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Brass quartet : 2 trumpets, trombone, tuba
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Built on the Rock the Church Doth Stand - brass quintet
Brass quartet : 2 trumpets, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.726093
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.726093 Composed by Ludvig M. Lindeman. Arranged by Todd Marchand. Christian,Sacred. Score and parts. 17 pages. Con Spirito Music #4967607. Published by Con Spirito Music (A0.726093). Built on the Rock is a proclamation, through scripturally anchored words and sturdily architected music, of the nature and eternity of the Church whose foundation is Jesus Christ. Long a favorite of Scandinavian Christians and Lutherans, the hymn was written by Danish theologian, cleric, and poet Nicolai F.S. Grundtvig (1783-1872), whose criticism of the rationalist philosophy then predominant in the Danish Lutheran church, and his argument for Christianity as a revealed, inspired, and sacramental religion, led to the revitalization of that church. The text was translated to English by Carl Doving (1867-1937).The tune accompanying the text, known as KIRKEN DEN DER ET, was the first hymn tune written by Danish organist, composer, and folk music collector Ludvig Mathias Lindeman (1812-1887). It is an austere, arching, and folk-like melody in the Dorian mode. This arrangement begins with individual voices of the brass quintet, like individual members of the Church, joining together in various combinations and as a whole to introduce the tune. Verses 2 and 3 (measure numbers 33 and 65) present the tune in additional combinations. Verse 4 (measure 101) introduces alternate harmonizations and features a soaring descant in Trumpet 1, powerful unison statements by the entire ensemble, and majestic final chords.©2019 Todd Marchand / Con Spirito Music. This video is a demo of the sheet music available from Con Spirito Music. Visit www.conspiritomusic.com
$15.00
13.49 €
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Brass quartet : 2 trumpets, trombone, tuba
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Ludvig M
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Built on the Rock the Church Doth Stand - brass quintet
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Con Spirito Music
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SheetMusicPlus
Musikständchen (Musical Serenade)
Brass quartet : 2 trumpets, trombone, tuba
Brass Ensemble Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1283385 C…
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Brass Ensemble Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1283385 Composed by Reto Stadelmann. 21st Century,Contemporary,Praise & Worship,Wedding. Score and Parts. 13 pages. Reto Stadelmann Music #874570. Published by Reto Stadelmann Music (A0.1283385). Musikständchen (Musical Serenade), for Brass Sextet or Brass Ensemble. This piece is perfect for weddings, church events of any kind, as a fanfare for the opening of ceremonies (such as graduations), and celebrations, thanks to its festive character. The instrumentation consists of Trumpet 1, Trumpet 2, Trumpet 3, Trombone 1, Trombone 2, and Tuba. The score includes trombone parts in C and Bb, and tuba parts in C, Eb, and Bb.
$11.99
10.78 €
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Brass quartet : 2 trumpets, trombone, tuba
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Reto Stadelmann
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Musikständchen
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Reto Stadelmann Music
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SheetMusicPlus
A Billings Triptych - for 8-Part Brass Choir
Brass quartet : 2 trumpets, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1030615
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1030615 Composed by William Billings. Arranged by Mike Allsen. Classical,Praise & Worship,Renaissance,Sacred,Spiritual. Score and parts. 41 pages. Aaron Hettinga #636010. Published by Aaron Hettinga (A0.1030615). William Billings (1746-1800) was North America’s first great choral composer. He spent most of his life in Boston, working at various times as a tanner or as minor civic official, and occasionally as a church musician. Billings seems to have had little formal music training, but when he was just 22, he also set himself up as an itinerant singing-master, teaching “singing-schools,†where children and adults could learn the rudiments of musical notation and solfege. To feed the market he and other singing-masters had helped to create, Billings published six collections of music, mostly for SATB voices, The first of these, The New England Psalm-Singer (1770) featured a frontispiece engraved by his friend Paul Revere. Billings was fairly prosperous by 1780s, but his good fortune faded in the 1790s. His final collection of music, The Continental Harmony of 1794, was published for his benefit by a group of Boston friends. Billings died destitute in 1800. Billings composed some 340 pieces, mostly collected in his printed editions. This music has a rough-edged and sturdy beauty that is distinctly different from anything in contemporary Europe. The vast majority of Billings’s works were hymns or “psalm tunes.