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SheetMusicPlus
Brass Quintet: 2 trumpets, horn, trombone, tuba
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1
The Peanut Vendor (el Manisero)
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1221432
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1221432 By Stan Kenton & His Orchestra. By L. Wolfe Gilbert, Marion Sunshine, and Moises Simons. Arranged by F. Leslie Smith. Jazz,Latin,Multicultural,Pop,World. 39 pages. Sweetwater Brass Press #817754. Published by Sweetwater Brass Press (A0.1221432). Can a brass quintet sound like Stan Kenton’s 19-piece big band? No, not really:  no saxophones, no rhythm section, no Milt Bernhart, no Maynard Ferguson, no Bill Russo, no Conte Candoli, no . . .  Well, you get the picture.  But five brass instruments can play in the Kenton style.  And that’s what this is:  “The Peanut Vendor†in the style of the Stan Kenton Orchestra.   Moisés Simons’ “El Manisero†(“The Peanut Vendorâ€) was first recorded in the late 1920s.  The melody was relatively simple yet exotic sounding; the lyrics, a Cuban street vendor’s pitch for selling his bags of peanuts.  Consumers bought more than a million copies of the sheet music, and the song supposedly led to a “rumba craze†in the U.S. and Europe (although the song is not really a rumba!).     Don Azpiazú and his Havana Casino Orchestra recorded the song for RCA Victor in 1930 with Antonio MachÃn on the vocal; its sales may well have been more than the million-plus sheet music copies sold.     English lyrics were added by L. Wolfe Gilbert and Marion Sunshine and the song became “The Peanut Vendor.† One estimate is that nearly 200 recordings have been made.  That’s a lot of peanuts.    Stan Kenton revived “The Peanut Vendor†in 1947 when he first recorded it for Capitol Records.  His version was completely instrumental.  Rhythm and saxophones opened the number and established the background; later the trombone section added emphasis.  A trombone solo first stated the melody but eventually the five-person trumpet section took over with what one writer referred to as “shrieking dissonances.† “The Peanut Vendor†subsequently became one of Kenton’s most requested numbers and he recorded it at least three more times.   This brass quintet arrangement, of course, has access to only two trumpets.  So the good news is that all five players get a chance with the melody.  Kenton’s extended opening trombone solo is shared by Trombone and Tuba.  The “shrieking dissonances†are performed not only by Trumpets but also by Horn in F and Trombone.  The bad news is that all five players have to take a turn with the continuing rhythmic background melody.  Written in 4/4 time, the suggested tempo is 184 BPM in a Latin style.  Kenton’s version is in B-flat major; this arrangement lowers it to A-flat major so that most notes are within the normal playing range of the instruments.  (Don’t worry; the “shrieking dissonances†are still there!)     Completed in 2023, performance time runs about 3 minutes, 37 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would like to receive your suggestions, comments, corrections and criticisms.  For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.  (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.).
$12.99
11.92 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Stan Kenton & His Orchestra
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The Peanut Vendor
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Sweetwater Brass Press
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SheetMusicPlus
Bring a Torch, Jeannette, Isabella — brass quintet
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1130436
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1130436 Composed by Traditional Provençal Carol. Arranged by Todd Marchand. Chamber,Christmas,Holiday,Sacred,Traditional. 10 pages. Con Spirito Music #730806. Published by Con Spirito Music (A0.1130436). Bring a Torch, Jeanette, Isabella (French: Un flambeau, Jeannette, Isabelle) is a noël, or Christmas carol, from the Provence region of France. In lyrics by French poet and playwright Émile Blémont (1839-1927), Jeannette and Isabelle are shepherdesses who, upon discovering the baby Jesus and his mother in a stable, run to a nearby village to tell the inhabitants, who are urged to come quietly and whisper softly, so as not to disturb the baby sleeping peacefully in a manger. In Provence today, as in previous generations, torches remain a Christmas tradition, as on Christmas Eve children dress up as shepherds and milkmaids, carrying torches and candles to Midnight Mass while singing the carol.The melody on which this arrangement is based may date to as early as the 14th century — not as a sacred song, but as a lively dance. French composer Marc-Antoine Charpentier (1643-1704) used the melody for a drinking song in a 1672 revival of a comedy by the French playwright Molière. Blémont's sacred lyrics first appeared with this melody in Noëls français (1901), a collection of French carols transcribed and harmonized by musicologist and composer Julien Tiersot (1857-1936).©Copyright 2022 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. Visit www.conspiritomusic.com
$15.00
13.76 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Traditional Provençal Carol
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Bring a Torch, Jeannette, Isabella — brass quintet
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Con Spirito Music
