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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
Contrastes
Not classified
667
Piano & keyboards
Piano solo
505
Easy Piano
109
Organ
74
Piano, Voice
26
Piano Accompaniment
21
1 Piano, 4 hands
15
Piano Trio: piano, violin, cello
9
Piano, Vocal and Guitar
6
C Instruments
6
2 Pianos, 4 hands
5
Piano (band part)
5
Organ, Piano (duet)
3
Piano Quintet: piano, 2 violins, viola, cello
1
Accordion ensemble
1
Organ, Trumpet (duet)
1
Harpsichord
1
+ 11 instrumentations
-
Retract
Guitars
Guitar
39
Guitar (band part)
6
Guitar notes and tablatures
6
2 Guitars (duet)
3
Piano, Guitar (duet)
3
Bass guitar
2
Banjo
2
4 Guitars (Quartet)
2
Mandolin, Piano (duet)
1
3 Guitars (trio)
1
+ 5 instrumentations
-
Retract
Voice
Choral SATB
380
Choral 3-part
133
Choral 2-part
73
Choral Unison
49
Choral TTBB
26
Choral SSAA
17
Baritone voice, Piano
8
High voice
6
Alto voice, Piano
6
Choral SSATB
5
Tenor voice, Piano
4
Soprano voice, Piano
3
Voice solo
3
Vocal duet, Piano
3
Vocal duet
3
Low voice, Piano
3
Tenor voice
1
Choral SSAATTBB
1
Soprano voice
1
Medium voice, Piano
1
Mezzo-Soprano voice, Piano
1
+ 16 instrumentations
-
Retract
Woodwind
Flute and Piano
56
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
47
Clarinet and Piano
40
2 Saxophones (duet)
31
Saxophone Quartet: 4 saxophones
29
Saxophone (band part)
28
Alto Saxophone and Piano
24
Oboe, Piano (duet)
24
Flute
22
Clarinet
20
Clarinet Quartet: 4 clarinets
19
2 Clarinets (duet)
18
Tenor Saxophone and Piano
18
Clarinet (band part)
15
Flute, Oboe, Clarinet, Bassoon
14
2 Flutes (duet)
13
Flute Quartet: 4 flutes
12
Flute ensemble
11
Clarinet Ensemble
11
3 Saxophones (trio)
11
Soprano Saxophone and Piano
10
Oboe (band part)
7
Flute, Clarinet (duet)
7
Flute, Oboe, Clarinet (trio)
6
Baritone Saxophone, Piano
6
Flute (band part)
6
Bass Clarinet, Piano
6
Saxophone ensemble
5
English horn, Piano
5
Oboe, Bassoon (duet)
5
Oboe
5
Flute and Guitar
4
Alto Saxophone
4
3 Clarinets (trio)
4
Flute, Clarinet, Piano (trio)
4
Clarinet, Violin (duet)
3
Flute, Oboe, Bassoon
3
Oboe, Flute
3
Flute, Violin
3
Descant (Soprano) Recorder
3
Saxophone, Clarinet (duet)
3
Saxophone Quintet: 5 Saxophones
3
Flute Trio: 3 flutes
3
Clarinet Quintet: 5 clarinets
2
Oboe, Harp
2
2 Recorders (duet)
2
2 Oboes (duet)
2
Recorder Quartet
2
Piccolo, Piano
2
Tenor Recorder
2
Clarinet, Cello, Piano (trio)
2
3 Recorders (trio)
2
Flute, Bassoon, and Piano
2
Flute, Saxophone (duet)
2
Clarinet, Trumpet (duet)
2
Oboe, Clarinet (duet)
1
Clarinet, Bassoon (duet)
1
Clarinette, Viola and Piano (trio)
1
2 Saxophones, Piano
1
Flute, Violoncello
1
Oboe, Bassoon and Piano
1
Flute, Viola and Piano
1
3 Oboes
1
Oboe, Cello
1
Flute, Clarinet and Bassoon.
