Version française
Free Sheet music
Instruments
ACCORDION
BAGPIPE
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET…
BOOKS
BOUZOUKI
BUGLE
CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLA
VIOLA DA GA…
VIOLIN - FI…
WHISTLE
XYLOPHONE
ZITHER
Home
Instrumentations
Composers
New additions
Top 100
Metronome
Staff paper
Musician's shop
Sheet music books
Digital sheet music
Music equipment
Gift ideas
About free-scores.com
Free
Sheet Music
1
Digital
Sheet Music
12
Sheet Music
Books
0
Music
Equipment
70
Digital scores
(access after purchase)
Post mailing
Digital sheet music
SORTING AND FILTERS
SORTING AND FILTERS
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
Not classified
165
PIANO & KEYBOARDS
Piano solo
86
Organ
23
Piano, Vocal and Guitar
23
Piano, Voice
12
C Instruments
7
Easy Piano
6
2 Pianos, 4 hands
4
1 Piano, 4 hands
3
Piano Accompaniment
2
Piano Trio: piano, violin, cello
2
Piano Quintet: piano, 2 violins, viola, cello
1
Instrumentations suivantes
Retracter
GUITARS
Guitar notes and tablatures
27
Guitar
14
Mandolin
2
Bass guitar
1
Melody line, (Lyrics) and Chords
1
VOICE
Choral SATB
50
Choral 3-part
16
Choral Unison
8
Choral Instrumental Pak
7
Choral 2-part
5
Choral TTBB
5
Vocal duet, Piano
2
High voice
2
Choral
1
Choral SSAATTBB
1
Alto voice, Piano
1
Choral SSAA
1
Tenor voice, Piano
1
Soprano voice, Piano
1
Instrumentations suivantes
Retracter
WOODWIND
Saxophone Quintet: 5 Saxophones
14
Alto Saxophone and Piano
12
Soprano Saxophone and Piano
11
Saxophone ensemble
11
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
9
2 Saxophones (duet)
7
Clarinet Ensemble
7
Flute and Piano
7
Flute ensemble
7
Clarinet Quartet: 4 clarinets
6
2 Clarinets (duet)
4
Saxophone Quartet: 4 saxophones
4
Clarinet (band part)
3
Tenor Saxophone and Piano
3
Oboe, Piano (duet)
3
Flute Quintet : 5 flutes
3
2 Flutes (duet)
3
Clarinet and Piano
3
English horn, Piano
2
Saxophone, Clarinet (duet)
2
Clarinet, Violin (duet)
2
Alto Saxophone
2
Clarinet, Trumpet (duet)
2
Flute Quartet: 4 flutes
2
Flute, Viola (duet)
1
Flute, Violin
1
Oboe, Clarinet (duet)
1
Flute, Saxophone (duet)
1
Treble (Alto) Recorder, Basso continuo
1
Flute, Trumpet (duet)
1
2 Oboes (duet)
1
Bass Clarinet, Piano
1
Oboe (band part)
1
Tenor Saxophone
1
Flute (band part)
1
Saxophone (band part)
1
Clarinet Quintet: 5 clarinets
1
Clarinet
1
Oboe, Flute
1
3 Clarinets (trio)
1
Baritone Saxophone, Piano
1
Oboe, Bassoon (duet)
1
Instrumentations suivantes
Retracter
WOODBRASS
Brass quartet : 2 trumpets, trombone, tuba
18
Brass Quintet: 2 trumpets, horn, trombone, tuba
12
Trombone and Piano
7
Brass Quartet: 2 trumpets, horn, trombone
6
Trombone ensemble
4
Trumpet
3
Euphonium, Piano (duet)
3
French Horn and Piano
3
Trumpet ensemble
3
Tuba
2
English horn, Piano
2
Trumpet (band part)
2
Trumpet, Saxophone (duet)
2
Trombone
2
Trumpet, Trombone (duet)
1
2 Trumpets (duet)
1
2 Trombones (duet)
1
Bass Trombone and Piano
1
French horn (band part)
1
Tuba (band part)
1
Trombone (band part)
1
Tuba ensemble
1
Instrumentations suivantes
Retracter
STRINGS
String Quartet: 2 violins, viola, cello
14
Violin and Piano
9
String Trio: violin, viola, cello
5
Violin
4
Cello
4
Violin ensemble
3
Viola, Piano
3
Violin, Cello (duet)
3
Harp, Voice
3
2 Violins (duet)
3
Viola (band part)
3
Harp
3
Violin (band part)
2
2 Cellos (duet)
2
Doublebass (band part)
2
Violin, Viola (duet)
1
String Quintet: 2 violins, viola, cello, bass
1
Viola and Harp
1
Cello, Piano
1
String Trio: 2 violins, cello
1
Viola ensemble
1
Cello (band part)
1
Double Bass
1
2 Violas (duet)
1
Instrumentations suivantes
Retracter
PERCUSSION & ORCHESTRA
Concert band
80
Orchestra
33
String Orchestra
14
Brass ensemble
9
Chamber Orchestra
8
Handbells
5
Percussion Ensemble
4
Jazz Ensemble
2
Percussion (band part)
1
Instrumentations suivantes
Retracter
OTHERS
You've selected:
Call On Him
Brass Quintet: 2 trumpets, horn, trombone, tuba
Sheetmusic to print
12 sheet music found
<
1
Bugle Call Rag for Brass Quintet