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SheetMusicPlus
Lorena: A Brass Quintet Setting
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1468129 Compose…
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1468129 Composed by F. Leslie Smith. Arranged by F. Leslie Smith. 19th Century,Chamber,Folk,Historic,Traditional. 49 pages. Sweetwater Brass Press #1046440. Published by Sweetwater Brass Press (A0.1468129). In 1856 Joseph P. Webster, a Wisconsin songwriter, met Henry D.L. Webster (no relation), formerly the minister of Zanesville, Ohio’s Universalist Church. Joseph was in the process of writing a song but needed lyrics to go with his melody. Henry obliged by writing a longish poem about the love of his life, Ella Blocksom. She had been his fiancée, but the engagement had been broken and, apparently, so had Henry’s heart. Joseph’s melody needed a name that would fit into a three-note phrase, so “Ella” was changed to “Lorena.” Chicago’s Higgins Brothers published the song in 1857, and it became widely popular. When the American Civil war broke out, “Lorena” was beloved by both Union and Confederate soldiers as they thought of the wives and girlfriends they had left behind. J.P. Webster’s “Lorena” is beautiful and plaintive. It is no wonder that this song has remained a sentimental favorite over the years and is still performed and recorded. In this composition, “Lorena: A Brass Quintet Setting,” the “Lorena” tune has been expanded and transformed to create additional melodies that enhance and complement the original. You’ll find it a pleasure to play and a real crowd pleaser for audiences. This composition is 201 measures in length. It begins in the key of E-flat, transitions to B-flat at section C (measure 51) and goes to F at section G (measure 141). Initial tempo marking is Adagio, increasing to Moderato at section C. There are a number of temporary tempo variations and fermata marks, and the last 9 measures are characterized by a gradual slowing. The introduction is 21 measures in length. It leads to the second section, which consists of a plain, simple and straightforward statement of J.P. Webster’s “Lorena” theme, complete with grace notes and gruppetto. In this section, Horn and Trumpet 1 do the honors, eventually joined by Tuba, and it should be played with great expression. At section C, tempo then picks up, and the arrangement presents a series of explications of the theme in various styles. The final section, I (measure 179), reprises most of the variations and ends with a partial reiteration of the “Lorena” theme. Performance time is about eight minutes, forty seconds. Tuba plays several notes near the top of its scale; otherwise, all notes are within the normal playing range of each instrument. The composer, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. Contact him at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$6.99
6.41 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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F
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Lorena: A Brass Quintet Setting
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Sweetwater Brass Press
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SheetMusicPlus
The Huron Carol — brass quintet
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Ensemble,Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SK…
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Brass Ensemble,Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1147711 Composed by Traditional French Melody. Arranged by Todd Marchand. Christian,Christmas,Holiday,Sacred,Traditional. Score and parts. 16 pages. Con Spirito Music #747929. Published by Con Spirito Music (A0.1147711). “The Huron Carol†is the popular name for a Christmas song written in the language of the Wendat, an indigenous people of Canada — their name meaning “people of the island†or “dwellers on a peninsula†— nicknamed “Huron†(“boar's headâ€) by French explorers and traders due to the bristly hairstyle of Wendat men.The song began as a tool for teaching and converting the Wendat to Christianity, and it was likely written in the early 1640s by the French Jesuit missionary, Jean de Brébeuf. In Wendat, the song is titled “Jesous Ahatonnia,†which means “Jesus is Born.†The song's melody is based on a traditional French folk song, “Une Jeune Pucelle†(“A Young Maidâ€). Jean de Brébeuf’s lyrics present the Nativity story using images and ideas that would have been familiar to the Wendat. Angels are “spirits†and “sky peopleâ€; the Magi (wise men) are “elders,†and as an act of reverence they oil Jesus’ scalp, a practice Wendat people would have recognized. Today, “The Huron Carol's†most well-known lyrics, beginning “'Twas in the moon of winter-time,†were written by Canadian poet Jesse Middleton and published in 1927 in a small illustrated book titled “The First Canadian Christmas Carol.â€Middleton’s text is not a translation, but a complete rewriting of “Jesous Ahatonnia†for English speakers, and bears almost no relation to the original Wendat text. Middleton relied on stereotypes, critics say, painting a picture of an indigenous Nativity in a “lodge of broken bark,†with “hunter braves†replacing shepherds, and “gifts of fur and beaver pelt†delivered by “chiefs from far.†Still, the carol has long been popular, perhaps in part due to its refrain, “Jesus your King is born, Jesus is born. In excelsis gloria!†and its pairing with the easily singable “Une Jeune Pucelle†tune.This arrangement for brass quintet takes a contemplative, lyrical approach, featuring rich harmonies to the chant-like tune and contrasts in dynamics and tempo that evoke both the quiet peace and solemnity accompanying the birth of Christ.©Copyright 2022 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. Visit www.conspiritomusic.com
