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We Are the Church - Clarinet
Brass Quartet: 2 trumpets, horn, trombone
Sheetmusic to print
9 sheet music found
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1
Joy To The World (with "Joyful, Joyful, We Adore Thee") (for Brass Quartet and Piano)
Brass Quartet: 2 trumpets, horn, trombone
Brass Ensemble Horn,Trombone,Trumpet - Level 2 - Digital Download SKU: A0.626705 Co…
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Brass Ensemble Horn,Trombone,Trumpet - Level 2 - Digital Download SKU: A0.626705 Composed by Georg Friedrich Handel, Ludwig van Beethoven. Arranged by Stephen DeCesare. Christmas,Easter,Sacred. Score and parts. 22 pages. Exultet Music #5769925. Published by Exultet Music (A0.626705). Two of the most widely used praise hymns of the Christian church have been joined together in one joyful anthem and is scored for a Brass Quartet (Bb-Trumpet (2), French Horn, Trombone) with Piano accompaniment. Accessible and appropriate for any church or concert setting. Can be used many times throughout the liturgical year but especially during the Christmas and Easter seasons. An accompaniment track is also available.
$12.99
11.92 €
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Brass Quartet: 2 trumpets, horn, trombone
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Georg Friedrich Handel, Ludwig van Beethoven
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Joy To The World
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Exultet Music
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SheetMusicPlus
Gabrieli: Canzon in Echo a 12 Ch. 192 for Triple Brass Choir
Brass Quartet: 2 trumpets, horn, trombone
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1226321 C…
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Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1226321 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 48 pages. Jmsgu3 #822323. Published by jmsgu3 (A0.1226321). Minimum instrumentation: 3 Brass Quartets - 6 trumpets in C (or cornets) 3 French Horns in F, and 3 trombones. InnovationsGabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
44 €
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Brass Quartet: 2 trumpets, horn, trombone
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Giovanni Gabrieli
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Gabrieli: Canzon in Echo a 12 Ch. 192 for Triple Brass Choir
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jmsgu3
#
SheetMusicPlus
Gabrieli: Canzona in Echo Ch. 180 for Double Brass Choir
Brass Quartet: 2 trumpets, horn, trombone
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1226488 C…
(+)
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1226488 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Renaissance. Score and Parts. 51 pages. Jmsgu3 #822490. Published by jmsgu3 (A0.1226488). Minimum instrumentation: 4 Trumpets (or Cornets), 4 French Horns, 2 Tenor Trombones, and 2 Bass Trombones.InnovationsGabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
44 €
#
Brass Quartet: 2 trumpets, horn, trombone
#
Giovanni Gabrieli
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Gabrieli: Canzona in Echo Ch. 180 for Double Brass Choir
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jmsgu3
#
SheetMusicPlus
Joyful, Joyful, We Adore Thee (for Brass Quartet and Piano)
Brass Quartet: 2 trumpets, horn, trombone
Brass Ensemble Horn,Trombone,Trumpet - Level 2 - Digital Download SKU: A0.627118 Co…
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Brass Ensemble Horn,Trombone,Trumpet - Level 2 - Digital Download SKU: A0.627118 Composed by Ludwig van Beethoven. Arranged by Stephen DeCesare. Praise & Worship,Sacred. Score and parts. 17 pages. Exultet Music #5900037. Published by Exultet Music (A0.627118). The poem that was set to Beethoven's final movement of Symphony #9 which speaks of simple expressions of common Christian feelings and desires, a hymn of trust and joy and hope has been freshly arranged for a Brass Quartet (Bb-Trumpet (2), French Horn, Trombone) with Piano accompaniment. Accessible and appropriate for any church or concert setting. Can be used many times throughout the liturgical year. An accompaniment track is also available.
