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PIANO & KEYBOARDS

Piano solo 131 Piano, Voice 112 Piano, Vocal and Guitar 17 Easy Piano 16 Organ 6

C Instruments 4 Keyboard 3 1 Piano, 4 hands 2 Big Note Piano 1 Piano Accompaniment 1 2 Pianos, 4 hands 1

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GUITARS

Bass guitar 39 Guitar notes and tablatures 30 Guitar 24 Ukulele 4 4 Guitars (Quartet) 3

Melody line, (Lyrics) and Chords 2 Baritone Ukulele 1 Piano, Guitar (duet) 1 Mandolin, Guitar (duet) 1

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VOICE

Choral SATB 33 Voice solo 18 Choral 3-part 10 Choral TTBB 6 Choral 2-part 5

Choral SSAA 4 High voice 2 Choral SSAATTBB 1 Medium voice, Piano 1 Choral Unison 1

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WOODWIND

Saxophone 34 Flute 29 Clarinet 21 Flute and Piano 11 Alto Saxophone 10

Tenor Saxophone 9 Saxophone Quartet: 4 saxophones 6 Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 6 Recorder 5 2 Saxophones (duet) 5 Oboe, Clarinet, Bassoon (trio) 4 Oboe, Piano (duet) 4 Recorder Quartet 3 Flute Quartet: 4 flutes 3 Clarinet and Piano 3 Descant (Soprano) Recorder 3 Flute Trio: 3 flutes 2 Flute, Oboe, Clarinet, Bassoon 2 2 Flutes (duet) 2 Flute, Oboe, Clarinet (trio) 2 3 Clarinets (trio) 2 Clarinet Quartet: 4 clarinets 2 Oboe 2 Flute and Guitar 2 Alto Saxophone and Piano 2 3 Recorders (trio) 1 2 Clarinets (duet) 1 Soprano Saxophone 1 Recorder, Piano 1 Oboe and Orchestra 1 3 Saxophones (trio) 1 Descant (Soprano) Recorder, Basso continuo 1 Oboe, Bassoon (duet) 1 Clarinet Ensemble 1 Ocarina 1 Flute ensemble 1 Clarinet Quintet: Clarinet, String Quartet 1 Saxophone (band part) 1

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WOODBRASS

Trumpet 23 Trombone 21 Euphonium 6 Brass Quintet: 2 trumpets, horn, trombone, tuba 5 Trumpet, Piano 4

Brass quartet : 2 trumpets, trombone, tuba 3 Tuba 2 French horn 2 Bb Instruments 2 2 French horns (duet) 1 2 Tubas (duet) 1 French Horn and Piano 1

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STRINGS

String Quartet: 2 violins, viola, cello 27 Harp 14 Violin 13 Violin and Piano 12 Cello, Piano 9

Cello 9 Violin (band part) 5 2 Violins (duet) 4 Viola, Piano 4 Viola 3 Viola (band part) 2 Violin, Cello (duet) 2 Harp, Flute (duet) 1 Double bass, Piano (duet) 1 Doublebass (band part) 1 Viola, Cello (duet) 1 Violin, Viola (duet) 1 2 Cellos (duet) 1 Viola ensemble 1 String Trio: violin, viola, cello 1

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PERCUSSION & ORCHESTRA

Concert band 1036 Drums 53 Jazz Ensemble 16 String Orchestra 16 Orchestra 12

Brass ensemble 9 Handbells 5 Jazz combo 3 Marching band 3 Percussion (band part) 2 Chamber Orchestra 2 Percussion Ensemble 2 Drum (band part) 1 Brass Quintet: other combinaisons 1 Big band 1 Vibraphone 1

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Run D

Brass Quintet: 2 trumpets, horn, trombone, tuba

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5 sheet music found

Toot, Toot, Tootsie! Brass Quintet: 2 trumpets, horn, trombone, tuba

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1251231(+)

