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See Saw
Brass Quintet: 2 trumpets, horn, trombone, tuba
Sheetmusic to print
4 sheet music found
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1
You Are My Lucky Star
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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BEGINNER
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Broadway
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Arthur Freed and Nacio Herb Br
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Peet du Toit
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You Are My Lucky Star
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Peet du Toit
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 1 - Digital Download SKU: A0.1392839 Composed by Arthur Freed and Nacio Herb Brown. Arranged by Peet du ...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 1 - Digital Download SKU: A0.1392839 Composed by Arthur Freed and Nacio Herb Brown. Arranged by Peet du Toit. Broadway,Musical/Show. 12 pages. Peet du Toit #976363. Published by Peet du Toit (A0.1392839). You Are My Lucky Star is a song originally written for the 1935 film Broadway Melody of 1936 by Nacio Herb Brown and Arthur Freed. The song was also featured in the 1952 film Singin' in the Rain sung by Betty Noyes as Kathy Selden and Gene Kelly as Don Lockwood.LyricsYou are my lucky starI saw you from afarTwo lovely eyes at me they were gleamingBeaming I was star struckYou're all my lucky charms I'm lucky in your armsYou've opened heaven's portal here on earth for this poor mortalYou are my lucky starYou are my lucky starI saw you from afarIf Garbo is a glamorous creatureYou're a four star featureThough you are never seenUp on a movie screenYou are my Shearer, Crawford, Hepburn, Harlow and my GarboYou are my lucky starSo, the Brass Quintet version hereof is available for your to play and enjoy.
$13.00
A Child’s Garden of Jazz for Brass Quintet
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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ADVANCED
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Wolking, Henryenry
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A Child’s Garden of Jazz for
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Gordon Cherry
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SheetMusicPlus
Brass Ensemble - Level 5 - Digital Download SKU: A0.792338 Composed by Wolking, Henryenry. 20th Century,Contemporary,Jazz,Ragtime. Score and parts. 56 pa...
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Brass Ensemble - Level 5 - Digital Download SKU: A0.792338 Composed by Wolking, Henryenry. 20th Century,Contemporary,Jazz,Ragtime. Score and parts. 56 pages. Gordon Cherry #4804655. Published by Gordon Cherry (A0.792338). As an adult I occasionally try to remember and or capture child-like experiences-maybe not so much the actual event, but the emotive atmosphere left from impressions long ago embedded in the psyche.Each movement of this work is based on spontaneous and uncalculated musical imagery of dreams and childhood reflections. I have deliberately avoided the professional composer’s bag of developmental tricks and worked for a more free flow of simple melodic ideas: they go wherever they want.Movement IInspired by the feelings I had growing up on Merritt Island Florida with my older sister Barbara. This music was a gift to her on the occasion of her 2004 marriage in Flemington New Jersey. It was originally scored for a brass quartet with which I performed. I have written three other brass quintets, and when I started thinking about this one (my fourth) this seemed like a logical choice for a first movement.Movement IIBased on a tune that came to me in a dream. It is dedicated to my wife Lois (we also married in 2004) and has a formal title of Wake Up To A Melody. I originally scored it for jazz band-more specifically for the excellent Salt Lake Alternative Jazz Orchestra, and it has recently been recorded by that group. I like the simplicity of this melody, and felt it would make a natural second movement for this brass quintet.Movement IIIThe third and most difficult movement is Tangoragrondo. It is literally a rondo with a turn-of-the century (19th-20th) ragtime melody/gallop occupying the A theme followed by a Tango (inspired by trips to Santiago Chile) for the B theme. The return to the rag (A theme) is then followed by a fantasy development (C area) with a return to to the rag (A theme) followed by a coda that recalls material from the first movement. The form is quite simple- ABACA-Coda.The material was originally developed as a movement for my double concerto Letting Midnight Out On Bail written for the Duehlmeier-Gritton piano duo and orchestra. It was recorded by the Warsaw Philharmonic and has been released on CD. A second version for two pianos has also been recorded and released by the Duehlmeier-Gritton piano duo. This orchestration for brass quintet will be the final resting place for this chaotic rondo.
$27.50
Trail of Tears, Op. 144
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE
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Dr
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Trail of Tears, Op. 144
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https://gildedmusicpress.com/
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SheetMusicPlus
Brass Quintet - Level 3 - Digital Download SKU: A0.1489498 Composed by Dr. Daniel N. Thrower. 21st Century,Chamber,Historic,Instructional,Multicultural,W...
