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There Was An Old Man
Brass Quintet: 2 trumpets, horn, trombone, tuba
Sheetmusic to print
14 sheet music found
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1
Americana Fanfares, Vol. 2, Op. 137
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet - Level 4 - Digital Download SKU: A0.1489490 Composed by Dr. Daniel N…
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Brass Quintet - Level 4 - Digital Download SKU: A0.1489490 Composed by Dr. Daniel N. Thrower. Chamber,Classical,Historic,Patriotic. 38 pages. Https://gildedmusicpress.com/ #1066354. Published by https://gildedmusicpress.com/ (A0.1489490). Three of these seven short pieces are worthy to open any brass quintet concert or recital. Two fanfares are too short for a concert feature but work extremely well in a ceremony or celebratory setting. The last two short pieces aptly serve contrasting special purposes, as explained below.“Fort Pierre Fanfare” is about 40 seconds in duration, and was composed to open the feature concert at the South Dakota Bandmasters Association convention in 2022. Offutt Brass, from the US Air Force Heartland of America Band, was invited to perform that concert. Before the final piece of the concert, when gifts were exchanged between the sponsor and performers, beautiful presentation copies of the sheet music were presented to the sponsor. In performance, staging directions on the music can be extremely effective or cringy, depending on how they are conveyed. If there is any inkling that there may be a cringe factor, ignore them, and play the fanfare already on stage.“Enduring Freedom Fanfare” is nearly a minute of music. It was composed as a gift for the outgoing Commander of the US Air Force Heritage of America Band, Major Rafael Toro-Quiñones. His leadership was strong and inspiring, and he held a place of high esteem among many of the fine military musicians that he led. The Change of Command ceremony was toward the end of the Covid-19 shut-downs, so the work was not performed at the ceremony. Chief Remley, from the command’s satellite location in Nebraska, hand-delivered some finely printed presentation copies to Major Toro-Quiñones.“Noble Eagle Fanfare” is slightly over a minute in length, and, like “Enduring Freedom Fanfare,” was composed as a gift for another outgoing Commander of the US Air Force Heritage of America Band, Captain David Neil Regner.“Pilgrims’ Fanfare” was composed on what many Americans acknowledge as “Pioneer Day,” 24 July 2023. Not only honoring the thousands of pioneers that settled the western United States, but also the pilgrims that voyaged across the ocean to settle in the new continent. It is about 15 seconds in duration and is effective for any occasion in need of a magnificent fanfare.“Flightline Fanfare,” as its title implies, was composed for the ribbon cutting ceremony of the dedication of the newly renovated flightline at Offutt Air Force Base in Nebraska. Unfortunately, the ceremony itself was altered last-minute, and the 15-second fanfare was not used. However, like “Pilgrims’ Fanfare,” it is very handy for any event demanding a splash of pomp.“American Interlude” is a soft 75-second underscore for an MC’s moving speech or dedication. It was originally composed as a smooth segue between two moving patriotic pieces of different keys in a concert setting, but can be used in any similar appropriate situation.“Troop 184” is dedicated to my childhood BSA Scoutmaster, Gerry Nielson, who molded me in significant ways into the man I am decades later. It is functional music, akin to a fight song, and can be easily marched to. Words may be crafted as a customized hiking ditty, or it can be featured before or after ceremonies as prelude or processional music. The duration can also be customized, as there is a written optional repeat, lengthening the tune from 45 seconds to a minute and a half.