†He was particularly attracted to the great English hymn-writer Isaac Watts (1674-1748), though Billings himself wrote verses for many of his hymns. One of the most famous Billings “psalm tunes,†Chester is not a Christian hymn, but rather a patriotic song of defiance directed against the British. Billings spent nearly all of the Revolutionary War in Boston and made no secret of his patriot sentiments. Chester was first published in 1770, but when he republished it in his The Singing-Master’s Assistant during the height of the war in 1778, Billings added a verse calling out the “infernal league†of the leading British generals Howe, Burgoyne, Clinton, Prescot and Cornwallis. Many brass-players will know Chester from the finale of William Schuman’s 1957 band piece A New England Triptych. Billings also composed over 50 “fuging-tunesâ€â€”a genre that usually included a short introduction and a repeated contrapuntal section. (These fuging sections usually begin with imitation, but they are otherwise not at all like classical fugues written in Europe at the time.) The fuging-tune Creation is one of his later works, published in The Continental Harmony of 1794, and experiments with the form. It sets two verses of the Watts hymn “When I With Pleasing Wonder Stand†though final line of verse 1 is repeated in a striking phrase that suddenly moves twice as fast (m.15). The fuging section begins in m.30, and rather than the usual exact repeat, Billing writes an entirely new and more elaborate second section beginning at m.44. Billings first published the simple but beautiful Africa in 1770, and published a revised version in 1778; the later version appearing with the Isaac Watts hymn “Now Shall My Inward Joys Arise.†I first arranged Africa in 1995, for the Glenwood Moravian Trombone Choir (Madison, WI), and I edited it for this publication. Phrasing and articulations marked here reflect the original vocal texts. Africa has long been a favorite of the Glenwood group. Chester and Creation were arranged in 2022. Mike Allsen February 2022.
$34.99
31.46 €
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Brass quartet : 2 trumpets, trombone, tuba
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William Billings
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A Billings Triptych - for 8-Part Brass Choir
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Aaron Hettinga
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SheetMusicPlus
As With Gladness Men Of Old (Brass Quintet)
Brass quartet : 2 trumpets, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.855267
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.855267 Composed by Conrad Kochier (1786-1872). Arranged by Joseph Pugh. Christian,Christmas,Classical,Concert,Standards. Score and parts. 2 pages. Joseph Pugh #6518121. Published by Joseph Pugh (A0.855267). Trained as a teacher, Conrad Kocher (b. Ditzingen, Wurttemberg, Germany, 1786; d. Stuttgart, Germany, 1872) moved to St. Petersburg, Russia, to work as a tutor at the age of seventeen. But his love for the music of Haydn and Mozart impelled him to a career in music. He moved back to Germany in 1811, settled in Stuttgart, and remained there for most of his life. The prestigious Cotta music firm published some of his early compositions and sent him to study music in Italy, where he came under the influence of Palestrina's music. In 1821 Kocher founded the School for Sacred Song in Stuttgart, which popularized four-part singing in the churches of that region. He was organist and choir director at the Striftsckirche in Stuttgart from 1827 to 1865. Kocher wrote a treatise on church music, Die Tonkunst in der Kirche (1823), collected a large number of chorales in Zions Harfe (1855), and composed an oratorio, two operas, and some sonatas. William H. Monk created the current form of DIX by revising and shortening Conrad Kocher's chorale melody for Treuer Heiland, wir sind hir, found in Kocher's Stimmen aus den Reiche Gottes (1838).-Hymnary.com Bert PolmanChristmas season wouldn't be complete without the Christmas Hymns. Joseph's arrangement of this classic Christmas Hymn will bring the Spirit of Christmas to your audience as well as, comfort and joy.Download it today and start getting ready for your Christmas gigs.
