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Brass Quintet: 2 trumpets, horn, trombone, tuba
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At the Lamb's High Feast We Sing — festival hymn accompaniment for organ, brass quintet
Brass Quintet: 2 trumpets, horn, trombone, tuba
Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1257721 Composed by…
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Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1257721 Composed by Jakob Hintze. Arranged by Todd Marchand. Christian,Easter,Sacred. 24 pages. Con Spirito Music #850950. Published by Con Spirito Music (A0.1257721). An ideal hymn selection for Easter Sunday, Eastertide, or at any celebration of the eucharist, At the Lamb's High Feast We Sing is one of many hymns translated from Latin by Robert Campbell (1814-1868), a Scottish advocate (lawyer) and Roman Catholic layperson. First published in 1850, At the Lamb's High Feast We Sing was one of four of Campbell's hymn texts to be included in Hymns Ancient & Modern (1861), the first standardized and popular hymnal of the Anglican Church.The tune accompanying the text, known as SALZBURG, is attributed to the German composer Jakob Hintze (1622-1702). Its harmonization has long been attributed to J.S. Bach and numbered among his works as BWV 262. However, the New Edition of the Complete Works of Bach, published by Barenreiter, no longer recognizes this, and the harmonization matches that of Johann Pachelbel's Alle Menschen müssen sterben — Choral mit 8 Partiten (Chorale with 8 Variations) of 1683.Regardless of the authorship of text or tune, At the Lamb's High Feast We Sing is a richly theological, grand hymn that references God's saving works in both the Old Testament and the New, culminating in Christ's victorious resurrection and his triumph over sin and death, and celebrates his feeding of the faithful gathered for the eucharistic feast with his Body and Blood.This arrangement for organ and brass quintet begins with alternating fanfares for organ and brass, followed by:Verse 1: organ accompanimentVerse 2: brass accompanimentVerse 3: organ accompaniment with solo trumpet punctuationsInterludeVerse 4: organ and brass accompaniment in alternate harmonizationCoda recapitulating the introductory fanfares Includes full score, parts for organ, Bb tpt. 1, Bb tpt. 2, F horn, tbn, tuba, and reproducible bulletin insert for voices ©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com
$25.00
22.67 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Jakob Hintze
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At the Lamb's High Feast We Sing — festival hymn accompaniment for organ, brass quintet
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Con Spirito Music
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SheetMusicPlus
Bridges, Op. 136 (for Brass Quintet and Chimes)
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet - Level 4 - Digital Download SKU: A0.1489487 Composed by Dr. Daniel N…
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Brass Quintet - Level 4 - Digital Download SKU: A0.1489487 Composed by Dr. Daniel N. Thrower. 21st Century,Chamber,Classical,Historic,Multicultural,World. 28 pages. Https://gildedmusicpress.com/ #1066350. Published by https://gildedmusicpress.com/ (A0.1489487). One of my last assignments as an Air Force musician before being stationed in Japan was to perform music in support of the 50th commemoration of what has become known in America as “Vietnam Memorial Day.” It is observed on March 29 every year, the date when the last U.S. troops withdrew from Vietnam in 1973. After the memorable ceremony in 2023, I lingered to talk with those mature veterans and to hear some of their experiences. It was a strange feeling when I told them that my first assignment at my new duty station in Japan would be a series of cultural exchange performances in Vietnam. What a somber generational bridge.I was only in Japan for a matter of days, including some intense rehearsals, before Pacific Brass (the brass quintet from the U.S. Air Force Band of the Pacific) packed up and headed to Hanoi to start our brief musical outreach in three cities. My reflections were sobering as I contrasted my military service in Vietnam with the veterans whom I had just honored three months prior. During some off-duty time, all five of the Pacific Brass military musicians found our way to the well-known Hòa Ló Prison, infamously known as the “Hanoi Hilton.” Indeed, how vastly different was my brief military service in Vietnam!To the Vietnamese people, the “American War,” as they call it, is ancient history. They are extremely forward-thinking, putting those dark years far from them, looking to the bright future that is theirs. What an educational bridge of paradigms. Although it was important for us as U.S. Servicemembers to witness the Hòa Ló Prison firsthand, our lot was to experience the beautiful present-day Vietnam with its rich culture of food, street shops, temples, dance, music, and other wonders that awed us all—including gongs!Our trombone player purchased a gong in a shop that sold little else besides gongs of all sizes and pitches. That struck me as quintessentially Vietnamese, and the sights and sounds of that modest shop lingered in my imagination. As we absorbed the extraordinary majesty of the Temple of Literature in Hanoi, ideas for this musical composition started to formulate as a bridge connecting American musical culture with Vietnamese traditional gongs. For practicality in both notation and live performance, I scored the consort of 18 glorious “gongs” in my head for orchestral tubular bells. It is a passionate hope that someday in a video presentation, a masterful cultural bridge of the two diverse countries will be crafted. Better yet, what an experience it would be to have a legitimate gong consort perform live with Pacific Brass!The year of our visit, as we were coached many times by the Embassy’s Attaché, was a milestone landmark between the two nations, worthy of praise and celebration: the ten-year anniversary of the U.S.-Vietnam Comprehensive Partnership, signed by Presidents Obama and Sang in July 2013. This bilateral relationship has bridged both nations’ commitment to economic engagement, cultural exchange, tourism, education, and human rights. This composition is in celebration of this Comprehensive Partnership and a gift to the wonderful people of Vietnam. May this music contribute to a continuing growth of positive relations bridging the two nations.
