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Let’s Get Back
Brass Quintet: 2 trumpets, horn, trombone, tuba
Sheetmusic to print
5 sheet music found
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1
It's A Small Jurassic World
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1233598
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1233598 By Ost (original Soundtrack). By Michael Giacchino. Arranged by Alessandro Macrì. Broadway,Classical,Contest,Festival,Film/TV,March,Musical/Show. 20 pages. Music Macri Editions #829185. Published by Music Macri Editions (A0.1233598). Jurassic World: Original Motion Picture Soundtrack is the film score to Jurassic World composed by Michael Giacchino. The album was released digitally and physically on June 9, 2015 by Back Lot Music.Giacchino previously scored the video games Warpath: Jurassic Park and The Lost World: Jurassic Park. The score also includes the Jurassic Park theme by John Williams. Giacchino stated: It was a really targeted approach, as to where to [include Williams' themes] and where would make the most sense and where would we most appreciate it, as fans ourselves.All music is composed by Michael Giacchino, except where noted. There are various instances throughout the score that contain hints to previous themes composed by Williams. These include the end of Gyrosphere of Influence which references the theme from Jurassic Park, as well as both Costa Rican Standoff and Our Rex is Bigger Than Yours that reference motifs used in Jurassic Park's sequel, The Lost World: Jurassic Park. The track Raptor Your Heart Out also briefly features a cue composed by Giacchino for the video game adaptation of The Lost World: Jurassic Park. Tim Simonec orchestrated and conducted the score, with Jeff Kryka, Susie Bench, Peter Boyer, Brad Dechter, Mark Gasbarro, Norman Ludwin, Cameron Patrick and Chris Tilton serving as additional orchestrators. There are many tracks that were not included in the official soundtrack, such as the music played during the scene at the Jurassic Park Visitors Center, which features a piano rendition of the original Jurassic Park theme. These tracks are included in the film's complete score, which was unofficially released on December 31, 2016.
$16.00
14.64 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Ost
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It's A Small Jurassic World
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Music Macri Editions
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SheetMusicPlus
El Condor Pasa (If I Could)
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 1 - Digital Download SKU: A0.1402823
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 1 - Digital Download SKU: A0.1402823 Composed by Daniel Alomia Robles, Jorge Milchberg, and Paul Simon. Arranged by Alan Frazer (arranger) & Peet du Toit (orchestrator). Folk. 10 pages. Peet du Toit #986049. Published by Peet du Toit (A0.1402823). This song started out as an Andean folk melody that Paul Simon came across in 1969 when he played a week-long engagement at a theater in Paris along with the South American group Los Incas, who played an instrumental version of the song called Paso Del Condor. Said Simon: I used to hang around every night to hear them play that. I loved it and I would play it all the time, and then I thought, Let's put words to it.The Peruvian songwriter Daniel Robles recorded this song in 1913, and copyrighted it in the United States in 1933 during his travels in America. When Simon recorded it with his added lyrics, he thought it was a traditional song, as that's what Los Incas told him. When Robles' son filed a lawsuit, Simon had to give Robles a composer credit on the song, with his estate getting those royalties.In discussing the song, Simon always talks about it as being based on a traditional Peruvian song, and we've never heard him mention Robles. This wasn't the first time Simon got tangled over songwriting credits on traditional melodies: Simon & Garfunkel's Scarborough Fair / Canticle was based on a folk song, but his arrangement came from a singer named Martin Carthy. Simon was always clear on his influences, but legal misunderstandings were a problem in these cases.Los Incas, who were the group that introduced Simon to the song, provided the instrumentation when they recorded it in Paris with Simon. Their leader, Jorge Milchberg, played a charango, which is an Andean string instrument made from the shell of an armadillo. Simon played acoustic guitar, and other members of Los Incas played flutes and percussion. When Simon brought the track to America, he added his lyrics. This was one of the easier songs to record for the Bridge Over Troubled Water album, since the backing track was already mixed together - it was just a matter of adding the vocals.The title translates to English as The Condor Passes. The lyrics Robles wrote to the song in 1913 are about returning home to his native Peru.Los Incas leader Jorge Milchberg got a composer credit on this song along with Simon and Robles. Milchberg later became the head of the group Urubamba and remained friends with Simon, who toured with them and produced their first American album. >>The Wainwright Sisters covered this for their 2015 Songs in the Dark album. Lucy Wainwright Roche explained to The Sun: I chose 'El Condor Pasa' because it was one of the first songs I ever learned to play on it guitar and it has a childlike quality to it, but it also has a darkness and sadness that fit in well with the album.Paul Simon performed this on both Sesame Street (in 1977) and The Muppet Show (in 1980).