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1251231 Composed by Gus Kahn, Ernie Erdman and Dan Russo. Arranged by F. Leslie Smith. 20th Century,Comedy,Pop,Standards,Traditional. 37 pages. Sweetwater Brass Press #845507. Published by Sweetwater Brass Press (A0.1251231). This song starts with the narrator/lyricist saying that he overheard a guy at the train station trying to say farewell to his girl. Â The guy would kiss her, bid her adieu, get on the train, then get off and do the whole thing over again. Â And, he did this seven times! Â What would he say to her each time? Â Heâ€™d tell her that heâ€™s leaving, that she shouldnâ€™t cry, that heâ€™ll write and that if she does not hear from him she should assume heâ€™s been arrested. Â What a romantic line!Â Â Â Anyway, thatâ€™s the gist of the â€œToot, Toot, Tootsie!â€ lyrics. Â Credited to Gus Kahn, Ernie Erdman and Dan Russo, New York Cityâ€™s Leo Feist, Inc. first published this upbeat, leave-taking song in 1922. Â It had been one of 29 numbers featured in the 1921 Broadway production Bombo, a vehicle designed to showcase the talent of Al Jolson. Â Six years later Jolson sang it in The Jazz Singer, generally recognized as the first sound feature film. Â Additionally, all three composers, plus Ted Fio Rito and Eddie Cantor, also made early and very popular recordings.Â Â This bubbly, cheerful arrangement opens in the key of F major with a suggested tempo of 120 BPM. Â After an 8-measure introduction, the piece goes right to the familiar chorus with Trumpet 1 and Trombone switching leads and ending with a wonderful Fillmore-style smear. Â The tempo then slows dramatically for a somewhat pensive interpretation of the verse, the narratorâ€™s observations, Horn and Trumpet 1 alternating the lead. Â At measure 67 the chorus repeats faster than ever, a recommended 132 BPM, as Trombone and the two Trumpets take turns with the melody. Â This leads right into a repeat of the verseâ€”this time played at full speedâ€”and a change of key to D-flat major. Â Trombone and Tuba play in unison, exchanging the melody with Trumpets, right on into the third go-round of the chorus. Â The piece wraps up with a vaudeville-style conclusion and eventually fades away. Â (But donâ€™t miss Trombone's four-measure reference to â€œCharlottetown Is Burning Down/Goodbye, Liza Janeâ€ at measure 141.)Lots of fun!Â Â Completed in 2023, performance time at the suggested tempo runs about 2 minutes, 47 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. Â He would like to receive your suggestions, comments, corrections and criticisms. Â For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.

$6.99 6.44 € #Brass Quintet: 2 trumpets, horn, trombone, tuba #Gus Kahn, Ernie Erdman and Dan Russo #Toot, Toot, Tootsie! #Sweetwater Brass Press #SheetMusicPlus

Dimension Traveler, Op. 150 Brass Quintet: 2 trumpets, horn, trombone, tuba

Brass Quintet - Level 4 - Digital Download SKU: A0.1489523 Composed by Dr. Daniel N…(+)