$24.95
22.62 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Dr
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Bridges, Op. 136
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https://gildedmusicpress.com/
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SheetMusicPlus
Ben Hur Chariot Race March
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass quintet - Digital Download SKU: IZ.CMS164 Composed by Edward Taylor Paull. Ar…
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Brass quintet - Digital Download SKU: IZ.CMS164 Composed by Edward Taylor Paull. Arranged by Judith Katz. Score and Parts. 24 pages. Imagine Music - Digital #CMS164. Published by Imagine Music - Digital (IZ.CMS164). 9 x 12 in inches.While doing some research on pre-20th Century American composers, I came across the name of Edward Taylor Paull. In all of my years as a flutist, conductor, and now writer, I never heard of Paull before, but I was curious enough to look for any sound files of his music, and came across both live piano performances and piano roll performances of the Ben HurChariot Race March on YouTube.Edward Taylor Paul, known in some circles as The Other March King was born on February 16th, 1858. In Gerrardstown, Virginia, now West Virginia. While not too much is known about his early years, we do know that his adult years were spent as itinerant musician, instrument sales person, selling pianos and organs, composer, as well as publisher.The Civil War era had Patrick Sarsfield Gillmore as the most famous bandleader and composer. As children of this era, John Philip Sousa and Edward Taylor Paull, were destined to follow in Gillmore's footsteps. While Sousa became successful through his work as both conductor and composer, even attaining the moniker of March King, the road to success and fame was more difficult for Paull. We do know, that by 1878, he was the manager of a music store that sold pianos and organs, eventually going bankrupt, and having to be bailed out by his own father. By 1894, he was the manager of the Richmond Music Publishing Company, and this was the same year that he was issued his first copyright on the Ben Hur Chariot Race March This was originally written for piano, particularly, the parlour piano. This was to become one of many marches and parlour piano compositions by 'E.T, Paull. He may not have been the most skilled musician of his era, but he was wise enough to realize how popular marches became in 1880's and '90's.Paull's compositions were also associated with beautiful color covers. He was fortunate to live in Richmond, Virginia, and the lithography company of A. Hoen & Company, provided him the highest quality and richly-colored art work for his compositions. This company was unique, in that they used a five- color process, which added depth to the color. Thepopularity of marches, plus the great covers, both contributed to the 60,000 copies that the Ben Hur Chariot Race March sold in its first printing. Not bad, for a first composition.Paull found inspiration for his march from the novel Ben Hur, written and published by General Lew Wallace in 1880. Paull dedicated his composition to Wallace, who sold many copies of his book. Eventually, there was a stage play and three film renditions; one in 1907, 1925, and 1959. Some time in the 1920's, the Sousa Band recorded the Ben Hur Chariot Race March, and of course, the MGM, 1925 film version, helped in a renewed popularity of Paull's composition.Edward Taylor Paull died in 1924, and his wife retained the copyright, until it went into public domain. What remains today are a few music examples in the Library of Congress collection, as well as some 78's and piano rolls. While I did my research on this piece, I tried to find any applicable Sousa manuscripts of a possible arrangement, but I could not findany. I usually write for woodwinds, but in this case, I thought that a brass quintet would sound far better. I also chose a moderate tempo, so as not to lose some of the nuances of the original composition.
