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Brass Quintet: 2 trumpets, horn, trombone, tuba
Sheetmusic to print
12 sheet music found
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1
Intermezzo from Cavalleria Rusticana by Mascagni for Brass Quintet
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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EASY
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Pietro Mascagni
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Ander
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Intermezzo from Cavalleria Rus
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Woods Only, Arrangements
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SheetMusicPlus
Brass Quintet - Level 2 - Digital Download SKU: A0.1302675 Composed by Pietro Mascagni. Arranged by Ander. 19th Century,Opera,Romantic Period,Wedding. 7 ...
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Brass Quintet - Level 2 - Digital Download SKU: A0.1302675 Composed by Pietro Mascagni. Arranged by Ander. 19th Century,Opera,Romantic Period,Wedding. 7 pages. Woods Only, Arrangements #892301. Published by Woods Only, Arrangements (A0.1302675). In this arrangement, you will play the Intermezzo from the Opera Cavalleria Rusticana by Pietro Mascagni for Brass Quintet, one of the most beautiful and exciting works of classical music. You will preserve all the fidelity and expressiveness of the original score, adapting it to a smaller ensemble. You will be enchanted by the beauty and delicacy of this piece, which represents a moment of calm and reflection in the opera. This arrangement is ideal for performance events or didactic material, as well as for weddings, concerts or public presentations. It is an accessible and rewarding piece, that will make you feel like a true artist. Do not miss this opportunity to acquire this exclusive and wonderful arrangement of the Intermezzo from the opera Cavalleria Rusticana by Pietro Mascagni for Quintet!
$9.99
Patricia: A Ragtime Composition
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE/ADVANCED
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1900 ragtime was
the
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Joseph Lamb
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F
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Patricia: A Ragtime Compositio
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Sweetwater Brass Press
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1401614 Composed by Joseph Lamb. Arranged by F. Leslie Smith. 20th Century,...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1401614 Composed by Joseph Lamb. Arranged by F. Leslie Smith. 20th Century,Classical,Historic,Ragtime. 32 pages. Sweetwater Brass Press #984793. Published by Sweetwater Brass Press (A0.1401614). Ragtime was originally and primarily piano music. The Library of Congress traces the origin and wellspring of ragtime to St. Louis, Missouri.  The Britannica website explains, “Ragtime evolved in the playing of honky-tonk pianists along the Mississippi and Missouri rivers in the last decades of the 19th century. It was influenced by minstrel-show songs, African American banjo styles, and syncopated (off-beat) dance rhythms of the cakewalk, and also elements of European music.â€Â    But it wasn’t until the mid-1890s, when music publishers started printing ragtime scores, making the music available to the public at large, that ragtime’s popularity began to soar.  By 1900 ragtime was the popular music.  It stayed that way until about 1917 when the rise of jazz began to overtake it.  By 1920, ragtime was nearly forgotten.    Thirty years later, a ragtime revival began.  And one Patricia Lamb-Conn found out that her father, Joseph F. Lamb, was a well-known composer of ragtime.  In fact, the “Big Three†composers of classical ragtime are considered to be Scott Joplin, James Scott and the only non-African American, Joseph Lamb.    Lamb was born in 1887 in New Jersey, taught himself to play piano and was very much influenced by Joplin’s early ragtime publications.  From there, Lamb went on to develop into a master of classic ragtime.    One of Lamb’s most popular works was a 1916 composition he titled “Patricia Rag.†(The title apparently had nothing to do with his daughter, who was born in 1924.)  It consists of four themes in five sections, with the first theme repeated after sections 1 and 2.  Lamb pitched the opening in E-flat Major, changing to A-flat Major at the Trio.      This brass quintet arrangement, completed in 2024, consists of 150 measures, approximately five minutes, ten seconds in length.  It retains the basic structure of the original piano score but modifies the pitches to B-flat Major and E-flat Major, respectively, to accommodate the normal playing range of the brass instruments.  Possible exceptions for some players include:  (1) Trumpet 1 plays its A-above-the-staff a number of times and its B above-the-staff once; (2) Trombone plays several E above-the-staff notes; (3) Tuba plays several way-below-the-staff F notes and one high G note. Throughout the arrangement, the original melody is maintained and featured, but in some sections the background and harmony are altered to feature one or more of the five instruments.  In the Trio, the sections designated by rehearsal marks F and G are slowed and treated as a serenade; the original tempo is restored at H.  In performing this arrangement, players should pay particular attention to dynamics.  Additionally, because of the nature of ragtime, this piece may require more-than-usual practice and rehearsal.    The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would like to receive your suggestions, comments, corrections and criticisms.  Contact him at lessmith61@bellsouth.net.  For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$12.99
Jingle Bells in Different Styles for Brass Quintet
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE/ADVANCED
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Christmas
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James Lord Pierpont
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Ander
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Jingle Bells in Different Styl
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Woods Only, Arrangements
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SheetMusicPlus
Brass Quintet - Level 4 - Digital Download SKU: A0.1308302 Composed by James Lord Pierpont. Arranged by Ander. Children,Christmas. 35 pages. Woods Only, ...
