphonies (sometimes labelled 'Sinfonia') that were composed by Mendelssohn in his early teens. It has been arranged for flute quartet/quintet. Remarkably, these pieces were undiscovered until the early 1960's. Score and Parts. 45 pages. Forton Music - Digital #FM653. Published by Forton Music - Digital (F2.FM653). ISBN 9790570485529.
$15.95
14.58 €
#
Felix Bartholdy Mendelssohn
#
Sinfonia I
#
Forton Music - Digital
#
SheetMusicPlus
Handel: Largo from Xerxes for Oboe d'Amore & Piano
Instrumental Solo,Oboe d'Amore,Piano - Level 3 - Digital Download SKU: A0.549387 Co…
(+)
Instrumental Solo,Oboe d'Amore,Piano - Level 3 - Digital Download SKU: A0.549387 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and individual part. 9 pages. Jmsgu3 #3492327. Published by jmsgu3 (A0.549387). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
30.12 €
#
George Frideric Handel
#
Handel: Largo from Xerxes for Oboe d'Amore & Piano
#
jmsgu3
#
SheetMusicPlus
Bach-Gonoud: Ave Maria, Schwencke version for Bass Flute & Piano
Bass Flute,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.550921 Comp…
(+)
Bass Flute,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.550921 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christian,Christmas,Concert,Easter,Standards. Score and individual part. 12 pages. Jmsgu3 #4888307. Published by jmsgu3 (A0.550921). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Register for free lifetime updates and revisions at www.jamesguthrie.comAve MariaAve Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.Bach OverviewFirst of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. HistoryBach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer. StyleIt seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. VoyagerNASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach that all the others combined.
$27.95
25.55 €
#
J
#
Bach-Gonoud: Ave Maria, Schwencke version for Bass Flute & Piano
#
jmsgu3
#
SheetMusicPlus
Bach-Gounod: Ave Maria, Schwencke version for Oboe d'Amore & Piano
Instrumental Solo,Oboe d'Amore,Piano - Level 2 - Digital Download SKU: A0.550930 Co…
(+)
Instrumental Solo,Oboe d'Amore,Piano - Level 2 - Digital Download SKU: A0.550930 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and individual part. 12 pages. Jmsgu3 #4888395. Published by jmsgu3 (A0.550930). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
30.12 €
#
J
#
Bach-Gounod: Ave Maria, Schwencke version for Oboe d'Amore & Piano
#
jmsgu3
#
SheetMusicPlus
Bach: Bist du bei mir BWV 508 for Baritone Horn & Piano
Baritone Horn TC,Euphonium,Piano - Level 2 - Digital Download SKU: A0.552847 Compos…
(+)
Baritone Horn TC,Euphonium,Piano - Level 2 - Digital Download SKU: A0.552847 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468186. Published by jmsgu3 (A0.552847). J. S. Bach BWV 508  Score: 5 pages, Solo part: 1 page. Piano part: 2 pages. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo. He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
30.12 €
#
Johann Sebastian Bach
#
Bach: Bist du bei mir BWV 508 for Baritone Horn & Piano
#
jmsgu3
#
SheetMusicPlus
Bach: Bist du bei mir BWV 508 for Piccolo & Piano
Instrumental Solo,Piano,Piccolo - Level 2 - Digital Download SKU: A0.549238 Compose…
(+)
Instrumental Solo,Piano,Piccolo - Level 2 - Digital Download SKU: A0.549238 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and individual part. 9 pages. Jmsgu3 #3469232. Published by jmsgu3 (A0.549238). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined. Â
$32.95
30.12 €
#
Johann Sebastian Bach
#
Bach: Bist du bei mir BWV 508 for Piccolo & Piano
#
jmsgu3
#
SheetMusicPlus
Show Pieces for Contrabassoon
Contrabassoon and Bassoon Trio - Intermediate - Digital Download SKU: F2.FM161 Arra…
(+)
Contrabassoon and Bassoon Trio - Intermediate - Digital Download SKU: F2.FM161 Arranged by Robert Rainford. Score and parts. 17 pages. Forton Music - Digital #FM161. Published by Forton Music - Digital (F2.FM161). ISBN 9790570480609.A chance for the contrabassoon to step to the fore! Three pieces showcasing the largest of the double reed family, accompanied by three bassoons. Focussing on the lower range of the instrument, reaching up to the heady heights of (written) middle C, these will make a humorous addition to any concert; l'Elephant from Carnival of the Animals by Saint-Saens, Dance of the Hours by Ponchielli, and The Policeman's song by Arthur Sullivan. The bassoon parts are rhythmically easier, but do reach top B in places.