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Ensemble - Digital Download SKU: A0.722732 Composed by Eubie Blake, Carey Mor…
(+)
Brass Ensemble - Digital Download SKU: A0.722732 Composed by Eubie Blake, Carey Morgan. Arranged by Jari A. Villanueva. 20th Century,Folk,Jazz,Patriotic,Traditional. Score and parts. 24 pages. JV MUSIC #3366195. Published by JV MUSIC (A0.722732). Bugle Call Rag Composed by Carey Morgan and Eubie Blake Arranged by Jari VillanuevaScore2 Trumpets in BbHorn in FTromboneTubaOptional Drum Set Eb Alto Horn Substitute part for Horn in FTreble Clef Baritone Substitute part for TromboneJames Hubert Eubie Blake (1887-1983) Blake was born in Baltimore to former slaves, and the only child of 11 that would survive to adulthood. The young Eubie taught himself the organ after his parents put a $75 organ in their home for 25 cents per week (which would take them almost 6 years to pay off). By the age of 15 was playing piano in Baltimore's night clubs, holding a regular job at Agnes Shelton's sporting house. Blake was already an exceptional pianist by the early 1900's, and he had to simplify his music drastically to get it published. Blake was among the pioneers of ragtime, however he was often too far ahead of his time. He released two rags (Charleston Rag and his Baltimore Buzz) in the same year which Scott Joplin released his Maple Leaf Rag. Unfortunately for Blake, the competition was too strong. Part of the reason for Blake's Charleston Rag and his Baltimore Buzz not making the big time may have been due to Blake the progressive nature of his sound. People found it hard to digest his music, especially the publishers. Bugle Call Rag was composed in 1916 with Carey Morgan. It was one of many patriotic selections written by composers during the World War I era. This delightful piece uses bugle calls and quotes There’ll Be A Hot Time In The Old Town Tonight.A retired member of the United States Air Force Band where he served on the Music Production staff (as well as a trumpeter and bugler) and a student of Bill Holcombe, Jari Villanueva continues writing for different ensembles. His arrangements are played by brass quintets all over the country including many military groups. Many of his arrangements can be found on Sheet Music Plus and JV MUSIC.Jari is a 2016 Sheet Music Plus Arranging Contest winner and winner of the 2016 Holiday Arranging Contest. https://www.youtube.com/watch?v=nMUSMQhI-lE
$14.99
13.7 €
#
Brass Quintet: 2 trumpets, horn, trombone, tuba
#
the age of 15 was playing piano in Baltimore's night clubs, holding a regular job at Agnes Shelton's sporting house
#
Eubie Blake, Carey Morgan
#
Bugle Call Rag for Brass Quintet
#
JV MUSIC
#
SheetMusicPlus
The Brass Player: Fantasy on Ich bin ein Musikant
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1303802
(+)
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1303802 Composed by F. Leslie Smith. 21st Century,Chamber,Children,Historic,Multicultural,World. 77 pages. Sweetwater Brass Press #893335. Published by Sweetwater Brass Press (A0.1303802).     A song learned in primary school years and years ago had words something along the lines of the following:         Oh! I’m a young musician,         From distant lands I come.         Singing and playing,         Ever I’m straying.    Also known as “I Am a Fine Musician,†“I Am a Gay Musician†and perhaps other titles, that song is still around and has evolved into many different versions. The original was probably a German folk song from the early 1800s. As published in an 1889 collection of children’s songs, it bears the title, “Ich bin ein Musikant.â€Â That translates as “I am a musician.â€Â In the lyrics the musician claims to be “from Schwabenland†(Swabia) and to play geige (violin: “Dide schum schum schumâ€), flöte (flute: “Päde wäpp päpp päppâ€) and basse (bass: “Dide schum schum schump, päde wäpp päpp päpp). Later versions list the instruments played by the musician as bassoon, bells, clarinet, drum, guitar, piano, piccolo, triangle, trombone, trumpet, tuba, tympani, viola and just about every instrument and noisemaker you can think of.     