$19.99
17.98 €
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Brass quartet : 2 trumpets, trombone, tuba
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Conrad Kochier
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d
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As With Gladness Men Of Old
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Joseph Pugh
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SheetMusicPlus
Kyrie (Durante) (Brass Quartet - 1 Trp, 1 Hrn, 1 Trb, 1 Tuba)
Brass quartet : 2 trumpets, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1092443
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1092443 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,Sacred. Score and parts. 8 pages. Regis Bookshar #696535. Published by Regis Bookshar (A0.1092443). Kyrie - by Francesco Durante; Brass Quartet – Intermediate – Digital Download. “Kyrieâ€, originally written for a four-part vocal ensemble by Francesco Durante, has now been transcribed, edited and arranged by Regis Bookshar, for a Brass Quartet, consisting of 1 Bb Trumpet, 1 French Horn, 1 Trombone and 1 Tuba. It would be a welcomed addition to any music library. This short composition, which lasts less than two minutes, will provide many students with the opportunity to practice breath control because of its long phrases, and to help them to continue to develop good intonation because many of the phrases cadence on a unison note. This selection could be performed for concerts, recitals and church services. It is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (8 pages). This selection is one of the many arrangements from the Regis Bookshar Trumpet Ensemble’s extensive music library which are being made available for the first time. We have performed the Trumpet Quartet version of this composition for many church services, especially funerals, when we were asked to supply something more somber and introspective rather than the louder, more festive music which many people come to expect from a Trumpet Ensemble. Francesco Durante was an Italian composer who was born on March 31, 1684 at Frattamaggiore, in the Kingdom of Naples. At an early age he entered the Conservatorio dei poveri di Gesu Cristo, in Naples, where he received lessons from Gaetano Greco. Later he became a pupil of Alessandro Scarlatti at the Conservatorio di Sant’Onofrio. He is said to have succeeded Scarlatti in 1725 at Sant’Onofrio and to have remained there until 1742, when he succeeded Nicola Porpora as head of the Conservatorio di Santa Maria de Loreto, also in Naples. He held this post for thirteen years, until his death on September 30, 1755. His fame as a teacher was considerable, and, unlike his Neapolitan contemporaries, who attracted international notice with their operas, Francesco Durante achieved recognition through his church music, along with some vocal chamber and instrumental works. His concern was not quantity. A complete collection of Durante’s works, consisting almost exclusively of sacred music, was presented by Gaspare Selveggi, a Neapolitan art collector and music theorist, to the Bibliotheque Nationale in Paris. The imperial library of Vienna also preserves a valuable collection of Durante’s manuscripts. The fact that Durante never composed for the stage brought him an exaggerated reputation as a composer of sacred music. He was considered one of the best church composers of his style and period. In his masses, requiems, litanies and Lamentations, he could provide strong expressive moments, as he does in this “Kyrieâ€. In addition to this arrangement for a Brass Quartet, Regis Bookshar has also made other arrangements of this selection. There are Quartets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I’m certain that this beautiful arrangement of Francesco Durante’s “Kyrie†will continue to entertain both performers and audiences alike for years to come.