$12.95
11.84 €
#
Show Pieces for Contrabassoon
#
Forton Music - Digital
#
SheetMusicPlus
Royal Air Force March Past
Woodwind Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Digital Download SKU: A0.1204843
(+)
Woodwind Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Digital Download SKU: A0.1204843 By EnsembleSheetMusic. By H. Walford Davies. Arranged by Sjoerd van der Veen. 20th Century,March,Patriotic. 12 pages. Sjoerd van der Veen #803209. Published by Sjoerd van der Veen (A0.1204843). A great lyrical march with beautiful melodic lines, written in 1918 by H. Walford Davies.The Royal Air Force March Past is the official march of the Royal Air Force (RAF) and is used in some other Commonwealth air forces, e.g. in Canada. Arranged for woodwind quintet: Flute - Oboe - Clarinet Bb - Horn in F - Bassoon For any questions, please contact info@ensemblesheetmusic.com Â
$14.90
13.62 €
#
EnsembleSheetMusic
#
Royal Air Force March Past
#
Sjoerd van der Veen
#
SheetMusicPlus
Solos for Contrabassoon
Contrabassoon and Piano - Intermediate-Advanced - Digital Download SKU: F2.FM203 Ar…
(+)
Contrabassoon and Piano - Intermediate-Advanced - Digital Download SKU: F2.FM203 Arranged by Robert Rainford. Score and part. 42 pages. Forton Music - Digital #FM203. Published by Forton Music - Digital (F2.FM203). ISBN 9790570481026.Contrabassoon and Piano. A selection of pieces from all periods and genres showcasing the gentle giant of the woodwind department. Contents include: 'Arise ye Subterranean Winds' - Purcell. 'O Isis and Osiris' and 'In these Sacred Halls' from Mozart's Magic Flute 'In the Hall of the Mountain King' from Peer Gynt Suite by Grieg 'Der Alte Brummbar' - Fucik. 'The Elephant' - Saint-Saens 'Beauty and the Beast' THE standard orchestral solo by Ravel, and 'The Policeman's Song' by Sullivan. Suitable for players of intermediate and above standard, an unrivalled chance for this mighty instrument to show off!
$12.95
11.84 €
#
Solos for Contrabassoon
#
Forton Music - Digital
#
SheetMusicPlus
Show Pieces for Low Flutes
Low Flute Solo with Flute Ensemble - Intermediate-Advanced - Digital Download SKU: F2.F…
(+)
Low Flute Solo with Flute Ensemble - Intermediate-Advanced - Digital Download SKU: F2.FM143 Arranged by Robert Rainford. Score and parts. 27 pages. Forton Music - Digital #FM143. Published by Forton Music - Digital (F2.FM143). ISBN 9790570480425.A solo part for the low flutes - (play with any or all of them), with concert flute accompaniment. Three show pieces - L'Elephant from Carnival of the Animals by C Saint Saens, Dance of the Hours from La Gioconda by A Ponchielli, and The Policeman's Song from The Pirates of Penzance by A Sullivan.
$12.95
11.84 €
#
Show Pieces for Low Flutes
#
Forton Music - Digital
#
SheetMusicPlus
Solos for Cor Anglais Book 1
Cor Anglais and Piano - Intermediate-Advanced - Digital Download SKU: F2.FM106 Comp…
(+)
Cor Anglais and Piano - Intermediate-Advanced - Digital Download SKU: F2.FM106 Composed by Various. Arranged by Robert Rainford. Score and parts. 38 pages. Forton Music - Digital #FM106. Published by Forton Music - Digital (F2.FM106). ISBN 9790570480050.Popular pieces arranged for Cor Anglais and Piano. Contents J S Bach - Air from Suite no 3 in D, J S Bach/Gounod - Ave Maria, Edvard Grieg - Air from the Holberg Suite, Jules Massenet - Meditation from 'Thais' ,Gabriel Faure - Apres un Reve, Claude Debussy - La Fille aux Cheveux de Lin , Edward MacDowell - To a Wild Rose, Arthur Sullivan - The Sun and I.