$12.99
11.92 €
#
Brass Quartet: 2 trumpets, horn, trombone
#
Ludwig van Beethoven
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Joyful, Joyful, We Adore Thee
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Exultet Music
#
SheetMusicPlus
We Three Kings (Brass Trio): Trumpet, Horn in F and Trombone
Brass Quartet: 2 trumpets, horn, trombone
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.524092 Co…
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Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.524092 Composed by John Henry Hopkins, Jr., Enrique Granados. Arranged by John A. Dempsey. Christian,Christmas,Holiday,Sacred,Traditional. Score and parts. 18 pages. John A. Dempsey #4755307. Published by John A. Dempsey (A0.524092). In this festive brass trio for Bb trumpet, French horn and trombone, the warm, evocative Christmas carol We Three Kings of Orient Are follows a musical path that merges with the wintry road leading to Enrique Granados' delicately beautiful piece Oriental.  A bit of holiday serendipity!  Recommended for traditional Christmas church services and other seasonal worship events, including Christmas plays, pageants and programs as well as holiday recitals and Christmas concerts.  Suggested worship uses: a prelude, postlude, an offertory, interlude, Christmas play overture, special music and silent prayer accompaniment.  14 pages of music (that includes the score and separate two-page parts for each instrument).  Concert Key: F major.  Trumpet Key: G major.  Horn Key: C major.  Trombone Key: F major      We three kings of Orient are: bearing gifts we traverse afar   Field and fountain, moor and mountain - following yonder star.   O star of wonder, star of night; star with royal beauty bright,   Westward leading, still proceeding, guide us to Thy perfect light.
$9.99
9.17 €
#
Brass Quartet: 2 trumpets, horn, trombone
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John Henry Hopkins, Jr
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We Three Kings
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John A. Dempsey
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SheetMusicPlus
We Three Kings (Brass Quartet): Two Trumpets, Horn in F and Trombone
Brass Quartet: 2 trumpets, horn, trombone
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.524652 Co…
(+)
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.524652 Composed by John Henry Hopkins Jr., Enrique Granados. Arranged by John A. Dempsey. Christian,Christmas,Holiday,Sacred,Traditional. Score and parts. 21 pages. John A. Dempsey #6133881. Published by John A. Dempsey (A0.524652). Arranged as a festive brass quartet for two Bb trumpets, French horn and trombone, the warm, evocative Christmas carol We Three Kings of Orient Are follows a musical path that merges with the wintry road leading to Enrique Granados' delicately beautiful piece Oriental.  A bit of holiday serendipity!  Recommended for Christmas plays, pageants and programs as well as holiday recitals, Christmas concerts, traditional Christmas church services and other seasonal worship events.  Suggested worship uses: a prelude, postlude, an offertory, interlude, Christmas play overture, special music and silent prayer accompaniment.  17 pages of music (that includes the score and separate two-page parts for each brass instrument).  Concert Key: G minor.  Trumpet Key: A minor.  Horn Key: D minor.  Trombone Key: G minor      We three kings of Orient are: bearing gifts we traverse afar   Field and fountain, moor and mountain - following yonder star.   O star of wonder, star of night; star with royal beauty bright,   Westward leading, still proceeding, guide us to Thy perfect light.
$12.99
11.92 €
#
Brass Quartet: 2 trumpets, horn, trombone
#
John Henry Hopkins Jr
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We Three Kings
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John A. Dempsey
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SheetMusicPlus
Shall We Gather At The River (Brass Quartet and Piano)
Brass Quartet: 2 trumpets, horn, trombone
Brass Quartet Horn,Trombone,Trumpet - Level 2 - Digital Download SKU: A0.1305058 By…
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Brass Quartet Horn,Trombone,Trumpet - Level 2 - Digital Download SKU: A0.1305058 By Stephen DeCesare. By Robert Lowry. Arranged by Stephen DeCesare. Christian,Praise & Worship,Sacred,Standards,Traditional. 19 pages. Exultet Music #894486. Published by Exultet Music (A0.1305058). The popular traditional Christian hymn has been freshly arranged with lush jazz harmonies and scored for a Brass Quartet (Bb-Trumpet (2), French Horn, Trombone) with Piano accompaniment. Â Accessible and appropriate for any church or concert setting. Â An accompaniment track is also available.