$15.00
13.76 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Traditional French Melody
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The Huron Carol — brass quintet
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Con Spirito Music
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SheetMusicPlus
Bach: Wachet auf for Brass Quintet
Brass Quintet: 2 trumpets, horn, trombone, tuba
Level 3 - Digital Download SKU: A0.549857 Composed by Johann Sebastian Bach. Arrang…
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Level 3 - Digital Download SKU: A0.549857 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Sacred,Wedding. 17 pages. Jmsgu3 #3556935. Published by jmsgu3 (A0.549857). Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) from Cantata BWV 140. Program this for church services during Easter or as a recital encore. Also great for Weddings. Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the prelude, and a four-part chorale. He casts the new lyrics as recitatives – like the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the guards singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears; it catches the listener off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First, Johann Sebastian Bach may be the greatest composer in music history. Indeed, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. People are probably most familiar with instrumental works such as the Brandenburg Concertos and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. His most famous vocal works seem to include the most noteworthy Mass in B Minor. Also, most notable are the St. John Passion and, indeed, the Christmas Oratorio.  History Bach came from a long line of musicians and, above all, composers. Consequently, he first of all pursued a career as a church organist. As a result, he gained employment in various Protestant churches in Germany. He worked as a court musician in Weimar and Köthen for a while. Here, he probably developed his organ style and, likewise, his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here, he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his unique style. This new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach's works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will use an S (Schmieder) as an abbreviation for BWV. Â
$39.95
36.64 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Johann Sebastian Bach
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Bach: Wachet auf for Brass Quintet
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jmsgu3
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SheetMusicPlus
Once In Love With Amy
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Ensemble - Level 3 - Digital Download SKU: A0.808700 Composed by Frank Loesse…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.808700 Composed by Frank Loesser. Arranged by F. Leslie Smith. Contemporary. Score and parts. 16 pages. Sweetwater Brass Press #5020113. Published by Sweetwater Brass Press (A0.808700). Brandon Thomas’ three-act farce, Charley’s Aunt, opened in London in 1892 and was a huge success. It has since been performed and adapted many times. One such adaptation was Where’s Charley? a 1948 Broadway version with music and lyrics by Frank Loesser. Ray Bolger played the starring role as Charley, and its most memorable number was the second act’s Once In Love With Amy. Every night Bolger would perform the number, then turn to the audience and invite them to sing along with him. They loved it, and Bolger would continue to perform it as his signature act for years even after the play closed. The rhythmic and melodic nature of Once In Love With Amy, particularly its chorus, seems to lend itself to performance by musical instruments in the lower registers. And that’s what inspired this arrangement in which bass tuba carries the load with strong support from euphonium and tuba. All play the eight-measure introduction, while the verse-I caught you, sir, having a look at her as she went strolling by-features euphonium and tuba playing melody while bass tuba provides tempo and pulse. Then comes the familiar chorus-Once in love with Amy, always in love with Amy-and bass tuba takes over. The first time through, bass tuba plays melody with the other two providing accompaniment; the second time, bass tuba plays an intricate counterpoint while euph and tuba do a rather smooth swing version of the melody. Then comes the surprise ending in which all three participate. Most players will have little trouble. The arrangement consists of 75 measures in 4/4 time. There are several tempo changes; the fastest is quarter note equals 108. Key signature is G, changing to F at measure 44. All notes for euphonium and bass tuba should be within normal playing range. Tuba, on the other hand, plays quite a few G and A notes at the top of the treble clef. Sweetwater Brass Press also offers a similar version of Once In Love With Amy arranged for brass quintet. This arrangement was completed in 2020, and performance time runs about 3 minutes, 1 second. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for euphonium) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.