$24.95
22.81 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Dr
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Americana Fanfares, Vol. 2, Op. 137
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https://gildedmusicpress.com/
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SheetMusicPlus
Cinnamon Rolls (for Brass Quintet)
Brass Quintet: 2 trumpets, horn, trombone, tuba
Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1158388 Composed by…
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Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1158388 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Comedy. 22 pages. Https://gildedmusicpress.com/ #758669. Published by https://gildedmusicpress.com/ (A0.1158388). My wife’s from-scratch cinnamon rolls are famous throughout our community—especially among our children’s circle of friends. While enjoying a socially-distanced church service at home on Easter Sunday, there was a batch of those butterfly-inducing cinnamon rolls baking in the new oven. They filled the home with an exquisite aromatic delight. Then the magic motif chimed: “The food is done!†I happened to have my composition notebook with me, and the little four-note tune inspired this composition. It just naturally took me in some happy musical directions, and within a minute or two, the melodic content, replete with fun-filled, muted second-trumpet echoes, was scrawled down. The next day, the music was entered into the computer. It is interesting that I gave the horn the cliché off-beats that all hornists know and love so well. Funny, I usually pride myself on writing for horn as an equal musical instrument; however, this fun, happy melody just demanded an “um-pah†accompaniment. Hopefully there is enough variety to keep the part fun to play. It helps that the piece is only two minutes and something long. The transition into the B section almost wrote itself, modulating to the relative minor. There I paused briefly, wondering how to treat a minor section in such an exuberant piece. Oh, but inspiration continued to flow, and I resumed writing in earnest with a mischievous smile! This section beautifully portrays a naughty, sneaky kid tiptoeing into the kitchen for another cinnamon roll—forbidden until after dinner! The listener can hear the kid’s nervous fluttering heart, and moments of pulling his hand back in startled impishness, and even shuddering as he looks fearfully over his shoulder. At the end of the B section, he gets caught! Witnessing that low-hanging head and puppy dog eyes, mommy finds that she can’t scold the lad too severely. “After dinner, little one…†she reprimands with an understanding grin. The jubilant melody returns to round out the work’s ternary ABA form, though this time with a very sticky Ives-esque climax, reminiscent of a gooey cinnamon roll mess. Too enjoyable to be bothered by prospects of cleaning up, the music shrugs it off with flippant ragtime syncopations, and ends with the “hic-burp†of a very satisfied tummy.
$19.95
18.24 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Dr
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Cinnamon Rolls
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https://gildedmusicpress.com/
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SheetMusicPlus
Bugle Call Rag for Brass Quintet
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Ensemble - Digital Download SKU: A0.722732 Composed by Eubie Blake, Carey Mor…
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Brass Ensemble - Digital Download SKU: A0.722732 Composed by Eubie Blake, Carey Morgan. Arranged by Jari A. Villanueva. 20th Century,Folk,Jazz,Patriotic,Traditional. Score and parts. 24 pages. JV MUSIC #3366195. Published by JV MUSIC (A0.722732). Bugle Call Rag Composed by Carey Morgan and Eubie Blake Arranged by Jari VillanuevaScore2 Trumpets in BbHorn in FTromboneTubaOptional Drum Set Eb Alto Horn Substitute part for Horn in FTreble Clef Baritone Substitute part for TromboneJames Hubert Eubie Blake (1887-1983) Blake was born in Baltimore to former slaves, and the only child of 11 that would survive to adulthood. The young Eubie taught himself the organ after his parents put a $75 organ in their home for 25 cents per week (which would take them almost 6 years to pay off). By the age of 15 was playing piano in Baltimore's night clubs, holding a regular job at Agnes Shelton's sporting house. Blake was already an exceptional pianist by the early 1900's, and he had to simplify his music drastically to get it published. Blake was among the pioneers of ragtime, however he was often too far ahead of his time. He released two rags (Charleston Rag and his Baltimore Buzz) in the same year which Scott Joplin released his Maple Leaf Rag. Unfortunately for Blake, the competition was too strong. Part of the reason for Blake's Charleston Rag and his Baltimore Buzz not making the big time may have been due to Blake the progressive nature of his sound. People found it hard to digest his music, especially the publishers. Bugle Call Rag was composed in 1916 with Carey Morgan. It was one of many patriotic selections written by composers during the World War I era. This delightful piece uses bugle calls and quotes There’ll Be A Hot Time In The Old Town Tonight.A retired member of the United States Air Force Band where he served on the Music Production staff (as well as a trumpeter and bugler) and a student of Bill Holcombe, Jari Villanueva continues writing for different ensembles. His arrangements are played by brass quintets all over the country including many military groups. Many of his arrangements can be found on Sheet Music Plus and JV MUSIC.Jari is a 2016 Sheet Music Plus Arranging Contest winner and winner of the 2016 Holiday Arranging Contest. https://www.youtube.com/watch?v=nMUSMQhI-lE