Anyway, that’s the tune on which “The Brass Player†was built. But here, the musician is concerned only with brass. Which brass? Well, possibly trumpet. Or maybe horn in F. Or trombone. Or tuba. Or perhaps all four; certainly, all are featured in this piece.    “The Brass Player†comprises four sections. The first is in the key of C major and is played at a moderate 2/4 tempo. After a brief Trumpet/Tuba ostinato, Trombone introduces the main theme. Other instruments join in and play around with a variation or two.     The second section is a sweet, nostalgic rendition in 4/4 carried mainly by Horn in F, with help from Trumpets and Trombone.     In section three, the mood changes radically. Time signature goes to 3/4; tempo speeds up to vivace and the key changes to B Minor. All five instruments participate, and some odd things take place rhythmically at I through K (measures 200 through 262), but Tuba seems to carry the melody most of the time.    Section four, in G Major, clips along at a fast 4/4 time. It returns to the main theme and (as in “Ich bin ein Musikant†and its multitudinous derivations) presents in call-and-response form. The first few measures are straight, but discord quickly creeps in. The melody begins to include smears, flutter tonguing and off-beat rhythmic figures. There is even a brief section in G Minor. Gradually, order and theme are restored and the piece ends in a glorious, upbeat statement.    This piece, completed in 2023, consists of 398 measures, a little over nine minutes in length. There are four changes of key and four changes of time signature. Trumpet 1’s highest note is A above its staff; Trombone’s is F above the staff. Trumpet 2 has a few G-below-its-staff notes.    The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. Contact him at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$6.99
6.39 €
#
Brass Quintet: 2 trumpets, horn, trombone, tuba
#
F
#
The Brass Player: Fantasy on Ich bin ein Musikant
#
Sweetwater Brass Press
#
SheetMusicPlus
Call Me Irresponsible
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Ensemble,Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SK…
(+)
Brass Ensemble,Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1495281 By Dinah Washington. By James Van Heusen and Sammy Cahn. Arranged by Peet du Toit. Jazz. 9 pages. Peet du Toit #1071801. Published by Peet du Toit (A0.1495281). Call Me Irresponsible is a 1962 song composed by Jimmy Van Heusen with lyrics written by Sammy Cahn which won the Academy Award for Best Original Song in 1963.According to the Mel Tormé book The Other Side of the Rainbow with Judy Garland on the Dawn Patrol, Van Heusen originally wrote the song for Garland to sing at a CBS dinner. At that time, Garland had just signed to do The Judy Garland Show on CBS, and the intent of the song was to parody her well-known problems. Garland later sang the song on the seventh episode of the show.However, in 1988, Sammy Cahn said during an interview with freelance writer Harlan Conti, in San Francisco, that the song was originally written for Fred Astaire to sing in the film Papa's Delicate Condition in which Astaire was to star. Cahn personally auditioned the song for Astaire's approval, which was given. However, Astaire's contractual obligations prevented him from making the film and the role went to Jackie Gleason, who introduced the song. It won the Academy Award for Best Original Song at the 36th Academy Awards held in 1964.Cahn is said to have had a particular satisfaction in the number of five-syllable words in the lyrics of Call Me Irresponsible.Being born in 1963, you can call me irresponsible for orchestrating this lovely jazz standard. Nevertheless, live has begun! Enjoy with me.