$12.99
11.92 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Frank Loesser
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Once In Love With Amy
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Sweetwater Brass Press
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SheetMusicPlus
Nearer, My God, to Thee / Beyond the Stars
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1304484
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1304484 Composed by Various. Arranged by Helmut Kogler. Christian,Religious,Spiritual,Standards,Traditional. 11 pages. Pentharmonics #893972. Published by Pentharmonics (A0.1304484). The song Näher, mein Gott, zu Dir (Nearer, my God, to Thee) is a Christian Choral based on a poem of Sarah Flower Adams from 1841 with the melody composed by Lowell Mason in 1856. In Austria it is a well known and established song used at funerals, in particular, when the mortal remains are given to their final resting place.The melody of the German Protestant funeral chant Über den Sternen (Beyond the stars) was composed by Franz Wilhelm Abt. The lyrics were written by Ida Hahn-Hahn and were published in 1868.The PDF contains the score and all parts. The paper layout is actually designed for European A4 paper, but printing on 8.5 x 11 inches format has no effect on readability.More about the arranger: www.helmut-kogler.comMore music by Helmut Kogler: www.pentharmonics.com
$6.99
6.41 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Various
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Nearer, My God, to Thee / Beyond the Stars
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Pentharmonics
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SheetMusicPlus
The Brass Player: Fantasy on Ich bin ein Musikant
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1303802
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1303802 Composed by F. Leslie Smith. 21st Century,Chamber,Children,Historic,Multicultural,World. 77 pages. Sweetwater Brass Press #893335. Published by Sweetwater Brass Press (A0.1303802).     A song learned in primary school years and years ago had words something along the lines of the following:         Oh! I’m a young musician,         From distant lands I come.         Singing and playing,         Ever I’m straying.    Also known as “I Am a Fine Musician,†“I Am a Gay Musician†and perhaps other titles, that song is still around and has evolved into many different versions. The original was probably a German folk song from the early 1800s. As published in an 1889 collection of children’s songs, it bears the title, “Ich bin ein Musikant.â€Â That translates as “I am a musician.â€Â In the lyrics the musician claims to be “from Schwabenland†(Swabia) and to play geige (violin: “Dide schum schum schumâ€), flöte (flute: “Päde wäpp päpp päppâ€) and basse (bass: “Dide schum schum schump, päde wäpp päpp päpp). Later versions list the instruments played by the musician as bassoon, bells, clarinet, drum, guitar, piano, piccolo, triangle, trombone, trumpet, tuba, tympani, viola and just about every instrument and noisemaker you can think of.     Anyway, that’s the tune on which “The Brass Player†was built. But here, the musician is concerned only with brass. Which brass? Well, possibly trumpet. Or maybe horn in F. Or trombone. Or tuba. Or perhaps all four; certainly, all are featured in this piece.    “The Brass Player†comprises four sections. The first is in the key of C major and is played at a moderate 2/4 tempo. After a brief Trumpet/Tuba ostinato, Trombone introduces the main theme. Other instruments join in and play around with a variation or two.     The second section is a sweet, nostalgic rendition in 4/4 carried mainly by Horn in F, with help from Trumpets and Trombone.     In section three, the mood changes radically. Time signature goes to 3/4; tempo speeds up to vivace and the key changes to B Minor. All five instruments participate, and some odd things take place rhythmically at I through K (measures 200 through 262), but Tuba seems to carry the melody most of the time.    Section four, in G Major, clips along at a fast 4/4 time. It returns to the main theme and (as in “Ich bin ein Musikant†and its multitudinous derivations) presents in call-and-response form. The first few measures are straight, but discord quickly creeps in. The melody begins to include smears, flutter tonguing and off-beat rhythmic figures. There is even a brief section in G Minor. Gradually, order and theme are restored and the piece ends in a glorious, upbeat statement.    This piece, completed in 2023, consists of 398 measures, a little over nine minutes in length. There are four changes of key and four changes of time signature. Trumpet 1’s highest note is A above its staff; Trombone’s is F above the staff. Trumpet 2 has a few G-below-its-staff notes.    The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. Contact him at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$6.99
6.41 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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F
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The Brass Player: Fantasy on Ich bin ein Musikant