$14.99
13.7 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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the age of 15 was playing piano in Baltimore's night clubs, holding a regular job at Agnes Shelton's sporting house
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Eubie Blake, Carey Morgan
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Bugle Call Rag for Brass Quintet
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JV MUSIC
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SheetMusicPlus
Aria from the Opera Orfeo ed Euridice for Brass Quintet (French Horn solo)
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1446054
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1446054 Composed by Christoph Willibald Gluck,. Arranged by Keith Terrett. Classical,Contest,Festival,Historic,Instructional,Opera. 16 pages. Keith Terrett #1025876. Published by Keith Terrett (A0.1446054). Orfeo ed Euridice is an opera composed by Christoph Willibald Gluck, based on the myth of Orpheus and set to a libretto by Ranieri de' Calzabigi. It belongs to the genre of the azione teatrale, meaning an opera on a mythological subject with choruses and dancing.The piece was first performed at the Burgtheater in Vienna on 5 October 1762, in the presence of Empress Maria Theresa. Orfeo ed Euridice is the first of Gluck's reform operas, in which he attempted to replace the abstruse plots and overly complex music of opera seria with a noble simplicity in both the music and the drama.The opera is the most popular of Gluck's works, and was one of the most influential on subsequent German operas. Variations on its plot—the underground rescue mission in which the hero must control, or conceal, his emotions—can be found in Mozart's The Magic Flute, Beethoven's Fidelio, and Wagner's Das Rheingold.Though originally set to an Italian libretto, Orfeo ed Euridice owes much to the genre of French opera, particularly in its use of accompanied recitative and a general absence of vocal virtuosity. Indeed, twelve years after the 1762 premiere, Gluck re-adapted the opera to suit the tastes of a Parisian audience at the Académie Royale de Musique with a libretto by Pierre-Louis Moline. This reworking was given the title Orphée et Eurydice, and several alterations were made in vocal casting and orchestration to suit French tastes.Ther picture is Count Francesco Algarotti, an Italian polymath, philosopher, poet, essayist, anglophile, art critic and art collector. He was a man of broad knowledge, an expert in Newtonianism, architecture and opera. He was a friend of Frederick the Great and leading authors of his times: Voltaire, Jean-Baptiste de Boyer, Marquis d'Argens, Pierre-Louis de Maupertuis and the atheist Julien Offray de La Mettrie. Lord Chesterfield, Thomas Gray, George Lyttelton, Thomas Hollis, Metastasio, Benedict XIV and Heinrich von Brühl were among his correspondents.''The Sicilienne and Rigaudon is one of the many pieces that violin virtuoso Fritz Kreisler composed in the style of other composers. When he first presented and published these pieces, he offered them as recently discovered works by those other composers, newly adapted and arranged by himself. In the case of Sicilienne and Rigaudon, it is eighteenth-century French violinist/composer François Francoeur whose name is on the title sheet, though the piece really has nothing to do with Francoeur's style.The piece is a simple and a charming one, however. The Sicilienne is a binary-form miniature that sweeps along on a characteristic dotted rhythm, with a rather melancholy melody. Think old French ballet. The constant 16th notes of the Rigaudon, give it a character quite unlike that of a traditional rigaudon-a cheerful Baroque dance movement in duple meter.
$8.99
8.22 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Christoph Willibald Gluck,
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Aria from the Opera Orfeo ed Euridice for Brass Quintet
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Keith Terrett
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SheetMusicPlus
Time To Say Goodbye
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1394205
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1394205 By Andrea Bocelli & Sarah Brightman. By Francesco Sartori, Frank Peterson, and Lucio Quarantotto. Arranged by C Strommen, U Bye & A Fernie, orchestrated by Peet du Toit. Classical,Pop. 11 pages. Peet du Toit #977678. Published by Peet du Toit (A0.1394205). Con te partirò (With You I Shall Depart) is an Italian song written by Francesco Sartori (music) and Lucio Quarantotto (lyrics). It was first performed by Andrea Bocelli at the 1995 Sanremo Music Festival and recorded on his album of the same year, Bocelli. The single was first released as an A-side single with Vivere in 1995, topping the charts, first in France, where it became one of the best-selling singles of all-time, and then in Belgium, breaking the all-time record sales there.A second version of the song, sung partly in English, released in 1996 as Time to Say Goodbye, paired Bocelli with British soprano Sarah Brightman, and achieved even greater success, topping charts all across Europe, including Germany, where it became the biggest-selling single in history. Brightman and Bocelli produced a version with Brightman singing in German and Bocelli in Italian, with this version being available on the CD Time to Say Goodbye. That version alone has now sold more than 12 million copies worldwide, making it one of the best-selling singles of all time.I hope this cover thereof for a Brass Quintet is pleasing to the players and their audience.
