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That's How it Goes!
Brass Quintet: 2 trumpets, horn, trombone, tuba
Sheetmusic to print
5 sheet music found
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1
Toot, Toot, Tootsie!
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1251231
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1251231 Composed by Gus Kahn, Ernie Erdman and Dan Russo. Arranged by F. Leslie Smith. 20th Century,Comedy,Pop,Standards,Traditional. 37 pages. Sweetwater Brass Press #845507. Published by Sweetwater Brass Press (A0.1251231). This song starts with the narrator/lyricist saying that he overheard a guy at the train station trying to say farewell to his girl.  The guy would kiss her, bid her adieu, get on the train, then get off and do the whole thing over again.  And, he did this seven times!  What would he say to her each time?  He’d tell her that he’s leaving, that she shouldn’t cry, that he’ll write and that if she does not hear from him she should assume he’s been arrested.  What a romantic line!   Anyway, that’s the gist of the “Toot, Toot, Tootsie!†lyrics.  Credited to Gus Kahn, Ernie Erdman and Dan Russo, New York City’s Leo Feist, Inc. first published this upbeat, leave-taking song in 1922.  It had been one of 29 numbers featured in the 1921 Broadway production Bombo, a vehicle designed to showcase the talent of Al Jolson.  Six years later Jolson sang it in The Jazz Singer, generally recognized as the first sound feature film.  Additionally, all three composers, plus Ted Fio Rito and Eddie Cantor, also made early and very popular recordings.  This bubbly, cheerful arrangement opens in the key of F major with a suggested tempo of 120 BPM.  After an 8-measure introduction, the piece goes right to the familiar chorus with Trumpet 1 and Trombone switching leads and ending with a wonderful Fillmore-style smear.  The tempo then slows dramatically for a somewhat pensive interpretation of the verse, the narrator’s observations, Horn and Trumpet 1 alternating the lead.  At measure 67 the chorus repeats faster than ever, a recommended 132 BPM, as Trombone and the two Trumpets take turns with the melody.  This leads right into a repeat of the verse—this time played at full speed—and a change of key to D-flat major.  Trombone and Tuba play in unison, exchanging the melody with Trumpets, right on into the third go-round of the chorus.  The piece wraps up with a vaudeville-style conclusion and eventually fades away.  (But don’t miss Trombone's four-measure reference to “Charlottetown Is Burning Down/Goodbye, Liza Jane†at measure 141.)Lots of fun!  Completed in 2023, performance time at the suggested tempo runs about 2 minutes, 47 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would like to receive your suggestions, comments, corrections and criticisms.  For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$6.99
6.41 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Gus Kahn, Ernie Erdman and Dan Russo
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Toot, Toot, Tootsie!
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Sweetwater Brass Press
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SheetMusicPlus
Chaconne (for Brass Quintet and Organ)
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Ensemble - Level 4 - Digital Download SKU: A0.740297 Composed by Johann Sebas…
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Brass Ensemble - Level 4 - Digital Download SKU: A0.740297 Composed by Johann Sebastian Bach. Arranged by Craig Garner. Baroque. Score and parts. 77 pages. Dorm 40 Music #6786873. Published by Dorm 40 Music (A0.740297). This arrangement is part of the Chicago Gargoyle Brass and Organ Ensemble Signature Series. Chaconne is the final movement of Partita No. 2 in D minor, BWV 1004, for solo violin. While many agree that Chaconne is a masterpiece for violin, it can certainly be argued that it is also among the greatest pieces of music ever written. Since Bach's time, several transcriptions of the piece have been made for other instruments, including inspired versions by Ferruccio Busoni (piano) and William Thomas Best (organ). This new arrangement, for brass quintet and organ, draws inspiration from both the Busoni and Best transcriptions. This demanding arrangement showcases the full color and dynamic range of the organ and each brass instrument, from delicate solo passages to heart-pounding power as brass and organ join forces.   Perfect for any recital, concert or pops program. This arrangement is scored for brass quintet and organ. Trumpet parts are provided in both B-flat and C. Trumpet 1 requires a mute and goes up to high B-flat (concert) once. Performance time: 13:15. Published by Dorm 40 Music,  www.dorm40music.com.
