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E.G. MUSIC
Brass quartet : 2 trumpets, trombone, tuba
Sheetmusic to print
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1
DIES IRAE from REQUIEM by G. Verdi
Brass quartet : 2 trumpets, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.931249
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.931249 Composed by Giuseppe Verdi. Arranged by Alessandro Macrì. A Cappella,Concert,Film/TV,Romantic Period,Sacred. Score and parts. 20 pages. Music Macri Editions #5771023. Published by Music Macri Editions (A0.931249). La Messa da Requiem di Giuseppe Verdi è un'opera certamente religiosa, ma in un modo tutto suo, scritta cioè da un uomo che non era propriamente praticante: composta ed eseguita (su un precedente progetto per Rossini) nel 1874 per commemorare Alessandro Manzoni a un anno dalla scomparsa, è un lavoro che unisce, alla devozione quasi filiale per i due Grandi, una sensibilità operistica tutta verdiana. E in verità , i cantanti solisti che Verdi aveva in mente nello scrivere la partitura erano certamente voci d’opera.La prima nella chiesa di San Marco a Milano ebbe un tale successo che si tennero altre tre esecuzioni al Teatro alla Scala. Francis Tovey scrive: La Messa era arrivata nella sua vera casa (...) dove il pubblico, che non doveva badare alle convenzioni ecclesiastiche, poté dare sfogo al proprio entusiasmo, con esuberanza tipicamente italiana. Verdi non aveva intenzione di riservare la partitura a rare, solenni commemorazioni. La qualità drammatica e operistica del Requiem mal si adatta all’uso di un servizio regolare in chiesa, né il compositore voleva che funzionasse come liturgia. Fin dall'inizio, Verdi ha concepito il suo Requiem per l’esecuzione, non per la devozione; voleva che il suo lavoro fosse complementare alla popolarità di Manzoni per mostrare al mondo la cultura italiana, tanto che lo portò personalmente in tournée a Parigi, New York, Londra e Vienna.Il Requiem di Verdi, come Ein deutsches Requiem di Johannes Brahms, è l’affermazione di un dolore personale che si serve di un testo preso in prestito dalla liturgia sacra.Neanche Brahms, come Verdi, era particolarmente devoto. Per entrambi, le parole della messa da requiem per i defunti rappresentano il bisogno universale di esprimere le emozioni che ci assalgono quando una persona amata muore: dolore, perdita, tristezza, rabbia, paura del giudizio divino e speranza di pace sia per i defunti che per coloro che sono in lutto.Verdi inizia con i versi Requiem aeternam dona eis, Domine che il coro e l'orchestra intonano in fasi sommesse e raccolte. I quattro solisti si uniscono al coro e all'orchestra per uno stentoreo Kyrie eleison. Il tonitruante boato orchestrale e corale del Dies irae che segue immediatamente il Kyrie è il momento più atteso e memorabile del Requiem. Qui i musicisti, i coristi e i cantanti devono produrre esplosioni sonore continue e inarrestabili. Gli ottoni, le percussioni, i legni e il coro sono tirati al massimo, mentre le voci gridano sgomento e dolore, e gli archi crescono di intensità e impeto. Del resto, il materiale musicale del pauroso Dies irae ritorna di continuo lungo tutta la Messa, dipingendo un quadro da Giorno del Giudizio: non a caso l’opera è stata equiparata all’affresco michelangiolesco della Cappella Sistina. Un lavoro cupamente drammatico, con intermittenti, brevi, violenti lampi di luce.Di volta in volta, Verdi ci fa vivere il terrore dell'inferno (timbri e registri bassi) e la luminosa speranza di salvezza, preparandoci alla gioia del Sanctus, con la tromba che annuncia Santo, santo, santo, Signore degli eserciti! Il cielo e la terra sono pieni della tua gloria!Verdi conclude il suo Requiem con un soprano che intona i primi versi di Libera me (Liberami, o Signore, dalla morte eterna in quel terribile giorno). Tutto il dramma, il terrore, l’angoscia delle sezioni precedenti ritorna, come se il compositore intendesse lasciarci con un senso di incertezza: saremo, alla fine, riscattati? Verdi riprende qui la musica del Dies irae, ma alla fine, il coro e il soprano finiscono in un sussurro quasi impercettibile, con Libera me. Libera me: una speranza, una preghiera, un gemito sommesso.
$9.00
8.13 €
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Brass quartet : 2 trumpets, trombone, tuba
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Giuseppe Verdi
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DIES IRAE from REQUIEM by G. Verdi
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Music Macri Editions
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SheetMusicPlus
Amor vittorioso & Il martellato by G. G. Gastoldi
Brass quartet : 2 trumpets, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.931221
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.931221 Composed by Giovanni Giacomo Gastoldi. Arranged by Alessandro Macrì. Film/TV,Renaissance,Standards. Score and parts. 24 pages. Music Macri Editions #5359687. Published by Music Macri Editions (A0.931221). G. G. Gastoldi divenne famoso principalmente per i suoi Balletti, molto in voga ai suoi tempi. Infatti il balletto, dal quale nasceranno successivamente le canzoni ballate, ebbe proprio origine nel XVI secolo presso le corti rinascimentali italiane. Nati dalle canzonette e dalle villanelle popolari, i balletti venivano impiegati per accompagnare spettacoli di danze mimate. Tra i più famosi balletti del Gastoldi si ricordano: Amor vittorioso e Il martellato.