$10.00
8.99 €
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Brass quartet : 2 trumpets, trombone, tuba
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Francesco Durante
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Kyrie
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Regis Bookshar
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SheetMusicPlus
Ave verum corpus
Brass quartet : 2 trumpets, trombone, tuba
Brass Ensemble Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.782227 Co…
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Brass Ensemble Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.782227 Composed by Wolfgang Amadeus Mozart. Arranged by James Haynor. Classical,Praise & Worship. Score and parts. 13 pages. James Haynor #3684157. Published by James Haynor (A0.782227). Ave verum corpus (Hail, true body), ( K. 618), is a motet in D Major composed by Wolfgang Amedeus Mozart in 1791. It is a setting of the Latin hymn Ave verum corpus. Mozart wrote it for Anton Stoll, a friend who was the church musician of St. Stephan. The motet was composed for the feast Corpus Cristi; the autograph is dated 17 June 1791. It is scored for SATB Choir, string instruments and organ. Scored here for 4 Trumpets ( Flugelhorns ), 3 Trombones and Tuba. Duration : 3:09
$10.00
8.99 €
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Brass quartet : 2 trumpets, trombone, tuba
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Wolfgang Amadeus Mozart
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Ave verum corpus
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James Haynor
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SheetMusicPlus
How Firm A Foundation (Brass Quintet)
Brass quartet : 2 trumpets, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.854985
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.854985 Composed by Early American Melody- by Joseph Funk,lyrics by Robert Keene. Arranged by Joseph Pugh. Christian,Gospel,Praise & Worship,Sacred. Score and parts. 8 pages. Joseph Pugh #5851071. Published by Joseph Pugh (A0.854985). This brass quintet arrangement by Joseph Pugh of How Firm a Foundation is a Christian hymn, published in 1787 by John Rippon in A Selection of Hymns from the Best Authors, Intended to be an Appendix to Dr. Watts's Psalms and Hymns, known as Rippon's Selection. It is attributed only to K, which probably refers to Robert Keen(e), precentor at Rippon's church,[1] though other names suggested include Richard or John Keene, Kirkham,John Keith or Words by G. Keith and Music by J. Reading as cited in the 1884 publication of Asa Hull's Jewels of Praise. [2] It is most often sung to the tune Foundation (or Protection) which first appeared in A Compilation of Genuine Church Music (1832) edited by Joseph Funk, though the original tune may be Keen(e)'s Geard(Wikipedia).
$19.99
17.98 €
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Brass quartet : 2 trumpets, trombone, tuba
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Early American Melody- by Joseph Funk,lyrics by Robert Keene
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How Firm A Foundation
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Joseph Pugh
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SheetMusicPlus
How Firm A Foundation
Brass quartet : 2 trumpets, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.683566
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.683566 Composed by Genuine Church Music, Winchester 1832. Arranged by Gert Th. Walter. Christian,Christmas,Praise & Worship,Sacred. Score and parts. 3 pages. Gert Th. Walter #6036159. Published by Gert Th. Walter (A0.683566). Very easy arrangement, but not only for pupil and beginners. It works for any church services, and it is especially appropriate for schools and students. © 2020 MusikVerlag Gert Walter, Germany. All Rights Reserved. https://www.musikverlaggertwalter.de
$5.99
5.39 €
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Brass quartet : 2 trumpets, trombone, tuba
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Genuine Church Music, Winchester 1832
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How Firm A Foundation
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Gert Th. Walter
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SheetMusicPlus
How Firm A Foundation
Brass quartet : 2 trumpets, trombone, tuba
Brass Ensemble Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.683567 Co…
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Brass Ensemble Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.683567 Composed by Genuine Church Music, Winchester 1832. Arranged by Gert Th. Walter. Christian,Christmas,Praise & Worship,Sacred. Score and parts. 3 pages. Gert Th. Walter #6036161. Published by Gert Th. Walter (A0.683567). Very easy arrangement, but not only for pupil and beginners. It works for any church services, and it is especially appropriate for schools and students. © 2020 MusikVerlag Gert Walter, Germany. All Rights Reserved. https://www.musikverlaggertwalter.de
$5.99
5.39 €
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Brass quartet : 2 trumpets, trombone, tuba
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Genuine Church Music, Winchester 1832
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How Firm A Foundation
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Gert Th. Walter
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SheetMusicPlus
Gesu Bambino — brass quintet
Brass quartet : 2 trumpets, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.726073