$22.00
20.11 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Andrea Bocelli & Sarah Brightman
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Time To Say Goodbye
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Peet du Toit
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SheetMusicPlus
Dimension Traveler, Op. 150
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet - Level 4 - Digital Download SKU: A0.1489523 Composed by Dr. Daniel N…
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Brass Quintet - Level 4 - Digital Download SKU: A0.1489523 Composed by Dr. Daniel N. Thrower. 21st Century,Chamber,Classical,Film/TV. 31 pages. Https://gildedmusicpress.com/ #1066386. Published by https://gildedmusicpress.com/ (A0.1489523). Dimension Traveler, Op. 150, for brass quintet was completed 26 Mar 2024. When I wrote the first few distinctive notes into the computer, my ten-year-old son said that it sounded “futuristic.” Somehow that sparked memories of a novel I had started years ago, titled “Dimension Traveler,” based on dimensional theories I had developed. With that fresh inspiration in mind, the piece wrote itself with opening movie credits in mind.The form is thematically palindromic, the center point being m. 77. The beginning to rehearsal letter A mirrors K to the end; A to B is parallel to J-K; B-C = I-J; C-D = H-I; D-E = G-H; and the central thematic sections E-F = F-G. Concerning that central turning point, the thematic material shifts from the trumpets’ first statement at letter E to low brass with the trumpets taking on the pointillistic accompaniment at letter F. Of interest is the parallel of C-D and H-I wherein the motivic material, including dynamics, is quite literally reversed note for note to a climax.For aural aesthetics in performance, there is an optional cut from letter K to m. 142. Thematically, the structure remains chiastic, but taking the cut simply truncates the end for a motivic flavor rather than repeating the entire opening entrée. There is nothing wrong with purists performing the work in its entirety—it is simply a matter of taste among the performing ensemble members.Stylistically, this piece strays far from my typical compositions. Besides the pervasive echoing eighth-note motifs, the key never changes, and there is no chromaticism. Inspired in that regard by the masterpiece “Quintet” by Michael Kamen, the diatonicism often flows in planed clusters mildly influenced by the choral works of Eric Whitacre. Another deviation from my well-established compositional habits is the instrumentation including bass trombone instead of tuba. Of course the part can be played by a tubist, though the bass trombone meshes more seamlessly with the timbres of the other instruments in passing along the pervasively echoing eighth-notes.The individual brass parts appear deceptively simple, and indeed, they are not technically demanding besides a couple high notes in the trumpets. However, putting this piece together in an ensemble setting is rhythmically treacherous!The four-minute final product indeed sounds like it could be the opening to an epic movie of the same title, based on the novel-in-progress.
$24.95
22.81 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Dr
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A to B is parallel to J-K
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Dimension Traveler, Op. 150
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https://gildedmusicpress.com/
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SheetMusicPlus
Hail To The Spirit of Freedom for Brass Quintet By W. C. Handy
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A…
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Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.722809 Composed by W.C. Handy. Arranged by Jari A. Villanueva. 20th Century,Folk,Holiday,Patriotic. Score and parts. 28 pages. JV MUSIC #6087241. Published by JV MUSIC (A0.722809). Hail To The Spirit of Freedom for Brass Quintet By W. C. Handyarranged by Jari Villanueva2 Trumpets, Horn in F, Trombone, Tuba, (opt. Drums)Optional parts for Alto Horn and TC BaritoneWilliam Christopher Handy (November 16, 1873 – March 28, 1958) was a composer and musician who was known as the Father of the Blues. Handy was one of the most influential songwriters in the United States.Handy was an educated musician who used elements of folk music in his compositions. He was scrupulous in documenting the sources of his works, which frequently combined stylistic influences from various performers.W.C. Handy wrote numerous compositions including St Louis Blues, Memphis Blues, Yellow Dog Blues, along with this march Hail to the Spirit of Freedom written in 1915. This march was written for the Lincoln Jubilee commemorating the 50th anniversary of the Emancipation held in Chicago. There are quotes Tramp, Tramp, Tramp, Columbia, Gem of the Ocean, Hail Columbia, My Old Kentucky Home, Old Black Joe, Hot Time in the Old Town, Dixie. Yankee Doodle, and the bugle call Reveille.