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Brass Quintet - Level 4 - Digital Download SKU: A0.1308302 Composed by James Lord Pierpont. Arranged by Ander. Children,Christmas. 35 pages. Woods Only, Arrangements #897541. Published by Woods Only, Arrangements (A0.1308302). Are you looking for a fun and creative way to play Jingle Bells, the famous Christmas song? Then you will love this arrangement for Brass Quintet, which explores the theme in different styles, from waltz to samba. In this arrangement, you will find a slow and gentle opening, which introduces the theme of the melody with delicacy and elegance, followed by a cheerful and lively version, which follows the original version of the song, with striking rhythm and simple harmony. Then, you will be charmed by a waltz version, which gives a different charm to the music, with smooth and graceful movements, and be infected by a samba version, which brings a Brazilian touch to the music, with dancing beat and elements of the samba root. Next, you will be moved by a sad and melancholic version, in minor tone, which shows a touching side of the music, with expressiveness and sensitivity. Finally, you will have fun with a return of the cheerful version, which explores the theme in different tones, with solos divided among all the voices of the arrangement, creating an impression of jumping party. This arrangement is ideal for Christmas parties, in chamber music groups, and can be used in recitals and concerts, inside or outside the academy. It is a different and innovative way to perform this beautiful music, which will surprise and delight your audience. Do not miss this opportunity to acquire this exclusive and fun arrangement of Jingle bells in Different Styles!
$9.99
Lorena: A Brass Quintet Setting
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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F
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F
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Lorena: A Brass Quintet Settin
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Sweetwater Brass Press
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1468129 Composed by F. Leslie Smith. Arranged by F. Leslie Smith. 19th Century,Chambe...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1468129 Composed by F. Leslie Smith. Arranged by F. Leslie Smith. 19th Century,Chamber,Folk,Historic,Traditional. 49 pages. Sweetwater Brass Press #1046440. Published by Sweetwater Brass Press (A0.1468129). In 1856 Joseph P. Webster, a Wisconsin songwriter, met Henry D.L. Webster (no relation), formerly the minister of Zanesville, Ohio’s Universalist Church. Joseph was in the process of writing a song but needed lyrics to go with his melody. Henry obliged by writing a longish poem about the love of his life, Ella Blocksom. She had been his fiancée, but the engagement had been broken and, apparently, so had Henry’s heart. Joseph’s melody needed a name that would fit into a three-note phrase, so “Ella” was changed to “Lorena.” Chicago’s Higgins Brothers published the song in 1857, and it became widely popular. When the American Civil war broke out, “Lorena” was beloved by both Union and Confederate soldiers as they thought of the wives and girlfriends they had left behind. J.P. Webster’s “Lorena” is beautiful and plaintive. It is no wonder that this song has remained a sentimental favorite over the years and is still performed and recorded. In this composition, “Lorena: A Brass Quintet Setting,” the “Lorena” tune has been expanded and transformed to create additional melodies that enhance and complement the original. You’ll find it a pleasure to play and a real crowd pleaser for audiences. This composition is 201 measures in length. It begins in the key of E-flat, transitions to B-flat at section C (measure 51) and goes to F at section G (measure 141). Initial tempo marking is Adagio, increasing to Moderato at section C. There are a number of temporary tempo variations and fermata marks, and the last 9 measures are characterized by a gradual slowing. The introduction is 21 measures in length. It leads to the second section, which consists of a plain, simple and straightforward statement of J.P. Webster’s “Lorena” theme, complete with grace notes and gruppetto. In this section, Horn and Trumpet 1 do the honors, eventually joined by Tuba, and it should be played with great expression. At section C, tempo then picks up, and the arrangement presents a series of explications of the theme in various styles. The final section, I (measure 179), reprises most of the variations and ends with a partial reiteration of the “Lorena” theme. Performance time is about eight minutes, forty seconds. Tuba plays several notes near the top of its scale; otherwise, all notes are within the normal playing range of each instrument. The composer, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. Contact him at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$6.99
Finnish National Anthem for Brass Quintet
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE
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Patriotic
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Keith Terrett
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Keith Terrett
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Finnish National Anthem for Br
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Keith Terrett
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SheetMusicPlus
Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1215110 By Keith Terrett. By Fredrik Pacius(1809-1891). Arranged ...
