Home page
Browse Free-scores.com
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
Second To One
Not classified
1,571
Piano & keyboards
Piano solo
483
1 Piano, 4 hands
105
Easy Piano
105
Piano Accompaniment
90
Piano, Voice
78
Piano, Vocal and Guitar
55
Organ
40
Piano Trio: piano, violin, cello
39
C Instruments
38
2 Pianos, 4 hands
20
Piano (band part)
6
Piano Quartet: piano, violin, viola, cello
4
Piano Quintet: piano, 2 violins, viola, cello
3
Piano Quartet: piano, 2 violins, cello
3
2 Pianos, 8 hands
2
Organ, Piano (duet)
1
Accordion
1
+ 12 instrumentations
-
Retract
Guitars
Guitar
68
Guitar notes and tablatures
59
Ukulele
25
Melody line, (Lyrics) and Chords
15
2 Guitars (duet)
15
Guitar (band part)
14
2 Dulcimers (duet)
3
Lyrics and Chords
3
Mandolin
3
4 Guitars (Quartet)
3
Piano, Guitar (duet)
2
3 Guitars (trio)
2
Mandolin, Guitar (duet)
2
Bass guitar
2
2 Ukuleles
2
Guitar Ensemble
1
Lap Steel Guitar
1
Baritone Ukulele
1
Banjo
1
+ 14 instrumentations
-
Retract
Voice
Choral SATB
276
Choral TTBB
79
Choral SSAA
53
Choral 2-part
49
Choral 3-part
48
Choral Unison
42
Soprano voice, Piano
12
Baritone voice, Piano
7
Vocal duet, Piano
7
Vocal duet
6
High voice
5
Tenor voice, Piano
4
Medium voice, Piano
3
Choral SSAATTBB
2
Tenor voice
2
Alto voice, Piano
1
Choral SSAB, Piano
1
Choral SSATB
1
Voice solo
1
Low voice, Piano
1
Soprano voice, Orchestra
1
+ 16 instrumentations
-
Retract
Woodwind
Saxophone Quartet: 4 saxophones
157
2 Saxophones (duet)
109
Alto Saxophone and Piano
91
Saxophone (band part)
89
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
80
Flute and Piano
73
Saxophone Quintet: 5 Saxophones
65
Tenor Saxophone and Piano
59
Clarinet and Piano
43
2 Clarinets (duet)
42
2 Flutes (duet)
41
Oboe, Piano (duet)
38
3 Saxophones (trio)
35
Alto Saxophone
35
Clarinet Quartet: 4 clarinets
32
Saxophone ensemble
32
Saxophone, Clarinet (duet)
30
Clarinet
29
Baritone Saxophone, Piano
27
2 Flutes, Piano
25
Flute
25
Tenor Saxophone
25
Flute, Oboe, Clarinet, Bassoon
25
Soprano Saxophone and Piano
23
Clarinet Ensemble
19
Clarinet, Violin (duet)
18
Flute ensemble
17
2 Oboes (duet)
15
Flute Quartet: 4 flutes
14
Oboe, Bassoon (duet)
14
Clarinet Quintet: 5 clarinets
14
Flute, Clarinet (duet)
14
Clarinet, Trumpet (duet)
14
Oboe (band part)
13
Flute, Saxophone (duet)
12
Flute and Guitar
11
Oboe, Clarinet (duet)
11
Flute Quintet : 5 flutes
10
English horn, Piano
10
Flute, Trumpet (duet)
9
Clarinet and Viola
9
Flute, Violin
9
Oboe, Flute
8
Flute Trio: 3 flutes
8
3 Clarinets (trio)
7
Bass Clarinet, Piano
7
Recorder Quartet
7
Flute, Viola (duet)
6
2 Recorders (duet)
6
Flute (band part)
6
Soprano Saxophone
5
Oboe, Clarinet, Bassoon (trio)
5
Clarinet, Bassoon (duet)
5
Clarinet (band part)
4
Treble (Alto) Recorder
4
3 Recorders (trio)
4
Oboe, Guitar (duet)
3
Flute, Clarinet and Bassoon.
