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You've selected:
She's Got the Rhythm
Brass Quintet: 2 trumpets, horn, trombone, tuba
Sheetmusic to print
4 sheet music found
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1
Souvenir de Porto Rico - Marche des Gibaros for Brass Quintet
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet - Advanced - Digital Download Composed by Gottschalk, Louis Moreau. Arrang…
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Brass Quintet - Advanced - Digital Download Composed by Gottschalk, Louis Moreau. Arranged by Hinterbichler, Karl. Romantic Period. Score, Set of Parts. 27 pages. Published by Cherry Classics Music
Gottschalk was one of America's firstimportant composers. His numerous worksfor piano are mostly light. His Marche desGibaros from the Souvenir de Porto Ricotranscribed by Karl Hinterbichler is lively andbright. American born Louis MoreauGottschalk (1829-1869) was one of thegreat pianist/composers of his day. Hebegan his career in Europe but spent mostof his life touring from coast to coast in theUS, as well as South America, and theCaribbean. He composed more than 100 works whichcombine the typical European Romanticvirtuoso style with musical traditions fromSouth America, the Caribbean, Spain andsacred and popular songs from the UnitedStates. Originally for solo piano, Souvenir de PortoRico (op. 31), bears the subtitle Marche desGibaros, a reference to the peasants of theisland. The simple melody derives from aPuerto Rican song 'Si me dan pasteles, lesdénmelos calientes,' 'If you give me cakes,give them to me hot,' sung by strollingmusicians during the Puerto RicanChristmas season. This simple melody isthen subjected to a series of variations. Themusic depicts the sound of strollingmusicians, first heard in the distance,coming ever closer, rising to a climax andthen fading as the Gibaros march away intothe distance. The syncopated rhythmsstrongly suggest its Caribbean origins. Instrumentation is for 2 Trumpets in Bb(Trumpet 1 doubles on Piccolo), Horn,Trombone and Tuba.
$17.50
16.11 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Gottschalk, Louis Moreau
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Souvenir de Porto Rico - Marche des Gibaros for Brass Quintet
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Cherry Classics Music
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SheetMusicPlus
You've Got Me Hypnotized
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet - Level 2 - Digital Download SKU: A0.775255 Composed by Irving Berlin…
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Brass Quintet - Level 2 - Digital Download SKU: A0.775255 Composed by Irving Berlin. Arranged by Bill Wilson. 20th Century. 11 pages. Alexander Wilson #4602539. Published by Alexander Wilson (A0.775255). Irving Berlin's You've Got Me Hypnotized was written in 1911, the same year the songwriter published the huge hit Alexander's Ragtime Band. You've Got Me Hypnotized displays the same syncopated rhythmic intensity of Alexander's Ragtime Band. Our arrangement spreads lead responsibilities between first trumpet, French horn, and trombone. Arranged for brass quintet (two Bb trumpets, French horn, trombone, and tuba). Performance time is approximately 2:04. Visit our website, www.tootsuitebrasspublishing.com, for a catalog of our arrangements available through sheetmusicplus.com.
$4.00
3.68 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Irving Berlin
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You've Got Me Hypnotized
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Alexander Wilson
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SheetMusicPlus
El Choclo (“Kiss of Fire”)
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet - Intermediate - Digital Download Arranged by F. Leslie Smith. Score, S…
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Brass Quintet - Intermediate - Digital Download Arranged by F. Leslie Smith. Score, Set of Parts. 28 pages. Published by Sweetwater Brass Press
That most sensual of ballroom dances, the tango, originated during the 1880s along the Río de la Plata, the confluence of the Uruguay and Paraná rivers. It got started among the enslaved peoples and the lower classes, became popular and eventually spread to other countries. <br> The tango is closely identified with Argentina, and Argentine musician Á.G. Villoldo was instrumental in developing the music of the dance. He supposedly wrote this particular tango to celebrate the proprietor of a nightclub, a gentleman whose nickname was “El Choclo” (in English: “The Corn Cob”!).<br> “El Choclo” premiered in Buenos Aires in 1903 and became one of Argentina’s most popular tangos. Dance orchestras recorded instrumental versions of "El Choclo." It achieved widespread popularity in the United States in 1952 when Lester Allen and Robert Hill provided it with English-language lyrics and a new name: “Kiss of Fire.” A number of singers made recordings of “Kiss of Fire” that year, the most popular of which was that of Georgia Gibbs; her “Kiss of Fire” disc reached the top spot on the Billboard chart.<br> The melody for “El Choclo” is exciting, stirring, stimulating, electrifying; in other words, perfect for a brass group. In this arrangement Horn in F has the melody throughout much of the piece, but Trumpets, Trombone and Tuba also take turns with the lead. The piece opens in the key of D minor, switches to D major (for the part of the melody that was not in the Georgia Gibbs version) and finally goes back to D minor for the recap of the main melody and a dramatic conclusion. The suggested tempo is 120 but may certainly be played faster. All notes are within the normal playing range of the five instruments. However the Tango rhythm lies mostly in the bass line, so Tuba and sometimes Trombone have frequent octave and octave-plus jumps.<br> Completed in 2020, performance time for “El Choclo” runs about 2 minutes, 50 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus search box.