$13.00
11.89 €
#
Brass Quintet: 2 trumpets, horn, trombone, tuba
#
Dinah Washington
#
Call Me Irresponsible
#
Peet du Toit
#
SheetMusicPlus
Bridges, Op. 136 (for Brass Quintet and Chimes)
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet - Level 4 - Digital Download SKU: A0.1489487 Composed by Dr. Daniel N…
(+)
Brass Quintet - Level 4 - Digital Download SKU: A0.1489487 Composed by Dr. Daniel N. Thrower. 21st Century,Chamber,Classical,Historic,Multicultural,World. 28 pages. Https://gildedmusicpress.com/ #1066350. Published by https://gildedmusicpress.com/ (A0.1489487). One of my last assignments as an Air Force musician before being stationed in Japan was to perform music in support of the 50th commemoration of what has become known in America as “Vietnam Memorial Day.” It is observed on March 29 every year, the date when the last U.S. troops withdrew from Vietnam in 1973. After the memorable ceremony in 2023, I lingered to talk with those mature veterans and to hear some of their experiences. It was a strange feeling when I told them that my first assignment at my new duty station in Japan would be a series of cultural exchange performances in Vietnam. What a somber generational bridge.I was only in Japan for a matter of days, including some intense rehearsals, before Pacific Brass (the brass quintet from the U.S. Air Force Band of the Pacific) packed up and headed to Hanoi to start our brief musical outreach in three cities. My reflections were sobering as I contrasted my military service in Vietnam with the veterans whom I had just honored three months prior. During some off-duty time, all five of the Pacific Brass military musicians found our way to the well-known Hòa Ló Prison, infamously known as the “Hanoi Hilton.” Indeed, how vastly different was my brief military service in Vietnam!To the Vietnamese people, the “American War,” as they call it, is ancient history. They are extremely forward-thinking, putting those dark years far from them, looking to the bright future that is theirs. What an educational bridge of paradigms. Although it was important for us as U.S. Servicemembers to witness the Hòa Ló Prison firsthand, our lot was to experience the beautiful present-day Vietnam with its rich culture of food, street shops, temples, dance, music, and other wonders that awed us all—including gongs!Our trombone player purchased a gong in a shop that sold little else besides gongs of all sizes and pitches. That struck me as quintessentially Vietnamese, and the sights and sounds of that modest shop lingered in my imagination. As we absorbed the extraordinary majesty of the Temple of Literature in Hanoi, ideas for this musical composition started to formulate as a bridge connecting American musical culture with Vietnamese traditional gongs. For practicality in both notation and live performance, I scored the consort of 18 glorious “gongs” in my head for orchestral tubular bells. It is a passionate hope that someday in a video presentation, a masterful cultural bridge of the two diverse countries will be crafted. Better yet, what an experience it would be to have a legitimate gong consort perform live with Pacific Brass!The year of our visit, as we were coached many times by the Embassy’s Attaché, was a milestone landmark between the two nations, worthy of praise and celebration: the ten-year anniversary of the U.S.-Vietnam Comprehensive Partnership, signed by Presidents Obama and Sang in July 2013. This bilateral relationship has bridged both nations’ commitment to economic engagement, cultural exchange, tourism, education, and human rights. This composition is in celebration of this Comprehensive Partnership and a gift to the wonderful people of Vietnam. May this music contribute to a continuing growth of positive relations bridging the two nations.