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.726073 Composed by Pietro A. Yon. Arranged by Todd Marchand. Christmas,Sacred. Score and parts. 17 pages. Con Spirito Music #3386423. Published by Con Spirito Music (A0.726073). Italian-born organist and composer Pietro Yon (1886-1943) wrote the anthem Gesu Bambino in 1917 while engaged as organist at St. Francis Xavier Church in Manhattan, New York, and as organ instructor and co-director (with his brother, Constantino) of the Yon Music Studios, a conservatory for liturgical musicians at New York’s Carnegie Hall.Yon was an acclaimed organist, later holding positions as Titular Organist of the Vatican and Music Director of St. Patrick’s Cathedral in New York. He supervised installations of organs at both St. Patrick’s and Carnegie Hall. He was an influential teacher as well, with students occupying positions as organists and music directors at prominent churches in New York, Philadelphia, Pittsburgh, Grand Rapids, Dallas, Salt Lake City, and more.Yon was among the most important composers of sacred music for the Roman Catholic Church in the first half of the twentieth century, writing 21 masses, numerous motets, and various other sacred works. In addition, he wrote works for solo organ and solo piano, songs, chamber music, and orchestral compositions including several concertos. His best-known work, however, is Gesu Bambino, which incorporates the Venite adoramus (O come, let us adore him) refrain of the carol, Adeste Fideles (O Come All Ye Faithful), as its refrain.©Copyright 2017 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. Visit www.conspiritomusic.com
$15.00
13.49 €
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Brass quartet : 2 trumpets, trombone, tuba
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Pietro A
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Gesu Bambino — brass quintet
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Con Spirito Music
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SheetMusicPlus
Beethoven's Symphony No. 7 2nd Movement for Brass quintet
Brass quartet : 2 trumpets, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.930998
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.930998 Composed by Ludwig van Beethoven. Arranged by Jimmy Lo. Children,Classical,Sacred,Spiritual. Score and parts. 36 pages. Jimmy Lo Brass Studio #3554883. Published by Jimmy Lo Brass Studio (A0.930998). Beethoven' s Symphony No. 7 2nd movement is epic movement that shows his brilliant skill of orchestration. It is also good to arrange for brass, especially for brass quintet. It works for church music, serious music concert.Full Score with Parts If you want to hear the recording, you can visit my youtube channel. Linkl: https://youtu.be/qigyDroAbEI Or search Jimmy lo brass studio.Also, feel free to subscribe my channel for supporting.
$14.00
12.59 €
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Brass quartet : 2 trumpets, trombone, tuba
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Ludwig van Beethoven
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Beethoven's Symphony No. 7 2nd Movement for Brass quintet
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Jimmy Lo Brass Studio
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SheetMusicPlus
Walking Together - for Brass Quintet
Brass quartet : 2 trumpets, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.941507
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.941507 Composed by Ronald F. Schardt. Concert,Contemporary,Sacred. Score and parts. 8 pages. R. Schardt #3885527. Published by R. Schardt (A0.941507). Walking Together emphasizes the cooperation, togetherness (listening to one another) of the five players (two trumpets, trombone, horn, tuba). It is suitable for many occasions, church services, ensemble recitals, etc. Advanced high school players (especially trumpet) and college players would handle this well.Individual instrument parts are available from the composer at no additional cost. Contact elrons62@gmail.com.
$8.00
7.19 €
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Brass quartet : 2 trumpets, trombone, tuba
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Ronald F
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Walking Together - for Brass Quintet
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R. Schardt
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SheetMusicPlus
Processional Grand March, Op. 25 (for Organ and Brass Quintet)
Brass quartet : 2 trumpets, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.740213
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.740213 Composed by Samuel Brenton Whitney. Arranged by Craig Garner. Romantic Period,Sacred. Score and parts. 41 pages. Dorm 40 Music #2918005. Published by Dorm 40 Music (A0.740213). Whitney, 1842-1914, was a celebrated American organist. A founding member of the American Guild of Organists, he served as organist at Church of the Advent in Boston for 36 years and taught organ at the New England Conservatory. Whitney was an important figure for the composition and performance of nineteenth-century American organ music. This march, originally for solo organ, has been arranged to incorporate the additional color and power of brass, to dynamic effect. A spectacular processional, and a wonderful example of American organ music. Suitable for a concert or any church service. Performance time, about 10 minutes (8 minutes if you skip repeats). Published by Dorm 40 Music, www.dorm40music
$22.00
19.78 €
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Brass quartet : 2 trumpets, trombone, tuba
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Samuel Brenton Whitney
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Processional Grand March, Op. 25
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Dorm 40 Music
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SheetMusicPlus
Prelude #21
Brass quartet : 2 trumpets, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.740248
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.740248 Composed by Frederic Chopin. Arranged by Craig Garner. Romantic Period. Score and parts. 10 pages. Dorm 40 Music #2930599. Published by Dorm 40 Music (A0.740248). Chopin 's music is rarely found in the quintet repertoire, which is a shame because the music is so beautiful and melodic. This little prelude translates so well, you'd think it was written for brass. Suitable for almost any occasion (we've even played it during a church service). Performance time, 2:15. Published by Dorm 40 Music, www.dorm40music.com.