$12.95
11.84 €
#
Various
#
Solos for Cor Anglais Book 1
#
Forton Music - Digital
#
SheetMusicPlus
Sonata for Three Flutes
Oboe trio 3 oboes/ 2 oboes and 1 cor anglais - Intermediate - Digital Download SKU: F2.…
(+)
Oboe trio 3 oboes/ 2 oboes and 1 cor anglais - Intermediate - Digital Download SKU: F2.FM016 Composed by James Hook. Arranged by Robert Rainford. Score and parts. 23 pages. Forton Music - Digital #FM016. Published by Forton Music - Digital (F2.FM016). ISBN 9790708085157.Oboe Trio 3 Oboes (optional Cor Anglais part replacing oboe 3) A charming work in three movements. Not technically demanding, but the first movement requires some stamina, and the second movement is in the more awkward key of F minor. Suitable for players of about grade 3-4 standard.
$10.95
10.01 €
#
James Hook
#
Sonata for Three Flutes
#
Forton Music - Digital
#
SheetMusicPlus
Concerto for Clarinet K622
Solo Cl. 2 Cl. Acl/Cl. BCl. - Intermediate-Advanced - Digital Download SKU: F2.FM800
(+)
Solo Cl. 2 Cl. Acl/Cl. BCl. - Intermediate-Advanced - Digital Download SKU: F2.FM800 Composed by Wolfgang Amadeus Mozart. Arranged by Robert Rainford. A full and faithful arrangement of the evergreen classic concerto. Score and Parts. 102 pages. Forton Music - Digital #FM800. Published by Forton Music - Digital (F2.FM800). ISBN 9790570486991.
$31.95
29.21 €
#
Wolfgang Amadeus Mozart
#
Concerto for Clarinet K622
#
Forton Music - Digital
#
SheetMusicPlus
Gabrieli: Canzon Septimi Toni Ch 172 for Double Brass Choir
Bass Trombone,Trumpet - Level 3 - Digital Download SKU: A0.549202 Composed by Giova…
(+)
Bass Trombone,Trumpet - Level 3 - Digital Download SKU: A0.549202 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Renaissance,Standards. 47 pages. Jmsgu3 #3460779. Published by jmsgu3 (A0.549202). An antiphonal masterwork from the Sacrae Symphoniae, Venice,1597. Minimum instrumentation: 2 Trumpets, 2 French Horns, 2 Tenor Trombones, 2 Bass Trombones. Suggested instrumentation: multiples of the minimum instrumentation, e.g., 4 or 8 on each part. Place the choirs left and right - separated by enough space to accentuate the antiphonal nature of the music entirely. It is best performed in an ample reverberant space. Euphoniums might replace some of the trombones to good effect. Innovations First of all, Gabrieli preferred sacred vocal and, indeed, instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. It seems like Gabrieli may have invented dynamics – or was rather the first to indicate them, such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, followed by a response from the group on the other. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. Because they could be appropriately situated, the instruments could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper can, in contrast, sound perfectly in balance. First Works Finally, Gabrieli published his first motets and his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, the instruments are an essential part of the presentation here. Also, only parts marked Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moved to a much more homophonic style. He writes sections purely for instruments – which is called Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
43.84 €
#
Giovanni Gabrieli
#
Gabrieli: Canzon Septimi Toni Ch 172 for Double Brass Choir
#
jmsgu3
#
SheetMusicPlus
Fanfare for Fifty
Small Wind Ensemble - Intermediate - Digital Download SKU: F2.FM300 Composed by Jas…
(+)
Small Wind Ensemble - Intermediate - Digital Download SKU: F2.FM300 Composed by Jason McMahon. Ideal for a school wind ensemble. Score and Parts. 18 pages. Forton Music - Digital #FM300. Published by Forton Music - Digital (F2.FM300). ISBN 9790570481996.A stately and solemn almost march-like fanfare for a serious occasion. The straightforward harmonies and rhythms reinforce the ceremonial feel of the piece, and put this piece well within the reach of less confidant ensembles.