1
Recorder
1
Saxophone
1
Treble (Alto) Recorder
1
Tenor Saxophone
1
Oboe, Clarinet, Bassoon (trio)
1
2 English horns and Pianoforte
1
5 Recorders
1
Clarinet, Cello (duet)
1
Flute, Violin and Violoncello
1
Clarinet, Organ
1
Clarinet, Harp (duet)
1
Clarinet and Viola
1
Soprano Saxophone
1
Piccolo
1
Flute, Violin, Piano
1
Flute, Trombone (duet)
1
Bass Clarinet
1
Flute, Oboe, Piano (trio)
1
Flute Quintet : 5 flutes
1
Flute, Organ (duet)
1
+ 80 instrumentations
-
Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
52
Trombone and Piano
30
Trombone (band part)
25
Trumpet, Piano
21
French Horn and Piano
21
Brass quartet : 2 trumpets, trombone, tuba
18
Trumpet (band part)
15
Trumpet
10
Trombone
10
Euphonium, Piano (duet)
9
Tuba and Piano
9
Brass Quartet: 4 trombones
7
French horn
7
Tuba
7
Tuba (band part)
6
2 Trumpets (duet)
6
French horn (band part)
6
Brass Quartet
5
Trumpet, Trombone (duet)
5
English horn, Piano
5
Trombone ensemble
4
Trumpet ensemble
4
Brass Quartet: 4 horns
4
Brass Quartet: 2 trumpets, horn, trombone
4
2 French horns (duet)
3
Bass Trombone
2
Horn Ensemble
2
Trumpet, Saxophone (duet)
2
2 Tubas (duet)
2
2 Trombones (duet)
2
Brass Quartet: 4 trumpets
2
French horn and Basson (duet)
1
2 Euphoniums and 2 Tubas
1
Trombone and Orchestra
1
2 English horns and Pianoforte
1
4 Tubas
1
Clarinet, Horn (duet)
1
Euphonium, Tuba (duet)
1
3 French horns (trio)
1
+ 34 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
102
Violin and Piano
65
Cello, Piano
45
Viola, Piano
39
Violin (band part)
31
Violin
28
Doublebass (band part)
17
2 Violins (duet)
17
String Trio: violin, viola, cello
17
Viola
13
Harp
13
Cello
12
Viola (band part)
12
2 Violas (duet)
9
Violin, Cello (duet)
9
Violin, Viola (duet)
8
Cello (band part)
6
2 Cellos (duet)
3
Viola, Cello (duet)
3
Double bass, Piano (duet)
3
String Quartet : 4 violas
2
Double Bass
2
String Trio: 3 cellos
2
String Trio: 2 violins, viola
2
Violin, Guitar (duet)
2
Harp, Flute (duet)
2
String Trio: 3 violas
2
Cello, Orchestra
2
String quartet: 4 violins
1
Violin, Bassoon (duet)
1
String Quintet: 2 violins, viola, cello, bass
1
String Trio: 3 violins
1
String Quintet: 2 violins, 2 violas, cello
1
Violin, Organ
1
4 Cellos
1
4 Double Basses
1
+ 31 instrumentations
-
Retract
Orchestra & Percussion
Concert band
987
String Orchestra
169
Handbells
111
Orchestra
74
Brass ensemble
42
Chamber Orchestra
32
Jazz Ensemble
21
Percussion (band part)
10
Jazz combo
9
Percussion Ensemble
7
School Ensemble
5
Drum (band part)
4
Marching band
3
Vibraphone
3
Xylophone
2
Xylophone, Piano
2
Marimba
1
2 Xylophones
1
Piano and Orchestra
1
Marimba, Piano (duet)
1
Brass Quintet: other combinaisons
1
Drums
1
2 Marimbas
1
+ 18 instrumentations
-
Retract
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Brass Quartet: 2 trumpets, horn, trombone
Sheetmusic to print
4 sheet music found
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1
Gabrieli: Canzon in Echo a 12 Ch. 192 for Triple Brass Choir
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Brass Quartet: 2 trumpets, horn, trombone
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INTERMEDIATE
#
Giovanni Gabrieli
#
James M
#
Gabrieli: Canzon in Echo a 12
#
jmsgu3
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1226321 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Cha...
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Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1226321 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 48 pages. Jmsgu3 #822323. Published by jmsgu3 (A0.1226321). Minimum instrumentation: 3 Brass Quartets - 6 trumpets in C (or cornets) 3 French Horns in F, and 3 trombones. InnovationsGabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Canzona in Echo Ch. 180 for Double Brass Choir
#
Brass Quartet: 2 trumpets, horn, trombone
#
INTERMEDIATE
#
Giovanni Gabrieli
#
James M
#
Gabrieli: Canzona in Echo Ch.
#
jmsgu3
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1226488 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Cha...
(+)
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1226488 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Renaissance. Score and Parts. 51 pages. Jmsgu3 #822490. Published by jmsgu3 (A0.1226488). Minimum instrumentation: 4 Trumpets (or Cornets), 4 French Horns, 2 Tenor Trombones, and 2 Bass Trombones.InnovationsGabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Variations on a Theme by Haydn (for Organ and Brass Quintet)
#
Brass Quartet: 2 trumpets, horn, trombone
#
ADVANCED
#
Classical
#
Johannes Brahms
#
Craig Garner
#
Variations on a Theme by Haydn
#
Dorm 40 Music
#
SheetMusicPlus
Composed by Johannes Brahms (1833-1897). Arranged by Craig Garner. Romantic Period. Score, Set of Parts. 92 pages. Published by Dorm 40 Music (S0.165595). - Sco...
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Composed by Johannes Brahms (1833-1897). Arranged by Craig Garner. Romantic Period. Score, Set of Parts. 92 pages. Published by Dorm 40 Music (S0.165595). - Score,Set of Parts - Romantic Period - Dorm 40 Music
The stately St. Anthony Chorale, all 8 contrasting variations plus a finale in the form of a passacaglia that ends with a triumphant restatement of the Chorale. A truly unique and demanding concert piece. This arrangement stays true to the original, and uses all of the colors of the organ and brass to capture the beauty and grandeur of the orchestral version. (includes alternate C Trumpet parts) Performance time, 20:00.
$30.00
Turkish March for Brass Quintet
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Brass Quartet: 2 trumpets, horn, trombone
#
INTERMEDIATE
#
Classical
#
Wolfgang Amadeus Mozart
#
Jeremy Corcoran
#
Turkish March for Brass Quinte
#
SheetMusicPlus
Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by Jeremy Corcoran. Classical Period, Repertoire, European, Recital. Score, Set of Parts. 19 pages. Pu...
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Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by Jeremy Corcoran. Classical Period, Repertoire, European, Recital. Score, Set of Parts. 19 pages. Published by Published by LPC Publishers (S0.190469). - Score,Set of Parts - Classical Period,Repertoire,European,Recital - Published by LPC Publishers
Mozart's classic Turkish March is arranged here for Brass Quintet (2 Trumpets, Horn in F, Trombone, and Tuba). This energetic quintet provides plenty of contrast, challenge, and independent ensemble playing. All parts stay within the comfortable range of the instruments. Perfect for recital or contest programming.
$15.00
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