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Modal Music
Brass quartet : 2 trumpets, trombone, tuba
Sheetmusic to print
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A Virgin Most Pure (English carol) - brass quintet
Brass quartet : 2 trumpets, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.726016
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.726016 Composed by Traditional English Carol. Arranged by Todd Marchand. Christmas,Sacred. Score and parts. 15 pages. Con Spirito Music #2957889. Published by Con Spirito Music (A0.726016). A Virgin Most Pure is an English traditional carol that appeared in Davies Gilbert's A Collection of Ancient Christmas Carols, with the Tunes to which they were formerly sung in the West of England (London, 1822). The first verse and refrain are as follows:A virgin most pure, as the prophets do tell, / Hath brought forth a baby, as it hath befell; / To be our Redeemer from death, hell, and sin, / Which Adam's transgression had wrapped us in.[Refrain] Aye, and therefore be merry; / Rejoice, and be you merry; / Set sorrow aside; / Christ Jesus our Saviour was born on this tide.The tune is built upon the Mixolydian scale (seventh mode), having the same sequence of tones and semitones as a major scale but with a lowered seventh degree. In this arrangement, the occasional addition of the flat seventh to the tonic chord and its use as a leading tone in some harmonic progressions emphasizes the modal quality of the tune.©Copyright 2013 Todd Marchand / ConSpiritoMusic. Visit www.conspiritomusic.com
$15.00
13.86 €
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Brass quartet : 2 trumpets, trombone, tuba
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Traditional English Carol
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A Virgin Most Pure
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Con Spirito Music
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SheetMusicPlus
Brass Quintet - Three Pastoral Sketches
Brass quartet : 2 trumpets, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.767578
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Lyons Music Services #6422239. Published by Lyons Music Services (A0.767578). These three pieces form a small suite, linked by the idea of ‘pastoral’ or rustic situations and places. The first piece to be written now forms the middle movement, though at first it was the starting point. This is not easy music. It travels through several keys with large numbers of sharps and flats and in places the time signature shifts constantly. The first movement is modal, being based on the mixolydian and dorian modes. I took for this movement the idea of ancient Celts celebrating a victory and dancing and getting drunk around a smoky fire. Their chieftain strikes up a song, accompanied by a double drone. This melody is initially stated on the horn, with just two other instruments providing the accompaniment. At 4 before B, the remaining instruments join in, providing a rhythmic pulse and the melody moves to the Euphonium/Baritone/Trombone. Subtle variations shape the melody anew, leading to letter C. Here the complex overlapping rhythms provide a more dance-like feel to the music. Also, countermelodies start to appear which build the excitement. At letter E, the music becomes louder and the rhythmic pulse more insistent (perhaps they are dancing on the tables?) The mode changes to the more major sounding mixolydian. But from here on in, the revellers are starting to wend their way home, still singing and dancing and they gradually fade into the distance. At letter G, we’re back to three players, but with the trumpet 1 playing a rhythmic melody over the top of the original tune. The second movement is called The Aesthetes. The aesthetic movement was formed in the 19th century, but had been around before that in less formal garb. Their ideal was to emulate the Ancient Greeks and Romans – or at least their perception of what the ancients were like as found in statues, paintings and friezes. They adopted studied poses and were very effete in their mannerisms. Gilbert and Sullivan parodied the aesthetic movement in their operettas – particularly Princess Ida (but also in the Mikado and various others). So, here is a movement with classical lines in the style of a minuet, but in 6/8 rather than ¾ so that it can be more languid. All the melodies are ‘studied’ and ‘formal’ with long, languid notes and rhythms which don’t quite fit to the beat as the aesthetes pose and ponder and languidly look, studied and pale and wan. Because of the long notes in the melody, there’s an almost dream-like quality to the music as if they are seeing through a haze of Wormwood or Absinthe (a favourite drink of the aesthetes when they weren’t high on themselves or opiates). The third and final movement is called The Bohemians. This was also a movement at the end of the 19th Century. Where the aesthetes were ruled by rules, the Bohemians lived by none. They were considered wild and unconventional to say the least. The Bohemians movement owed much to the supposed free life and style of the gypsies and wanderers of Europe. Our piece starts with a gypsy violin style opening, including a cadenza, and then moves into the rapidly time shifting and gyrating gypsy dance. This section is in alternating bars of 5/8 and 6/8 with occasional 11/8 thrown in to keep you off balance. The frantic and frenetic movement continues up to letter F where things calm down a little – but not for long as the intensity increases again from Letter H to the quite sudden ending. This is tuneful yet challenging music which will take a lot of effort, but which will give a lot back in return.
$28.00
25.87 €
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Brass quartet : 2 trumpets, trombone, tuba
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Mike Lyons
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Brass Quintet - Three Pastoral Sketches
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Lyons Music Services
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SheetMusicPlus
We Three Kings (for Brass Quintet)
Brass quartet : 2 trumpets, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.514835
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.514835 Composed by John Henry Hopkins Jr. Arranged by Kenneth Abeling. Blues,Christmas,Jazz. Score and parts. 19 pages. LINCOLN MUSIC PUBLICATIONS #3663435. Published by LINCOLN MUSIC PUBLICATIONS (A0.514835). “We Three Kings†or, “We Three Kings of Orient Are†by John Henry Hopkins Jr. This a 6/8 swing version of the Christmas favorite arranged here for Brass Quintet by Kenneth Abeling. It is a more advanced arrangement with a minor and modal “Blues†feel. Playing Time: 3:25. To view and listen to this piece in its entirety as well as hundreds of other arrangements and transcriptions by Kenneth Abeling at the lowest prices available please visit www.lincolnmusicpublications.com
$13.99
12.92 €
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Brass quartet : 2 trumpets, trombone, tuba
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John Henry Hopkins Jr
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We Three Kings
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
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