$24.95
22.81 €
#
Brass Quintet: 2 trumpets, horn, trombone, tuba
#
Dr
#
Bridges, Op. 136
#
https://gildedmusicpress.com/
#
SheetMusicPlus
Bach: Wachet auf for Brass Quintet
Brass Quintet: 2 trumpets, horn, trombone, tuba
Level 3 - Digital Download SKU: A0.549857 Composed by Johann Sebastian Bach. Arrang…
(+)
Level 3 - Digital Download SKU: A0.549857 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Sacred,Wedding. 17 pages. Jmsgu3 #3556935. Published by jmsgu3 (A0.549857). Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) from Cantata BWV 140. Program this for church services during Easter or as a recital encore. Also great for Weddings. Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the prelude, and a four-part chorale. He casts the new lyrics as recitatives – like the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the guards singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears; it catches the listener off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First, Johann Sebastian Bach may be the greatest composer in music history. Indeed, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. People are probably most familiar with instrumental works such as the Brandenburg Concertos and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. His most famous vocal works seem to include the most noteworthy Mass in B Minor. Also, most notable are the St. John Passion and, indeed, the Christmas Oratorio.  History Bach came from a long line of musicians and, above all, composers. Consequently, he first of all pursued a career as a church organist. As a result, he gained employment in various Protestant churches in Germany. He worked as a court musician in Weimar and Köthen for a while. Here, he probably developed his organ style and, likewise, his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here, he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his unique style. This new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach's works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will use an S (Schmieder) as an abbreviation for BWV. Â
$39.95
36.52 €
#
Brass Quintet: 2 trumpets, horn, trombone, tuba
#
Johann Sebastian Bach
#
Bach: Wachet auf for Brass Quintet
#
jmsgu3
#
SheetMusicPlus
El Condor Pasa (If I Could)
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 1 - Digital Download SKU: A0.1402823
(+)
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 1 - Digital Download SKU: A0.1402823 Composed by Daniel Alomia Robles, Jorge Milchberg, and Paul Simon. Arranged by Alan Frazer (arranger) & Peet du Toit (orchestrator). Folk. 10 pages. Peet du Toit #986049. Published by Peet du Toit (A0.1402823). This song started out as an Andean folk melody that Paul Simon came across in 1969 when he played a week-long engagement at a theater in Paris along with the South American group Los Incas, who played an instrumental version of the song called Paso Del Condor. Said Simon: I used to hang around every night to hear them play that. I loved it and I would play it all the time, and then I thought, Let's put words to it.The Peruvian songwriter Daniel Robles recorded this song in 1913, and copyrighted it in the United States in 1933 during his travels in America. When Simon recorded it with his added lyrics, he thought it was a traditional song, as that's what Los Incas told him. When Robles' son filed a lawsuit, Simon had to give Robles a composer credit on the song, with his estate getting those royalties.In discussing the song, Simon always talks about it as being based on a traditional Peruvian song, and we've never heard him mention Robles. This wasn't the first time Simon got tangled over songwriting credits on traditional melodies: Simon & Garfunkel's Scarborough Fair / Canticle was based on a folk song, but his arrangement came from a singer named Martin Carthy. Simon was always clear on his influences, but legal misunderstandings were a problem in these cases.Los Incas, who were the group that introduced Simon to the song, provided the instrumentation when they recorded it in Paris with Simon. Their leader, Jorge Milchberg, played a charango, which is an Andean string instrument made from the shell of an armadillo. Simon played acoustic guitar, and other members of Los Incas played flutes and percussion. When Simon brought the track to America, he added his lyrics. This was one of the easier songs to record for the Bridge Over Troubled Water album, since the backing track was already mixed together - it was just a matter of adding the vocals.The title translates to English as The Condor Passes. The lyrics Robles wrote to the song in 1913 are about returning home to his native Peru.Los Incas leader Jorge Milchberg got a composer credit on this song along with Simon and Robles. Milchberg later became the head of the group Urubamba and remained friends with Simon, who toured with them and produced their first American album. >>The Wainwright Sisters covered this for their 2015 Songs in the Dark album. Lucy Wainwright Roche explained to The Sun: I chose 'El Condor Pasa' because it was one of the first songs I ever learned to play on it guitar and it has a childlike quality to it, but it also has a darkness and sadness that fit in well with the album.Paul Simon performed this on both Sesame Street (in 1977) and The Muppet Show (in 1980).
$15.00
13.71 €
#
Brass Quintet: 2 trumpets, horn, trombone, tuba
#
Daniel Alomia Robles, Jorge Milchberg, and Paul Simon
#
El Condor Pasa
#
Peet du Toit
#
SheetMusicPlus
St. Thomas
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1463555
(+)
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1463555 By Sonny Rollins. By Sonny Rollins. Arranged by Will Corbin. Jazz. 21 pages. Will Corbin #1042294. Published by Will Corbin (A0.1463555). A saxophonist was playing this catchy song outside New Orleans' Cafe du Monde one morning when I was visiting. When I figured out what the tune was, I was driven to arrange it for our quintet. The result is at least good for one illustration: If you thought you needed drums for calypso or Latin, think again. Horns work pretty well.Jazz tenor sax great Sonny Rollins wrote this, mostly as a vehicle for improvisation. It's based on a Bahamian folk melody called Sponger Money, which may or may not be based on a British folk song called The Lincolnshire Poacher. Whatever the case, it's a variation on a song Rollins' mother sang to him when he was a child in the Virgin Islands.This arrangement -- not as easy to play as it looks, because of the rhythms -- is for two trumpets, horn, trombone and tuba. It's also perfect for the improv-impaired -- but can also serve as a framework for players who are good at it.If you need alternative instrumentation, please contact me at wilcor@aol.com.