$15.00
13.72 €
#
Brass Quintet: 2 trumpets, horn, trombone, tuba
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Daniel Alomia Robles, Jorge Milchberg, and Paul Simon
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El Condor Pasa
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Peet du Toit
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SheetMusicPlus
Cinnamon Rolls (for Brass Quintet)
Brass Quintet: 2 trumpets, horn, trombone, tuba
Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1158388 Composed by…
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Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1158388 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Comedy. 22 pages. Https://gildedmusicpress.com/ #758669. Published by https://gildedmusicpress.com/ (A0.1158388). My wife’s from-scratch cinnamon rolls are famous throughout our community—especially among our children’s circle of friends. While enjoying a socially-distanced church service at home on Easter Sunday, there was a batch of those butterfly-inducing cinnamon rolls baking in the new oven. They filled the home with an exquisite aromatic delight. Then the magic motif chimed: “The food is done!†I happened to have my composition notebook with me, and the little four-note tune inspired this composition. It just naturally took me in some happy musical directions, and within a minute or two, the melodic content, replete with fun-filled, muted second-trumpet echoes, was scrawled down. The next day, the music was entered into the computer. It is interesting that I gave the horn the cliché off-beats that all hornists know and love so well. Funny, I usually pride myself on writing for horn as an equal musical instrument; however, this fun, happy melody just demanded an “um-pah†accompaniment. Hopefully there is enough variety to keep the part fun to play. It helps that the piece is only two minutes and something long. The transition into the B section almost wrote itself, modulating to the relative minor. There I paused briefly, wondering how to treat a minor section in such an exuberant piece. Oh, but inspiration continued to flow, and I resumed writing in earnest with a mischievous smile! This section beautifully portrays a naughty, sneaky kid tiptoeing into the kitchen for another cinnamon roll—forbidden until after dinner! The listener can hear the kid’s nervous fluttering heart, and moments of pulling his hand back in startled impishness, and even shuddering as he looks fearfully over his shoulder. At the end of the B section, he gets caught! Witnessing that low-hanging head and puppy dog eyes, mommy finds that she can’t scold the lad too severely. “After dinner, little one…†she reprimands with an understanding grin. The jubilant melody returns to round out the work’s ternary ABA form, though this time with a very sticky Ives-esque climax, reminiscent of a gooey cinnamon roll mess. Too enjoyable to be bothered by prospects of cleaning up, the music shrugs it off with flippant ragtime syncopations, and ends with the “hic-burp†of a very satisfied tummy.
$19.95
18.25 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Dr
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Cinnamon Rolls
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https://gildedmusicpress.com/
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SheetMusicPlus
Chasing The Dragons
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 1 - Digital Download SKU: A0.1232150
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 1 - Digital Download SKU: A0.1232150 By Ost (original Soundtrack). By Michael Giacchino. Arranged by Alessandro Macrì. Broadway,Classical,Contest,Festival,Film/TV,Musical/Show,Video Game. 13 pages. Music Macri Editions #827831. Published by Music Macri Editions (A0.1232150). Jurassic World: Original Motion Picture Soundtrack is the film score to Jurassic World composed by Michael Giacchino. The album was released digitally and physically on June 9, 2015 by Back Lot Music.Giacchino previously scored the video games Warpath: Jurassic Park and The Lost World: Jurassic Park. The score also includes the Jurassic Park theme by John Williams. Giacchino stated: It was a really targeted approach, as to where to [include Williams' themes] and where would make the most sense and where would we most appreciate it, as fans ourselves.All music is composed by Michael Giacchino, except where noted. There are various instances throughout the score that contain hints to previous themes composed by Williams. These include the end of Gyrosphere of Influence which references the theme from Jurassic Park, as well as both Costa Rican Standoff and Our Rex is Bigger Than Yours that reference motifs used in Jurassic Park's sequel, The Lost World: Jurassic Park. The track Raptor Your Heart Out also briefly features a cue composed by Giacchino for the video game adaptation of The Lost World: Jurassic Park. Tim Simonec orchestrated and conducted the score, with Jeff Kryka, Susie Bench, Peter Boyer, Brad Dechter, Mark Gasbarro, Norman Ludwin, Cameron Patrick and Chris Tilton serving as additional orchestrators. There are many tracks that were not included in the official soundtrack, such as the music played during the scene at the Jurassic Park Visitors Center, which features a piano rendition of the original Jurassic Park theme. These tracks are included in the film's complete score, which was unofficially released on December 31, 2016.
$14.00
12.81 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Ost
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Chasing The Dragons
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Music Macri Editions
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SheetMusicPlus
The Liberty Bell-March for Brass Quintet
Brass Quintet: 2 trumpets, horn, trombone, tuba
Composed by John Philip Sousa (1854-1932). Arranged by Jari A. Villanueva. Romantic Period…
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Composed by John Philip Sousa (1854-1932). Arranged by Jari A. Villanueva. Romantic Period, Fourth of July, Patriotic, Americana. Score, Set of Parts. 29 pages. Published by JV MUSIC (S0.308429). - Score,Set of Parts - Romantic Period,Fourth of July,Patriotic,Americana - JV MUSIC
The Liberty Bell March for Brass Quintet by John Philip Sousa Arranged by Jari Villanueva Score 2 Trumpets in Bb Horn in F (Eb Alto Horn) Trombone (Baritone TC) Tuba Drums (optional) Substitute parts provided It may be associated with Monty Python's Flying Circus but "The Liberty Bell" was written for Sousa's unfinished operetta The Devil's Deputy in 1893. Financing for the show fell through and shortly afterwards, Sousa and his band manager George Hinton attended the Columbian Exposition in Chicago. As they watched the spectacle "America", in which a backdrop depicting the Liberty Bell was lowered, Hinton suggested "The Liberty Bell" as the title of Sousa's recently completed march. Coincidentally, Sousa received a letter from his wife, saying their son had marched in a parade in honor of the Liberty Bell which had been on a nation-wide tour. Sousa agreed. He sold "The Liberty Bell" to the John Church Company for publication, and it was an immediate success. The origin of the tune comes from the time Sousa heard Marcella Lindh, one of his soprano soloists, whistling a tune of her own creation. Sousa couldn?t get the melody out of his head and asked his soprano if he might use it in a march. She agreed, but didn?t know that her tune had been used until several years later when she happened to hear a European band perform the march.
$12.99
11.88 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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John Philip Sousa
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The Liberty Bell-March for Brass Quintet
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JV MUSIC
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SheetMusicPlus
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