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Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1215110 By Keith Terrett. By Fredrik Pacius(1809-1891). Arranged by Keith Terrett. Multicultural,Patriotic,Praise & Worship,Traditional,World. 8 pages. Keith Terrett #811975. Published by Keith Terrett (A0.1215110). The Finnish NA arranged for Brass Quintet.There also versions for String & full Orchestra in my two stores.The anthem lyrics were taken from a poem by Johan Ludvig Runeberg, a Swedish-speaking poet, called “VÃ¥rt land†(Our Land). The song was first sung in 1848 by a student group and became popular in Scandinavia and many of his patriotic poems, including VÃ¥rt land were used by promoters of Finnish nationalism. The poem was translated into Finnish some decades later, after VÃ¥rt land was well established as a national song, by Paavo Eemil Kajander and became the anthem before 1917 independence. Estonia‘s anthem, adopted 20 years later, has the same melody, however the last few lines do not repeat as they do normally in the Finnish anthem. Interestingly, the anthem has never been officially legislated as the Finnish anthem, but rather is traditionally used as the anthem. As such, there is no standard way to perform the 11-verse anthem, but usually the first and the last verses (as presented here) are sung. There sometimes arises a debate in Finland to change the anthem to Jean Sibelius’ song “Finlandia†(the melody was used in Biafra), a song recognized internationally as a symbol of Finland, but the general opinion seems to be for now to keep the current anthem. (One reason may be that Finlandia is harder to sing compared to Maamme.)Need an anthem fast?  They are ALL in my store!All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.comLove anthems, then join me on twitter, facebook,  soundcloud & instagram for updates.Â
$8.99
Urlicht (Primeval Light), Fourth Movement, Symphony No. 2 (for Brass Quintet [Horn Solo] & Organ)
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE
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Classical
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Gustav Mahler
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Craig Garner
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Urlicht
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Dorm 40 Music
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SheetMusicPlus
Brass Ensemble - Level 3 - Digital Download SKU: A0.740203 Composed by Gustav Mahler. Arranged by Craig Garner. 20th Century. Score and parts. 14 pages. ...
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Brass Ensemble - Level 3 - Digital Download SKU: A0.740203 Composed by Gustav Mahler. Arranged by Craig Garner. 20th Century. Score and parts. 14 pages. Dorm 40 Music #2917143. Published by Dorm 40 Music (A0.740203). This arrangement is part of the Chicago Gargoyle Brass and Organ Ensemble Signature Series.   This arrangement features the Horn which plays the part of the Alto solo throughout. The melody comes from Des Knaben Wunderhorn and it is one of Mahler's most beautiful songs. The entire movement is quiet, simple and hymn-like. Urlicht is a perfect prelude to the Finale of Symphony #2, which is also available through Dorm 40 Music and Sheet Music Plus. Scored in the lower key of B-flat. Performance time, 4:45. Published by Dorm 40 Music, www.dorm40music.com.  Do you know an Alto soloist? If so, we also have an arrangement for Alto solo (vocal), brass quintet and organ! You can find it at Dorm 40 Music or on Sheet Music Plus.
$15.00
Toot, Toot, Tootsie!
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE/ADVANCED
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Gus Kahn, Ernie Erdman and Dan
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F
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Toot, Toot, Tootsie!