$15.00
13.71 €
#
Brass Quintet: 2 trumpets, horn, trombone, tuba
#
Sonny Rollins
#
St. Thomas
#
Will Corbin
#
SheetMusicPlus
Swanee by Gershwin for Brass Quintet with Optional Drums
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.722766
(+)
Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.722766 Composed by George Gershwin. Arranged by Jari A. Villanueva. 20th Century,Broadway,Folk,Ragtime. Score and parts. 26 pages. JV MUSIC #4297713. Published by JV MUSIC (A0.722766). Swanee by George Gershwin for Brass Quintet with Optional Drums and optional parts for Eb Horn and Baritone TC Arranged by Jari Villanueva Score2 Trumpets in BbHorn in FTromboneTubaEb Alto Horn Substitute part for Horn in FTreble Clef Baritone Substitute part for Trombone Swanee was George Gershwin’s first big song hit written in 1919. The song was written for a New York City revue called Demi-Tasse, which opened in October 1919 in the Capitol Theater. Caesar and Gershwin, who was then aged 20, claimed to have written the song in about ten minutes riding on a bus in Manhattan, finishing it at Gershwin's apartment. It was written partly as a parody of Stephen Foster's Old Folks at Home. It was originally used as a big production number, with 60 chorus girls dancing with electric lights in their slippers on an otherwise darkened stage. The song had little impact in its first show, but not long afterwards Gershwin played it at a party where Al Jolson heard it. Jolson then put it into his show Sinbad, already a success at the Winter Garden Theatre, and recorded it for Columbia Records in January 1920. After that, said Gershwin, Swanee penetrated the four corners of the earth. The song was charted in 1920 for 18 weeks holding the No. 1 position for nine. It sold a million sheet music copies, and an estimated two million records. It became Gershwin's first hit and the biggest-selling song of his career; the money he earned from it allowed him to concentrate on theatre work and films rather than writing further single pop hits.https://www.youtube.com/watch?v=nYVgQDl6G3g
$15.00
13.71 €
#
Brass Quintet: 2 trumpets, horn, trombone, tuba
#
George Gershwin
#
Swanee by Gershwin for Brass Quintet with Optional Drums
#
JV MUSIC
#
SheetMusicPlus
Hail the Day That Sees Him Rise ? brass quintet
Brass Quintet: 2 trumpets, horn, trombone, tuba
Composed by Robert Williams (1781-1821). Arranged by Todd Marchand. Christian, Sacred, Eas…
(+)
Composed by Robert Williams (1781-1821). Arranged by Todd Marchand. Christian, Sacred, Easter. Score, Set of Parts. 16 pages. Published by Con Spirito Music (S0.182105). - Score,Set of Parts - Christian,Sacred,Easter - Con Spirito Music
?Hail the Day That Sees Him Rise,? one of the most popular hymn texts on the Ascension of Christ, was written by the great Methodist hymnist Charles Wesley (1707-1788) and published in 10 stanzas in his Hymns and Sacred Poems (1739) as ?Hymn for Ascension Day.? The ?alleluias? were added in George White's Hymns and Introits (1852). The tune most often associated with Wesley's text, ?Llanfair,? is attributed to Welsh singer Robert Williams (1781-1821). In this arrangement, elements of the tune are employed in a majestic, constantly modulating introduction before giving way to three presentations of melody ? first, straightforwardly by the full quintet; second, following a modulation down a major third, by a trio of brass; and third, following another modulation back to the original key, by the full quintet, with a short coda incorporating a flourish recalling the introduction. Especially appropriate at Ascension due to the associated text, this instrumental arrangement is also fitting as a prelude, postlude, or offertory/communion anthem at any time. ©Copyright 2016 Todd Marchand / www.ConSpiritoMusic.com
$15.00
13.71 €
#
Brass Quintet: 2 trumpets, horn, trombone, tuba
#
Robert Williams
#
Hail the Day That Sees Him Rise ? brass quintet
#
Con Spirito Music
#
SheetMusicPlus
Coronation March (Db) (Brass Quintet - 3 Trp, 2 Trb)
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Ensemble Trombone,Trumpet - Level 4 - Digital Download SKU: A0.1083711 Compos…
(+)