$12.00
10.88 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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1894, he was the manager of the Richmond Music Publishing Company, and this was the same year that he was issued his first copyright on the Ben Hur Chariot Race March This was originally written for piano, particularly, the parlour piano
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Edward Taylor Paull
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one in 1907, 1925, and 1959
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Ben Hur Chariot Race March
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Imagine Music - Digital
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SheetMusicPlus
How Can I Keep From Singing? ? brass quintet
Brass Quintet: 2 trumpets, horn, trombone, tuba
Composed by Robert Lowry (1826-1899) and Robert Lowry (1826-1899). Arranged by Todd Marcha…
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Composed by Robert Lowry (1826-1899) and Robert Lowry (1826-1899). Arranged by Todd Marchand. Christian, Gospel, Sacred. Score, Set of Parts. 9 pages. Published by Con Spirito Music (S0.180831). - Score,Set of Parts - Christian,Gospel,Sacred - Con Spirito Music
?How Can I Keep From Singing?? is, perhaps, the second most well-known gospel hymn authored by Robert Lowry (1826-1899) ? the first being ?Shall We Gather at the River?? Born in Philadelphia, Lowry studied at Pennsylvania's Lewisburg (today Bucknell) University; was ordained a Baptist minister in 1854; served in churches in Pennsylvania, New York, and New Jersey; and later returned to Lewisburg and served as chancellor. Best remembered as a writer of more than 500 gospel songs and hymns, Lowry served as editor for Biglow and Main publishing company, where he edited numerous gospel song books and hymn books. Like Horatio Spafford?s ?It Is Well With My Soul,? Lowry?s ?How Can I Keep From Singing?? (also known as ?Endless Song?) expresses confidence in the eternal promises of Christ in spite of temporal circumstances. Its first verse and refrain proclaim: "My life flows on in endless song above earth?s lamentation; I catch the sweet, though far-off hymn, that hails a new creation. (Refrain): No storm can shake my inmost calm while to that Rock I?m clinging; since Christ is Lord of heaven and earth, how can I keep from singing?" This intermediate-level arrangement is quick to rehearse, satisfying to play, and well-received by audiences. Suitable for high school ensembles, church and community musicians, and professionals for use in concert, recital, and worship. Ideal as a prelude or offertory/communion anthem. ©Copyright 2016 Todd Marchand / ConSpiritoMusic.com
$15.00
13.6 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Robert Lowry
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How Can I Keep From Singing? ? brass quintet
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Con Spirito Music
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SheetMusicPlus
Drunken Sailor
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 1 - Digital Download SKU: A0.1226165
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 1 - Digital Download SKU: A0.1226165 Composed by Traditional. Arranged by Alessandro Macrì. Broadway,Celtic,Classical,Film/TV,Irish,Musical/Show,Traditional. 11 pages. Music Macri Editions #822193. Published by Music Macri Editions (A0.1226165). Drunken Sailor (letteralmente: Marinaio ubriaco) è un canto marinaresco, conosciuto anche come What Shall We Do with a/the Drunken Sailor? (letteralmente: Cosa faremo con un/il marinaio ubriaco?).Questo canto di lavoro nacque per accompagnare certi lavori a bordo di velieri, specialmente quelli che richiedevano un passo svelto e vivace. Si pensa che il canto risalga ai primi del XIX secolo o anche prima, in un periodo nel quale le ciurme delle barche, specialmente quelle dei vascelli militari, erano sufficientemente numerose da poter tirare una corda semplicemente marciando lungo il ponte. Con l'avvento delle navi postali e i clipper e le loro ciurme ridotte, che richiedevano differenti metodi di lavoro, l'uso di questo canto è progressivamente scemato o è passato all'accompagnamento di lavori meno faticosi.Drunken Sailor è poi divenuta una canzone popolare fra i non-marinai nel XX secolo, fino a essere considerata uno dei canti marinareschi più conosciuti dal pubblico. Numerosi artisti ne hanno proposto la loro versione in registrazioni e/o esibizioni e i media hanno contribuito alla sua popolarità . Anche se non esiste una versione univoca del testo, esso contiene costantemente la domanda What shall we do with a drunken sailor, early in the morning? (letteralmente: Cosa faremo con un marinaio ubriaco, la mattina presto?). In alcune versioni, i versi successivi suggeriscono metodi per alleviare la sbornia o punire il marinaio ubriaco. Altre versioni, invece, prevedono il susseguirsi di ulteriori domande e risposte relative ad altri personaggi.
$8.00
7.25 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Traditional
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Drunken Sailor
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Music Macri Editions
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SheetMusicPlus
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