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Brass Quintet: 2 trumpets, horn, trombone, tuba
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1
The Fightin' 55th (for Brass Quintet & Percussion)
Brass Quintet: 2 trumpets, horn, trombone, tuba
Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1158199 Composed by…
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Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1158199 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,March,Patriotic. 32 pages. Https://gildedmusicpress.com/ #758476. Published by https://gildedmusicpress.com/ (A0.1158199). There is nothing more quintessentially military than the grand sound of marches at special military events. Hundreds of marches have served their purposes through the many decades of military tradition in the United States of America. This 3.5-minute march was composed for the occasion of the change of command of the 55th Wing—“The Fightin’ 55thâ€â€”under Air Combat Command, located at Offutt Air Force Base in Nebraska. The ceremony took place on June 14, 2019, which was also Flag Day. The new march served as a grateful tribute to the outgoing Commander, Colonel Michael H. Manion, and a welcoming gesture to the new Commander, Colonel Gavin P. Marks. Printed copies of the score were presented to the Commanders before the ceremony, and the march was premiered as the final pre-ceremony musical selection. The opening motifs are strongly reminiscent of the introductory measures of the “Air Force Song†most commonly played by Air Force brass quintets. Keeping in tradition with the form of most marches, the “Trio†section presents new material in a new key (down a fifth), with a contrastingly quiet dynamic. The opening motif of the Trio strain is a mutation, or a paraphrase, of “Anchors Aweighâ€, emphasizing the joint-force nature of the 55th Wing. The melody is repeated with a louder dynamic and a countermelody in the horn, and then is repeated once more with increased excitement in the accompaniment, variety of dynamics, and even a temporary key shift. Straying from the form most used by the “March Kingâ€, John Philip Sousa, Dr. Thrower omitted a fourth or final strain, and instead he modulated the key back to the original B-flat major and brought back the melodic content from the first strain. This form predates Sousa, and was more commonly used in Europe and early America. It smacks of “sonata formâ€, and even the modern formal designation of “recapitulating march†alludes to sonata form. The final recapitulating strain repeats with an obbligato soaring above it in the first trumpet part, now on piccolo trumpet. The march ends with a short coda that brings back the opening motivic allusion to the Air Force Song. Due to the selected formal structure, this march, “The Fightin’ 55thâ€, is much more unified than most typical marches. The very nature of military marches (including America’s beloved “Stars and Stripes Foreverâ€) displays four or even five completely unrelated melodies, or strains, throughout. The incorporation of thematic structure similar to that found in sonata form indeed makes “The Fightin’ 55th†an appropriate and even artistic concert march.
$24.95
22.69 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Dr
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The Fightin' 55th
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https://gildedmusicpress.com/
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SheetMusicPlus
The Severn Suite, Op. 87 for Brass Quintet
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Ensemble - Level 5 - Digital Download SKU: A0.811250 Composed by Edward Elgar…
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Brass Ensemble - Level 5 - Digital Download SKU: A0.811250 Composed by Edward Elgar. Arranged by Mark LaFratta. 20th Century,Romantic Period. Score and parts. 69 pages. Gordon Cherry #6535131. Published by Gordon Cherry (A0.811250). The Severn Suite (Op.87) was composed by Elgar when he was 73 as a test piece for the 1930 British National Brass Band Championships. Elgar dedicated it to his friend, the author, and critic George Bernard Shaw. Some critics consider the Severn Suite to be Elgar’s best work in his later years, arguing that is a neglected masterpiece. The work is very Elgarian in the high Romantic style. It is fine music originally composed for brass by a famous acknowledged master that will be enjoyable for players and audiences alike.The duration of the full piece is around 16:30 and includes five movements, that follow each other without breaks: 1) Introduction (Worcester Castle) – Pomposo (2:10), 2) Toccata (the Tournament Grounds) - Allegro molto (4:20), 3) Fugue (The Cathedral) – Andante (3:00), 4) Minuet (in the Commandery) (5:00) – Moderato, and 5) Coda - Lento – Pomposo (2:00). The River Severn runs through the center of Worcester, England where Elgar spent his childhood and again lived in later life.This work beautifully arranged by Mark LaFratta for standard brass quintet (2 Trumpets in B-flat, Horn, Trombone in bass clef and Tuba) is appropriate for advanced performers and may be performed by all conical instruments as well (Cornets, Horn, Euphonium, and Tuba).