Brass Ensemble Trombone,Trumpet - Level 4 - Digital Download SKU: A0.1083711 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Classical,Contest,Festival,Instructional,Multicultural,Romantic Period,World. Score and parts. 15 pages. Regis Bookshar #687920. Published by Regis Bookshar (A0.1083711). Coronation March, TH 50, CW 47 by Peter Ilyich Tchaikovsky. Brass Quintet - Advanced/Intermediate - Digital Download. This marvelous arrangement of Peter Tchaikovsky's Coronation March, sometimes called Festival March or Festival Coronation March, would be a fabulous addition to any music library and could be performed for concerts, recitals and other festive occasions. This arrangement keeps all of the intensity and excitement of the original composition and is suitable for high school and college students. Professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (15 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available to the public for the first time. The Coronation March was ordered by the city of Moscow for the coronation of Tsar Alexander III in 1883. It was written during March of 1883 and was performed for the first time on June 4, 1883 in Sokolniky Park in Moscow, conducted by Sergei Taneyev. The music then included excerpts of the anthem, God Save the Tsar. The American premiere was on May 5, 1891, for the opening concert of Carnegie Hall in New York City, conducted by Tchaikovsky himself. During the Soviet Era, Russian performances and recordings of the music were revised to omit the excerpts from the Czarist national anthem, replacing it with thematic material used earlier in the march, due to an official Soviet ban on the anthem. Starting with Dmitri Medvedev's inauguration in 2008, an abbreviated version of this piece is played during the Russian presidential inauguration accompanying the entrance of the incoming president, and ends well before the playing in this piece of the Tsarist anthem God Save the Tsar. Unlike Tchaikovsky's other major compositions, the Coronation March does not have an opus number. It has been given alternative catalogue designations TH 50 and CW 47. Tchaikovsky's Coronation March was originally scored for a full orchestra and written in the key of D Major. Regis Bookshar has now created an abbreviated version, written in Db Major, and has arranged it for a Brass Quintet, consisting of 3 Bb Trumpets and 2 Trombones. In addition to this arrangement of Tchaikovsky's Coronation March for a Brass Quintet, other arrangements of this festive composition for various instrumental ensembles are also available. Please feel free to search for other arrangements by Regis Bookshar as there are many more arrangements in a variety of styles, also available for purchase. You may find something else which might interest you as well, and please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Tchaikovsky's Coronation March will continue to entertain both audiences and performers alike for years to come.
$20.00
18.28 €
#
Brass Quintet: 2 trumpets, horn, trombone, tuba
#
Peter Ilyich Tchaikovsky
#
Coronation March
#
Regis Bookshar
#
SheetMusicPlus
The Eerie Night
Brass Quintet: 2 trumpets, horn, trombone, tuba
Composed by F. Leslie Smith. Halloween, Children's Music, Recital. Score, Set of Parts. 39…
(+)
Composed by F. Leslie Smith. Halloween, Children's Music, Recital. Score, Set of Parts. 39 pages. Published by Sweetwater Brass Press (S0.274701). - Score,Set of Parts - Halloween,Children's Music,Recital - Sweetwater Brass Press
It is October 31, Halloween, late in the evening. Outside, a slight but chilling wind blows. Inside, the pendulum of the great clock ticks slowly back and forth, back and forth. Somewhere a faucet drips arrhythmically. Suddenly, the clock strikes twelve. And, it all starts. The ghosts, the goblins, the witches and all their familiars?these are the beings that hold sway on The Eerie Night. This Halloween fantasy was inspired by a jingle the composer learned many years before while in primary school. Attributed to Lillian Mohr Fox, the words accompanying the tune described ?witches on broomsticks with cats and bats? and ?spooky . . . noises on Hallowe?en night.? ?The Eerie Night,? composed for brass quintet, emulates the supposed ghostly environment of Halloween with generous (and eerie!) use of the lower brass instruments. Trumpets provide emphasis, punctuation and occasional screeches, while the Horn in F harmonizes with Trombone and, at one point, shrieks like a cat. The haunting and scaring builds and builds until just before the end, when absolute cacophonous bedlam occurs. Gradually, things quiet down. The nightmare is ended, and we?re back to the clock, the wind and the faucet. Completed in 2017, this composition runs about 4 minutes, 40 seconds. The composer, Les Smith, would be very interested in your comments on this piece; contact him at lessmith@ufl.edu or leave a review on the SheetMusicPlus website. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus search box.
