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Big Star
Brass Quintet: 2 trumpets, horn, trombone, tuba
Sheetmusic to print
8 sheet music found
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1
The Carioca
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1410576
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1410576 By Caetano Velosa. By Edward Eiscu, Gus Kahn, and Vincent Youmens. Arranged by Peet du Toit. Folk,Pop. 9 pages. Peet du Toit #992996. Published by Peet du Toit (A0.1410576). (The) Carioca is a 1933 popular song with music by Vincent Youmans and lyrics by Edward Eliscu and Gus Kahn, as well as the name of the dance choreographed to it for the 1933 film Flying Down to Rio. It was sung in the film by Alice Gentle, Movita Castaneda and Etta Moten and danced by Fred Astaire and Ginger Rogers as part of an extended production dance number illustrating the ballroom dance. The dance, which was choreographed by the film's dance director, Dave Gould, assisted by Hermes Pan, was based on an earlier stage dance with the same name by Fanchon and Marco.The word Carioca refers to inhabitants of Rio de Janeiro.Astaire and Roger's short dance has historical significance, as it was their first screen dance together. Though billed fourth and fifth, many felt they stole the film, which became a big hit for RKO. The song was nominated for the Academy Award for Best Original Song at the 7th Academy Awards, but lost to an even bigger Astaire and Rogers production number, The Continental from The Gay Divorcee (1934), their next film together and their first starring vehicle. They were billed by RKO as The King and Queen of 'The Carioca.'While the song has become a jazz standard, the dance did not have longevity. Following the success of Flying Down to Rio, an attempt was made to propagate it as a new ballroom dance, without much success. It was a mixture of samba, maxixe, foxtrot and rhumba. The distinctive feature of the dance â?? at least as portrayed in the movie â?? was that it was to be danced with the partners' foreheads touching.A French cover of the song was introduced in the comedy movie La Cité de la Peur (1994) along with a dance, also meant in a humoristic way. Both the song and the dance appear in the film that takes place in Cannes during the Cannes film festival in France, and have become a reference for a whole generation in France. 25 years later, in May 2019, the Carioca scene of the movie was celebrated in Cannes with a flashmob dance and by the actors themselves who danced again the mythic scene included in La Cité de la Peur.
$15.00
13.74 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Caetano Velosa
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The Carioca
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Peet du Toit
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SheetMusicPlus
C Jam Blues for Brass Quintet
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet Baritone Horn TC,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: …
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Brass Quintet Baritone Horn TC,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1273084 By Keith Terrett. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. 20th Century,Jazz,Standards. 11 pages. Keith Terrett #865274. Published by Keith Terrett (A0.1273084). An arrangement of C Jam Blues for Brass Quintet. The extra parts are not necessary, but are provided if you have extra players such as a Bb Piccolo Trumpet & Bb Trombone/Euphonium in TC.New Orleans-born clarinetist Barney Bigard is likely the originator of this tune, a simple blues riff in the key of C. Since Bigard was a veteran member of Duke Ellington’s Orchestra in 1941, Duke had a slice of the pie, too, and undoubtedly arranged the piece for the orchestra. Yet Duke referred to the number somewhat disparagingly as “one of our more or less trite things.â€The number was introduced in a Soundie short film. These three-minute features, produced to be shown on a jukebox-type player, illustrated the band miming to a pre-recorded performance. Entitled “Jam Session†the Soundie was filmed late in 1941 along with four other Ellington numbers. Duke introduces various band members, who then solo: Ray Nance (violin), Ben Webster (tenor sax), Rex Stewart (cornet), Joe “Tricky Sam†Nanton (trombone), and Sonny Greer (drums). The complete ensemble carries the tune to its finish with composer Bigard (clarinet) providing some improvised upper register piping.“C Jam Blues†was formally recorded under that title in January, 1942, for RCA Victor Records. It continued be a staple of the Ellington repertoire, generally featuring a handful of the soloists in the band.Co-composer Barney Bigard left Duke’s band in June 1942, and after a period of freelancing joined Louis Armstrong’s All-Stars in August, 1947. “C Jam Blues†was one of his nightly features with Satch’s ensemble along with “Tea for Two.†Despite playing the tune hundreds, or perhaps even thousands of times during his tenure with Ellington and Armstrong, he continued to perform it during his freelance years in the 1950s until shortly before his death in 1980.In the late-1950s very simple words were added (“Baby, let’s go down to ‘Duke’s Place’,†etc.) which strangely took a three-member team of writers to assemble: songwriters William Katz and Ruth Roberts and record producer Bob Thiele. Clarinetist Barney Bigard was not included in the composer credits of the song version, although he was a member of Louis Armstrong’s All-Stars when they recorded “Duke’s Place,†featuring Louis on the vocal, with Ellington in 1961.The piece typically features several improvised solos. The final solo continues in the upper register as the entire ensemble comes in and the music grows to a climax. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear.It was also known as Duke’s Place, with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts Western Swing band leader Bob Wills and His Texas Playboys recorded the song sometime between mid-1945 through 1947 as part of the Tiffany Transcriptions.The 10-note occasional riff formed the basis of the Bonzo Dog Doo-Dah Band’s novelty song Intro Outro.Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com.
