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Gloria - Vivaldi
Not classified
624
Piano & keyboards
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418
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382
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278
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149
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49
C Instruments
35
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25
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8
Piano (band part)
6
Accordion
4
Piano Trio: piano, violin, cello
3
Piano Quartet: piano, violin, viola, cello
2
2 Pianos, 4 hands
2
2 Pianos, 8 hands
2
Piano Accompaniment
2
Melody line, Piano
2
1 Piano, 6 hands
1
Solo instrument and Organ
1
+ 13 instrumentations
-
Retract
Guitars
Guitar notes and tablatures
74
Melody line, (Lyrics) and Chords
64
Bass guitar
54
Guitar
45
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30
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24
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5
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3
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3
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3
Dulcimer
2
Guitar Ensemble
2
2 Guitars (duet)
1
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1
Banjo
1
Ukulele Ensemble
1
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+ 12 instrumentations
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Retract
Voice
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571
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218
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76
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73
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71
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57
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46
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35
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34
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6
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2
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1
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1
Soprano voice, Piano
1
+ 15 instrumentations
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160
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80
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77
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37
Saxophone (band part)
37
Alto Saxophone
28
Saxophone Quartet: 4 saxophones
24
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23
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20
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19
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16
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16
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15
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15
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14
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12
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12
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11
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8
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7
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5
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4
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4
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3
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2
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Baritone Saxophone
2
Flute, Clarinet and Bassoon.
2
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2
Saxophone, Clarinet (duet)
2
2 Recorders (duet)
2
Flute, Oboe, Bassoon
2
Piccolo
2
Soprano Saxophone
2
Saxophone Quintet: 5 Saxophones
2
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2
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2
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1
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1
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1
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1
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1
Flute, Viola (duet)
1
2 Clarinets, Piano
1
Flute, trombone and piano
1
Oboe, Harp
1
English horn, Piano
1
Baritone Saxophone, Piano
1
Clarinet, Cello, Piano (trio)
1
2 Clarinets, Bassoon
1
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1
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1
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1
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1
Ocarina
1
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1
Treble (Alto) Recorder, Piano
1
Flute, Oboe (duet)
1
Flute, Violin
1
Clarinet, Harp (duet)
1
Piccolo, Piano
1
Oboe, Cello
1
Saxophone, Bassoon (duet)
1
Flute, Clarinet, Violin (trio)
1
Flute, Cello, Piano (trio)
1
Bass Clarinet, Piano
1
Oboe and viola (duet)
1
English Horn, Guitar (duet)
1
Flute, Cello, Guitar
1
Flute, harp and violin
1
+ 81 instrumentations
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Retract
Woodbrass
Trumpet
81
Trombone
80
Trombone (band part)
54
Trumpet (band part)
45
French horn (band part)
20
Brass Quintet: 2 trumpets, horn, trombone, tuba
19
Trumpet, Piano
15
Tuba (band part)
12
Brass quartet : 2 trumpets, trombone, tuba
12
Trombone and Piano
12
French horn
10
Brass Quartet: 4 trombones
7
Tuba
5
French Horn and Piano
5
Brass Quartet
5
Euphonium, Piano (duet)
5
Brass Trio
4
Tuba and Piano
4
2 Trombones (duet)
4
2 Trumpets (duet)
4
3 Trumpets (trio)
4
Bb Instruments
4
Brass Quartet: 4 horns
3
Brass Quartet: 2 trumpets, horn, trombone
3
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Brass Quartet: 2 trumpets, 2 trombones
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Brass Quartet: 4 trumpets
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2
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1
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1
2 French horns (duet)
1
3 Trombones (trio)
1
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1
Tuba or Euphonium or Saxhorn
1
French Horn and Harp
1
Horn Ensemble
1
Trumpet, Trombone (duet)
1
Trombone, Tuba (duet)
1
Trumpet ensemble
1
English Horn, Guitar (duet)
1
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String Quartet: 2 violins, viola, cello
48
Violin
30
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26
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23
Cello
18
Cello, Piano
17
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14
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14
Harp
13
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12
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11
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8
4 Cellos
8
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8
2 Violins (duet)
7
Viola (band part)
6
2 Harps (duet)
5
2 Cellos (duet)
4
String Quartet : 4 violas
4
Harp, Flute (duet)
3
Viola, Cello (duet)
3
String Trio: 3 violins
3
Double Bass
3
Harp, Violin (duet)
2
Violin, Organ
2
String Trio: 2 violins, cello
2
Harp, Cello (duet)
2
Cello, Guitar (duet)
2
Violin, Viola (duet)
2
String Quintet: 2 violins, viola, cello, bass
1
String Trio: 2 violins, viola
1
Harp, Trombone (duet)
1
Harp, Violin, Violoncello
1
Harp (band part)
1
2 Violins, Piano
1
String Trio: 3 cellos
1
Viola and Harp
1
Violin, Guitar (duet)
1
Double bass, Piano (duet)
1
+ 34 instrumentations
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173
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80
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51
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43
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29
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24
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20
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12
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7
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6
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4
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3
Jazz combo
3
Percussion
2
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2
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You've selected:
Gloria - Vivaldi
Brass quartet : 2 trumpets, trombone, tuba
Sheetmusic to print
12 sheet music found
<
1
Gloria
#
Brass quartet : 2 trumpets, trombone, tuba
#
INTERMEDIATE
#
Contemporary
#
Sam Smith
#
Whitney Lussier
#
Gloria
#
Rosesong Music
#
SheetMusicPlus
Brass Ensemble Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1173740 By Sam Smith. By Foy Vance and Samuel Frederick Smith. Arranged by Whit...