$24.00
22.02 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Johann Sebastian Bach
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Chaconne
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Dorm 40 Music
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SheetMusicPlus
War March of the Priests (from Athalia)
Brass Quintet: 2 trumpets, horn, trombone, tuba
Composed by Felix Mendelssohn (1809-1847). Arranged by F. Leslie Smith. Romantic Period, G…
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Composed by Felix Mendelssohn (1809-1847). Arranged by F. Leslie Smith. Romantic Period, Graduation, Recital. Score, Set of Parts. 19 pages. Published by Sweetwater Brass Press (S0.93391). - Score,Set of Parts - Romantic Period,Graduation,Recital - Sweetwater Brass Press
Mendelssohn?s oratorio ?Athalia? grew out of a commission he had received to write incidental music for a private performance of the French tragedy ?Athalie.? He then went on to expand his original score to include three soloists, full chorus and orchestra, two orators, an overture and the piece presented here. ?War March of the Priests? is one of Mendelssohn?s most performed compositions, one reason being that it goes over so well as both a stand-alone concert piece and as a graduation/commencement processional or recessional. As this arrangement shows, "War March" adapts perfectly to the brass quintet, from the energetic and assertive triplet figures to the complementary legato section: a real gem for two trumpets, horn, trombone and tuba. This arrangement was completed in 2012, and performance time runs about 6 minutes, 42 seconds; however, its repeated sections allow it to be expanded or contracted on the spot to meet the time needs for ceremonial processions. You may contact the arranger, Les Smith, at lessmith@ufl.edu. Be sure to check out the following Sweetwater Brass Press arrangements: "Chorale St. Antoni," "Entry of the Graduates: Processional," "Departure of the Graduates: Recessional," "Marche from Sylvia Ballet Suite," "Marche militaire in D major (No. 1)" and "Academic Festival Overture." For these and other arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus search box.?
$8.00
7.34 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Felix Mendelssohn
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War March of the Priests
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Sweetwater Brass Press
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SheetMusicPlus
King Of The Road for Classical Brass Quintet
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet - Intermediate - Digital Download By Randy Travis, Roger Miller. Arranged …
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Brass Quintet - Intermediate - Digital Download By Randy Travis, Roger Miller. Arranged by Keith Terrett. Individual Part, Score, Set of Parts. 8 pages. Published by Music for all Occasions
An arrangement of the evergreen top hit song from 1964 ''King of the Road'', set for classical Brass Quintet.
"King of the Road" is a song written by country singer Roger Miller, who first recorded it in November 1964. The lyrics tell of the day-to-day life of a hobo who, despite being poor (a "man of means by no means"), revels in his freedom, describing himself humorously and cynically as the "king of the road". It was Miller's fifth single for Smash Records.
The popular crossover record hit No. 1 on the US Country chart, No. 4 on the Billboard Hot 100, and No. 1 on the Easy Listening surveys. It was also No. 1 in the UK Singles Chart, and in Norway. Miller recalled that the song was inspired when he was driving and saw a sign on the side of a barn that read, "Trailers for sale or rent".[6] This would become the opening line of the song.
The song has been covered by many other artists, including George Jones, Dean Martin, Val Doonican, Jack Jones, James Booker, The Fabulous Echoes, Boney M., R.E.M., Johnny Paycheck, Glen Campbell, Alvin and the Chipmunks, Boxcar Willie, Randy Travis, Rangers, James Kilbane, John Stevens, the Statler Brothers, Rufus Wainwright and Teddy Thompson, Giant Sand, Peligro, The Proclaimers, Ray Conniff Singers, The Reverend Horton Heat, Jerry Lee Lewis, and Jim White. James "The King" Brown (an Elvis impersonator) performed the song for a 2001 Audi commercial on German TV.[7] Of R.E.M.'s version, a shambolic, drunken, offhand rendering, guitarist Peter Buck would later comment, "If there was any justice in the world, Roger Miller should be able to sue for what we did to this song."