$12.99
11.9 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Keith Terrett
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Bb Trombone/Euphonium in TC
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C Jam Blues for Brass Quintet
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Keith Terrett
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SheetMusicPlus
The Mandalorian
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1287182
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1287182 Composed by Ludwig Goransson. Arranged by Tom Holtz. 21st Century,Classical,Film/TV. 16 pages. Tom Holtz #878191. Published by Tom Holtz (A0.1287182). Ludwig Göransson is one of the biggest names in film music thanks to his blockbuster scores for the Black Panther and Creed movies. His return to the small screen with The Mandalorian in 2019 adds to his growing portfolio of iconic themes. The signature theme music is almost instantly recognizable to any Star Wars fan. This arrangement for brass quintet includes a percussion part for field drum and tambourine, and focuses the intricate layering of the final measures down to the five wind instruments.
$20.00
18.32 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Ludwig Goransson
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The Mandalorian
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Tom Holtz
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SheetMusicPlus
Patricia: A Ragtime Composition
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1401614
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1401614 Composed by Joseph Lamb. Arranged by F. Leslie Smith. 20th Century,Classical,Historic,Ragtime. 32 pages. Sweetwater Brass Press #984793. Published by Sweetwater Brass Press (A0.1401614). Ragtime was originally and primarily piano music. The Library of Congress traces the origin and wellspring of ragtime to St. Louis, Missouri.  The Britannica website explains, “Ragtime evolved in the playing of honky-tonk pianists along the Mississippi and Missouri rivers in the last decades of the 19th century. It was influenced by minstrel-show songs, African American banjo styles, and syncopated (off-beat) dance rhythms of the cakewalk, and also elements of European music.â€Â    But it wasn’t until the mid-1890s, when music publishers started printing ragtime scores, making the music available to the public at large, that ragtime’s popularity began to soar.  By 1900 ragtime was the popular music.  It stayed that way until about 1917 when the rise of jazz began to overtake it.  By 1920, ragtime was nearly forgotten.    Thirty years later, a ragtime revival began.  And one Patricia Lamb-Conn found out that her father, Joseph F. Lamb, was a well-known composer of ragtime.  In fact, the “Big Three†composers of classical ragtime are considered to be Scott Joplin, James Scott and the only non-African American, Joseph Lamb.    Lamb was born in 1887 in New Jersey, taught himself to play piano and was very much influenced by Joplin’s early ragtime publications.  From there, Lamb went on to develop into a master of classic ragtime.    One of Lamb’s most popular works was a 1916 composition he titled “Patricia Rag.†(The title apparently had nothing to do with his daughter, who was born in 1924.)  It consists of four themes in five sections, with the first theme repeated after sections 1 and 2.  Lamb pitched the opening in E-flat Major, changing to A-flat Major at the Trio.      This brass quintet arrangement, completed in 2024, consists of 150 measures, approximately five minutes, ten seconds in length.  It retains the basic structure of the original piano score but modifies the pitches to B-flat Major and E-flat Major, respectively, to accommodate the normal playing range of the brass instruments.  Possible exceptions for some players include:  (1) Trumpet 1 plays its A-above-the-staff a number of times and its B above-the-staff once; (2) Trombone plays several E above-the-staff notes; (3) Tuba plays several way-below-the-staff F notes and one high G note. Throughout the arrangement, the original melody is maintained and featured, but in some sections the background and harmony are altered to feature one or more of the five instruments.  In the Trio, the sections designated by rehearsal marks F and G are slowed and treated as a serenade; the original tempo is restored at H.  In performing this arrangement, players should pay particular attention to dynamics.  Additionally, because of the nature of ragtime, this piece may require more-than-usual practice and rehearsal.    The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would like to receive your suggestions, comments, corrections and criticisms.  Contact him at lessmith61@bellsouth.net.  For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$12.99
11.9 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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1900 ragtime was
the
popular music
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Joseph Lamb
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Patricia: A Ragtime Composition
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Sweetwater Brass Press
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SheetMusicPlus
What Shall We Do With The Drunken Sailor? arr. for brass quintet
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Ensemble - Level 4 - Digital Download SKU: A0.767723 Composed by Traditional.…
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Brass Ensemble - Level 4 - Digital Download SKU: A0.767723 Composed by Traditional. Arranged by Jerry Lanning. Folk. Score and parts. 28 pages. Jerry Lanning #3047875. Published by Jerry Lanning (A0.767723). The first trumpet in my brass quintet asked for a short feature, and this is it. It’s one of the most difficult tunes to arrange because it’s traditionally harmonised by only two chords (the tonic and the major triad on the flattened leading note). Somehow if you start to reharmonise it, it loses its essential character. So I’ve constructed a largely unrelated intro and coda and an episode in the middle to give variety. The first trumpet part is showy but not too difficult for a competent player, although a big breath is needed at the end. Horn in Eb, Trombone in Bb, Bass in Eb and Bass in Bb parts are provided as alternatives for brass band players.