$18.00
16.46 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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W
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W
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Hail To The Spirit of Freedom for Brass Quintet By W. C. Handy
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JV MUSIC
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SheetMusicPlus
For the Beauty of the Earth (Brass Quintet)
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.961206
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.961206 Composed by Conrad Kocher, Donnalyn Grunewald. Arranged by Robert Coil. Holiday,Praise & Worship,Sacred. 16 pages. Polished Brass #6329555. Published by Polished Brass (A0.961206). This arrangement for brass quintet, is based on a tune that is often used for the lyrics, written by the German composer, Conrad Kocher, in 1836. The melody was modified by William Chatterton Dix in 1859, for a hymn titled As With Gladness Men Of Old, hence the tune is often identified in hymnals as DIX. Though there are several other hymn tunes that can be used with the text, this arrangement also uses a modern setting by Donnalynn Grunewald (2013) in triple meter. Folliott S. Pierpoint was an English teacher and poet. The words to For the Beauty of the Earth were written in 1864. The marriage of the text with the melody by Kocher/Dix is credited to an English organist, William H. Monk in 1861. The popularity of the hymn is due partly to the aptness of the text to Thanksgiving celebrations, thus assuring in annual performance. Not only do the words express thanks for the world in which we live, but it also includes thanks for family and friends, brother, sister, parent, child. Friends on earth and friends above. Also worthy of note is the universality of the sentiment, expressed in a way that can be embraced by people of any religion. The arranger, Bob Coil, is a graduate of the University of Cincinnati College-Conservatory of music, where he studied bass trombone with Betty Glover. Dr. Coil is the leader of the Bones of Cincinnatus trombone ensemble and the Polished Brass quintet in Cincinnati, OH. This arrangement is available for trombone quintet and brass quintet.
$12.99
11.88 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Conrad Kocher, Donnalyn Grunewald
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For the Beauty of the Earth
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Polished Brass
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SheetMusicPlus
At the Lamb's High Feast We Sing — festival hymn accompaniment for organ, brass quintet
Brass Quintet: 2 trumpets, horn, trombone, tuba
Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1257721 Composed by…
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Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1257721 Composed by Jakob Hintze. Arranged by Todd Marchand. Christian,Easter,Sacred. 24 pages. Con Spirito Music #850950. Published by Con Spirito Music (A0.1257721). An ideal hymn selection for Easter Sunday, Eastertide, or at any celebration of the eucharist, At the Lamb's High Feast We Sing is one of many hymns translated from Latin by Robert Campbell (1814-1868), a Scottish advocate (lawyer) and Roman Catholic layperson. First published in 1850, At the Lamb's High Feast We Sing was one of four of Campbell's hymn texts to be included in Hymns Ancient & Modern (1861), the first standardized and popular hymnal of the Anglican Church.The tune accompanying the text, known as SALZBURG, is attributed to the German composer Jakob Hintze (1622-1702). Its harmonization has long been attributed to J.S. Bach and numbered among his works as BWV 262. However, the New Edition of the Complete Works of Bach, published by Barenreiter, no longer recognizes this, and the harmonization matches that of Johann Pachelbel's Alle Menschen müssen sterben — Choral mit 8 Partiten (Chorale with 8 Variations) of 1683.Regardless of the authorship of text or tune, At the Lamb's High Feast We Sing is a richly theological, grand hymn that references God's saving works in both the Old Testament and the New, culminating in Christ's victorious resurrection and his triumph over sin and death, and celebrates his feeding of the faithful gathered for the eucharistic feast with his Body and Blood.This arrangement for organ and brass quintet begins with alternating fanfares for organ and brass, followed by:Verse 1: organ accompanimentVerse 2: brass accompanimentVerse 3: organ accompaniment with solo trumpet punctuationsInterludeVerse 4: organ and brass accompaniment in alternate harmonizationCoda recapitulating the introductory fanfares Includes full score, parts for organ, Bb tpt. 1, Bb tpt. 2, F horn, tbn, tuba, and reproducible bulletin insert for voices ©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com
$25.00
22.86 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Jakob Hintze
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At the Lamb's High Feast We Sing — festival hymn accompaniment for organ, brass quintet
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Con Spirito Music
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SheetMusicPlus
Ye Banks & Braes (Trad. Arr.)