Brass Quintet - Level 4 - Digital Download SKU: A0.1489523 Composed by Dr. Daniel N. Thrower. 21st Century,Chamber,Classical,Film/TV. 31 pages. Https://gildedmusicpress.com/ #1066386. Published by https://gildedmusicpress.com/ (A0.1489523). Dimension Traveler, Op. 150, for brass quintet was completed 26 Mar 2024. When I wrote the first few distinctive notes into the computer, my ten-year-old son said that it sounded “futuristic.” Somehow that sparked memories of a novel I had started years ago, titled “Dimension Traveler,” based on dimensional theories I had developed. With that fresh inspiration in mind, the piece wrote itself with opening movie credits in mind.The form is thematically palindromic, the center point being m. 77. The beginning to rehearsal letter A mirrors K to the end; A to B is parallel to J-K; B-C = I-J; C-D = H-I; D-E = G-H; and the central thematic sections E-F = F-G. Concerning that central turning point, the thematic material shifts from the trumpets’ first statement at letter E to low brass with the trumpets taking on the pointillistic accompaniment at letter F. Of interest is the parallel of C-D and H-I wherein the motivic material, including dynamics, is quite literally reversed note for note to a climax.For aural aesthetics in performance, there is an optional cut from letter K to m. 142. Thematically, the structure remains chiastic, but taking the cut simply truncates the end for a motivic flavor rather than repeating the entire opening entrée. There is nothing wrong with purists performing the work in its entirety—it is simply a matter of taste among the performing ensemble members.Stylistically, this piece strays far from my typical compositions. Besides the pervasive echoing eighth-note motifs, the key never changes, and there is no chromaticism. Inspired in that regard by the masterpiece “Quintet” by Michael Kamen, the diatonicism often flows in planed clusters mildly influenced by the choral works of Eric Whitacre. Another deviation from my well-established compositional habits is the instrumentation including bass trombone instead of tuba. Of course the part can be played by a tubist, though the bass trombone meshes more seamlessly with the timbres of the other instruments in passing along the pervasively echoing eighth-notes.The individual brass parts appear deceptively simple, and indeed, they are not technically demanding besides a couple high notes in the trumpets. However, putting this piece together in an ensemble setting is rhythmically treacherous!The four-minute final product indeed sounds like it could be the opening to an epic movie of the same title, based on the novel-in-progress.

$24.95 23 € #Brass Quintet: 2 trumpets, horn, trombone, tuba #Dr #A to B is parallel to J-K #Dimension Traveler, Op. 150 #https://gildedmusicpress.com/ #SheetMusicPlus

Ms. Grace Brass Quintet: 2 trumpets, horn, trombone, tuba

Brass Ensemble,Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SK…(+)

Brass Ensemble,Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1202140 Composed by Johanna Hall and John Hall. Arranged by F. Leslie Smith. Contemporary,Disco,Hip-Hop,Pop,R & B,Rock. Score and parts. 27 pages. Sweetwater Brass Press #800795. Published by Sweetwater Brass Press (A0.1202140). John Hall and his then-wife Johanna had written several hit songs for John's group, Orleans. Â Johanna wanted to create a song in the 1950s doo-wop style she so admired. Â They did, and their composition described a certain Miss Grace who enchanted the lyricist with her â€œsatin and perfume and lace.â€ Â The problem was: that song really did not fit in with Orleans' pop rock repertoire and image. Â Meanwhile, The Tymes, a Philadelphia group, was looking for a number that might revive its popularity. Â So when the Miss Grace song was suggested they decided to take it on.Â This was the mid-1970s, just when the honorific Ms. was growing in use. Â So The Tymes changed the song's title to â€œMs. Grace.â€ Â Released as a single, the song did very well in the UK, topping the chart at number one in January 1975.Â Â Written in 4/4 time, this brass quintet version flows along at about 104 BPM. Â Beginning notation instructs that eighth-note pairs are to be played so that the first note is about twice as long as the second; in other words, swing style. Â It retains the original D major key, but gives most of the melody to Horn and Trombone an octave lower so that it stays within normal playing range of the group. Â The nature of the song is such that there are a number of phrases that begin with off-beat pickup notes.Â Trumpets provide accents and flourishes and occasionally take over the melody for a few measures. Â Tuba really does the most work, playing through almost the entire piece.Â Â Completed in 2023, performance time runs about 3 minutes, 3 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. Â He would like to receive your suggestions, comments, corrections and criticisms. Â For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box. Â (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.).