$9.95
9.12 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Traditional
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What Shall We Do With The Drunken Sailor? arr. for brass quintet
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Jerry Lanning
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SheetMusicPlus
La Rosita
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet - Level 2 - Digital Download SKU: A0.775288 Composed by Allan Stuart,…
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Brass Quintet - Level 2 - Digital Download SKU: A0.775288 Composed by Allan Stuart, Paul Dupont. Arranged by Bill Wilson. 20th Century. 11 pages. Alexander Wilson #4796729. Published by Alexander Wilson (A0.775288). La Rosita, by lyricist Allan Stuart and composer Paul Dupont, is a charming Latin-flavored piece. Starting in minor, the chorus switches to major. The piece rapidly switches between triplet, duplet, and somewhat ambiguous feels. This piece was used to accompany the 1923 silent film Rosita. Performance time is approximately 1:45. Visit our website, www.tootsuitebrasspublishing.com, for a catalog of our arrangements available through sheetmusicplus.com.
$4.00
3.66 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Allan Stuart, Paul Dupont
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La Rosita
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Alexander Wilson
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SheetMusicPlus
Tochter Zion - Choral and Shuffle - Brass Quintet
Brass Quintet: 2 trumpets, horn, trombone, tuba
Composed by G.F.Händel. Arranged by Thomas Graf. Classical Period, Jazz, Funk Jazz, Chris…
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Composed by G.F.Händel. Arranged by Thomas Graf. Classical Period, Jazz, Funk Jazz, Christmas. Score, Set of Parts. 48 pages. Published by Thomas Graf - the-hit-factory.com (S0.268281). - Score,Set of Parts - Classical Period,Jazz,Funk Jazz,Christmas - Thomas Graf - the-hit-factory.com
This concert piece starts with a classic choral auf Händel?s masterpiece, then comes the big surprise: A funky Back Beat with jazzy chords starts and will make your whole audience clap and dance. All parts are feature and even a solo for the bass part is included. It ends up in a cool finale. Drums are optional and may be substituted by a Cachon or even only clapping. A must for your upcoming concerts during holiday season!
$18.99
17.4 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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G
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Tochter Zion - Choral and Shuffle - Brass Quintet
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
All I Want For Christmas Is You - brass quintet
Brass Quintet: 2 trumpets, horn, trombone, tuba
By Mariah Carey. Arranged by Austin Ralphson. Score, Set of Parts. 21 pages. Published by …
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By Mariah Carey. Arranged by Austin Ralphson. Score, Set of Parts. 21 pages. Published by Austin Ralphson (H0.207383-7401). - Score,Set of Parts - - Austin Ralphson
One of the most instantly recognisable, sing-along Christmas songs, this piece has been arranged to be exciting to play and to listen to. Features a big, rubato trombone solo at the start (goes up to high C) before kicking into the exciting bit! Needs a solid, driving tuba sound to keep it motoring along. Also has the option for one of more players to have a sleigh bell attached to the ankle and shake it on every beat throughout the fast sections. Merry Christmas!
$14.99
13.73 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Mariah Carey
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All I Want For Christmas Is You - brass quintet
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Austin Ralphson
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SheetMusicPlus
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