$10.00
8.99 €
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Brass quartet : 2 trumpets, trombone, tuba
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Frederic Chopin
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Prelude #21
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Dorm 40 Music
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SheetMusicPlus
Salvation Is Created (for Brass Quintet and Organ)
Brass quartet : 2 trumpets, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.740220
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.740220 Composed by Pavel Grigorievich Chesnokov. Arranged by Craig Garner. Romantic Period,Sacred. Score and parts. 17 pages. Dorm 40 Music #2919641. Published by Dorm 40 Music (A0.740220). Chesnokov (also Tschesnokoff), 1877-1944, was a Russian teacher, composer and conductor. He wrote over 500 choral works in the Russian Orthodox tradition, of which this work is arguably his most famous, in part because of numerous band and drum corps arrangements. The text is from Psalm 74:12. Slow, beautiful and dramatic. Suitable for a concert or any church service. Arrangement includes alternate C Trumpet parts. Performance time, 3:00. Published by dorm 40 Music, www.dorm40music.com
$15.00
13.49 €
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Brass quartet : 2 trumpets, trombone, tuba
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Pavel Grigorievich Chesnokov
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Salvation Is Created
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Dorm 40 Music
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SheetMusicPlus
Lay a Garland
Brass quartet : 2 trumpets, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.740234
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.740234 Composed by Robert Lucas Pearsall. Arranged by Craig Garner. Contemporary,Romantic Period,Sacred. Score and parts. 12 pages. Dorm 40 Music #2924219. Published by Dorm 40 Music (A0.740234). Pearsall (1795-1856) is truly a diamond-in-the rough. A contemporary of Mendelssohn and Chopin, his sixty published works are in the style of Elizabethan madrigals with a Romantic Era expressionism. Slow and hauntingly beautiful, this madrigal is woven with suspensions chained one after another. A real find! Suitable for a concert, church service or funeral. Includes alternate C Trumpet parts. Performance time, 2:50. Published by dorm 40 music, www.dorm40music.com
$10.00
8.99 €
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Brass quartet : 2 trumpets, trombone, tuba
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Robert Lucas Pearsall
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Lay a Garland
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Dorm 40 Music
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SheetMusicPlus
Come, Ye Faithful, Raise the Strain - brass quintet
Brass quartet : 2 trumpets, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.726098
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.726098 Composed by Jan Roh. Arranged by Todd Marchand. Christian,Easter,Sacred. Score and parts. 17 pages. Con Spirito Music #5374805. Published by Con Spirito Music (A0.726098). Come, Ye Faithful, Raise the Strain is a resurrection hymn-text authored by the Byzantine priest, theologian, and poet, St. John of Damascus (c. 675-754). He is counted among the Fathers of the Eastern Orthodox Church and is regarded by the Roman Catholic Church as one the Doctors of the Church. The English translation of the hymn was completed by the Anglican priest, scholar, and hymn-writer John Mason Neale (1818-1866) and published in his Hymns of the Eastern Church (1862).  Come, Ye Faithful, Raise the Strain is typically sung to either of two hymn tunes: ST. KEVIN, by the English composer Sir Arthur Sullivan (1842-1900), and GAUDEAMUS PARITER, by the Bohemian bishop, hymn writer and composer Jan Roh (c. 1487-1547). The latter tune is the basis for this arrangement. With introductory and concluding fanfares, exposition of the tune in various instrumental combinations and harmonizations, and rich, powerful sonorities throughout, it is ideal as a prelude or postlude to Easter worship, or for use at any time. ©Copyright 2020 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. Visit www.conspiritomusic.com
$15.00
13.49 €
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Brass quartet : 2 trumpets, trombone, tuba
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Jan Roh
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Come, Ye Faithful, Raise the Strain - brass quintet
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Con Spirito Music
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SheetMusicPlus