$12.00
10.84 €
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Brass quartet : 2 trumpets, trombone, tuba
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Giovanni Giacomo Gastoldi
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Amor vittorioso & Il martellato by G. G. Gastoldi
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Music Macri Editions
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SheetMusicPlus
Two Marches for Brass Quintet
Brass quartet : 2 trumpets, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 1 - Digital Download SKU: A0.931216
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 1 - Digital Download SKU: A0.931216 Composed by Alessandro Macrì. Contemporary,Folk,Holiday,Musical/Show,Patriotic. Score and parts. 27 pages. Music Macri Editions #5316497. Published by Music Macri Editions (A0.931216). Two Marches for Brass Quintet è una raccolta di marce sinfoniche originali, di carattere allegro e brioso.- Gimmy- Enter the starSi diploma in Corno presso il Conservatorio di Musica F. Cilea di Reggio Calabria. Si laurea in Didattica Strumentale (Bi.For.Doc.) presso il Conservatorio S. Giacomantonio di Cosenza ed è Docente di Corno dell'I. C. Forum Novum di Torri in Sabina (Rieti). Come solista, compositore e arrangiatore del Movie Brass Quintet, ha inciso gli Albums: Symphonic Sounds - edito da Always Records P. Studio & Thaurus Publishing e ACTION! edito da Valle G. Ed. Musicali e ApplausoUS (USA) e altri Singoli. Le musiche sono state eseguite nei Festivals, quali: Incontro Internazionale di Cornisti G. Nalli, Santa Fiora in Musica, Sardigna Brass Festival, Venezia Suona Festival, Le Giornate Europee del Patrimonio italiano e Italian Brass Week di Cesena e di Firenze. Le diverse formazioni di ottoni, che hanno portato avanti la musica del compositore, sono state: BUSINA BRASS, KOLIN BRASS, SAN ANTONIO BRASS, UNDERGRADUATE BRASS, ELDER CONSERVATORIUM BRASS, SMU SYMPHONIA BRASS, TUBILUSTRIUM BRASS ENSEMBLE, TROMPAS LUSAS HORN QUARTET, SOMMERSTAD BRASSKVINTETT, CARAVELA BRASS, CONCENTUS OTTONI dell’ARENA DI VERONA, BRASS QUINTET del MAGGIO MUSICALE FIORENTINO, PANAMA BRASS, GOLDEN HORN BRASS e BRASS QUINTET del Teatro dell’Opera di Roma.
$5.00
4.52 €
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Brass quartet : 2 trumpets, trombone, tuba
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Alessandro Macrì
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Two Marches for Brass Quintet
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Music Macri Editions
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SheetMusicPlus
Brass Quintet - Three Pastoral Sketches
Brass quartet : 2 trumpets, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.767578
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Lyons Music Services #6422239. Published by Lyons Music Services (A0.767578). These three pieces form a small suite, linked by the idea of ‘pastoral’ or rustic situations and places. The first piece to be written now forms the middle movement, though at first it was the starting point. This is not easy music. It travels through several keys with large numbers of sharps and flats and in places the time signature shifts constantly. The first movement is modal, being based on the mixolydian and dorian modes. I took for this movement the idea of ancient Celts celebrating a victory and dancing and getting drunk around a smoky fire. Their chieftain strikes up a song, accompanied by a double drone. This melody is initially stated on the horn, with just two other instruments providing the accompaniment. At 4 before B, the remaining instruments join in, providing a rhythmic pulse and the melody moves to the Euphonium/Baritone/Trombone. Subtle variations shape the melody anew, leading to letter C. Here the complex overlapping rhythms provide a more dance-like feel to the music. Also, countermelodies start to appear which build the excitement. At letter E, the music becomes louder and the rhythmic pulse more insistent (perhaps they are dancing on the tables?) The mode changes to the more major sounding mixolydian. But from here on in, the revellers are starting to wend their way home, still singing and dancing and they gradually fade into the distance. At letter G, we’re back to three players, but with the trumpet 1 playing a rhythmic melody over the top of the original tune. The second movement is called The Aesthetes. The aesthetic movement was formed in the 19th century, but had been around before that in less formal garb. Their ideal was to emulate the Ancient Greeks and Romans – or at least their perception of what the ancients were like as found in statues, paintings and friezes. They adopted studied poses and were very effete in their mannerisms. Gilbert and Sullivan parodied the aesthetic movement in their operettas – particularly Princess Ida (but also in the Mikado and various others). So, here is a movement with classical lines in the style of a minuet, but in 6/8 rather than ¾ so that it can be more languid. All the melodies are ‘studied’ and ‘formal’ with long, languid notes and rhythms which don’t quite fit to the beat as the aesthetes pose and ponder and languidly look, studied and pale and wan. Because of the long notes in the melody, there’s an almost dream-like quality to the music as if they are seeing through a haze of Wormwood or Absinthe (a favourite drink of the aesthetes when they weren’t high on themselves or opiates). The third and final movement is called The Bohemians. This was also a movement at the end of the 19th Century. Where the aesthetes were ruled by rules, the Bohemians lived by none. They were considered wild and unconventional to say the least. The Bohemians movement owed much to the supposed free life and style of the gypsies and wanderers of Europe. Our piece starts with a gypsy violin style opening, including a cadenza, and then moves into the rapidly time shifting and gyrating gypsy dance. This section is in alternating bars of 5/8 and 6/8 with occasional 11/8 thrown in to keep you off balance. The frantic and frenetic movement continues up to letter F where things calm down a little – but not for long as the intensity increases again from Letter H to the quite sudden ending. This is tuneful yet challenging music which will take a lot of effort, but which will give a lot back in return.