$7.00
6.4 €
#
Brass Quintet: 2 trumpets, horn, trombone, tuba
#
F
#
The Eerie Night
#
Sweetwater Brass Press
#
SheetMusicPlus
King Of The Road for Classical Brass Quintet
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet - Intermediate - Digital Download By Randy Travis, Roger Miller. Arranged …
(+)
Brass Quintet - Intermediate - Digital Download By Randy Travis, Roger Miller. Arranged by Keith Terrett. Individual Part, Score, Set of Parts. 8 pages. Published by Music for all Occasions
An arrangement of the evergreen top hit song from 1964 ''King of the Road'', set for classical Brass Quintet.
"King of the Road" is a song written by country singer Roger Miller, who first recorded it in November 1964. The lyrics tell of the day-to-day life of a hobo who, despite being poor (a "man of means by no means"), revels in his freedom, describing himself humorously and cynically as the "king of the road". It was Miller's fifth single for Smash Records.
The popular crossover record hit No. 1 on the US Country chart, No. 4 on the Billboard Hot 100, and No. 1 on the Easy Listening surveys. It was also No. 1 in the UK Singles Chart, and in Norway. Miller recalled that the song was inspired when he was driving and saw a sign on the side of a barn that read, "Trailers for sale or rent".[6] This would become the opening line of the song.
The song has been covered by many other artists, including George Jones, Dean Martin, Val Doonican, Jack Jones, James Booker, The Fabulous Echoes, Boney M., R.E.M., Johnny Paycheck, Glen Campbell, Alvin and the Chipmunks, Boxcar Willie, Randy Travis, Rangers, James Kilbane, John Stevens, the Statler Brothers, Rufus Wainwright and Teddy Thompson, Giant Sand, Peligro, The Proclaimers, Ray Conniff Singers, The Reverend Horton Heat, Jerry Lee Lewis, and Jim White. James "The King" Brown (an Elvis impersonator) performed the song for a 2001 Audi commercial on German TV.[7] Of R.E.M.'s version, a shambolic, drunken, offhand rendering, guitarist Peter Buck would later comment, "If there was any justice in the world, Roger Miller should be able to sue for what we did to this song."
"King of the Road" was performed live by Merle Haggard, Willie Nelson, Marty Stuart, Dwight Yoakam and Dolly Parton during Miller's posthumous induction into the Country Music Hall of Fame at the 1995 CMA Awards ceremony.
The song is featured in Wim Wenders' 1976 film Im Lauf der Zeit (In the Course of Time; English title Kings of the Road). It is also played at the beginning of Talladega Nights: The Ballad of Ricky Bobby, Brokeback Mountain, Into the Wild (2007), Traveller (1997), and Swingers (1996). Miller performs it in the concert film The Big T.N.T. Show. The recording by The Proclaimers is included in the film The Crossing (1990). Near the end of their official music video, the pair are shown reading a newspaper whose headline is "Roger Miller, King of Plugs".
Miller's recording appears in an episode of the Super Dave TV show, where Super Dave Osborne (Bob Einstein) sings along while sitting at a piano mounted on top of his tour bus. The bus eventually goes into a low tunnel, slamming into the piano and Osborne and pushing them off the bus and onto the ground.
A send-up version by English entertainer Billy Howard was a British chart hit in 1976.
A German take by the band Wise Guys exists, the parody referring to speeding on the Autobahn.
$14.99
13.7 €
#
Brass Quintet: 2 trumpets, horn, trombone, tuba
#
Randy Travis, Roger Miller
#
King Of The Road for Classical Brass Quintet
#
Music for all Occasions
#
SheetMusicPlus
<
1
© 2000 - 2024
Home
-
New realises
-
Composers
Legal notice
-
Full version