O Come O Come Emmanuel - Brass Sextet
Brass quartet : 2 trumpets, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.986067
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.986067 Composed by Thomas Helmore (adapted from Plainsong). Arranged by David E. Harris. Christian,Christmas,Sacred. Score and parts. 20 pages. LLB Music Publishing (ASCAP) #4805427. Published by LLB Music Publishing (ASCAP) (A0.986067). A beautiful and sparkling arrangement of this traditional Christmas hymn for Brass SextetIncludes 6 part score and individual parts for Trumpet 1 (Bb), Trumpet 2 (Bb), Horn in F, Trombone 1, Trombone 2 (Bass), and Tuba.Duration: 2:48.David E. Harris is a composer in the Nashville, Tennessee area with a Bachelor of Music degree in Trumpet Performance and Doctor of Musical Arts in Composition. Dr. Harris is a past member of the trumpet sections of the Greenville (S.C.) and Memphis Symphony Orchestras and a current member of the Brentwood Baptist Church Orchestra where he plays trumpet and keyboard. Facebook page: https://www.facebook.com/LLB-Music-Publishing-2584616388232407More music listening available at https://soundcloud.com/user-985960936 https://youtube.com/c/LLBMusicPublishing
$7.99
7.18 €
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Brass quartet : 2 trumpets, trombone, tuba
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Thomas Helmore
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O Come O Come Emmanuel - Brass Sextet
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LLB Music Publishing
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SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (Brass Ensemble - Trps, Hrns, Trbs, Tubas)
Brass quartet : 2 trumpets, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.813843
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.813843 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 32 pages. Regis Bookshar #6537739. Published by Regis Bookshar (A0.813843). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Brass Ensemble) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (24 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, he has created this version for a Brass Ensemble. Parts included with the purchase are a 1st Trumpet in Bb, a 2nd Trumpet in Bb, a 3rd Trumpet in Bb, 1a st French Horn in F, a.
$18.00
16.19 €
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Brass quartet : 2 trumpets, trombone, tuba
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Antonin Dvorak
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Largo
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Regis Bookshar
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SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (Brass Quintet - 3 Trp, 1 Trb, 1 Tuba)
Brass quartet : 2 trumpets, trombone, tuba
Brass Ensemble Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.813824 Co…
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Brass Ensemble Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.813824 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533897. Published by Regis Bookshar (A0.813824). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Brass Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Brass Quintet, but in this case, consisting of 3 Trumpets, 1 Trombone and 1 Tuba, he has made quite a few other arrangements of this selection.
$15.00
13.49 €
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Brass quartet : 2 trumpets, trombone, tuba
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Antonin Dvorak
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Largo
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Regis Bookshar
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SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (Brass Quintet - 2 Trp, 1 Hrn, 1 Trb, 1 Tu
Brass quartet : 2 trumpets, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.813823
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.813823 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533895. Published by Regis Bookshar (A0.813823). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Brass Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Brass Quintet, consisting of 2 Trumpets, 1 French Horn, 1 Trombone and 1 Tuba, he has made quite a few other arrangements of this selectio.
$15.00
13.49 €
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Brass quartet : 2 trumpets, trombone, tuba
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Antonin Dvorak
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Largo
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Regis Bookshar
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