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Brass Ensemble Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1173740 By Sam Smith. By Foy Vance and Samuel Frederick Smith. Arranged by Whitney Lussier. Classical,Contemporary,Pop. Score and parts. 9 pages. Rosesong Music #773890. Published by Rosesong Music (A0.1173740). A brass quartet version of Sam Smith's classical/gospel mashup, Gloria from their 2023 album Gloria. Described by Smith as their queer love hymn, this song takes listeners on a two minute emotional journey from pensive doubt to realization and exuberant self-acceptance.This chorale-style arrangement is in a brass-friendly key, and is closely adapted from the original SATB choral parts! The trombone and tuba are featured in the opening lyrical section, and every instrument gets a turn to show off their technical skills in the bombastic polyphonic section. Blend, balance and articulation matching are also emphasized, providing an excellent, student-friendly introduction to brass ensemble playing!Includes a full score and individual parts.
$12.99
SOLIO DE GLORIA
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Brass quartet : 2 trumpets, trombone, tuba
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Contemporary
#
Aobakwe Matlou
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Aobakwe Matlou
#
SOLIO DE GLORIA
#
Proffesor Matlou
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1032327 Composed by Aobakwe Matlou. Arranged by Aobakwe Matlou. Contemporary. Score ...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1032327 Composed by Aobakwe Matlou. Arranged by Aobakwe Matlou. Contemporary. Score and parts. 1 pages. Proffesor Matlou #4767131. Published by Proffesor Matlou (A0.1032327). A niece piece with percussion part included.
$2.00
Machaut: La Messe de Nostre Dame for Brass Quartet - Score Only
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Brass quartet : 2 trumpets, trombone, tuba
#
EASY
#
Guillaume de Machaut, 1300-137
#
James M
#
2 Trombones 1
#
Machaut: La Messe de Nostre Da
#
jmsgu3
#
SheetMusicPlus
Brass Quartet - Level 2 - Digital Download SKU: A0.1257202 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie, ASCAP. Chamber,Cont...
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Brass Quartet - Level 2 - Digital Download SKU: A0.1257202 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #850533. Published by jmsgu3 (A0.1257202). INSTRUMENTATION: Cornet, French Horn & 2 Trombones 1. Kyrie 2. Gloria 3. Credo 4. Sanctus 5. Agnus dei 6. Ite missa est Guillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Â Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are pretty lengthy. Therefore, Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for its uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. Â The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. Although the Gloria and Credo have no apparent chant basis, they are stylistically related. The mass is unified, meaning the composer selected relevant chants as the borrowed tenor for each section. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Â Overall, the Messe de Nostre Dame was a vital part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval and religious music.
$49.95
Machaut: Le Messe de Nostre Dame for 2 Horns & 2 Trombones - Score Only
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Brass quartet : 2 trumpets, trombone, tuba
#
EASY
#
Guillaume de Machaut, 1300-137
#
James M
#
Machaut: Le Messe de Nostre Da
#
jmsgu3
#
SheetMusicPlus
Brass Quartet - Level 2 - Digital Download SKU: A0.1258043 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Ear...