$37.50
34.11 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Edward Elgar
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The Severn Suite, Op. 87 for Brass Quintet
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Gordon Cherry
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SheetMusicPlus
Fanfare Prelude to Libusa Overture for Brass Quintet
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet Flugelhorn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.817…
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Brass Quintet Flugelhorn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.817127 Composed by Bedrich Smetana. Arranged by Charles Decker. 19th Century,Chamber,Contest,Festival,Romantic Period. 20 pages. Charles Decker Music Press #3561977. Published by Charles Decker Music Press (A0.817127). This brass quintet arrangement of the majestic and powerful Fanfare Prelude to Libusa Overture from 1881, composed for orchestral brass by Czech Bedrich Smetana, retains brass choir resonance with five performers. A very accessible work for students, doubling parts within your band and orchestra brass sections further enhances the impact of the fanfare. Trumpet parts in B-flat and C are included and a flugelhorn/trumpet substitute part for horn. The sound file is an actual brass quintet performance and not a computer playback of the score. See my orchestral brass section (4 tpts, 4 horns, 3 trbs, 1 tuba, timp) edition and my brass band version of this fanfare if considering using a larger brass group. See more than 70 mixed brass ensemble publications at Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. See also 50+ homogeneous brass group editions with Charles Decker Music Press at Sheet Music Press for horn, trumpet and trombone ensembles. Check out the Music of Black Composers Series with Charls Decker Music Press at Sheet Music Plus with 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others. All ensemble publications include recordings of the entire edition.  For more Charles Decker brass quintet editions use these links to Kendor Music and Cherry Classics Music for listings of my arrangements of music by J.S. Bach, H.L. Clarke, Debussy, Dukas, Elgar, Falla, Holst, Ives, Nestico, Rachmaninoff, Satie, and Tchaikovsky.
$9.95
9.05 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Bedrich Smetana
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Fanfare Prelude to Libusa Overture for Brass Quintet
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Charles Decker Music Press
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SheetMusicPlus
Jesu, meine Freude - Part 3, by J.S. Bach for Brass Quintet
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Ensemble Trombone,Trumpet - Digital Download SKU: A0.830790 Composed by Johan…
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Brass Ensemble Trombone,Trumpet - Digital Download SKU: A0.830790 Composed by Johann Sebastian Bach. Arranged by Richard Byrnes. Baroque. Score and parts. 39 pages. Richard Byrnes #5725015. Published by Richard Byrnes (A0.830790). The motet, Jesu, meine Freude (Jesus, my joy) is structured in eleven sections. In this collection, they have been grouped into 4 parts. Part Three, section 1 begins with a five-part fugue. The second is a four-part setting of the hymn. The third section is a trio for the lower three voices. The fourth section is a four-part chorale fantasia using the hymn melody as a cantus firmus.This brass quintet arrangement is for (3Trp,2Trom).In addition to many works by J.S. Bach, we offer works by Debussy, Fauré, Glinka, Gottschalk, Granados, Lotti, Mozart, Ravel, Richard Strauss, and Turina.
$24.99
22.73 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Johann Sebastian Bach
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Strauss, and Turina
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Jesu, meine Freude - Part 3, by J.S. Bach for Brass Quintet
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Richard Byrnes
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SheetMusicPlus
On An Overgrown Path, Selections (for Brass Quintet)
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1374063
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1374063 By Leos Janacek. By Leos Janacek. Arranged by Joseph Hollings. 20th Century,Classical. 82 pages. Joseph Hollings Publishing #958633. Published by Joseph Hollings Publishing (A0.1374063). Duration: 15'30SCORE & PARTS (Trumpet 1 in B flat, Trumpet 2 in B flat, Horn in F, Trombone, Tuba)Dive into the heart of LeoÅ¡ JanáÄek's evocative musical landscape with this arrangement for brass quintet of five pieces from the second set of piano pieces, On An Overgrown Path. This arrangement blends the composer's intense emotional depth and the vibrant, resonant qualities of the brass quintet ensemble. This collection includes Set 2/1 Andante, Set 2/2 Allegretto, Set 2/3 Allegretto, Set 2/4 Vivo, and Set 2/5 Allegro, each piece a testament to JanáÄek's masterful musical storytelling.At various points through the arrangement, each instrument is featured in solo sections. Designed for advanced players, this arrangement presents a compelling challenge worthy of professionals and high-level college musicians alike. The arrangement was recorded by the renowned Onyx Brass Quintet in 2015.Intended primarily for concert performance, this arrangement invites brass quintets to explore the depths of JanáÄek's emotional landscapes, bringing a fresh perspective to these timeless pieces. Whether you're looking to captivate an audience, challenge your ensemble, or explore new dimensions in brass repertoire, this arrangement will enrich your ensemble's repertoire and engage your audience.