3
Flute, Oboe (duet)
3
Saxophone
3
Flute, Oboe, Clarinet (trio)
3
5 Recorders
3
Saxophone and Guitar
2
Flute, Violin, Piano
2
Recorder
2
Flute, Oboe, Bassoon
2
Baritone Saxophone
2
Clarinet, Harp (duet)
2
Oboe
2
Flute, Oboe, Piano (trio)
2
Flute, Bassoon, and Piano
2
Clarinet, Cello (duet)
2
Piccolo, Piano
1
Oboe, Cello
1
Oboe, Harp
1
Clarinet, Guitar (duet)
1
2 Clarinets, Piano
1
Clarinet, Trombone (duet)
1
Clarinet Quintet: Clarinet, String Quartet
1
Flute, Violin and Violoncello
1
Recorder Ensemble
1
Flute, Viola and harp
1
Oboe, Bassoon and Piano
1
2 Saxophones, Piano
1
Recorder, Piano
1
3 Oboes
1
Descant (Soprano) Recorder
1
Flute, Harp and Cello
1
Oboe, Violin, Viola and Violoncello (Quartet)
1
Tenor Recorder
1
Flute, harp and violin
1
Harmonica
1
Flute, Clarinet, Piano (trio)
1
Oboe ensemble
1
Oboe, Violin (duet)
1
Flute, Violoncello
1
English Horn
1
Saxophone and Piano
1
+ 93 instrumentations
-
Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
210
Brass quartet : 2 trumpets, trombone, tuba
99
Trombone (band part)
80
Trombone and Piano
78
Trombone
41
Trumpet
36
2 Trombones (duet)
32
Brass Quartet: 4 trombones
31
French Horn and Piano
27
Brass Quartet
27
Trumpet (band part)
26
Trumpet, Trombone (duet)
26
Trumpet, Piano
23
2 Trumpets (duet)
22
Trumpet, Saxophone (duet)
21
Euphonium, Piano (duet)
18
Brass Quartet: 2 trumpets, horn, trombone
17
Trombone ensemble
14
French horn
12
Tuba and Piano
11
English horn, Piano
10
Tuba
10
2 French horns (duet)
9
Trumpet, Horn (duert)
8
Trumpet ensemble
8
Brass Quartet: 4 horns
7
3 Trombones (trio)
7
Brass Trio
6
Horn Ensemble
5
4 Tubas
5
French horn (band part)
4
2 Tubas (duet)
4
Brass Quartet: 4 trumpets
4
2 Euphoniums and 2 Tubas
3
3 Tubas (trio)
3
Tuba (band part)
3
Bass Trombone
2
Bass Trombone and Piano
2
Tuba and Organ
2
Trombone, Horn (duet)
2
3 Trumpets (trio)
1
Trombone, Organ
1
Euphonium, Tuba (duet)
1
Clarinet, Horn (duet)
1
3 French horns (trio)
1
Trumpet, Trombone, Piano
1
Bass Clef Instruments
1
English Horn
1
Brass Quartet: 2 trumpets, 2 trombones
1
+ 44 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
286
Violin, Cello (duet)
167
Violin
160
String Trio: violin, viola, cello
149
Violin and Piano
131
Cello, Piano
80
2 Violins (duet)
47
Viola, Piano
44
Harp
33
String Quintet: 2 violins, viola, cello, bass
26
Cello
26
2 Cellos (duet)
26
Violin, Viola (duet)
20
2 Violas (duet)
19
String Trio: 2 violins, cello
16
Viola
13
Doublebass (band part)
11
Double Bass
10
Viola (band part)
9
Viola, Cello (duet)
8
4 Cellos
7
Double bass, Piano (duet)
7
String Trio: 3 cellos
7
String quartet: 4 violins
7
Violin (band part)
5
2 Double basses (duet)
4
String Trio: 3 violins
4
String Quartet : 4 violas
4
Piano Trio: Violin, Viola, Piano
4
String Trio: 3 violas
4
Violin ensemble
3
String Quintet: 2 violins, 2 violas, cello
3
Harp, Flute (duet)
3
Violin, Guitar (duet)
3
5 Harps
2
3 Harps
2
Cello, String Bass (duet)
2
Harp, Violin (duet)
2
Cello, Organ
1
Cello (band part)
1
Harp, Trombone (duet)
1
Cello, Guitar (duet)
1
Harp, Voice
1
String Trio: 2 violins, viola
1
Violin, Clarinet, Piano (trio)
1
Viola ensemble
1
Harp and Piano
1
Flute, Doublebass (duet)
1
2 Harps (duet)
1
+ 44 instrumentations
-
Retract
Orchestra & Percussion
Concert band
411
String Orchestra
165
Brass ensemble
109
Orchestra
109
Jazz Ensemble
71
Chamber Orchestra
45
Handbells
29
Jazz combo
24
Percussion Ensemble
22
Marching band
13
Drum (band part)
6
Xylophone, Piano
6
Drums
4
Percussion (band part)
2
Percussion
2
Orchestra, Violin
2
Piano and Orchestra
1
Marimba, Piano (duet)
1
Xylophone
1
School Ensemble
1
Marimba
1
2 Xylophones
1
+ 17 instrumentations
-
Retract
Others
Free Sheet music
Instruments
ACCORDION
BAGPIPE
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET…
BOOKS
BOUZOUKI
BUGLE
CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLA
VIOLA DA GA…
VIOLIN - FI…
WHISTLE
XYLOPHONE
ZITHER
Top Downloads
Instrumentations
Composers
New additions
Christmas
Other Services
Other Services
Top 100
Web directory
Staff paper
Metronome
Musician's shop
Sheet music books
Digital sheet music
Music equipment
Gift ideas
About free-scores.com
$
$
EUR €
USD $
GBP £
CAD $
CNY ¥
Français
Free Sheet Music
2,104
Digital Sheet Music
99
Sheet Music Books
0
Music Equipment
1,050
Digital scores
(access after purchase)
Post mailing
Digital sheet music
← INSTRUMENTATIONS
SORTING AND FILTERS
SORTING AND FILTERS
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
You've selected:
Second To One
Brass quartet : 2 trumpets, trombone, tuba
Sheetmusic to print
99 sheet music found
<
1
26
51
76
I've Gotta Get A Message To You
#
Brass quartet : 2 trumpets, trombone, tuba
#
EASY
#
Bee Gees
#
Peet du Toit
#
I've Gotta Get A Message To Yo
#
Peet du Toit
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.802647 By Bee Gees. By Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged ...