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Sweetwater Brass Press
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1251231 Composed by Gus Kahn, Ernie Erdman and Dan Russo. Arranged by F. Le...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1251231 Composed by Gus Kahn, Ernie Erdman and Dan Russo. Arranged by F. Leslie Smith. 20th Century,Comedy,Pop,Standards,Traditional. 37 pages. Sweetwater Brass Press #845507. Published by Sweetwater Brass Press (A0.1251231). This song starts with the narrator/lyricist saying that he overheard a guy at the train station trying to say farewell to his girl.  The guy would kiss her, bid her adieu, get on the train, then get off and do the whole thing over again.  And, he did this seven times!  What would he say to her each time?  He’d tell her that he’s leaving, that she shouldn’t cry, that he’ll write and that if she does not hear from him she should assume he’s been arrested.  What a romantic line!   Anyway, that’s the gist of the “Toot, Toot, Tootsie!†lyrics.  Credited to Gus Kahn, Ernie Erdman and Dan Russo, New York City’s Leo Feist, Inc. first published this upbeat, leave-taking song in 1922.  It had been one of 29 numbers featured in the 1921 Broadway production Bombo, a vehicle designed to showcase the talent of Al Jolson.  Six years later Jolson sang it in The Jazz Singer, generally recognized as the first sound feature film.  Additionally, all three composers, plus Ted Fio Rito and Eddie Cantor, also made early and very popular recordings.  This bubbly, cheerful arrangement opens in the key of F major with a suggested tempo of 120 BPM.  After an 8-measure introduction, the piece goes right to the familiar chorus with Trumpet 1 and Trombone switching leads and ending with a wonderful Fillmore-style smear.  The tempo then slows dramatically for a somewhat pensive interpretation of the verse, the narrator’s observations, Horn and Trumpet 1 alternating the lead.  At measure 67 the chorus repeats faster than ever, a recommended 132 BPM, as Trombone and the two Trumpets take turns with the melody.  This leads right into a repeat of the verse—this time played at full speed—and a change of key to D-flat major.  Trombone and Tuba play in unison, exchanging the melody with Trumpets, right on into the third go-round of the chorus.  The piece wraps up with a vaudeville-style conclusion and eventually fades away.  (But don’t miss Trombone's four-measure reference to “Charlottetown Is Burning Down/Goodbye, Liza Jane†at measure 141.)Lots of fun!  Completed in 2023, performance time at the suggested tempo runs about 2 minutes, 47 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would like to receive your suggestions, comments, corrections and criticisms.  For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$6.99
Memorial (for Brass Quintet & Percussion)
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE
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Dr
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Memorial
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https://gildedmusicpress.com/
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1158398 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Historic,Patrio...
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Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1158398 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Historic,Patriotic. 18 pages. Https://gildedmusicpress.com/ #758679. Published by https://gildedmusicpress.com/ (A0.1158398). Composed to commemorate the 20th year of the 9-11 terrorist attacks. This somber, gorgeous piece of music draws tears when presented correctly, and is an extraordinarily important contribution to the brass quintet repertoire. The Jewish “feast†(or “appointed timeâ€) of trumpets, as outlined in Leviticus 23:24-25, prescribes the observance: “Speak unto the children of Israel, saying, In the seventh month, in the first day of the month, shall ye have a sabbath, a memorial of blowing of trumpets, an holy convocation. Ye shall do no servile work therein: but ye shall offer an offering made by fire unto the Lord.†According to the Jewish calendar, the feast of trumpets in 2001 coincided exactly with the 9-11 attacks, which could indeed be thought of as “an offering made by fire.†Effectively no servile work was done on that day throughout the attacked nation, and it has indeed become a somber type of “sabbath†to observe every year. It seemed extraordinarily appropriate—perhaps even requisite—that a somber composition with trumpets be composed for the 20th annual observance of the horrific attacks on American soil, as a “Memorial†to those lost that day, and those who since perished in the Global War on Terror. “Where were you when you first heard about the 9-11 attacks?†This common question is posed to those who were of age to comprehend what had happened in 2001. Personally, I had just listened to an emotional rendition of Maurice Ravel’s “Pavane to a Dead Princess.†Elements of that musical memory influenced this present work “Memorial.†Other sources of inspiration—whether intended or subconscious—include Samuel Barber’s heart-wrenching “Adagio for Strings,†Michael Kamen’s “Quintet†for brass, and John Williams’ “Hymn to the Fallen.†The harmonies are thick and often dissonant, including many suspensions. The players get little rest, symbolic of the constant state of alertness of a shocked nation after being so brutally attacked. Perhaps of greatest symbolic import is the fact that there are exactly 911 notes in this composition. Because of this, it is crucial that the percussion part be performed, and that great care be taken by all performers to refrain from altering the notes or rhythms in any way. A comment on the interpretation of notation: all long notes that are tied to a staccato note on the downbeat are to be held to the downbeat and gently released, not held over.