$24.99
22.73 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Leos Janacek
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On An Overgrown Path, Selections
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Joseph Hollings Publishing
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SheetMusicPlus
Patricia: A Ragtime Composition
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1401614
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1401614 Composed by Joseph Lamb. Arranged by F. Leslie Smith. 20th Century,Classical,Historic,Ragtime. 32 pages. Sweetwater Brass Press #984793. Published by Sweetwater Brass Press (A0.1401614). Ragtime was originally and primarily piano music. The Library of Congress traces the origin and wellspring of ragtime to St. Louis, Missouri.  The Britannica website explains, “Ragtime evolved in the playing of honky-tonk pianists along the Mississippi and Missouri rivers in the last decades of the 19th century. It was influenced by minstrel-show songs, African American banjo styles, and syncopated (off-beat) dance rhythms of the cakewalk, and also elements of European music.â€Â    But it wasn’t until the mid-1890s, when music publishers started printing ragtime scores, making the music available to the public at large, that ragtime’s popularity began to soar.  By 1900 ragtime was the popular music.  It stayed that way until about 1917 when the rise of jazz began to overtake it.  By 1920, ragtime was nearly forgotten.    Thirty years later, a ragtime revival began.  And one Patricia Lamb-Conn found out that her father, Joseph F. Lamb, was a well-known composer of ragtime.  In fact, the “Big Three†composers of classical ragtime are considered to be Scott Joplin, James Scott and the only non-African American, Joseph Lamb.    Lamb was born in 1887 in New Jersey, taught himself to play piano and was very much influenced by Joplin’s early ragtime publications.  From there, Lamb went on to develop into a master of classic ragtime.    One of Lamb’s most popular works was a 1916 composition he titled “Patricia Rag.†(The title apparently had nothing to do with his daughter, who was born in 1924.)  It consists of four themes in five sections, with the first theme repeated after sections 1 and 2.  Lamb pitched the opening in E-flat Major, changing to A-flat Major at the Trio.      This brass quintet arrangement, completed in 2024, consists of 150 measures, approximately five minutes, ten seconds in length.  It retains the basic structure of the original piano score but modifies the pitches to B-flat Major and E-flat Major, respectively, to accommodate the normal playing range of the brass instruments.  Possible exceptions for some players include:  (1) Trumpet 1 plays its A-above-the-staff a number of times and its B above-the-staff once; (2) Trombone plays several E above-the-staff notes; (3) Tuba plays several way-below-the-staff F notes and one high G note. Throughout the arrangement, the original melody is maintained and featured, but in some sections the background and harmony are altered to feature one or more of the five instruments.  In the Trio, the sections designated by rehearsal marks F and G are slowed and treated as a serenade; the original tempo is restored at H.  In performing this arrangement, players should pay particular attention to dynamics.  Additionally, because of the nature of ragtime, this piece may require more-than-usual practice and rehearsal.    The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would like to receive your suggestions, comments, corrections and criticisms.  Contact him at lessmith61@bellsouth.net.  For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$12.99
11.82 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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1900 ragtime was
the
popular music
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Joseph Lamb
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Patricia: A Ragtime Composition
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Sweetwater Brass Press
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SheetMusicPlus
The Peanut Vendor (el Manisero)
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1221432
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1221432 By Stan Kenton & His Orchestra. By L. Wolfe Gilbert, Marion Sunshine, and Moises Simons. Arranged by F. Leslie Smith. Jazz,Latin,Multicultural,Pop,World. 39 pages. Sweetwater Brass Press #817754. Published by Sweetwater Brass Press (A0.1221432). Can a brass quintet sound like Stan Kenton’s 19-piece big band? No, not really:  no saxophones, no rhythm section, no Milt Bernhart, no Maynard Ferguson, no Bill Russo, no Conte Candoli, no . . .  Well, you get the picture.  But five brass instruments can play in the Kenton style.  And that’s what this is:  “The Peanut Vendor†in the style of the Stan Kenton Orchestra.   Moisés Simons’ “El Manisero†(“The Peanut Vendorâ€) was first recorded in the late 1920s.  The melody was relatively simple yet exotic sounding; the lyrics, a Cuban street vendor’s pitch for selling his bags of peanuts.  Consumers bought more than a million copies of the sheet music, and the song supposedly led to a “rumba craze†in the U.S. and Europe (although the song is not really a rumba!).     Don Azpiazú and his Havana Casino Orchestra recorded the song for RCA Victor in 1930 with Antonio MachÃn on the vocal; its sales may well have been more than the million-plus sheet music copies sold.     English lyrics were added by L. Wolfe Gilbert and Marion Sunshine and the song became “The Peanut Vendor.† One estimate is that nearly 200 recordings have been made.  That’s a lot of peanuts.    Stan Kenton revived “The Peanut Vendor†in 1947 when he first recorded it for Capitol Records.  His version was completely instrumental.  Rhythm and saxophones opened the number and established the background; later the trombone section added emphasis.  A trombone solo first stated the melody but eventually the five-person trumpet section took over with what one writer referred to as “shrieking dissonances.† “The Peanut Vendor†subsequently became one of Kenton’s most requested numbers and he recorded it at least three more times.   This brass quintet arrangement, of course, has access to only two trumpets.  So the good news is that all five players get a chance with the melody.  Kenton’s extended opening trombone solo is shared by Trombone and Tuba.  The “shrieking dissonances†are performed not only by Trumpets but also by Horn in F and Trombone.  The bad news is that all five players have to take a turn with the continuing rhythmic background melody.  Written in 4/4 time, the suggested tempo is 184 BPM in a Latin style.  Kenton’s version is in B-flat major; this arrangement lowers it to A-flat major so that most notes are within the normal playing range of the instruments.  (Don’t worry; the “shrieking dissonances†are still there!)     Completed in 2023, performance time runs about 3 minutes, 37 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would like to receive your suggestions, comments, corrections and criticisms.  For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.  (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.).