(+)
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.802647 By Bee Gees. By Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged by Peet du Toit. Dance,Disco. Score and parts. 23 pages. Peet du Toit #6197563. Published by Peet du Toit (A0.802647). I've Gotta Get a Message to You is a song by the Bee Gees. Released as a single on 7 September 1968, it was their second number-one single on the UK Singles Chart and their first US Top 10 hit.The song is about a man who, awaiting his execution in the electric chair, begs the prison chaplain to pass a final message on to his wife. Robin Gibb, who wrote the lyrics, said that the man's crime was the murder of his wife's lover, though the lyrics do not explicitly allude to the identity of the victim. Robin said, This is about a prisoner on Death Row who only has a few hours to live. He wants the prison chaplain to pass on a final message to his wife. There's a certain urgency about it. Myself and Barry wrote it. It's a bit like writing a script. Sometimes you can sit there for three hours with your guitar and nothing will happen. Then in the last ten minutes something will spark. The song was written with Percy Sledge in mind to record it. Sledge did record it in February 1970 but Atlantic did not issue his version in the United States at the time.Barry recalled, In those days, the lyrics were almost pretty well done on the spot. I don't remember the fundamentals on how the lyrics were formed, except that we were writing about a guy on death row. That was it.Robin adds:It was like acting, you see, we said, let's pretend that somebody, his life is on the line, somebody's going to the chair. What would be going through their mind? Let's not make it doom and gloom but sort of an appeal to the person he loves. Because right now that's all he cares about. Regardless of whether he's done a bad thing, he is a human being, and he's sending out this last message. There's someone out there whom he loves. It's a torch song, but within a very sort of theatrical sense. Not sort of abstract, but definitely somebody in a very bad situation whose life is going to end. What would they be saying, you know? This is it: 'Gotta get a message to you, hold on.Revive this hit on your brass instruments and enjoy!
$17.00
I never knew (I could love anybody, honey, like I'm loving you) - Pitts, Egan, Marsh & Whiteman (Bra
#
Brass quartet : 2 trumpets, trombone, tuba
#
EASY
#
Contemporary
#
Ray Egan, Roy K Marsh & Paul W
#
Dudley E Bayford & Peet du Toi
#
I never knew
#
Peet du Toit
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.802657 Composed by Ray Egan, Roy K Marsh & Paul Whiteman, and Tom Pitts. A...
(+)
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.802657 Composed by Ray Egan, Roy K Marsh & Paul Whiteman, and Tom Pitts. Arranged by Dudley E Bayford & Peet du Toit. Contemporary. Score and parts. 8 pages. Peet du Toit #6216933. Published by Peet du Toit (A0.802657). This Quick-Step piece was recorded by Judy Garland in 1943 by Decca Records on her Second Souvenir album.The quickstep is a light-hearted dance of the standard ballroom dances. The movement of the dance is fast and powerfully flowing and sprinkled with syncopations. The upbeat melodies that quickstep is danced to make it suitable for both formal and informal events. Quickstep was developed in the 1920s in New York City and was first danced by Caribbean and African dancers. Its origins are in combination of slow foxtrot combined with the Charleston, a dance which was one of the precursors to what today is called swing dancing.This dance gradually evolved into a very dynamic one with much movement on the dance floor, with many advanced patterns including hops, runs, quick steps with much momentum, and rotation. The tempo of quickstep dance is rather brisk, as it was developed to ragtime era jazz music, which is fast-paced when compared to other dance music.The quickstep is elegant like the foxtrot and should be smooth and glamorous. The dancers should appear to be very light on their feet. It is very energetic and form-intensive. The quickstep is danced to 4/4 music of 48-52 measures per minute.
$14.00
When We All Get To Heaven
#
Brass quartet : 2 trumpets, trombone, tuba
#
Folkloric/Traditional
#
Eliza E
#
Dana F
#
When We All Get To Heaven
#
David E. Smith - Digital Sheet Music
#
SheetMusicPlus
Brass quartet - Grade 3 - Digital Download SKU: DX.145427 Composed by Eliza E. Hewitt. Arranged by Dana F. Everson. Sacred instrumental music. Key of Bb,...
(+)
Brass quartet - Grade 3 - Digital Download SKU: DX.145427 Composed by Eliza E. Hewitt. Arranged by Dana F. Everson. Sacred instrumental music. Key of Bb, Eb, Ab. Traditional. Score and parts. 12 pages. David E. Smith - Digital Sheet Music #145427. Published by David E. Smith - Digital Sheet Music (DX.145427). Scored for two trumpets and two trombones with opt. Horn for Trom. 1 and Bar. TC for Trom. 2. The opening begins excitedly while giving a sense of moving upward. The first presentation of the theme is very much in a march style and then breaks into more activity with rhythmic alterations. The second section moves to a new key and is essentially a trombone duet and then adds upper voices to place the piece on an elevated plain. Another modulation moves the musical thought even higher while passing the melodic motifs around to the different voices. The Coda gives a sense of elevation and arrival.
$7.00
Hard To Say I'm Sorry
#
Brass quartet : 2 trumpets, trombone, tuba
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
Az Yet featuring Peter Cetera
#
James Haynor
#
Hard To Say I'm Sorry
#
James Haynor
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.782422 By Az Yet featuring Peter Cetera. By David Babyface Foster and Pete...