$24.95
22.81 €
#
Jason McMahon
#
Fanfare for Fifty
#
Forton Music - Digital
#
SheetMusicPlus
Gabrieli: Sonata Pian e Forte Ch. 175 for Double Reed Choir
Woodwind Ensemble Contrabassoon,English Horn,Oboe - Level 2 - Digital Download SKU: A0.…
(+)
Woodwind Ensemble Contrabassoon,English Horn,Oboe - Level 2 - Digital Download SKU: A0.549212 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3465004. Published by jmsgu3 (A0.549212). A musical monument: the first composition to employ dynamics. Instrumentation: 3 oboes, 3 English horns, 2 bassoons, 1 contrabassoon. Arranged in two antiphonal choirs. Full Score: 27 pg. 81 ms 4/2, Study Score: 14 pg., Instrumental parts: 2 pg. Duration: 3:45 at half-note = 86.  Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Â
$47.95
43.84 €
#
Gabrieli
#
Gabrieli: Sonata Pian e Forte Ch. 175 for Double Reed Choir
#
jmsgu3
#
SheetMusicPlus
Gabrieli: Sonata Pian e Forte Ch 175 for Cello Choir
String Ensemble Cello - Level 2 - Digital Download SKU: A0.549267 Composed by Giova…
(+)
String Ensemble Cello - Level 2 - Digital Download SKU: A0.549267 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Instructional,Renaissance,Standards. 45 pages. Jmsgu3 #3479835. Published by jmsgu3 (A0.549267). A musical monument: the first composition to employ dynamics. Minimum instrumentation: 11 cellos.  Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
43.84 €
#
Giovanni Gabrieli
#
Gabrieli: Sonata Pian e Forte Ch 175 for Cello Choir
#
jmsgu3
#
SheetMusicPlus
Gabrieli: Sonata Pian e Forte Ch. 175 for Saxophone Choir
Woodwind Ensemble - Level 3 - Digital Download SKU: A0.549214 Composed by Giovanni …
(+)
Woodwind Ensemble - Level 3 - Digital Download SKU: A0.549214 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 45 pages. Jmsgu3 #3465026. Published by jmsgu3 (A0.549214). A musical monument: the first known composition in history to employ dynamics. Minimum Instrumentation: 2 sopranos, 5 altos, 3 tenors, and 1 baritone sax. Full Score: 27 pg. 81 ms 4/2, Study Score: 14 pg., Instrumental parts: 2 pg. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
43.84 €
#
Giovanni Gabrieli
#
Gabrieli: Sonata Pian e Forte Ch. 175 for Saxophone Choir
#
jmsgu3
#
SheetMusicPlus
Gabrieli: Sonata Pian e Forte Ch. 175 for Brass Choir
Brass Band Bass Trombone,Horn,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.549208
(+)
Brass Band Bass Trombone,Horn,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.549208 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 47 pages. Jmsgu3 #3464513. Published by jmsgu3 (A0.549208). A musical monument: the first composition to employ dynamics Minimum Instrumentation: 4 trumpets, 3 French Horns, 2 tenor trombones, 1 bass trombone, 1 tuba. Arranged in two antiphonal choirs. Suggested instrumentation: 8 trumpets, 9 Horns, 6 Tenor Trombones, 2 Bass Trombone, 4 Tubas. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
43.84 €
#
Giovanni Gabrieli
#
Gabrieli: Sonata Pian e Forte Ch. 175 for Brass Choir
#
jmsgu3
#
SheetMusicPlus
Those Old Songs Of Christmas Time (Performance Recording)
Bass Guitar,Drum Set,Electric Guitar,Glockenspiel,Piano - Level 3 - Digital Download SK…
(+)
Bass Guitar,Drum Set,Electric Guitar,Glockenspiel,Piano - Level 3 - Digital Download SKU: A0.1115940 By Paul Barker Music. By Paul Barker & Trish Martin. Children,Christmas,Contemporary,Holiday,Pop. Full Performance. Duration 166. Paul Barker Music #717665. Published by Paul Barker Music (A0.1115940). MP3 Performance Recording. Embrace the Magic of Christmas with this Holiday song set in a popular rock style reflecting on past Christmas musical memories and songs. Ideal for choirs and voices of all ages, this heart-warming melody offers optional opportunities for centre-stage solos. Unite your audience in the spirit of the season and create cherished memories with this must-have addition to your festive repertoire. Also available:Conductor Score & Instrumental PartsPiano/Vocal ScoreVocal ScoreAccompaniment MP3 for ChoirLevel: Early Intermediate VoicesDuration: 2:45Occasion: Concert - Formal/Informal Christmas Holiday EventsInstrumentation: Full Performance Recording featuring Choir and Instruments.