$24.95
Call Me Irresponsible
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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EASY
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Jazz
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Dinah Washington
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Peet du Toit
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Call Me Irresponsible
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Peet du Toit
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SheetMusicPlus
Brass Ensemble,Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1495281 By Dinah Washington. By James Van Heusen and Sammy C...
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Brass Ensemble,Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1495281 By Dinah Washington. By James Van Heusen and Sammy Cahn. Arranged by Peet du Toit. Jazz. 9 pages. Peet du Toit #1071801. Published by Peet du Toit (A0.1495281). Call Me Irresponsible is a 1962 song composed by Jimmy Van Heusen with lyrics written by Sammy Cahn which won the Academy Award for Best Original Song in 1963.According to the Mel Tormé book The Other Side of the Rainbow with Judy Garland on the Dawn Patrol, Van Heusen originally wrote the song for Garland to sing at a CBS dinner. At that time, Garland had just signed to do The Judy Garland Show on CBS, and the intent of the song was to parody her well-known problems. Garland later sang the song on the seventh episode of the show.However, in 1988, Sammy Cahn said during an interview with freelance writer Harlan Conti, in San Francisco, that the song was originally written for Fred Astaire to sing in the film Papa's Delicate Condition in which Astaire was to star. Cahn personally auditioned the song for Astaire's approval, which was given. However, Astaire's contractual obligations prevented him from making the film and the role went to Jackie Gleason, who introduced the song. It won the Academy Award for Best Original Song at the 36th Academy Awards held in 1964.Cahn is said to have had a particular satisfaction in the number of five-syllable words in the lyrics of Call Me Irresponsible.Being born in 1963, you can call me irresponsible for orchestrating this lovely jazz standard. Nevertheless, live has begun! Enjoy with me.
$13.00
March - Jeake's House (Brass Quintet)
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE/ADVANCED
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Contemporary
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Chris North
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March - Jeake's House
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Danetre Music
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SheetMusicPlus
Brass Ensemble - Level 4 - Digital Download SKU: A0.831708 Composed by Chris North. Contemporary. Score and parts. 29 pages. Danetre Music #6096787. Publ...
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Brass Ensemble - Level 4 - Digital Download SKU: A0.831708 Composed by Chris North. Contemporary. Score and parts. 29 pages. Danetre Music #6096787. Published by Danetre Music (A0.831708). A traditional style march for brass quintet, and dedicated to the award winning guest house in Rye, East Sussex, England.Advanced Intermediate Level. Duration 3:19 Jeake's House dates from 1689, and today provides elegant accommodation for the discerning guest. Each bedroom has been individually restored to create its own special atmosphere, combining traditional elegance with modern amenities. The building has been furnished in keeping with its rich history. Wooden floors have settled so that in some rooms it's an uphill walk to bed, in others the original beams are very low. Doors do not always fit as once they did, and resident ghosts rustle and creak in the night.... For further information you can check out their website at www.jeakeshouse.com
$9.99
Ben Hur Chariot Race March
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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1894, he was the manager of th
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Edward Taylor Paull
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Judith Katz
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one in 1907, 1925, and 1959
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Ben Hur Chariot Race March
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Imagine Music - Digital
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SheetMusicPlus
Brass quintet - Digital Download SKU: IZ.CMS164 Composed by Edward Taylor Paull. Arranged by Judith Katz. Score and Parts. 24 pages. Imagine Music - Digi...