(+)
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.782422 By Az Yet featuring Peter Cetera. By David Babyface Foster and Peter Cetera. Arranged by James Haynor. Contemporary. Score and parts. 13 pages. James Haynor #6416437. Published by James Haynor (A0.782422). Hard to Say I'm Sorry is a song written by bassist Peter Cetera, who also sang lead on the track, and producer David Foster, for the group Chicago. It was released on May 16, 1982, as the lead single from the album Chicago 16. The song reached No. 1 for two weeks on the Billboard Hot 100 chart on September 11 of that year. It was the group's second No. 1 single. Scored here for brass quintet, Hard to Say I’m Sorry adds a very enjoyable chart to your concert or recital. ( Trumpets may of course play the written Flugelhorn parts. ) ( Duration 4:43 )
$12.99
To a Wild Rose - French Horn, 2 Trumpets, Trombone and Tuba
#
Brass quartet : 2 trumpets, trombone, tuba
#
EASY
#
Edward MacDowell
#
Anne L Christopherson GRSM ARC
#
To a Wild Rose - French Horn,
#
Music-Scores.com
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.721289 Composed by Edward MacDowell. Arranged by Anne L Christopherson GRS...
(+)
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.721289 Composed by Edward MacDowell. Arranged by Anne L Christopherson GRSM ARCM. Concert,Contemporary,Wedding. Score and parts. 8 pages. Music-Scores.com #4298793. Published by Music-Scores.com (A0.721289). To a Wild Rose, from Woodland Sketches, conjures up the image of a calm, summer day in the countryside where you find delicate wild roses growing in the hedgerows.This is for a French Horn, 2 Trumpets, Trombone and Tuba.Duration 1 minute, 10 seconds.Arranged by Anne L Christopherson GRSM ARCM at www.music-scores.com
$6.95
To a Wild Rose - Brass Quintet - 3 Trumpets, Trombone and Tuba
#
Brass quartet : 2 trumpets, trombone, tuba
#
EASY
#
MacDowell, Edward
#
Anne L Christopherson GRSM ARC
#
To a Wild Rose - Brass Quintet
#
Music-Scores.com
#
SheetMusicPlus
Brass Ensemble Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.763144 Composed by MacDowell, Edward. Arranged by Anne L Christopherson GRSM AR...
(+)
Brass Ensemble Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.763144 Composed by MacDowell, Edward. Arranged by Anne L Christopherson GRSM ARCM. Contemporary,Wedding. Score and parts. 9 pages. Music-Scores.com #370804. Published by Music-Scores.com (A0.763144). To a Wild Rose, from Woodland Sketches, conjures up the image of a calm, summer day in the countryside where you find delicate wild roses growing in the hedgerows. This is for a Brass Quintet (3 Trumpets, Trombone and Tuba). Duration 1 minute, 10 seconds. Arranged by Anne L Christopherson GRSM ARCM at www.music-scores.com.
$8.95
La Réjouissance - French Horn, Trumpet, Trombone and Tuba
#
Brass quartet : 2 trumpets, trombone, tuba
#
INTERMEDIATE
#
Classical
#
George Frideric Handel
#
Anne Christopherson GRSM ARCM
#
La Réjouissance - French Horn
#
Music-Scores.com
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.721715 Composed by George Frideric Handel. Arranged by Anne Christopherson...
(+)
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.721715 Composed by George Frideric Handel. Arranged by Anne Christopherson GRSM ARCM. Christmas,Concert,Sacred. Score and parts. 7 pages. Music-Scores.com #4983075. Published by Music-Scores.com (A0.721715). La Réjouissance, from Music for the Royal Fireworks commissioned by King George II to celebrate the end of the War of the Austrian Succession. The first performance was followed by a great fireworks display in Green Park, London.Duration about 2 minutes, 15 seconds.For French Horn, Trumpet, Trombone and TubaArranged by Anne Christopherson GRSM ARCM at https://www.music-scores.com
$6.95
La Réjouissance - Brass Quartet (2 trumpets, trombone and tuba)
#
Brass quartet : 2 trumpets, trombone, tuba
#
INTERMEDIATE
#
Classical
#
George Frideric Handel
#
Anne Christopherson GRSM ARCM
#
La Réjouissance - Brass Quart
#
Music-Scores.com
#
SheetMusicPlus
Brass Ensemble Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.721707 Composed by George Frideric Handel. Arranged by Anne Christopherson GRSM...
(+)
Brass Ensemble Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.721707 Composed by George Frideric Handel. Arranged by Anne Christopherson GRSM ARCM. Christmas,Concert,Sacred. Score and parts. 7 pages. Music-Scores.com #4983037. Published by Music-Scores.com (A0.721707). La Réjouissance, from Music for the Royal Fireworks commissioned by King George II to celebrate the end of the War of the Austrian Succession. The first performance was followed by a great fireworks display in Green Park, London.Duration about 2 minutes, 15 seconds.For Brass quartet: 2 Trumpets, Trombone and Tuba.Arranged by Anne Christopherson GRSM ARCM at https://www.music-scores.com
$6.95
I Gave My Love a Cherry (The Riddle Song ["The Twelfth of Never"])
#
Brass quartet : 2 trumpets, trombone, tuba
#
INTERMEDIATE/ADVANCED
#
English Folk Song by way of Am
#
F
#
I Gave My Love a Cherry
#
Sweetwater Brass Press
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1130062 Composed by English Folk Song by way of American Appalachians. Arr...