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Sweetwater Brass Press
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SheetMusicPlus
Finnish National Anthem for Brass Quintet
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0…
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Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1215110 By Keith Terrett. By Fredrik Pacius(1809-1891). Arranged by Keith Terrett. Multicultural,Patriotic,Praise & Worship,Traditional,World. 8 pages. Keith Terrett #811975. Published by Keith Terrett (A0.1215110). The Finnish NA arranged for Brass Quintet.There also versions for String & full Orchestra in my two stores.The anthem lyrics were taken from a poem by Johan Ludvig Runeberg, a Swedish-speaking poet, called “VÃ¥rt land†(Our Land). The song was first sung in 1848 by a student group and became popular in Scandinavia and many of his patriotic poems, including VÃ¥rt land were used by promoters of Finnish nationalism. The poem was translated into Finnish some decades later, after VÃ¥rt land was well established as a national song, by Paavo Eemil Kajander and became the anthem before 1917 independence. Estonia‘s anthem, adopted 20 years later, has the same melody, however the last few lines do not repeat as they do normally in the Finnish anthem. Interestingly, the anthem has never been officially legislated as the Finnish anthem, but rather is traditionally used as the anthem. As such, there is no standard way to perform the 11-verse anthem, but usually the first and the last verses (as presented here) are sung. There sometimes arises a debate in Finland to change the anthem to Jean Sibelius’ song “Finlandia†(the melody was used in Biafra), a song recognized internationally as a symbol of Finland, but the general opinion seems to be for now to keep the current anthem. (One reason may be that Finlandia is harder to sing compared to Maamme.)Need an anthem fast?  They are ALL in my store!All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.comLove anthems, then join me on twitter, facebook,  soundcloud & instagram for updates.Â
$8.99
8.25 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Keith Terrett
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Finnish National Anthem for Brass Quintet
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Keith Terrett
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SheetMusicPlus
Toot, Toot, Tootsie!
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1251231
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1251231 Composed by Gus Kahn, Ernie Erdman and Dan Russo. Arranged by F. Leslie Smith. 20th Century,Comedy,Pop,Standards,Traditional. 37 pages. Sweetwater Brass Press #845507. Published by Sweetwater Brass Press (A0.1251231). This song starts with the narrator/lyricist saying that he overheard a guy at the train station trying to say farewell to his girl.  The guy would kiss her, bid her adieu, get on the train, then get off and do the whole thing over again.  And, he did this seven times!  What would he say to her each time?  He’d tell her that he’s leaving, that she shouldn’t cry, that he’ll write and that if she does not hear from him she should assume he’s been arrested.  What a romantic line!   Anyway, that’s the gist of the “Toot, Toot, Tootsie!†lyrics.  Credited to Gus Kahn, Ernie Erdman and Dan Russo, New York City’s Leo Feist, Inc. first published this upbeat, leave-taking song in 1922.  It had been one of 29 numbers featured in the 1921 Broadway production Bombo, a vehicle designed to showcase the talent of Al Jolson.  Six years later Jolson sang it in The Jazz Singer, generally recognized as the first sound feature film.  Additionally, all three composers, plus Ted Fio Rito and Eddie Cantor, also made early and very popular recordings.  This bubbly, cheerful arrangement opens in the key of F major with a suggested tempo of 120 BPM.  After an 8-measure introduction, the piece goes right to the familiar chorus with Trumpet 1 and Trombone switching leads and ending with a wonderful Fillmore-style smear.  The tempo then slows dramatically for a somewhat pensive interpretation of the verse, the narrator’s observations, Horn and Trumpet 1 alternating the lead.  At measure 67 the chorus repeats faster than ever, a recommended 132 BPM, as Trombone and the two Trumpets take turns with the melody.  This leads right into a repeat of the verse—this time played at full speed—and a change of key to D-flat major.  Trombone and Tuba play in unison, exchanging the melody with Trumpets, right on into the third go-round of the chorus.  The piece wraps up with a vaudeville-style conclusion and eventually fades away.  (But don’t miss Trombone's four-measure reference to “Charlottetown Is Burning Down/Goodbye, Liza Jane†at measure 141.)Lots of fun!  Completed in 2023, performance time at the suggested tempo runs about 2 minutes, 47 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would like to receive your suggestions, comments, corrections and criticisms.  For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$6.99
6.41 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Gus Kahn, Ernie Erdman and Dan Russo
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Toot, Toot, Tootsie!
