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Tatu
Brass quartet : 2 trumpets, trombone, tuba
Sheetmusic to print
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1
Carol of the Bells by M. Leontovich
Brass quartet : 2 trumpets, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.931267
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.931267 Composed by Mykola Leontovich. Arranged by Alessandro Macrì. A Cappella,Christmas,Concert,Film/TV,Holiday. Score and parts. 22 pages. Music Macri Editions #5869567. Published by Music Macri Editions (A0.931267). Carol of the Bells, conosciuta anche come Ukrainian Bell Carol, è una celebre canzone natalizia scritta nel 1936 dal compositore statunitense Peter Wilhousky (1902–1978) la quale è basata su un rifacimento melodico di un canto natalizio del compositore ucraino Mykola LeontovyÄ (Микола Леонтович; 1877–1921), intitolato Å Äedryk (Å¡Äedrykvka, che in lingua ucraina significa Canto di Capodanno) e originalmente pensata per un'opera corale che fu rappresentata per la prima volta a Kiev nel 1916. Si tratta di un brano che in Ucraina è tradizionalmente intonato la sera del 13 gennaio, vigilia del Capodanno secondo il Calendario giuliano.Il movimento di Å Äedryk è un allegretto eseguito di solito da un coro a cappella di solito a quattro voci. L'originario compositore, Mykola DmytrovyÄ LeontovyÄ, compose più di una versione del canto a seconda della composizione del coro; altre versioni furono scritte in lingue diverse dalla lingua ucraina. La principale caratteristica è il canto Ostinato di un disegno ripetitivo di quattro note che attraversano l'intero brano.
$9.00
8.23 €
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Brass quartet : 2 trumpets, trombone, tuba
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Mykola Leontovich
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Carol of the Bells by M. Leontovich
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Music Macri Editions
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SheetMusicPlus
Brass Quintet - Three Pastoral Sketches
Brass quartet : 2 trumpets, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.767578
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Lyons Music Services #6422239. Published by Lyons Music Services (A0.767578). These three pieces form a small suite, linked by the idea of ‘pastoral’ or rustic situations and places. The first piece to be written now forms the middle movement, though at first it was the starting point. This is not easy music. It travels through several keys with large numbers of sharps and flats and in places the time signature shifts constantly. The first movement is modal, being based on the mixolydian and dorian modes. I took for this movement the idea of ancient Celts celebrating a victory and dancing and getting drunk around a smoky fire. Their chieftain strikes up a song, accompanied by a double drone. This melody is initially stated on the horn, with just two other instruments providing the accompaniment. At 4 before B, the remaining instruments join in, providing a rhythmic pulse and the melody moves to the Euphonium/Baritone/Trombone. Subtle variations shape the melody anew, leading to letter C. Here the complex overlapping rhythms provide a more dance-like feel to the music. Also, countermelodies start to appear which build the excitement. At letter E, the music becomes louder and the rhythmic pulse more insistent (perhaps they are dancing on the tables?) The mode changes to the more major sounding mixolydian. But from here on in, the revellers are starting to wend their way home, still singing and dancing and they gradually fade into the distance. At letter G, we’re back to three players, but with the trumpet 1 playing a rhythmic melody over the top of the original tune. The second movement is called The Aesthetes. The aesthetic movement was formed in the 19th century, but had been around before that in less formal garb. Their ideal was to emulate the Ancient Greeks and Romans – or at least their perception of what the ancients were like as found in statues, paintings and friezes. They adopted studied poses and were very effete in their mannerisms. Gilbert and Sullivan parodied the aesthetic movement in their operettas – particularly Princess Ida (but also in the Mikado and various others). So, here is a movement with classical lines in the style of a minuet, but in 6/8 rather than ¾ so that it can be more languid. All the melodies are ‘studied’ and ‘formal’ with long, languid notes and rhythms which don’t quite fit to the beat as the aesthetes pose and ponder and languidly look, studied and pale and wan. Because of the long notes in the melody, there’s an almost dream-like quality to the music as if they are seeing through a haze of Wormwood or Absinthe (a favourite drink of the aesthetes when they weren’t high on themselves or opiates). The third and final movement is called The Bohemians. This was also a movement at the end of the 19th Century. Where the aesthetes were ruled by rules, the Bohemians lived by none. They were considered wild and unconventional to say the least. The Bohemians movement owed much to the supposed free life and style of the gypsies and wanderers of Europe. Our piece starts with a gypsy violin style opening, including a cadenza, and then moves into the rapidly time shifting and gyrating gypsy dance. This section is in alternating bars of 5/8 and 6/8 with occasional 11/8 thrown in to keep you off balance. The frantic and frenetic movement continues up to letter F where things calm down a little – but not for long as the intensity increases again from Letter H to the quite sudden ending. This is tuneful yet challenging music which will take a lot of effort, but which will give a lot back in return.
$28.00
25.6 €
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Brass quartet : 2 trumpets, trombone, tuba
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Mike Lyons
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Brass Quintet - Three Pastoral Sketches
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Lyons Music Services
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SheetMusicPlus
Blue Velvet
Brass quartet : 2 trumpets, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.759117
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.759117 By Statues. By Bernie Wayne and Lee Morris. Arranged by Tim Olt. Contemporary. Score and parts. 12 pages. Olt Music #4320397. Published by Olt Music (A0.759117). This wonderful ballad from the 50s brings back warm memories. Easy gentle piece for group and audience.
$15.00
13.71 €
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Brass quartet : 2 trumpets, trombone, tuba
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Statues
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Blue Velvet
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Olt Music
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SheetMusicPlus
British Grenadiers-march
Brass quartet : 2 trumpets, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.802622
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.802622 Composed by Harold Mooney. Arranged by Peet du Toit. Contemporary. Score and parts. 8 pages. Peet du Toit #6037473. Published by Peet du Toit (A0.802622). The British Grenadiers is a traditional marching song of British, Australian and Canadian military units whose badge of identification features a grenade, the tune of which dates from the 17th century. It is the Regimental Quick March of the Royal Artillery (since 1716), Corps of Royal Engineers (since 1787), the Honourable Artillery Company (since 1716), Grenadier Guards 'The First (later 'Grenadier') Regiment of Foot Guards' (since 1763), and the Royal Regiment of Fusiliers (since 1763). It is also an authorised march of the Royal Australian Artillery, The Royal Gibraltar Regiment, The Royal Regiment of Canadian Artillery, The Royal Regiment of Canada, The Princess Louise Fusiliers, and The 5th Canadian Mounted Rifles. The standard orchestration for the military band was approved in 1762, when the Royal Artillery Band (initiated in 1557) became recognised officially, and for all other 'grenade' regiments in 1763, when the remaining unofficial bands gained official status.
$13.00
11.89 €
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Brass quartet : 2 trumpets, trombone, tuba
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Harold Mooney
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British Grenadiers-march
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Peet du Toit
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SheetMusicPlus
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