(+)
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1130062 Composed by English Folk Song by way of American Appalachians. Arranged by F. Leslie Smith. Celtic,Children,Folk,Irish,Traditional,Wedding. Score and parts. 28 pages. Sweetwater Brass Press #730439. Published by Sweetwater Brass Press (A0.1130062). The origins of this lullaby can be traced back to 15th-century England. Pioneers from the British Isles brought it with them to the American Appalachians. Written in three verses, its lyrics tell of four seemingly impossible gifts the singer gave my love. The first verse describes each gift: cherry that has no stone, a chicken that has no bone. a story that has no end and a baby with no cryin'. The second verse poses the riddle: how can such items exist? The third provides the answers: A cherry when it's bloomin', it has no stone. A chicken when it's pippin', it has no bone. The story of I love you, it has no end. A baby when it's sleepin', has no cryin'. This Riddle Song has enjoyed somewhat of a revival since mid-20th century, making appearances in various movies, TV shows and recordings. In 1956, Jerry Livingston and Paul Francis adapted The Riddle Song tune, added an original bridge and created new lyrics; Johnny Mathis recorded it as The Twelfth of Never, giving the haunting melody probably its greatest surge in popularity. This arrangement is in G major and opens with an upbeat introduction. For the first statement of the melody, tempo slows and Trumpets alternate the lead. On the second time through, tempo speeds up slightly and tuba takes the lead. For the third, tempo is back to the opening speed and Horn in F plays the melody. On the fourth time through, Trumpets and Trombone frame the tune in a call-and-response form. In the fifth, Trombone takes the lead. In the sixth and final statement, Horn in F and Trombone play melody at half speed while Trumpets play a fairly complicated counterpoint (at what may seem like double speed!). This, until the last phrase (A baby when it's sleepin'), when the melody switches over to Trumpets and Trombone takes the counterpoint. Trumpet 1 plays its A above the staff a number of times. Tuba's lowest note is its F down below the staff. Otherwise, notes for all instruments are well within normal playing range. Because of the recommended tempo, the countermelody at measures 68-83 could be problematic for Trumpets and Trombone and may require a little extra work. Completed in 2022, performance time runs about 3 minutes, 42 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95
Bartók: Rumanian Folk Dances, Sz.56 - brass quintet
#
Brass quartet : 2 trumpets, trombone, tuba
#
INTERMEDIATE/ADVANCED
#
Bela Bartok
#
Ray Thompson
#
Sz
#
Bartók: Rumanian Folk Dances,
#
RayThompsonMusic
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.554008 Composed by Bela Bartok. Arranged by Ray Thompson. 20th Century,Con...
(+)
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.554008 Composed by Bela Bartok. Arranged by Ray Thompson. 20th Century,Concert,Contemporary,Folk,World. Score and parts. 25 pages. RayThompsonMusic #6455715. Published by RayThompsonMusic (A0.554008). Romanian Folk Dances Sz. 56, BB 68 is a suite of six short piano pieces composed by Béla Bartók in 1915. He later orchestrated it for small ensemble in 1917 as Sz. 68, BB 76.It is based on seven Romanian tunes from Transylvania, originally played on fiddle or shepherd's flute. The original name for the piece was titled Romanian Folk Dances from Hungary but was later changed by Bartók when Transylvania became part of Romania in 1920. It is nowadays available in the 1971 edition which is written with key signatures although Bartók rarely ever used key signatures.This set of dances consists of six movements and, according to the composer, it should take four minutes and three seconds to perform, but most professional pianists take up to five minutes. The list of the movements is as follows (with the original Hungarian title listed first, the most commonly known Romanian title second, and the English translation in parentheses):
$14.95
I Love Lucy
#
Brass quartet : 2 trumpets, trombone, tuba
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
Eliot Daniel
#
Dennis Ruello
#
I Love Lucy
#
Chicory Music
#
SheetMusicPlus
Brass Ensemble Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.734616 Composed by Eliot Daniel. Arranged by Dennis Ruello. Contemporary. Score...
(+)
Brass Ensemble Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.734616 Composed by Eliot Daniel. Arranged by Dennis Ruello. Contemporary. Score and parts. 10 pages. Chicory Music #6672993. Published by Chicory Music (A0.734616). On October 15, 1951, the very first episode of the I Love Lucy show aired on CBS and became the most watched TV show in the U.S. for four of its seven-year run. Fun trivia about the opening theme song is that during the first season the show opened with their sponsor Philip Morris’ animation of stick figure cartoons of Lucy and Desi climbing down a pack of Philip Morris cigarettes. It was scored with Ferde Grofé’s Jr. The Grand Canyon Suite theme (a composition from 1931).From the second season onwards, the I Love Lucy signature tune we all know so well became the main theme, and one of the most recognizable pieces of music on the planet. It was written by composer Eliot Daniel who cranked it out in an afternoon as a favor to his old Coast Guard buddy Jess Oppenheimer, the show’s producer. Since Daniel still had another year under his exclusive contract to Fox, he asked Oppenheimer to keep his name out of it. Consequently his name does not appear on first or the second season TV credits for what became one of the most popular TV themes. Later, Daniel did seek credit and received royalties from syndicated reruns for the rest of his life.The lyrics were written by Harold Adamson for an episode in the third season in which Lucy believes everyone has forgotten her birthday. So of course Ricky saves the day after a near disaster.This arrangement for Brass Quartet plus optional Acoustic Bass and Drum Set parts remains faithful to the original.Performance Time Approx. 1 minute 25 seconds
$12.99
I Love Lucy
#
Brass quartet : 2 trumpets, trombone, tuba
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
Eliot Daniel
#
Dennis Ruello
#
I Love Lucy
#
Chicory Music
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.736657 Composed by Eliot Daniel. Arranged by Dennis Ruello. Contemporary. ...