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Brass Quartet - Level 2 - Digital Download SKU: A0.1258043 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #851281. Published by jmsgu3 (A0.1258043). 1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$49.95
I Will Survive
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Brass quartet : 2 trumpets, trombone, tuba
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INTERMEDIATE
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Gloria Gaynor
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Diego Marani
#
I Will Survive
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Diego Marani
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.527776 By Gloria Gaynor. By Dino Fekaris and Frederick J. Perren. Arranged...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.527776 By Gloria Gaynor. By Dino Fekaris and Frederick J. Perren. Arranged by Diego Marani. 20th Century,Contemporary,Instructional,Pop,Standards. Score and parts. 21 pages. Diego Marani #3452917. Published by Diego Marani (A0.527776). I Will Survive is a hit song first performed by American singer Gloria Gaynor, released in October 1978. It was written by Freddie Perren and Dino Fekaris. A top-selling song after its initial release, it sold 14 million copies worldwide and has remained a popular disco anthem. The song is also frequently recalled as a symbol of female strength and as a gay anthem.This arrangement for brass quintet includes the following parts: Bb Trumpet 1, Bb Trumpet 2, F Horn, Trombone, Tuba.It is suitable for repertoire, classroom and recital.
$22.99
Angels We Have Heard on High
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Brass quartet : 2 trumpets, trombone, tuba
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INTERMEDIATE
#
Christmas
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Traditional French Carol
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Ryan Putt
#
Angels We Have Heard on High
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Brasswood Publishing, LLC
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.944202 Composed by Traditional French Carol. Arranged by Ryan Putt. Christ...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.944202 Composed by Traditional French Carol. Arranged by Ryan Putt. Christmas. Score and parts. 15 pages. Brasswood Publishing, LLC #6018685. Published by Brasswood Publishing, LLC (A0.944202). This arrangement of the popular Christmas carol opens with a fragmented melody and bell tones in the low brass. The first section follows a more traditional harmonization of the melody with the trumpets providing an ornamental statement of the Gloria. The trombone takes over the melody at the key change, ultimately handing it off to the horn for the final Gloria to bring the piece to a close. The trumpets frequently provide an ornamental harmony that floats above the rest of the ensemble, with trombone adding to this in the final bars of the piece. This arrangement would be an exciting addition to any holiday concert. Accessible and challenging for each member of the ensemble.
$10.99
"Merry Christmas!" for Brass Quartet
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Brass quartet : 2 trumpets, trombone, tuba
#
INTERMEDIATE
#
Christmas
#
Diego Marani
#
"Merry Christmas!" for Brass Q
#
Diego Marani
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.528491 Arranged by Diego Marani. Christmas,Classical,Concert,Instructional...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.528491 Arranged by Diego Marani. Christmas,Classical,Concert,Instructional,Standards. Score and parts. 19 pages. Diego Marani #6083831. Published by Diego Marani (A0.528491). Merry Christmas! is an arrangement for brass quartet (Bb Trumpet 1, Bb Trumpet 2, Trombone or F horn, Tuba) of the most famous Christmas carols including: Alleluja (G. Haendel), Adeste Fideles (Trad.), Deck The Halls (Trad.), Stille Nacht (F. Gruber), Good King Wenceslas (Trad.), Gloria In Excelsis Deo (Trad.), Greensleeves (Trad.), Jingle Bells (J. Pierpont).
$14.99
The Little Drummer Boy - Score Only
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Brass quartet : 2 trumpets, trombone, tuba
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INTERMEDIATE
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Gloria Gaynor
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César Madeira
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The Little Drummer Boy - Score
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Sheet Music To Play Editions
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SheetMusicPlus
Brass Quartet - Level 3 - Digital Download SKU: A0.1328673 By Gloria Gaynor. By Harry Simeone, Henry Onorati, and Katherine K. Davis. Arranged by Césa...