$12.99 11.98 € #Brass Quintet: 2 trumpets, horn, trombone, tuba #Johanna Hall and John Hall #in other words, swing style #Ms. Grace #Sweetwater Brass Press #SheetMusicPlus

El Choclo (“Kiss of Fire”) Brass Quintet: 2 trumpets, horn, trombone, tuba

Brass Quintet - Intermediate - Digital Download Arranged by F. Leslie Smith. Score, S…(+)

Brass Quintet - Intermediate - Digital Download Arranged by F. Leslie Smith. Score, Set of Parts. 28 pages. Published by Sweetwater Brass Press
That most sensual of ballroom dances, the tango, originated during the 1880s along the Río de la Plata, the confluence of the Uruguay and Paraná rivers. It got started among the enslaved peoples and the lower classes, became popular and eventually spread to other countries. <br> The tango is closely identified with Argentina, and Argentine musician Á.G. Villoldo was instrumental in developing the music of the dance. He supposedly wrote this particular tango to celebrate the proprietor of a nightclub, a gentleman whose nickname was “El Choclo” (in English: “The Corn Cob”!).<br> “El Choclo” premiered in Buenos Aires in 1903 and became one of Argentina’s most popular tangos. Dance orchestras recorded instrumental versions of "El Choclo." It achieved widespread popularity in the United States in 1952 when Lester Allen and Robert Hill provided it with English-language lyrics and a new name: “Kiss of Fire.” A number of singers made recordings of “Kiss of Fire” that year, the most popular of which was that of Georgia Gibbs; her “Kiss of Fire” disc reached the top spot on the Billboard chart.<br> The melody for “El Choclo” is exciting, stirring, stimulating, electrifying; in other words, perfect for a brass group. In this arrangement Horn in F has the melody throughout much of the piece, but Trumpets, Trombone and Tuba also take turns with the lead. The piece opens in the key of D minor, switches to D major (for the part of the melody that was not in the Georgia Gibbs version) and finally goes back to D minor for the recap of the main melody and a dramatic conclusion. The suggested tempo is 120 but may certainly be played faster. All notes are within the normal playing range of the five instruments. However the Tango rhythm lies mostly in the bass line, so Tuba and sometimes Trombone have frequent octave and octave-plus jumps.<br> Completed in 2020, performance time for “El Choclo” runs about 2 minutes, 50 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus search box.

$14.95 13.78 € #Brass Quintet: 2 trumpets, horn, trombone, tuba #El Choclo # Sweetwater Brass Press #SheetMusicPlus

War March of the Priests (from Athalia) Brass Quintet: 2 trumpets, horn, trombone, tuba

Composed by Felix Mendelssohn (1809-1847). Arranged by F. Leslie Smith. Romantic Period, G…(+)

Composed by Felix Mendelssohn (1809-1847). Arranged by F. Leslie Smith. Romantic Period, Graduation, Recital. Score, Set of Parts. 19 pages. Published by Sweetwater Brass Press (S0.93391). - Score,Set of Parts - Romantic Period,Graduation,Recital - Sweetwater Brass Press
Mendelssohn?s oratorio ?Athalia? grew out of a commission he had received to write incidental music for a private performance of the French tragedy ?Athalie.? He then went on to expand his original score to include three soloists, full chorus and orchestra, two orators, an overture and the piece presented here. ?War March of the Priests? is one of Mendelssohn?s most performed compositions, one reason being that it goes over so well as both a stand-alone concert piece and as a graduation/commencement processional or recessional. As this arrangement shows, "War March" adapts perfectly to the brass quintet, from the energetic and assertive triplet figures to the complementary legato section: a real gem for two trumpets, horn, trombone and tuba. This arrangement was completed in 2012, and performance time runs about 6 minutes, 42 seconds; however, its repeated sections allow it to be expanded or contracted on the spot to meet the time needs for ceremonial processions. You may contact the arranger, Les Smith, at lessmith@ufl.edu. Be sure to check out the following Sweetwater Brass Press arrangements: "Chorale St. Antoni," "Entry of the Graduates: Processional," "Departure of the Graduates: Recessional," "Marche from Sylvia Ballet Suite," "Marche militaire in D major (No. 1)" and "Academic Festival Overture." For these and other arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus search box.?

$8.00 7.38 € #Brass Quintet: 2 trumpets, horn, trombone, tuba #Felix Mendelssohn #War March of the Priests #Sweetwater Brass Press #SheetMusicPlus