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You've selected:
A Song Of Ice And Fire
Brass quartet : 2 trumpets, trombone, tuba
Sheetmusic to print
4 sheet music found
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1
The Christmas Song (chestnuts Roasting On An Open Fire)
Brass quartet : 2 trumpets, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1129678
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1129678 By Christina Aguilera. By Mel Torme and Robert Wells. Arranged by Joseph Pugh. Christmas,Holiday,Jazz,Pop. Score and parts. 9 pages. Joseph Pugh #730088. Published by Joseph Pugh (A0.1129678). According to Tormé, the song was written in July during a blistering hot summer. In an effort to stay cool by thinking cool, the most-performed (according to BMI) Christmas song was born. I saw a spiral pad on his (Wells's) piano with four lines written in pencil, Tormé recalled. They started, 'Chestnuts roasting..., Jack Frost nipping..., Yuletide carols..., Folks dressed up like Eskimos.' Bob didn't think he was writing a song lyric. He said he thought if he could immerse himself in winter he could cool off. Forty minutes later that song was written. I wrote all the music and some of the lyrics. This is Joseph Pugh's Brass Quintet arrangement of the classic. Download today at a reduced price.
$12.99
11.82 €
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Brass quartet : 2 trumpets, trombone, tuba
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Christina Aguilera
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The Christmas Song
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Joseph Pugh
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SheetMusicPlus
Fireflies
Brass quartet : 2 trumpets, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1038664
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1038664 By Owl City. By Adam Young. Arranged by James Symington. Contemporary,Pop. Score and parts. 16 pages. James Edward Ernest Symington #643651. Published by James Edward Ernest Symington (A0.1038664). Fireflies is the debut single from American electronica project Owl City's album Ocean Eyes. Frontman Adam Young wrote how he enjoyed the fireflies in his hometown of Owatonna, Minnesota, and the rest of the track about seeing fireflies while he was awake with insomnia, with Matt Thiessen also producing and providing guest vocals. The song is built around a bleepy synthline and includes lyrics about insomnia, fireflies and summer. This arrangement by James Symington is a perfect modern day choice for any brass quintet. This particular arrangement is for the advanced brass quintet and will present a challenge to most players within the ensemble.
$12.99
11.82 €
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Brass quartet : 2 trumpets, trombone, tuba
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Owl City
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Fireflies
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James Edward Ernest Symington
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SheetMusicPlus
September
Brass quartet : 2 trumpets, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.528530
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.528530 By Earth Wind and Fire. By Al McKay, Allee Willis, and Maurice White. Arranged by Diego Marani. Contemporary,Film/TV,Hip-Hop,Instructional,R & B,Standards. Score and parts. 11 pages. Diego Marani #6138699. Published by Diego Marani (A0.528530). September is a song by the band Earth, Wind & Fire released as a single in 1978. September was very successful commercially and reached No. 1 on the US Billboard Hot R&B Songs chart, No. 8 on the US Billboard Hot 100, and No. 3 on the UK Singles Chart. The song remains a staple of the band's body of work and has been sampled, covered, remixed, and re-recorded numerous times.This arrangement for brass quartet includes the following parts: Bb Trumpet 1, Bb Trumpet 2, Trombone or F Horn, Tuba.It is suitable for classroom, repertoire and recital.
$14.99
13.63 €
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Brass quartet : 2 trumpets, trombone, tuba
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Earth Wind and Fire
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Fire 
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September
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Diego Marani
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SheetMusicPlus
Brass Quintet - Three Pastoral Sketches
Brass quartet : 2 trumpets, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.767578
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Lyons Music Services #6422239. Published by Lyons Music Services (A0.767578). These three pieces form a small suite, linked by the idea of ‘pastoral’ or rustic situations and places. The first piece to be written now forms the middle movement, though at first it was the starting point. This is not easy music. It travels through several keys with large numbers of sharps and flats and in places the time signature shifts constantly. The first movement is modal, being based on the mixolydian and dorian modes. I took for this movement the idea of ancient Celts celebrating a victory and dancing and getting drunk around a smoky fire. Their chieftain strikes up a song, accompanied by a double drone. This melody is initially stated on the horn, with just two other instruments providing the accompaniment. At 4 before B, the remaining instruments join in, providing a rhythmic pulse and the melody moves to the Euphonium/Baritone/Trombone. Subtle variations shape the melody anew, leading to letter C. Here the complex overlapping rhythms provide a more dance-like feel to the music. Also, countermelodies start to appear which build the excitement. At letter E, the music becomes louder and the rhythmic pulse more insistent (perhaps they are dancing on the tables?) The mode changes to the more major sounding mixolydian. But from here on in, the revellers are starting to wend their way home, still singing and dancing and they gradually fade into the distance. At letter G, we’re back to three players, but with the trumpet 1 playing a rhythmic melody over the top of the original tune. The second movement is called The Aesthetes. The aesthetic movement was formed in the 19th century, but had been around before that in less formal garb. Their ideal was to emulate the Ancient Greeks and Romans – or at least their perception of what the ancients were like as found in statues, paintings and friezes. They adopted studied poses and were very effete in their mannerisms. Gilbert and Sullivan parodied the aesthetic movement in their operettas – particularly Princess Ida (but also in the Mikado and various others). So, here is a movement with classical lines in the style of a minuet, but in 6/8 rather than ¾ so that it can be more languid. All the melodies are ‘studied’ and ‘formal’ with long, languid notes and rhythms which don’t quite fit to the beat as the aesthetes pose and ponder and languidly look, studied and pale and wan. Because of the long notes in the melody, there’s an almost dream-like quality to the music as if they are seeing through a haze of Wormwood or Absinthe (a favourite drink of the aesthetes when they weren’t high on themselves or opiates). The third and final movement is called The Bohemians. This was also a movement at the end of the 19th Century. Where the aesthetes were ruled by rules, the Bohemians lived by none. They were considered wild and unconventional to say the least. The Bohemians movement owed much to the supposed free life and style of the gypsies and wanderers of Europe. Our piece starts with a gypsy violin style opening, including a cadenza, and then moves into the rapidly time shifting and gyrating gypsy dance. This section is in alternating bars of 5/8 and 6/8 with occasional 11/8 thrown in to keep you off balance. The frantic and frenetic movement continues up to letter F where things calm down a little – but not for long as the intensity increases again from Letter H to the quite sudden ending. This is tuneful yet challenging music which will take a lot of effort, but which will give a lot back in return.
$28.00
25.47 €
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Brass quartet : 2 trumpets, trombone, tuba
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Mike Lyons
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Brass Quintet - Three Pastoral Sketches
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Lyons Music Services
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SheetMusicPlus
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