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Ton Corrêa
Brass Quintet: 2 trumpets, horn, trombone, tuba
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Patricia: A Ragtime Composition
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1401614
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1401614 Composed by Joseph Lamb. Arranged by F. Leslie Smith. 20th Century,Classical,Historic,Ragtime. 32 pages. Sweetwater Brass Press #984793. Published by Sweetwater Brass Press (A0.1401614). Ragtime was originally and primarily piano music. The Library of Congress traces the origin and wellspring of ragtime to St. Louis, Missouri.  The Britannica website explains, “Ragtime evolved in the playing of honky-tonk pianists along the Mississippi and Missouri rivers in the last decades of the 19th century. It was influenced by minstrel-show songs, African American banjo styles, and syncopated (off-beat) dance rhythms of the cakewalk, and also elements of European music.â€Â    But it wasn’t until the mid-1890s, when music publishers started printing ragtime scores, making the music available to the public at large, that ragtime’s popularity began to soar.  By 1900 ragtime was the popular music.  It stayed that way until about 1917 when the rise of jazz began to overtake it.  By 1920, ragtime was nearly forgotten.    Thirty years later, a ragtime revival began.  And one Patricia Lamb-Conn found out that her father, Joseph F. Lamb, was a well-known composer of ragtime.  In fact, the “Big Three†composers of classical ragtime are considered to be Scott Joplin, James Scott and the only non-African American, Joseph Lamb.    Lamb was born in 1887 in New Jersey, taught himself to play piano and was very much influenced by Joplin’s early ragtime publications.  From there, Lamb went on to develop into a master of classic ragtime.    One of Lamb’s most popular works was a 1916 composition he titled “Patricia Rag.†(The title apparently had nothing to do with his daughter, who was born in 1924.)  It consists of four themes in five sections, with the first theme repeated after sections 1 and 2.  Lamb pitched the opening in E-flat Major, changing to A-flat Major at the Trio.      This brass quintet arrangement, completed in 2024, consists of 150 measures, approximately five minutes, ten seconds in length.  It retains the basic structure of the original piano score but modifies the pitches to B-flat Major and E-flat Major, respectively, to accommodate the normal playing range of the brass instruments.  Possible exceptions for some players include:  (1) Trumpet 1 plays its A-above-the-staff a number of times and its B above-the-staff once; (2) Trombone plays several E above-the-staff notes; (3) Tuba plays several way-below-the-staff F notes and one high G note. Throughout the arrangement, the original melody is maintained and featured, but in some sections the background and harmony are altered to feature one or more of the five instruments.  In the Trio, the sections designated by rehearsal marks F and G are slowed and treated as a serenade; the original tempo is restored at H.  In performing this arrangement, players should pay particular attention to dynamics.  Additionally, because of the nature of ragtime, this piece may require more-than-usual practice and rehearsal.    The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would like to receive your suggestions, comments, corrections and criticisms.  Contact him at lessmith61@bellsouth.net.  For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$12.99
12 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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1900 ragtime was
the
popular music
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Joseph Lamb
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Patricia: A Ragtime Composition
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Sweetwater Brass Press
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SheetMusicPlus
Lorena: A Brass Quintet Setting
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1468129 Compose…
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1468129 Composed by F. Leslie Smith. Arranged by F. Leslie Smith. 19th Century,Chamber,Folk,Historic,Traditional. 49 pages. Sweetwater Brass Press #1046440. Published by Sweetwater Brass Press (A0.1468129). In 1856 Joseph P. Webster, a Wisconsin songwriter, met Henry D.L. Webster (no relation), formerly the minister of Zanesville, Ohio’s Universalist Church. Joseph was in the process of writing a song but needed lyrics to go with his melody. Henry obliged by writing a longish poem about the love of his life, Ella Blocksom. She had been his fiancée, but the engagement had been broken and, apparently, so had Henry’s heart. Joseph’s melody needed a name that would fit into a three-note phrase, so “Ella” was changed to “Lorena.” Chicago’s Higgins Brothers published the song in 1857, and it became widely popular. When the American Civil war broke out, “Lorena” was beloved by both Union and Confederate soldiers as they thought of the wives and girlfriends they had left behind. J.P. Webster’s “Lorena” is