$28.00
25.29 €
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Brass quartet : 2 trumpets, trombone, tuba
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Mike Lyons
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Brass Quintet - Three Pastoral Sketches
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Lyons Music Services
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SheetMusicPlus
Still Still Still - Brass Quartet
Brass quartet : 2 trumpets, trombone, tuba
Brass Ensemble Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.567467 Co…
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Brass Ensemble Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.567467 Composed by Traditional. Arranged by Thomas Graf. Baroque,Christmas,Gospel,World. Score and parts. With 2013-12-09. 30 pages. Thomas Graf - the-hit-factory.com #431517. Published by Thomas Graf - the-hit-factory.com (A0.567467). Polyphonic arrangement of the famous Austrian Christmas Carol and lullaby. The melody is a folk tune (authorship unknown) from the State of Salzburg. The tune appeared for the first time in 1865 in a folksong collection of Maria Vinzenz Süß (1802-1868), founder of the Salzburg Museum, it has changed slightly over the years but remains attributed to G. Götsch. As played by the ORIGINAL DRACHENFELSERMUSIKANTEN. Big fun to play! Not difficult. Instrumentation: Tpt 1/2 in Bb/C, Trombone/Horn in F/Euph., Tuba/Bass in Bb Listen to the recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much! Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N... Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic Video: https://www.youtu.be/-cBAyS5-o9Y .
$9.99
9.02 €
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Brass quartet : 2 trumpets, trombone, tuba
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Traditional
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Still Still Still - Brass Quartet
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
How Firm A Foundation (Brass Quintet)
Brass quartet : 2 trumpets, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.854985
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.854985 Composed by Early American Melody- by Joseph Funk,lyrics by Robert Keene. Arranged by Joseph Pugh. Christian,Gospel,Praise & Worship,Sacred. Score and parts. 8 pages. Joseph Pugh #5851071. Published by Joseph Pugh (A0.854985). This brass quintet arrangement by Joseph Pugh of How Firm a Foundation is a Christian hymn, published in 1787 by John Rippon in A Selection of Hymns from the Best Authors, Intended to be an Appendix to Dr. Watts's Psalms and Hymns, known as Rippon's Selection. It is attributed only to K, which probably refers to Robert Keen(e), precentor at Rippon's church,[1] though other names suggested include Richard or John Keene, Kirkham,John Keith or Words by G. Keith and Music by J. Reading as cited in the 1884 publication of Asa Hull's Jewels of Praise. [2] It is most often sung to the tune Foundation (or Protection) which first appeared in A Compilation of Genuine Church Music (1832) edited by Joseph Funk, though the original tune may be Keen(e)'s Geard(Wikipedia).
$19.99
18.06 €
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Brass quartet : 2 trumpets, trombone, tuba
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Early American Melody- by Joseph Funk,lyrics by Robert Keene
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How Firm A Foundation
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Joseph Pugh
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SheetMusicPlus
Minuet by Boccherini for Brass Quartet
Brass quartet : 2 trumpets, trombone, tuba
Brass Quartet - Level 3 - Digital Download SKU: A0.1264323 Composed by Luigi Bocche…
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Brass Quartet - Level 3 - Digital Download SKU: A0.1264323 Composed by Luigi Boccherini. Arranged by Ander. Baroque,Classical,Traditional,Wedding. 6 pages. Woods Only, Arrangements #857186. Published by Woods Only, Arrangements (A0.1264323). Adaptation for brass quartet of Luigi Boccherini’s String Quintet in E major, Op. 11, No. 5, G 275. Ideal for beginner students in classical music with the help of a teacher. The original essence of the work was maintained, with adaptations in tonality and tessitura of the instruments. Can be used in professional and academic recitals, didactic material and repertoire for ensemble practice. Boccherini was born in Lucca, Italy, and became a cello virtuoso. He moved to Spain, where he worked with the Spanish royal family. The third movement of the quintet, minuet and trio, is famous and often played as an independent piece. The work is beautiful and has good partial writing for all instruments, with melodies and rhythms typical of Boccherini. Suitable for concerts and home performances.
$7.99
7.22 €
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Brass quartet : 2 trumpets, trombone, tuba
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Luigi Boccherini
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Minuet by Boccherini for Brass Quartet
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Woods Only, Arrangements
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SheetMusicPlus
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