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Ensemble,Brass Quintet Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1495…
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Brass Ensemble,Brass Quintet Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1495808 Composed by Richard John (Gb1) Thompson. Arranged by Peet du Toit. Traditional. 7 pages. Peet du Toit #1072337. Published by Peet du Toit (A0.1495808). BANKS AND BRAES (O' BONNY DOON). AKA and see “Bonnie Doon,” Lost is My Quiet, Caledonian Hunt's Delight (The), Ye Banks and Braes. Scottish, Air and Waltz (6/8 or 3/4 time). The antiquarian William Chappell claims the tune is English on the strength of its being included in a Collection of English Songs by Dale (who published about 1780-1794) under the title Lost is my quiet. However, the collector John Glen (1891) relates a delightful story of the tune's origins involving the famous Scots poet, Robert Burns (1759-1796), who wrote to publisher George Thomson in 1794:Do you known the history of the air? It is curious enough. A good many years ago, Mr. James Miller, writer in your good own (Edinburgh), a gentleman whom, possibly, you know, was in company with our good friend Clarke; and taling of Scottish music, Miller expressed an ardent ambition to be able to compose a Scots air. Mr. Clarke, partly by way of a joke, told him to keep to the black keys of the harpsichord, and preserve some kind of rhythm, and he would infallibly compose a Scots air. Certain it is, that, in a few days, Mr. Miller produced the rudiments of an air which Mr. Clarke, with some touches and corrections, fashioned into the tune in question. Ritson, you know, has the same story of the black keys; but this account which I have just given you, Mr. Clarke informed me of several years ago.Miller's tune was first published under the title Caledonian Hunt's Delight (The) in Gow's 2nd Collection (1788), but Glen concludes that it is more likely that Lost is my quiet is a poor adaptation and nothing else. He also notes there is a tune having a supposed resemblance in Playford's Appollo's Banquet (1690) entitled Scotch Tune (A) (No. 68), but in the end he believes that neither Chappell's arguments nor facts are strong enough to deprive Mr. Miller of his claim. The Caledonian Hunt's Delight appears also in George Thomson's A Select Collection of Original Scottish Airs for the Voice (Edinburgh, 1793-1797), arranged by Kozeluch. A rondo on the air was composed by Domenico Corri (1746-1825) under the title Favourite Irish Air (which, of course, it is not).
$13.00
11.89 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Richard John
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Ye Banks & Braes
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Peet du Toit
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SheetMusicPlus
Bach: Toccata and Fugue in D Minor, BWV 565 for Brass Quintet
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet Bass Trombone,Horn,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1473…
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Brass Quintet Bass Trombone,Horn,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1473676 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Halloween,Historic,Traditional. 49 pages. Jmsgu3 #1051393. Published by jmsgu3 (A0.1473676). The Toccata and Fugue in D Minor, BWV 565, is one of Johann Sebastian Bach's most famous organ compositions. It follows a typical North German structure with three main sections - a free opening (toccata), a fugal section (fugue), and a short free closing section. The exact date of composition is uncertain, but it's believed to have been written before 1708. There is no surviving autograph manuscript. The oldest known source is an undated copy by Johannes Ringk, a student of one of Bach's pupils. It was first published in 1833 through the efforts of composer Felix Mendelssohn during the early Bach Revival period. It gained widespread recognition after being featured in Disney's 1940 film Fantasia, which Leopold Stokowski adapted for orchestra. The piece has become strongly associated with horror films and Gothic imagery in Western culture. The Toccata begins with dramatic flourishes and arpeggios, showcasing the organist's virtuosity. The fugue is characterized by overlapping repetitions of the central theme in different melodic lines. It employs simple triadic harmony but includes some unexpected elements, such as a C minor subject entry and a solo pedal statement.
$49.95
45.67 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Johann Sebastian Bach
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Bach: Toccata and Fugue in D Minor, BWV 565 for Brass Quintet
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jmsgu3
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SheetMusicPlus
Jambalaya (On The Bayou)
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1405315
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1405315 By Hank Williams. By Hank Williams. Arranged by Peet du Toit. Country. 26 pages. Peet du Toit #988363. Published by Peet du Toit (A0.1405315). Jambalaya (On the Bayou) is a song written and recorded by American country music singer Hank Williams that was first released in July 1952. Named for a Creole and Cajun dish, jambalaya, it spawned numerous cover versions and has since achieved popularity in several different music genres.Since the original melody of the song was from Grand Texas, the song is a staple of Cajun culture. However, although Williams kept a Louisiana theme, the song is not a true cajun song, which helped the song gain widespread popularity:Ethnic music is usually unpalatable for a mass market unless it is diluted in some way (Harry Belafonte's calypsos, Paul Simon's Graceland… the list is endless). The broader audience related to 'Jambalaya' in a way that it could never relate to a true cajun two-step led by an asthmatic accordion and sung in patois.The Carpenters featured the song, in an up-tempo pop version with country flourishes, on their 1973 album Now & Then. Their version was released as a single outside the United States in 1974 and sold well in the UK (peaking at number 12 in the charts) and Japan.Presented here as a brass quintet with up-tempo percussion, there is some resemblance of the Carpenters' cover, but also demands spectacular playing from all the players. Enjoy!