$14.95
13.77 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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El Choclo
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Sweetwater Brass Press
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SheetMusicPlus
Patricia: A Ragtime Composition
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1401614
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1401614 Composed by Joseph Lamb. Arranged by F. Leslie Smith. 20th Century,Classical,Historic,Ragtime. 32 pages. Sweetwater Brass Press #984793. Published by Sweetwater Brass Press (A0.1401614). Ragtime was originally and primarily piano music. The Library of Congress traces the origin and wellspring of ragtime to St. Louis, Missouri.  The Britannica website explains, “Ragtime evolved in the playing of honky-tonk pianists along the Mississippi and Missouri rivers in the last decades of the 19th century. It was influenced by minstrel-show songs, African American banjo styles, and syncopated (off-beat) dance rhythms of the cakewalk, and also elements of European music.â€Â    But it wasn’t until the mid-1890s, when music publishers started printing ragtime scores, making the music available to the public at large, that ragtime’s popularity began to soar.  By 1900 ragtime was the popular music.  It stayed that way until about 1917 when the rise of jazz began to overtake it.  By 1920, ragtime was nearly forgotten.    Thirty years later, a ragtime revival began.  And one Patricia Lamb-Conn found out that her father, Joseph F. Lamb, was a well-known composer of ragtime.  In fact, the “Big Three†composers of classical ragtime are considered to be Scott Joplin, James Scott and the only non-African American, Joseph Lamb.    Lamb was born in 1887 in New Jersey, taught himself to play piano and was very much influenced by Joplin’s early ragtime publications.  From there, Lamb went on to develop into a master of classic ragtime.    One of Lamb’s most popular works was a 1916 composition he titled “Patricia Rag.†(The title apparently had nothing to do with his daughter, who was born in 1924.)  It consists of four themes in five sections, with the first theme repeated after sections 1 and 2.  Lamb pitched the opening in E-flat Major, changing to A-flat Major at the Trio.      This brass quintet arrangement, completed in 2024, consists of 150 measures, approximately five minutes, ten seconds in length.  It retains the basic structure of the original piano score but modifies the pitches to B-flat Major and E-flat Major, respectively, to accommodate the normal playing range of the brass instruments.  Possible exceptions for some players include:  (1) Trumpet 1 plays its A-above-the-staff a number of times and its B above-the-staff once; (2) Trombone plays several E above-the-staff notes; (3) Tuba plays several way-below-the-staff F notes and one high G note. Throughout the arrangement, the original melody is maintained and featured, but in some sections the background and harmony are altered to feature one or more of the five instruments.  In the Trio, the sections designated by rehearsal marks F and G are slowed and treated as a serenade; the original tempo is restored at H.  In performing this arrangement, players should pay particular attention to dynamics.  Additionally, because of the nature of ragtime, this piece may require more-than-usual practice and rehearsal.    The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would like to receive your suggestions, comments, corrections and criticisms.  Contact him at lessmith61@bellsouth.net.  For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$12.99
11.96 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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1900 ragtime was
the
popular music
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Joseph Lamb
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Patricia: A Ragtime Composition
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Sweetwater Brass Press
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SheetMusicPlus
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