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Sweetwater Brass Press
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SheetMusicPlus
El Choclo (“Kiss of Fire”)
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet - Intermediate - Digital Download Arranged by F. Leslie Smith. Score, S…
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Brass Quintet - Intermediate - Digital Download Arranged by F. Leslie Smith. Score, Set of Parts. 28 pages. Published by Sweetwater Brass Press
That most sensual of ballroom dances, the tango, originated during the 1880s along the Río de la Plata, the confluence of the Uruguay and Paraná rivers. It got started among the enslaved peoples and the lower classes, became popular and eventually spread to other countries. <br> The tango is closely identified with Argentina, and Argentine musician Á.G. Villoldo was instrumental in developing the music of the dance. He supposedly wrote this particular tango to celebrate the proprietor of a nightclub, a gentleman whose nickname was “El Choclo” (in English: “The Corn Cob”!).<br> “El Choclo” premiered in Buenos Aires in 1903 and became one of Argentina’s most popular tangos. Dance orchestras recorded instrumental versions of "El Choclo." It achieved widespread popularity in the United States in 1952 when Lester Allen and Robert Hill provided it with English-language lyrics and a new name: “Kiss of Fire.” A number of singers made recordings of “Kiss of Fire” that year, the most popular of which was that of Georgia Gibbs; her “Kiss of Fire” disc reached the top spot on the Billboard chart.<br> The melody for “El Choclo” is exciting, stirring, stimulating, electrifying; in other words, perfect for a brass group. In this arrangement Horn in F has the melody throughout much of the piece, but Trumpets, Trombone and Tuba also take turns with the lead. The piece opens in the key of D minor, switches to D major (for the part of the melody that was not in the Georgia Gibbs version) and finally goes back to D minor for the recap of the main melody and a dramatic conclusion. The suggested tempo is 120 but may certainly be played faster. All notes are within the normal playing range of the five instruments. However the Tango rhythm lies mostly in the bass line, so Tuba and sometimes Trombone have frequent octave and octave-plus jumps.<br> Completed in 2020, performance time for “El Choclo” runs about 2 minutes, 50 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus search box.
$14.95
13.71 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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El Choclo
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Sweetwater Brass Press
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SheetMusicPlus
Breton Regional Anthem for Brass Quintet
Brass Quintet: 2 trumpets, horn, trombone, tuba
Composed by James James. Arranged by Keith Terrett. 20th Century, World, European, P…
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Composed by James James. Arranged by Keith Terrett. 20th Century, World, European, Patriotic. Score, Set of Parts. 9 pages. Published by Music for all Occasions
An arrangement of the regional anthem of Brittanny for Brass Quintet.<br> <br> Bro Gozh ma Zadoù (Breton: Old Land of My Fathers) is the anthem of Brittany, sometimes presented as the "national anthem" although it has no official status. It is sung to the same tune as that of the national anthem of Wales, Hen Wlad Fy Nhadau, and has similar words. The Cornish anthem, Bro Goth Agan Tasow, is also sung to the same tune.<br> <br> The Breton lyrics are the creation of François Jaffrennou in 1897, and the music was that composed by James James, of Pontypridd, Wales, for Hen Wlad Fy Nhadau. The new song was first published in 1898, and circulated as Henvelidigez ("Adaptation"). It was chosen as national anthem (and a song to celebrate friendship between the Welsh and Bretons) in 1903, at a Congress of the Union Régionaliste Bretonne held in Lesneven. Maurice Duhamel adapted it for the piano, and it was first recorded by Pathé in 1910.<br> <br> James James (also known by the bardic name Iago ap Ieuan) (1833–1902) was a harpist and musician from Pontypridd, Wales. He composed the tune of the Welsh national anthem Hen Wlad fy Nhadau (also known as Land of my Fathers).<br> <br> He was born on 4 November 1832, at the ’Ancient Druid’ inn, Hollybush, in the parish of Bedwellty, Monmouthshire. He was the son of Evan James (1809-1878) and Elizabeth Stradling of Caerphilly. His father, a Welsh versifier under the pen-name of leuan ab lago, moved with his family about 1844 to Pontypridd, where he carried on the business of weaver and wool merchant. His son James assisted him in the business.