"King of the Road" was performed live by Merle Haggard, Willie Nelson, Marty Stuart, Dwight Yoakam and Dolly Parton during Miller's posthumous induction into the Country Music Hall of Fame at the 1995 CMA Awards ceremony.
The song is featured in Wim Wenders' 1976 film Im Lauf der Zeit (In the Course of Time; English title Kings of the Road). It is also played at the beginning of Talladega Nights: The Ballad of Ricky Bobby, Brokeback Mountain, Into the Wild (2007), Traveller (1997), and Swingers (1996). Miller performs it in the concert film The Big T.N.T. Show. The recording by The Proclaimers is included in the film The Crossing (1990). Near the end of their official music video, the pair are shown reading a newspaper whose headline is "Roger Miller, King of Plugs".
Miller's recording appears in an episode of the Super Dave TV show, where Super Dave Osborne (Bob Einstein) sings along while sitting at a piano mounted on top of his tour bus. The bus eventually goes into a low tunnel, slamming into the piano and Osborne and pushing them off the bus and onto the ground.
A send-up version by English entertainer Billy Howard was a British chart hit in 1976.
A German take by the band Wise Guys exists, the parody referring to speeding on the Autobahn.
$14.99
13.76 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Randy Travis, Roger Miller
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King Of The Road for Classical Brass Quintet
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Music for all Occasions
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SheetMusicPlus
El Choclo (“Kiss of Fire”)
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet - Intermediate - Digital Download Arranged by F. Leslie Smith. Score, S…
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Brass Quintet - Intermediate - Digital Download Arranged by F. Leslie Smith. Score, Set of Parts. 28 pages. Published by Sweetwater Brass Press
That most sensual of ballroom dances, the tango, originated during the 1880s along the Río de la Plata, the confluence of the Uruguay and Paraná rivers. It got started among the enslaved peoples and the lower classes, became popular and eventually spread to other countries. <br> The tango is closely identified with Argentina, and Argentine musician Á.G. Villoldo was instrumental in developing the music of the dance. He supposedly wrote this particular tango to celebrate the proprietor of a nightclub, a gentleman whose nickname was “El Choclo” (in English: “The Corn Cob”!).<br> “El Choclo” premiered in Buenos Aires in 1903 and became one of Argentina’s most popular tangos. Dance orchestras recorded instrumental versions of "El Choclo." It achieved widespread popularity in the United States in 1952 when Lester Allen and Robert Hill provided it with English-language lyrics and a new name: “Kiss of Fire.” A number of singers made recordings of “Kiss of Fire” that year, the most popular of which was that of Georgia Gibbs; her “Kiss of Fire” disc reached the top spot on the Billboard chart.<br> The melody for “El Choclo” is exciting, stirring, stimulating, electrifying; in other words, perfect for a brass group. In this arrangement Horn in F has the melody throughout much of the piece, but Trumpets, Trombone and Tuba also take turns with the lead. The piece opens in the key of D minor, switches to D major (for the part of the melody that was not in the Georgia Gibbs version) and finally goes back to D minor for the recap of the main melody and a dramatic conclusion. The suggested tempo is 120 but may certainly be played faster. All notes are within the normal playing range of the five instruments. However the Tango rhythm lies mostly in the bass line, so Tuba and sometimes Trombone have frequent octave and octave-plus jumps.<br> Completed in 2020, performance time for “El Choclo” runs about 2 minutes, 50 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus search box.
$14.95
13.72 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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El Choclo
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Sweetwater Brass Press
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SheetMusicPlus
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