(+)
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.736657 Composed by Eliot Daniel. Arranged by Dennis Ruello. Contemporary. Score and parts. 11 pages. Chicory Music #6670707. Published by Chicory Music (A0.736657). On October 15, 1951, the very first episode of the I Love Lucy show aired on CBS and became the most watched TV show in the U.S. for four of its seven-year run. Fun trivia about the opening theme song is that during the first season the show opened with their sponsor Philip Morris’ animation of stick figure cartoons of Lucy and Desi climbing down a pack of Philip Morris cigarettes. It was scored with Ferde Grofé’s Jr. The Grand Canyon Suite theme (a composition from 1931).From the second season onwards, the I Love Lucy signature tune we all know so well became the main theme, and one of the most recognizable pieces of music on the planet. It was written by composer Eliot Daniel who cranked it out in an afternoon as a favor to his old Coast Guard buddy Jess Oppenheimer, the show’s producer. Since Daniel still had another year under his exclusive contract to Fox, he asked Oppenheimer to keep his name out of it. Consequently his name does not appear on first or the second season TV credits for what became one of the most popular TV themes. Later, Daniel did seek credit and received royalties from syndicated reruns for the rest of his life.The lyrics were written by Harold Adamson for an episode in the third season in which Lucy believes everyone has forgotten her birthday. So of course Ricky saves the day after a near disaster. This arrangement for Brass Quintet plus optional Acoustic Bass and Drum Set parts remains faithful to the original.Performance Time Approx. 1 minute 25 seconds
$12.99
Annie's Song
#
Brass quartet : 2 trumpets, trombone, tuba
#
INTERMEDIATE
#
Rock
#
John Denver
#
James Haynor
#
Annie's Song
#
James Haynor
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.782334 By John Denver. By John Denver. Arranged by James Haynor. Rock. Sco...
(+)
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.782334 By John Denver. By John Denver. Arranged by James Haynor. Rock. Score and parts. 16 pages. James Haynor #5349563. Published by James Haynor (A0.782334). Annie's Song (also known as Annie's Song (You Fill Up My Senses) ) is a folk rock and country song recorded and written by singer-songwriter John Denver. The song was released as a single from Denver's album Back Home Again. It was his second number-one song in the United States, occupying that spot for two weeks in July 1974. Scored here for brass quintet, Annie’s Song adds a great change of pace to your concert or recital. ( Trumpets may, of course, be substituted for the written flugelhorn parts. ) ( Duration 2:56 )
$12.99
Brass Quintet - Three Pastoral Sketches
#
Brass quartet : 2 trumpets, trombone, tuba
#
ADVANCED
#
Contemporary
#
Mike Lyons
#
Brass Quintet - Three Pastoral
#
Lyons Music Services
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Ly...
(+)
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Lyons Music Services #6422239. Published by Lyons Music Services (A0.767578). These three pieces form a small suite, linked by the idea of ‘pastoral’ or rustic situations and places. The first piece to be written now forms the middle movement, though at first it was the starting point. This is not easy music. It travels through several keys with large numbers of sharps and flats and in places the time signature shifts constantly. The first movement is modal, being based on the mixolydian and dorian modes. I took for this movement the idea of ancient Celts celebrating a victory and dancing and getting drunk around a smoky fire. Their chieftain strikes up a song, accompanied by a double drone. This melody is initially stated on the horn, with just two other instruments providing the accompaniment. At 4 before B, the remaining instruments join in, providing a rhythmic pulse and the melody moves to the Euphonium/Baritone/Trombone. Subtle variations shape the melody anew, leading to letter C. Here the complex overlapping rhythms provide a more dance-like feel to the music. Also, countermelodies start to appear which build the excitement. At letter E, the music becomes louder and the rhythmic pulse more insistent (perhaps they are dancing on the tables?) The mode changes to the more major sounding mixolydian. But from here on in, the revellers are starting to wend their way home, still singing and dancing and they gradually fade into the distance. At letter G, we’re back to three players, but with the trumpet 1 playing a rhythmic melody over the top of the original tune. The second movement is called The Aesthetes. The aesthetic movement was formed in the 19th century, but had been around before that in less formal garb. Their ideal was to emulate the Ancient Greeks and Romans – or at least their perception of what the ancients were like as found in statues, paintings and friezes. They adopted studied poses and were very effete in their mannerisms. Gilbert and Sullivan parodied the aesthetic movement in their operettas – particularly Princess Ida (but also in the Mikado and various others). So, here is a movement with classical lines in the style of a minuet, but in 6/8 rather than ¾ so that it can be more languid. All the melodies are ‘studied’ and ‘formal’ with long, languid notes and rhythms which don’t quite fit to the beat as the aesthetes pose and ponder and languidly look, studied and pale and wan. Because of the long notes in the melody, there’s an almost dream-like quality to the music as if they are seeing through a haze of Wormwood or Absinthe (a favourite drink of the aesthetes when they weren’t high on themselves or opiates). The third and final movement is called The Bohemians. This was also a movement at the end of the 19th Century. Where the aesthetes were ruled by rules, the Bohemians lived by none. They were considered wild and unconventional to say the least. The Bohemians movement owed much to the supposed free life and style of the gypsies and wanderers of Europe. Our piece starts with a gypsy violin style opening, including a cadenza, and then moves into the rapidly time shifting and gyrating gypsy dance. This section is in alternating bars of 5/8 and 6/8 with occasional 11/8 thrown in to keep you off balance. The frantic and frenetic movement continues up to letter F where things calm down a little – but not for long as the intensity increases again from Letter H to the quite sudden ending. This is tuneful yet challenging music which will take a lot of effort, but which will give a lot back in return.