beautiful and plaintive. It is no wonder that this song has remained a sentimental favorite over the years and is still performed and recorded. In this composition, “Lorena: A Brass Quintet Setting,” the “Lorena” tune has been expanded and transformed to create additional melodies that enhance and complement the original. You’ll find it a pleasure to play and a real crowd pleaser for audiences. This composition is 201 measures in length. It begins in the key of E-flat, transitions to B-flat at section C (measure 51) and goes to F at section G (measure 141). Initial tempo marking is Adagio, increasing to Moderato at section C. There are a number of temporary tempo variations and fermata marks, and the last 9 measures are characterized by a gradual slowing. The introduction is 21 measures in length. It leads to the second section, which consists of a plain, simple and straightforward statement of J.P. Webster’s “Lorena” theme, complete with grace notes and gruppetto. In this section, Horn and Trumpet 1 do the honors, eventually joined by Tuba, and it should be played with great expression. At section C, tempo then picks up, and the arrangement presents a series of explications of the theme in various styles. The final section, I (measure 179), reprises most of the variations and ends with a partial reiteration of the “Lorena” theme. Performance time is about eight minutes, forty seconds. Tuba plays several notes near the top of its scale; otherwise, all notes are within the normal playing range of each instrument. The composer, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. Contact him at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$6.99
6.46 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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F
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Lorena: A Brass Quintet Setting
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Sweetwater Brass Press
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SheetMusicPlus
The Peanut Vendor (el Manisero)
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1221432
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1221432 By Stan Kenton & His Orchestra. By L. Wolfe Gilbert, Marion Sunshine, and Moises Simons. Arranged by F. Leslie Smith. Jazz,Latin,Multicultural,Pop,World. 39 pages. Sweetwater Brass Press #817754. Published by Sweetwater Brass Press (A0.1221432). Can a brass quintet sound like Stan Kenton’s 19-piece big band? No, not really:  no saxophones, no rhythm section, no Milt Bernhart, no Maynard Ferguson, no Bill Russo, no Conte Candoli, no . . .  Well, you get the picture.  But five brass instruments can play in the Kenton style.  And that’s what this is:  “The Peanut Vendor†in the style of the Stan Kenton Orchestra.   Moisés Simons’ “El Manisero†(“The Peanut Vendorâ€) was first recorded in the late 1920s.  The melody was relatively simple yet exotic sounding; the lyrics, a Cuban street vendor’s pitch for selling his bags of peanuts.  Consumers bought more than a million copies of the sheet music, and the song supposedly led to a “rumba craze†in the U.S. and Europe (although the song is not really a rumba!).     Don Azpiazú and his Havana Casino Orchestra recorded the song for RCA Victor in 1930 with Antonio MachÃn on the vocal; its sales may well have been more than the million-plus sheet music copies sold.     English lyrics were added by L. Wolfe Gilbert and Marion Sunshine and the song became “The Peanut Vendor.† One estimate is that nearly 200 recordings have been made.  That’s a lot of peanuts.    Stan Kenton revived “The Peanut Vendor†in 1947 when he first recorded it for Capitol Records.  His version was completely instrumental.  Rhythm and saxophones opened the number and established the background; later the trombone section added emphasis.  A trombone solo first stated the melody but eventually the five-person trumpet section took over with what one writer referred to as “shrieking dissonances.† “The Peanut Vendor†subsequently became one of Kenton’s most requested numbers and he recorded it at least three more times.   This brass quintet arrangement, of course, has access to only two trumpets.  So the good news is that all five players get a chance with the melody.  Kenton’s extended opening trombone solo is shared by Trombone and Tuba.  The “shrieking dissonances†are performed not only by Trumpets but also by Horn in F and Trombone.  The bad news is that all five players have to take a turn with the continuing rhythmic background melody.  Written in 4/4 time, the suggested tempo is 184 BPM in a Latin style.  Kenton’s version is in B-flat major; this arrangement lowers it to A-flat major so that most notes are within the normal playing range of the instruments.  (Don’t worry; the “shrieking dissonances†are still there!)     Completed in 2023, performance time runs about 3 minutes, 37 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would like to receive your suggestions, comments, corrections and criticisms.  For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.  (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.).