$4.95
4.53 €
#
Paul Barker Music
#
Those Old Songs Of Christmas Time
#
Paul Barker Music
#
SheetMusicPlus
Gabriel's Anthem [Performance Recording for Electric Guitar & Piano]
Electric Guitar,Piano - Level 2 - Digital Download SKU: A0.1139773 By Paul Barker. …
(+)
Electric Guitar,Piano - Level 2 - Digital Download SKU: A0.1139773 By Paul Barker. By Paul Barker. 20th Century,Chamber,Contemporary,Contest,Festival,Standards. Full Performance. Duration 135. Paul Barker Music #740048. Published by Paul Barker Music (A0.1139773). Performance Recording MP3 for Gabriel’s Anthem. Score/Parts and Piano Accompaniment MP3 available from both this site and from the publishers at www.paulbarkermusic.com Level: Intermediate (Grade 5 UK/Grade 2+ USA) Duration: 2:20 Occasion: Concert - Formal/Informal - Recitals - Competitions Instrumentation: Electric Guitar - Piano
$4.95
4.53 €
#
Paul Barker
#
Gabriel's Anthem [Performance Recording for Electric Guitar & Piano]
#
Paul Barker Music
#
SheetMusicPlus
Gabriel's Anthem [Performance Recording for Acoustic Guitar & Piano]
Acoustic Guitar,Piano - Level 3 - Digital Download SKU: A0.1139772 By Paul Barker. …
(+)
Acoustic Guitar,Piano - Level 3 - Digital Download SKU: A0.1139772 By Paul Barker. By Paul Barker. 20th Century,Chamber,Contemporary,Contest,Festival,Standards. Full Performance. Duration 134. Paul Barker Music #740047. Published by Paul Barker Music (A0.1139772). Performance Recording MP3 for Gabriel’s Anthem. Score/Parts and Piano Accompaniment MP3 available from both this site and from the publishers at www.paulbarkermusic.com Level: Intermediate (Grade 5 UK/Grade 2+ USA) Duration: 2:20 Occasion: Concert - Formal/Informal - Recitals - Competitions Instrumentation: Acoustic Guitar - Piano
$4.95
4.53 €
#
Paul Barker
#
Gabriel's Anthem [Performance Recording for Acoustic Guitar & Piano]
#
Paul Barker Music
#
SheetMusicPlus
Angels In The Wind (Performance Recording)
Bass Guitar,Choir,Electric Guitar,Glockenspiel,Piano - Level 2 - Digital Download SKU: …
(+)
Bass Guitar,Choir,Electric Guitar,Glockenspiel,Piano - Level 2 - Digital Download SKU: A0.1268114 By Paul Barker Music. By Paul Barker. Children,Christmas,Contemporary,Holiday,Pop. Full Performance. Duration 185. Paul Barker Music #860673. Published by Paul Barker Music (A0.1268114). Professional Performance MP3.Get ready to rock this holiday season with our electrifying Christmas anthem! Jam-packed with infectious melodies and sing-along phrases, this upbeat yuletide hit will have audiences of all ages singing along. Perfect for any seasonal performance, both children and adults will be captivated by this festive treat. Also available:Vocal ScorePiano/Vocal ScoreConductor Score & Instrumental PartsAccompaniment MP3Level: Early Intermediate VoicesDuration: 3:15Occasion: Concert - Formal/Informal Christmas Holiday EventsInstrumentation: Choir/Soloist and Orchestration.
$4.95
4.53 €
#
Paul Barker Music
#
Angels In The Wind
#
Paul Barker Music
#
SheetMusicPlus
Gabrieli: Jubilate Deo Ch. 136 for Double Reed Choir
Woodwind Ensemble Bassoon,English Horn,Oboe - Level 3 - Digital Download SKU: A0.549199…
(+)
Woodwind Ensemble Bassoon,English Horn,Oboe - Level 3 - Digital Download SKU: A0.549199 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Easter,Renaissance,Standards. 42 pages. Jmsgu3 #3458615. Published by jmsgu3 (A0.549199). Giovanni Gabrieli: Jubilate Deo (Ch. 136). Instrumentation: 4 oboes, 2 English horns, 2 bassoons, 1 contrabassoon (or 3 bassoons). Duration: 3:00, cut time 4/2 at half-note = 96, 71 ms. Score: 24 pg. parts: 2 pg. Here is a stunningly beautiful example of Renaissance polyphony, and a mesmerizing fast-paced recital number. Program this either at the beginning to set an exciting mood or as an encore to leave the listeners in a jubilant afterglow. The parts are not difficult but plan to rehearse the many subtleties of dynamic contrast between the various sub-groups and the overall articulations. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com
$47.95
43.84 €
#
Giovanni Gabrieli
#
Gabrieli: Jubilate Deo Ch. 136 for Double Reed Choir
#
jmsgu3
#
SheetMusicPlus
<
1
26
51
....
1701
© 2000 - 2024
Home
-
New realises
-
Composers
Legal notice
-
Full version