$22.00
20.11 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Hank Williams
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Then
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Jambalaya
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Peet du Toit
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SheetMusicPlus
Chattanooga Choo Choo
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1377195
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1377195 By Floyd Cramer. By Harry Warren and Mack Gordon. Arranged by Peet du Toit. Jazz. 18 pages. Peet du Toit #961811. Published by Peet du Toit (A0.1377195). Chattanooga Choo Choo is a 1941 song written by Mack Gordon and composed by Harry Warren. It was originally recorded as a big band/swing tune by Glenn Miller and His Orchestra and featured in the 1941 movie Sun Valley Serenade. It was the first song to receive a gold record, presented by RCA Victor in 1942, for sales of 1.2 million copies.The song opens up with the band, sounding like a train rolling out of the station, complete with the trumpets and trombones imitating a train whistle, before the instrumental portion comes in playing two parts of the main melody. This is followed by the vocal introduction of four lines before the main part of the song is heard.The main song opens with a dialog between a passenger and a shoeshine boy:Pardon me, boy, is that the Chattanooga Choo Choo?Yes, yes, Track 29!Boy, you can give me a shine.Can you afford to board the Chattanooga Choo Choo?I've got my fare, and just a trifle to spare.The singer describes the train's route, originating from Pennsylvania Station in New York and running through Baltimore to North Carolina before reaching Chattanooga. He mentions a woman he knew from an earlier time in his life, who will be waiting for him at the station and with whom he plans to settle down for good. After the entire song is sung, the band plays two parts of the main melody as an instrumental, with the instruments imitating the WHOO WHOO of the train as the song ends.Here's my representation thereof with Sam Harrill's nifty percussion score supporting it.
$17.00
15.54 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Floyd Cramer
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Chattanooga Choo Choo
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Peet du Toit
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SheetMusicPlus
The Holly and the Ivy
Brass Quintet: 2 trumpets, horn, trombone, tuba
Composed by English Traditional. Arranged by F. Leslie Smith. Christian, Christmas. Score,…
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Composed by English Traditional. Arranged by F. Leslie Smith. Christian, Christmas. Score, Set of Parts. 30 pages. Published by Sweetwater Brass Press (S0.175595). - Score,Set of Parts - Christian,Christmas - Sweetwater Brass Press
?The holly and the ivy/When they are both full grown/Of all the trees that are in the wood/The holly bears the crown.? So go the opening words to this cheerful, upbeat Christmas song. The lyrics appeared as broadsides in early nineteenth century Birmingham, England. The melody was first published in Cecil J. Sharp?s 1911 English Folk-Carols; on page 63 of the collection?s ?Notes on the Carols? section, Sharp wrote that he heard the tune sung by "Mrs. Mary Clayton, at Chipping Camden." (An alternative version linked the words to a melody identified as "old French carol.") This version is a fast-moving and fun treatment of the Sharp/Clayton melody. It includes, among other things, a call-and-response variation, a running tuba solo, an alternative ?verse? tune and a countermelody section featuring ?Deck the Halls.? There are two key changes, trumpets play a couple of B-above-the-staff notes, and the time signature changes from ¾ to 4/4 near the end. Completed in 2016, this arrangement runs about 3 minutes, 20 seconds. Contact the arranger, Les Smith, at lessmith@ufl.edu. If you like this one, don?t miss Les? arrangements of ?Silver Bells,? ?Jingle Bells,? ?Jolly Old St. Nicholas,? ?Up On The Housetop,? ?Deck the Halls? and many other Christmas songs and carols. Enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus search box.
$7.00
6.4 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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English Traditional
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The Holly and the Ivy
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Sweetwater Brass Press
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SheetMusicPlus
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