$12.99
11.82 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Stan Kenton & His Orchestra
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The Peanut Vendor
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Sweetwater Brass Press
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SheetMusicPlus
The Brass Player: Fantasy on Ich bin ein Musikant
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1303802
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1303802 Composed by F. Leslie Smith. 21st Century,Chamber,Children,Historic,Multicultural,World. 77 pages. Sweetwater Brass Press #893335. Published by Sweetwater Brass Press (A0.1303802).     A song learned in primary school years and years ago had words something along the lines of the following:         Oh! I’m a young musician,         From distant lands I come.         Singing and playing,         Ever I’m straying.    Also known as “I Am a Fine Musician,†“I Am a Gay Musician†and perhaps other titles, that song is still around and has evolved into many different versions. The original was probably a German folk song from the early 1800s. As published in an 1889 collection of children’s songs, it bears the title, “Ich bin ein Musikant.â€Â That translates as “I am a musician.â€Â In the lyrics the musician claims to be “from Schwabenland†(Swabia) and to play geige (violin: “Dide schum schum schumâ€), flöte (flute: “Päde wäpp päpp päppâ€) and basse (bass: “Dide schum schum schump, päde wäpp päpp päpp). Later versions list the instruments played by the musician as bassoon, bells, clarinet, drum, guitar, piano, piccolo, triangle, trombone, trumpet, tuba, tympani, viola and just about every instrument and noisemaker you can think of.     Anyway, that’s the tune on which “The Brass Player†was built. But here, the musician is concerned only with brass. Which brass? Well, possibly trumpet. Or maybe horn in F. Or trombone. Or tuba. Or perhaps all four; certainly, all are featured in this piece.    “The Brass Player†comprises four sections. The first is in the key of C major and is played at a moderate 2/4 tempo. After a brief Trumpet/Tuba ostinato, Trombone introduces the main theme. Other instruments join in and play around with a variation or two.     The second section is a sweet, nostalgic rendition in 4/4 carried mainly by Horn in F, with help from Trumpets and Trombone.     In section three, the mood changes radically. Time signature goes to 3/4; tempo speeds up to vivace and the key changes to B Minor. All five instruments participate, and some odd things take place rhythmically at I through K (measures 200 through 262), but Tuba seems to carry the melody most of the time.    Section four, in G Major, clips along at a fast 4/4 time. It returns to the main theme and (as in “Ich bin ein Musikant†and its multitudinous derivations) presents in call-and-response form. The first few measures are straight, but discord quickly creeps in. The melody begins to include smears, flutter tonguing and off-beat rhythmic figures. There is even a brief section in G Minor. Gradually, order and theme are restored and the piece ends in a glorious, upbeat statement.    This piece, completed in 2023, consists of 398 measures, a little over nine minutes in length. There are four changes of key and four changes of time signature. Trumpet 1’s highest note is A above its staff; Trombone’s is F above the staff. Trumpet 2 has a few G-below-its-staff notes.    The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. Contact him at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$6.99
6.36 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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F
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The Brass Player: Fantasy on Ich bin ein Musikant
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Sweetwater Brass Press
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SheetMusicPlus
345 (Brass Quintet)
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Ensemble - Level 3 - Digital Download SKU: A0.924081 Composed by Dominic McGo…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.924081 Composed by Dominic McGonigal. Contemporary. Score and parts. 20 pages. C8 Music #5990675. Published by C8 Music (A0.924081). 345 is a jaunty piece written for the Martineau Brass Quintet. It is three very short movements for five instruments, hence the name 345. The melody is passed between the instruments with pairs or trios providing interjections and accompaniments. It's an uplifting piece, with a lyrical slow movement, suitable for concerts, functions, busking or outdoor concerts. 4'. www.dominicmcgonigal.com
$4.99
4.54 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Dominic McGonigal
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345
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C8 Music
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SheetMusicPlus
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