$28.00
Breeze And I
#
Brass quartet : 2 trumpets, trombone, tuba
#
INTERMEDIATE/ADVANCED
#
Al Stillman and Ernesto Lecuon
#
F
#
Breeze And I
#
Sweetwater Brass Press
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1164066 Composed by Al Stillman and Ernesto Lecuona. Arranged by F. Leslie...
(+)
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1164066 Composed by Al Stillman and Ernesto Lecuona. Arranged by F. Leslie Smith. Multicultural,Pop,Standards,World. Score and parts. 37 pages. Sweetwater Brass Press #764401. Published by Sweetwater Brass Press (A0.1164066). Ernesto Lecuona was born 1895 in Cuba.  He began piano lessons at 5 years of age and developed into a virtuoso pianist and internationally celebrated composer.  In 1928 he composed Suite AndalucÃa, a six-movement piano piece portraying the people and places of the Andalusia region of southern Spain.  Two of those pieces eventually achieved tremendous popularity as standalone songs:  #2, “Andalucia†and #6, “Malagueña.† Lecuona had composed both in ¾ time.  Salvador Tutti Camarata reframed “Andalucia†in 4/4, Al Stillman provided English lyrics and the song was given a new title, “The Breeze and I.† Jimmy Dorsey’s big band recorded it in 1940 with the vocal by Bob Eberly.  It was hugely popular, lasting nine weeks on the Billboard magazine chart and peaking at #2.  Fifteen years later, Caterina Valente recorded both “The Breeze and I†and “Malagueña†to great success.    This arrangement opens in A-flat major with Trumpets, Horn and Tuba laying down a Latin beat and the Trombone playing an opening lick.  After the introduction, Trombone and Trumpets take turns with the melody, while Horn and Tuba provide variety and accents.  On the second time through, the key changes to E-flat major and begins with a Trumpets-and-lower-brass fanfare.  The melody repeats, but this time with a different take.  Horn and Trombone take turns with melody and counter melody, then Trumpets take over.  After several cascade effects, the tune reaches its end and Trumpets play an extended version of Trombone’s lick from the introduction.  The group then repeats the final 16 bars of the tune and winds up with an extended ending treatment.  Trombone once again contributes its opening lick, and the arrangement fades away . . . all to a Latin beat.  Enjoy!    Time signature is 2/2 and suggested tempo is 72 BPM, which is maintained all the way through.  There are two instances of a one-bar change to 3/2.  The fanfare at Section C contains a measure and a half of 16th notes.  All notes are well within the normal playing range of the five instruments.    Completed in 2023, performance time runs about 3 minutes, 30 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would like to receive your suggestions, comments, corrections and criticisms.  For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.  (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.).
$12.99
Rose
#
Brass quartet : 2 trumpets, trombone, tuba
#
EASY
#
Film/TV
#
James Horner
#
Alessandro Macrì
#
Rose
#
Music Macri Editions
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.931246 Composed by James Horner. Arranged by Alessandro Macrì. Contempo...
(+)
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.931246 Composed by James Horner. Arranged by Alessandro Macrì. Contemporary. Score and parts. 13 pages. Music Macri Editions #5754581. Published by Music Macri Editions (A0.931246). Titanic è la colonna sonora dell'omonimo pluripremiato film del 1997, diretto da James Cameron.Cameron all'inizio voleva Enya come compositrice delle musiche, ma lei rifiutò. Allora la scelta cadde su James Horner, con il quale Cameron aveva avuto una collaborazione con Aliens - Scontro finale.Per i titoli di coda, Cameron non voleva un sottofondo musicale cantato, ma Horner, contrario all'idea, senza dir nulla al regista compose la famosissima traccia My Heart Will Go On, e Will Jennings scrisse il testo. Venne effettuata una registrazione con la cantante Céline Dion, Cameron cambiò idea all'istante, e alla fine la composizione vinse il Premio Oscar per la migliore canzone, andando in testa alle classifiche di tutto il mondo.Il successo fu tale che venne realizzato un secondo album intitolato Back to Titanic con delle ulteriori musiche contenute nel film, ma non nell'album precedente.
$13.00
AGNUS DEI from the L' Arlesienne Suite n. 2
#
Brass quartet : 2 trumpets, trombone, tuba
#
EASY
#
Classical
#
Georges Bizet
#
Alessandro Macrì
#
AGNUS DEI from the L' Arlesien
#
Music Macri Editions
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.931218 Composed by Georges Bizet. Arranged by Alessandro Macrì. Christi...
(+)
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.931218 Composed by Georges Bizet. Arranged by Alessandro Macrì. Christian,Christmas,Concert,Holiday,Romantic Period. Score and parts. 11 pages. Music Macri Editions #5316881. Published by Music Macri Editions (A0.931218). The Agnus dei credited to Georges Bizet is based on the Intermezzo from the L'Arlesienne Suite No. 2 taken from Bizet's 1872 music to Alphonse Daudet's play. Bizet had only made one suite out of his L'Arlesienne music and four years after the death of the composer the publisher commisioned Bizet's close friend Ernest Guirard to compile another. Apart from preparing this second suite Guirard extracted the Intermezzo movement and added the catholic Latin text of the Agnus Dei to it. It was published as another new work of Bizet.