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Brass quintet - Digital Download SKU: IZ.CMS164 Composed by Edward Taylor Paull. Arranged by Judith Katz. Score and Parts. 24 pages. Imagine Music - Digital #CMS164. Published by Imagine Music - Digital (IZ.CMS164). 9 x 12 in inches.While doing some research on pre-20th Century American composers, I came across the name of Edward Taylor Paull. In all of my years as a flutist, conductor, and now writer, I never heard of Paull before, but I was curious enough to look for any sound files of his music, and came across both live piano performances and piano roll performances of the Ben HurChariot Race March on YouTube.Edward Taylor Paul, known in some circles as The Other March King was born on February 16th, 1858. In Gerrardstown, Virginia, now West Virginia. While not too much is known about his early years, we do know that his adult years were spent as itinerant musician, instrument sales person, selling pianos and organs, composer, as well as publisher.The Civil War era had Patrick Sarsfield Gillmore as the most famous bandleader and composer. As children of this era, John Philip Sousa and Edward Taylor Paull, were destined to follow in Gillmore's footsteps. While Sousa became successful through his work as both conductor and composer, even attaining the moniker of March King, the road to success and fame was more difficult for Paull. We do know, that by 1878, he was the manager of a music store that sold pianos and organs, eventually going bankrupt, and having to be bailed out by his own father. By 1894, he was the manager of the Richmond Music Publishing Company, and this was the same year that he was issued his first copyright on the Ben Hur Chariot Race March This was originally written for piano, particularly, the parlour piano. This was to become one of many marches and parlour piano compositions by 'E.T, Paull. He may not have been the most skilled musician of his era, but he was wise enough to realize how popular marches became in 1880's and '90's.Paull's compositions were also associated with beautiful color covers. He was fortunate to live in Richmond, Virginia, and the lithography company of A. Hoen & Company, provided him the highest quality and richly-colored art work for his compositions. This company was unique, in that they used a five- color process, which added depth to the color. Thepopularity of marches, plus the great covers, both contributed to the 60,000 copies that the Ben Hur Chariot Race March sold in its first printing. Not bad, for a first composition.Paull found inspiration for his march from the novel Ben Hur, written and published by General Lew Wallace in 1880. Paull dedicated his composition to Wallace, who sold many copies of his book. Eventually, there was a stage play and three film renditions; one in 1907, 1925, and 1959. Some time in the 1920's, the Sousa Band recorded the Ben Hur Chariot Race March, and of course, the MGM, 1925 film version, helped in a renewed popularity of Paull's composition.Edward Taylor Paull died in 1924, and his wife retained the copyright, until it went into public domain. What remains today are a few music examples in the Library of Congress collection, as well as some 78's and piano rolls. While I did my research on this piece, I tried to find any applicable Sousa manuscripts of a possible arrangement, but I could not findany. I usually write for woodwinds, but in this case, I thought that a brass quintet would sound far better. I also chose a moderate tempo, so as not to lose some of the nuances of the original composition.
$12.00
You Raise Me Up
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE/ADVANCED
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Rock
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Josh Groban
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Frank Pugh
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You Raise Me Up
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Frank Pugh
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SheetMusicPlus
By Josh Groban. Arranged by Frank Pugh. Score, Set of Parts. 27 pages. Published by Frank Pugh (H0.324701-53487). - Score,Set of Parts - - Frank Pugh...
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By Josh Groban. Arranged by Frank Pugh. Score, Set of Parts. 27 pages. Published by Frank Pugh (H0.324701-53487). - Score,Set of Parts - - Frank Pugh
This inspirational hit by Josh Groban makes a stirring selection for a program, and its unmistakable melody is easily recognized by audiences. Written for brass quintet, it features the trombone as a solo instrument. Add a player on the optional drum set part to maximize the breathless effect of the climax of this emotional ballad! If you don't have a french horn, substitute parts are included for baritone t.c. and euphonium. The song comes in at around 4:28 in length. In keeping with the stage setting of the original song's video, the cover art was shot from the stage of Whitley Auditorium at Elon University. You can check out my other titles here at Sheet Music Plus, or visit my Facebook page: Frank Pugh, music , and my LinkedIn page: Frank Pugh composer / arranger , to learn more about me and what I do. Thanks!
$15.99
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