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Brass Quartet - Level 3 - Digital Download SKU: A0.1328673 By Gloria Gaynor. By Harry Simeone, Henry Onorati, and Katherine K. Davis. Arranged by César Madeira. Chamber,Christmas,Contemporary,Multicultural,Pop,World. 5 pages. Sheet Music To Play Editions #916687. Published by Sheet Music To Play Editions (A0.1328673). The Little Drummer Boy. Arrangement for Brass Quartet - Bb Trumpet 1, 2 and Trombone 1, 2. With Full Score. Enjoy it!This file DOES NOT contain Individual Parts. Full Score only.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$12.99
Gabriel's Message (The Angel Gabriel to Heaven Came) - brass quintet, hand percussion
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Brass quartet : 2 trumpets, trombone, tuba
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INTERMEDIATE
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Traditional Basque Carol
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Todd Marchand
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Gabriel's Message
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Con Spirito Music
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.726091 Composed by Traditional Basque Carol. Arranged by Todd Marchand. Ch...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.726091 Composed by Traditional Basque Carol. Arranged by Todd Marchand. Christmas,Holiday,Sacred,Traditional. Score and parts. 18 pages. Con Spirito Music #4798963. Published by Con Spirito Music (A0.726091). Gabriel's Message (The Angel Gabriel to Heaven Came) is a folk carol from the Basque Country, the region that straddles the westernmost Pyrenees Mountains in adjacent parts of northern Spain and southwestern France. A vernacular paraphrase of the 13th/14th-century Latin carol, Angelus ad virginem, the text was translated from Basque and paraphrased into English by the Anglican priest and scholar Sabine Baring-Gould (1834-1924). Commonly sung at Advent and Christmas, Gabriel's Message quotes the biblical account of the Annunciation (Luke 1:26-38) and the Magnificat (Luke 1:46-55) in its opening lines:The angel Gabriel from heaven came,his wings as drifted snow, his eyes as flame;All hail, said he, thou lowly maiden Mary,most highly favoured lady. Gloria!The Basque tune was collected and published by the French composer Charles Bordes (1863-1909) in Archives de la tradition basque (1890) and was arranged and published by the English organist/choirmaster Edgar Pettman (1866-1943) in his 1892 collection, Modern Christmas Carols. Pettman's setting remains a favorite among choirs to this day. This arrangement features each of the voices of the brass quintet on the tune and augments the ensemble with optional finger cymbals and tambourine. ©Copyright 2019 Todd Marchand / ConSpiritoMusic. Visit www.conspiritomusic.com
$15.00
Hodie Christus Natus Est - brass quintet
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Brass quartet : 2 trumpets, trombone, tuba
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INTERMEDIATE/ADVANCED
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Gregorian Chant
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Todd Marchand
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Hodie Christus Natus Est - bra
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Con Spirito Music
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.726024 Composed by Gregorian Chant. Arranged by Todd Marchand. Christmas,C...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.726024 Composed by Gregorian Chant. Arranged by Todd Marchand. Christmas,Classical,Sacred. Score and parts. 9 pages. Con Spirito Music #2957979. Published by Con Spirito Music (A0.726024). Hodie Christus Natus Est is the antiphon sung before and after the Magnificat (song of the Virgin Mary) in the monastic service of Vespers on Christmas Day. The text announces:Hodie Christus natus est: / Hodie Salvator apparuit: / Hodie in terra canunt Angeli, / laetantur Archangeli / Hodie exsultant justi, dicentes: / Gloria in excelsis Deo. Alleluia.Translated:Today Christ is born: / Today the Savior appeared: / Today on Earth the Angels sing, / Archangels rejoice: / Today the righteous rejoice, saying: / Glory to God in the highest. Alleluia.Hodie Christus Natus Est is traditionally sung monophonically (without accompanying harmony) to a Gregorian chant tune in Dorian mode (Mode 1 of the eight church modes). In this arrangement, the antiphon is presented three times, each harmonized and arranged differently, and the final Alleluia is played three times.©Copyright 2013 Todd Marchand / Con Spirito Music. Visit www.conspiritomusic.com
$15.00
DIES IRAE from REQUIEM by G. Verdi
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Brass quartet : 2 trumpets, trombone, tuba
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EASY
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Giuseppe Verdi
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Alessandro Macrì
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DIES IRAE from REQUIEM by G. V
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Music Macri Editions