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Brass Quintet - Level 3 - Digital Download SKU: A0.1489498 Composed by Dr. Daniel N. Thrower. 21st Century,Chamber,Historic,Instructional,Multicultural,World. 17 pages. Https://gildedmusicpress.com/ #1066363. Published by https://gildedmusicpress.com/ (A0.1489498). Rounding out the “American Trails” with the fifth composition in the collection, “Trail of Tears” is in reference to the heart-wrenching dark history of over 60,000 American Indians being expelled from their lands. During the period between 1830 and 1850, natives from five tribes were forcibly displaced from their homelands in what later became known as the American Deep South. These “Five Civilized Tribes” included the Cherokee, Chickasaw, Choctaw, Muscogee, and Seminole nations. Under the leadership of President Andrew Jackson, Congress passed the “Indian Removal Act” in 1830 which revoked all land ownership from all Native Americans in the Southeast. Although Jackson was not the originator of the movement to remove the Indians, it was his top legislative priority upon taking office. In his mind, they were a primary obstacle for the fulfillment of the Manifest Destiny and American national success. There were many opponents to the violent legislation, such as David Crockett of Tennessee and Catherine Beecher.The most brutal year of the Trail of Tears occurred in 1838 among the Cherokee who had resisted the Treaty of New Echota of 1836 through petitions and pleas to the US government. Despite their efforts, the expulsive treaty was ratified and the resistant Cherokee were compelled by militia to vacate all lands east of the Mississippi River. The heaviest death tolls occurred in the summer and winter months of 1838 after the deadline to depart had passed in May. Disease, exposure, starvation, and harassment by frontiersman compounded the physical exertion of the “death marches” that killed many.This composition extensively borrows the four-note motif from Beethoven’s Symphony No. 5. That symphony was composed in the early 1800s in Europe at the same time as the growth of the anti-Indian sentiment across the American frontier. Rather than primary thematic material, “Trail of Tears” uses the motif as a morose, plodding accompanimental pattern that adds depth of sorrow to the musical homage.
$19.95
America Enters The Great War for Brass Quintet
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE
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Patriotic
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C
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Jari A
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America Enters The Great War f
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JV MUSIC
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SheetMusicPlus
Composed by C. Francis Reiser, Walter Donaldson. Arranged by Jari A. Villanueva. 20th Century, Fourth of July, Patriotic, Americana. Score, Set of Parts. 39 pag...
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Composed by C. Francis Reiser, Walter Donaldson. Arranged by Jari A. Villanueva. 20th Century, Fourth of July, Patriotic, Americana. Score, Set of Parts. 39 pages. Published by JV MUSIC (S0.198335). - Score,Set of Parts - 20th Century,Fourth of July,Patriotic,Americana - JV MUSIC
America Enters The Great War for Brass Quintet Arranged by Jari Villanueva A Medley of "Goodbye Broadway, Hello France" and "How Ya Gonna Keep ?Em Down on the Farm?" Score and parts provided Full Score 2 Trumpets in B Flat Horn in F Trombone Tuba Drums Eb Alto Horn (Substitute for Horn in F) Baritone T.C. (Substitute for Trombone) "Good-Bye Broadway, Hello France? is a 1917 song composed byBilly Baskette, with lyrics written by C. Francis Reisner and Benny Davis.While the song was popular during its time, it also saw a revival during WorldWar II, where some soldiers preferred World War I songs over the war songsbeing produced at the time. ?How Ya GonnaKeep ?em Down on the Farm (After They?ve Seen Paree?)? is a World War I songthat rose to popularity after the war had ended. The music is by Walter Donaldson. The lyricshighlight concern that American soldiers from rural environments would not wantto return to farm life after experiencing the European city life and culture ofParis during World War I. It became popular among soldiers in the First WorldWar and is remembered as one of the more songs of World War I. This skillful and fun arrangement by Jari Villanueva captures the flavor of theoriginal tunes and would be a great selection commemorating the 100thanniversary of World War I. A retired memberof the United States Air Force Band where he served on the Music Productionstaff (as well as a trumpeter and bugler) and a student of Bill Holcombe, JariVillanueva continues writing for different ensembles. His arrangements areplayed by bands, brass ensembles and brass quintets all over the countryincluding many military groups. Many of his arrangements can be found on SheetMusic Plus and JV MUSIC.
$15.00
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