$12.99
11.92 €
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Brass Quartet: 2 trumpets, horn, trombone
#
Stephen DeCesare
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Shall We Gather At The River
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Exultet Music
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SheetMusicPlus
Kyrie (Durante) (Brass Quartet - 2 Trp, 1 Hrn, 1 Trb)
Brass Quartet: 2 trumpets, horn, trombone
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1092445 C…
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Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1092445 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,Sacred. Score and parts. 8 pages. Regis Bookshar #696537. Published by Regis Bookshar (A0.1092445). Kyrie - by Francesco Durante; Brass Quartet – Intermediate – Digital Download. “Kyrieâ€, originally written for a four-part vocal ensemble by Francesco Durante, has now been transcribed, edited and arranged by Regis Bookshar, for a Brass Quartet, consisting of 2 Bb Trumpets, 1 French Horn and 1 Trombone. It would be a welcomed addition to any music library. This short composition, which lasts less than two minutes, will provide many students with the opportunity to practice breath control because of its long phrases, and to help them to continue to develop good intonation because many of the phrases cadence on a unison note. This selection could be performed for concerts, recitals and church services. It is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (8 pages). This selection is one of the many arrangements from the Regis Bookshar Trumpet Ensemble’s extensive music library which are being made available for the first time. We have performed the Trumpet Quartet version of this composition for many church services, especially funerals, when we were asked to supply something more somber and introspective rather than the louder, more festive music which many people come to expect from a Trumpet Ensemble. Francesco Durante was an Italian composer who was born on March 31, 1684 at Frattamaggiore, in the Kingdom of Naples. At an early age he entered the Conservatorio dei poveri di Gesu Cristo, in Naples, where he received lessons from Gaetano Greco. Later he became a pupil of Alessandro Scarlatti at the Conservatorio di Sant’Onofrio. He is said to have succeeded Scarlatti in 1725 at Sant’Onofrio and to have remained there until 1742, when he succeeded Nicola Porpora as head of the Conservatorio di Santa Maria de Loreto, also in Naples. He held this post for thirteen years, until his death on September 30, 1755. His fame as a teacher was considerable, and, unlike his Neapolitan contemporaries, who attracted international notice with their operas, Francesco Durante achieved recognition through his church music, along with some vocal chamber and instrumental works. His concern was not quantity. A complete collection of Durante’s works, consisting almost exclusively of sacred music, was presented by Gaspare Selveggi, a Neapolitan art collector and music theorist, to the Bibliotheque Nationale in Paris. The imperial library of Vienna also preserves a valuable collection of Durante’s manuscripts. The fact that Durante never composed for the stage brought him an exaggerated reputation as a composer of sacred music. He was considered one of the best church composers of his style and period. In his masses, requiems, litanies and Lamentations, he could provide strong expressive moments, as he does in this “Kyrieâ€. In addition to this arrangement for a Brass Quartet, Regis Bookshar has also made other arrangements of this selection. There are Quartets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I’m certain that this beautiful arrangement of Francesco Durante’s “Kyrie†will continue to entertain both performers and audiences alike for years to come.
$10.00
9.18 €
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Brass Quartet: 2 trumpets, horn, trombone
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Francesco Durante
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Kyrie
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Regis Bookshar
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SheetMusicPlus
And The Angels Sang (for Brass Quartet and Piano)
Brass Quartet: 2 trumpets, horn, trombone
Brass Ensemble Horn,Trombone,Trumpet - Level 2 - Digital Download SKU: A0.624983 Co…
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Brass Ensemble Horn,Trombone,Trumpet - Level 2 - Digital Download SKU: A0.624983 Composed by Felix Bartholdy Mendelssohn, Richard Storrs Willis, and Traditional. Arranged by Stephen DeCesare. Christmas,Praise & Worship,Sacred. Score and parts. 22 pages. Exultet Music #4836521. Published by Exultet Music (A0.624983). A wonderful composite of three beloved hymns for Christmas wrapped up into one medley (Hark! The Herald Angels Sing, It Came Upon The Midnight Clear and Angels We Have Heard On High) Scored for a Brass Quartet (Bb-Trumpet (2), French Horn, Trombone) with Piano accompaniment. Accessible and appropriate for any church or concert setting.
$12.99
11.92 €
#
Brass Quartet: 2 trumpets, horn, trombone
#
Felix Bartholdy Mendelssohn, Richard Storrs Willis, and Traditional
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And The Angels Sang
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Exultet Music
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