$5.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Brass Quintet - 3 Trp, 1 Trb, 1 Tuba)
#
Brass quartet : 2 trumpets, trombone, tuba
#
INTERMEDIATE
#
Classical
#
Sacred music
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Brass Ensemble Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.813824 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contempo...
(+)
Brass Ensemble Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.813824 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533897. Published by Regis Bookshar (A0.813824). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Brass Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Brass Quintet, but in this case, consisting of 3 Trumpets, 1 Trombone and 1 Tuba, he has made quite a few other arrangements of this selection.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Brass Quintet - 2 Trp, 1 Hrn, 1 Trb, 1 Tu
#
Brass quartet : 2 trumpets, trombone, tuba
#
INTERMEDIATE
#
Classical
#
Sacred music
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.813823 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporar...
(+)
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.813823 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533895. Published by Regis Bookshar (A0.813823). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Brass Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Brass Quintet, consisting of 2 Trumpets, 1 French Horn, 1 Trombone and 1 Tuba, he has made quite a few other arrangements of this selectio.
$15.00
Away in a Manger (G) (Brass Quintet - 2 Trp, 1 Hrn, 1 Trb, 1 Tuba)
#
Brass quartet : 2 trumpets, trombone, tuba
#
INTERMEDIATE
#
Christmas
#
James R
#
Regis Bookshar
#
Away in a Manger
#
Regis Bookshar
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.814004 Composed by James R. Murray. Arranged by Regis Bookshar. Christmas,...
(+)
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.814004 Composed by James R. Murray. Arranged by Regis Bookshar. Christmas,Instructional,Standards. Score and parts. 12 pages. Regis Bookshar #6658459. Published by Regis Bookshar (A0.814004). Brass Quintet - Intermediate - Digital Download. This arrangement of Away in a Manger, would be a fine addition to any music library and could be performed for Christmas concerts, recitals and church services. It is equally suitable for junior and senior high school students, and, depending on their ability, even younger students, too. Included are a score and a complete set of parts (10 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Away in a Manger is one of the most popular Christmas carols and there are a number of musical settings of it. The most popular musical setting of it in the United States is the tune commonly known as Mueller. It was composed by James R. Murray and was first published under the name Luther's Cradle Hymn, in his collection Dainty Songs for Little Lads and Lasses, in 1887. It was intended for use in kindergarten, school and home.In this selection, Regis Bookshar has arranged three verses of this popular Christmas carol for a Brass Quintet, consisting of 2 Trumpets, 1 French Horn, 1 Trombone and 1 Tuba. The first verse is a traditional setting of the tune while the second verse has a more complex accompaniment. The third verse also includes a descant. Between the second and third verses, he has included a short interlude. In addition to this arrangement for a Brass Quintet, there are also other Quintet arrangements of Away in a Manger for a variety of instrumental ensembles, as well as quite a few other Christmas selections, readily available for purchase. Please take the time to look for other versions of this composition and other selections. You may find something else that may also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Away in a Manger will continue to entertain both performers and audiences alike for years to come.
$8.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Brass Ensemble - Trps, Hrns, Trbs, Tubas)
#
Brass quartet : 2 trumpets, trombone, tuba
#
INTERMEDIATE
#
Classical
#
Sacred music
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.813843 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporar...
(+)
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.813843 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 32 pages. Regis Bookshar #6537739. Published by Regis Bookshar (A0.813843). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Brass Ensemble) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (24 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, he has created this version for a Brass Ensemble. Parts included with the purchase are a 1st Trumpet in Bb, a 2nd Trumpet in Bb, a 3rd Trumpet in Bb, 1a st French Horn in F, a.
$18.00
Fat Bottomed Girls
#
Brass quartet : 2 trumpets, trombone, tuba
#
INTERMEDIATE
#
Queen
#
Aaron Hettinga
#
Fat Bottomed Girls
#
Aaron Hettinga
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.781973 By Queen. By Brian May. Arranged by Aaron Hettinga. Contemporary,Fi...
(+)
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.781973 By Queen. By Brian May. Arranged by Aaron Hettinga. Contemporary,Film/TV,Pop,Rock. Score and parts. 12 pages. Aaron Hettinga #6016763. Published by Aaron Hettinga (A0.781973). This fun classic rock anthem from Queen is presented here for Brass Quintet. The form of the original recording is closely followed but does not include the extended guitar solo playout, skipping ahead to the last three punctuated ending hits. This arrangement is one whole step lower than the record.Flexibility: This arrangement includes an optional (but encouraged) drum kit part. While the chart is constructed that it will work just fine without it, having a drummer on board will kick this one up a notch.Performance options: As noted, the form of the original is mostly followed with a few 2nd time only cues for variety, this can also be streamlined if so desired. The repeated first/second verse section near the start could jump ahead to the second ending to save time. Also, rather than following the transition back to the D.S., a group alternatively could jump straight to the coda having already covered the bulk of the song.
$19.99
<
1
26
51
76
© 2000 - 2024
Home
-
New releases
-
Composers
Legal notice
-
Full version