<br> <br> James James composed the melody which was later known as Hen Wlad fy Nhadau in January 1856. At first it was known as Glan Rhondda (The banks of the Rhondda), and gave rise to the tradition that the tune had come to him as he walked on the bank of the River Rhondda. His father, Evan James, wrote the lyrics that eventually became the words of the Welsh national anthem.<br> <br> A memorial to James James and his father, in the shape of two figures representing the muses of Poetry and Music, stands in Ynysangharad Park, Pontypridd. James James died in Aberdare in the Cynon Valley 11 January 1902,[3] he is buried in the local cemetery at Aberdare in the same grave as his wife Cecilia and daughter Louisa.<br> <br> For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores:http://www.scoreexchange.com/profiles/keith_terrethttp://musicforalloccasions.org.ukhttp://www.sheetmusicplus.com/search?Ntt=keith+terrettNeed an anthem fast? They are ALL in my store!All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com
$8.99
8.25 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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James James
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Breton Regional Anthem for Brass Quintet
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Music for all Occasions
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SheetMusicPlus
The Holy City
Brass Quintet: 2 trumpets, horn, trombone, tuba
Composed by Michael Maybrick (1841?1913). Arranged by F. Leslie Smith. Christian, Sacred, …
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Composed by Michael Maybrick (1841?1913). Arranged by F. Leslie Smith. Christian, Sacred, Wedding. Score, Set of Parts. 22 pages. Published by Sweetwater Brass Press (S0.192931). - Score,Set of Parts - Christian,Sacred,Wedding - Sweetwater Brass Press
Michael Maybrick wrote music for ?The Holy City? in 1892 under the name, ?Stephen Adams.? Frederic Weatherly wrote the lyrics. The song was popular from the beginning, then experienced a resurgence when sung by Jeanette MacDonald in the 1936 film, San Francisco. Victorian in both words and melody, ?The Holy City? nonetheless remains a frequent performance piece today. The current arrangement is based on the original 1892 sheet music but has been augmented to take advantage of brass quintet instrumentation. Completed in 2012, this arrangement runs about 4 minutes, 47 seconds. The arranger, Les Smith, will be happy to provide substitute parts (e.g., Treble Clef Baritone for Trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus search box.
$14.95
13.71 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Michael Maybrick
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The Holy City
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Sweetwater Brass Press
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SheetMusicPlus
What is This Lovely Fragrance? - French Noel arr. for brass quintet
Brass Quintet: 2 trumpets, horn, trombone, tuba
Composed by Traditional French Noel. Arranged by Todd Marchand. Christian, Sacred, Christm…
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Composed by Traditional French Noel. Arranged by Todd Marchand. Christian, Sacred, Christmas. Score, Set of Parts. 15 pages. Published by Con Spirito Music (S0.180099). - Score,Set of Parts - Christian,Sacred,Christmas - Con Spirito Music
?What is This Lovely Fragrance?? (?Quelle est cette odeur agréable??) is a 17th-century French traditional Noël (carol) about the Nativity of Christ. The melody accompanying its lyrics, a folk tune, was used by John Gay (1685?1732) in his satirical work, The Beggar's Opera (1728). It is this tune to which the text, calling the shepherds to the manger, is typically set. What is this lovely fragrance wafting like to the scents of flow'rs in spring? / Shepherds, O tell us, whence such beauty, hear you not heav'nly carolling? / What is this lovely fragrance wafting like to the scents of flow'rs in spring? Thisintermediate level arrangement is suitablefor advanced high school to professional ensembles for use inconcert, recital, and worship. Full score and parts, 8.5x11-inchformat. ©Copyright2013 Todd Marchand / ConSpiritoMusic.com
$15.00
13.76 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Traditional French Noel
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What is This Lovely Fragrance? - French Noel arr. for brass quintet
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Con Spirito Music
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SheetMusicPlus
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