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.931249 Composed by Giuseppe Verdi. Arranged by Alessandro Macrì. A Capp...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.931249 Composed by Giuseppe Verdi. Arranged by Alessandro Macrì. A Cappella,Concert,Film/TV,Romantic Period,Sacred. Score and parts. 20 pages. Music Macri Editions #5771023. Published by Music Macri Editions (A0.931249). La Messa da Requiem di Giuseppe Verdi è un'opera certamente religiosa, ma in un modo tutto suo, scritta cioè da un uomo che non era propriamente praticante: composta ed eseguita (su un precedente progetto per Rossini) nel 1874 per commemorare Alessandro Manzoni a un anno dalla scomparsa, è un lavoro che unisce, alla devozione quasi filiale per i due Grandi, una sensibilità operistica tutta verdiana. E in verità , i cantanti solisti che Verdi aveva in mente nello scrivere la partitura erano certamente voci d’opera.La prima nella chiesa di San Marco a Milano ebbe un tale successo che si tennero altre tre esecuzioni al Teatro alla Scala. Francis Tovey scrive: La Messa era arrivata nella sua vera casa (...) dove il pubblico, che non doveva badare alle convenzioni ecclesiastiche, poté dare sfogo al proprio entusiasmo, con esuberanza tipicamente italiana. Verdi non aveva intenzione di riservare la partitura a rare, solenni commemorazioni. La qualità drammatica e operistica del Requiem mal si adatta all’uso di un servizio regolare in chiesa, né il compositore voleva che funzionasse come liturgia. Fin dall'inizio, Verdi ha concepito il suo Requiem per l’esecuzione, non per la devozione; voleva che il suo lavoro fosse complementare alla popolarità di Manzoni per mostrare al mondo la cultura italiana, tanto che lo portò personalmente in tournée a Parigi, New York, Londra e Vienna.Il Requiem di Verdi, come Ein deutsches Requiem di Johannes Brahms, è l’affermazione di un dolore personale che si serve di un testo preso in prestito dalla liturgia sacra.Neanche Brahms, come Verdi, era particolarmente devoto. Per entrambi, le parole della messa da requiem per i defunti rappresentano il bisogno universale di esprimere le emozioni che ci assalgono quando una persona amata muore: dolore, perdita, tristezza, rabbia, paura del giudizio divino e speranza di pace sia per i defunti che per coloro che sono in lutto.Verdi inizia con i versi Requiem aeternam dona eis, Domine che il coro e l'orchestra intonano in fasi sommesse e raccolte. I quattro solisti si uniscono al coro e all'orchestra per uno stentoreo Kyrie eleison. Il tonitruante boato orchestrale e corale del Dies irae che segue immediatamente il Kyrie è il momento più atteso e memorabile del Requiem. Qui i musicisti, i coristi e i cantanti devono produrre esplosioni sonore continue e inarrestabili. Gli ottoni, le percussioni, i legni e il coro sono tirati al massimo, mentre le voci gridano sgomento e dolore, e gli archi crescono di intensità e impeto. Del resto, il materiale musicale del pauroso Dies irae ritorna di continuo lungo tutta la Messa, dipingendo un quadro da Giorno del Giudizio: non a caso l’opera è stata equiparata all’affresco michelangiolesco della Cappella Sistina. Un lavoro cupamente drammatico, con intermittenti, brevi, violenti lampi di luce.Di volta in volta, Verdi ci fa vivere il terrore dell'inferno (timbri e registri bassi) e la luminosa speranza di salvezza, preparandoci alla gioia del Sanctus, con la tromba che annuncia Santo, santo, santo, Signore degli eserciti! Il cielo e la terra sono pieni della tua gloria!Verdi conclude il suo Requiem con un soprano che intona i primi versi di Libera me (Liberami, o Signore, dalla morte eterna in quel terribile giorno). Tutto il dramma, il terrore, l’angoscia delle sezioni precedenti ritorna, come se il compositore intendesse lasciarci con un senso di incertezza: saremo, alla fine, riscattati? Verdi riprende qui la musica del Dies irae, ma alla fine, il coro e il soprano finiscono in un sussurro quasi impercettibile, con Libera me. Libera me: una speranza, una preghiera, un gemito sommesso.
$9.00
"Merry Christmas!" for Brass Quintet
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Brass quartet : 2 trumpets, trombone, tuba
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INTERMEDIATE
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Christmas
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Diego Marani
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"Merry Christmas!" for Brass Q
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Diego Marani
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.528490 Arranged by Diego Marani. Christmas,Classical,Concert,Instructional...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.528490 Arranged by Diego Marani. Christmas,Classical,Concert,Instructional,Standards. Score and parts. 24 pages. Diego Marani #6083829. Published by Diego Marani (A0.528490). Merry Christmas! is an arrangement for brass quintet (Bb Trumpet 1, Bb Trumpet 2, F Horn, Trombone, Tuba) of the most famous Christmas carols including: Alleluja (G. Haendel), Adeste Fideles (Trad.), Deck The Halls (Trad.), Stille Nacht (F. Gruber), Good King Wenceslas (Trad.), Gloria In Excelsis Deo (Trad.), Greensleeves (Trad.), Jingle Bells (J. Pierpont).
$16.99
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