$12.99
12 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Stan Kenton & His Orchestra
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The Peanut Vendor
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Sweetwater Brass Press
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SheetMusicPlus
The Brass Player: Fantasy on Ich bin ein Musikant
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1303802
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1303802 Composed by F. Leslie Smith. 21st Century,Chamber,Children,Historic,Multicultural,World. 77 pages. Sweetwater Brass Press #893335. Published by Sweetwater Brass Press (A0.1303802).     A song learned in primary school years and years ago had words something along the lines of the following:         Oh! I’m a young musician,         From distant lands I come.         Singing and playing,         Ever I’m straying.    Also known as “I Am a Fine Musician,†“I Am a Gay Musician†and perhaps other titles, that song is still around and has evolved into many different versions. The original was probably a German folk song from the early 1800s. As published in an 1889 collection of children’s songs, it bears the title, “Ich bin ein Musikant.â€Â That translates as “I am a musician.â€Â In the lyrics the musician claims to be “from Schwabenland†(Swabia) and to play geige (violin: “Dide schum schum schumâ€), flöte (flute: “Päde wäpp päpp päppâ€) and basse (bass: “Dide schum schum schump, päde wäpp päpp päpp). Later versions list the instruments played by the musician as bassoon, bells, clarinet, drum, guitar, piano, piccolo, triangle, trombone, trumpet, tuba, tympani, viola and just about every instrument and noisemaker you can think of.     Anyway, that’s the tune on which “The Brass Player†was built. But here, the musician is concerned only with brass. Which brass? Well, possibly trumpet. Or maybe horn in F. Or trombone. Or tuba. Or perhaps all four; certainly, all are featured in this piece.    “The Brass Player†comprises four sections. The first is in the key of C major and is played at a moderate 2/4 tempo. After a brief Trumpet/Tuba ostinato, Trombone introduces the main theme. Other instruments join in and play around with a variation or two.     The second section is a sweet, nostalgic rendition in 4/4 carried mainly by Horn in F, with help from Trumpets and Trombone.     In section three, the mood changes radically. Time signature goes to 3/4; tempo speeds up to vivace and the key changes to B Minor. All five instruments participate, and some odd things take place rhythmically at I through K (measures 200 through 262), but Tuba seems to carry the melody most of the time.    Section four, in G Major, clips along at a fast 4/4 time. It returns to the main theme and (as in “Ich bin ein Musikant†and its multitudinous derivations) presents in call-and-response form. The first few measures are straight, but discord quickly creeps in. The melody begins to include smears, flutter tonguing and off-beat rhythmic figures. There is even a brief section in G Minor. Gradually, order and theme are restored and the piece ends in a glorious, upbeat statement.    This piece, completed in 2023, consists of 398 measures, a little over nine minutes in length. There are four changes of key and four changes of time signature. Trumpet 1’s highest note is A above its staff; Trombone’s is F above the staff. Trumpet 2 has a few G-below-its-staff notes.    The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. Contact him at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$6.99
6.46 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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F
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The Brass Player: Fantasy on Ich bin ein Musikant
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Sweetwater Brass Press
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SheetMusicPlus
It Had to Be You
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1416368
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1416368 Composed by Isham Jones. Arranged by F. Leslie Smith. Jazz,Pop,Standards,Wedding. 28 pages. Sweetwater Brass Press #997935. Published by Sweetwater Brass Press (A0.1416368). Isham Edgar Jones certainly kept busy. By age 26 the Chicago tenor saxophonist led his own dance band, and it was one of the most popular of the 1920s. But he also found time to write melodies for a whole raft of popular songs. Twenty-one Isham Jones Orchestra recordings of his compositions peaked in the top ten most popular, and eight of those made it to the number one spot. One was It Had to Be You, with words by Gus Kahn.    Although written in 1924, It Had to Be You defies the passage of time, still sounding fresh and contemporary. It remains popular and has evolved into a jazz standard.    This brass quintet version retains the original key of G Major. It opens with a suggested tempo of 104 BPM and a nine-measure introduction that combines figures and phrases from both verse and chorus. At rehearsal letter A, Trumpet 1 begins the melody of the familiar chorus, accompanied by Tuba and Horn in F. Trumpet 2 quickly joins and the melody changes to an upper brass trio. The melody then passes to Trombone, back to the trio, to Tuba and then to Horn in F. The section winds up with the original Trumpet-Horn-Tuba combination.    The seldom-heard verse begins at rehearsal letter C and takes the form of a sort of call-and-response between upper and lower brass. As the section nears its end, tempo slows to a suggested 80 BPM and Trombone begins to take over.    Rehearsal letter D marks the beginning of the chorus’ final time through, and here it is mostly Trombone handling the melody in quasi-Dixieland fashion. The upper brass trio and Tuba both help out, but, for the most part, it is Trombone all the way to the end. (Although, a good time is had by all!)    Performance time is about three minutes, fifty seconds. All notes are within the normal playing range of each instrument with the following exceptions: (1) Trumpet 1 has one or two A-above-its-staff notes, and (2) in the wrap-up near the end, Trombone has the option of playing a short phrase either (a) within its register or (b) higher, including a G above the staff.    The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. Contact him at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$12.99
12 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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age 26 the Chicago tenor saxophonist led his own dance band, and it was one of the most popular of the 1920s
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Isham Jones
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It Had to Be You
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Sweetwater Brass Press
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SheetMusicPlus
Toot, Toot, Tootsie!
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1251231
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1251231 Composed by Gus Kahn, Ernie Erdman and Dan Russo. Arranged by F. Leslie Smith. 20th Century,Comedy,Pop,Standards,Traditional. 37 pages. Sweetwater Brass Press #845507. Published by Sweetwater Brass Press (A0.1251231). This song starts with the narrator/lyricist saying that he overheard a guy at the train station trying to say farewell to his girl.  The guy would kiss her, bid her adieu, get on the train, then get off and do the whole thing over again.  And, he did this seven times!  What would he say to her each time?  He’d tell her that he’s leaving, that she shouldn’t cry, that he’ll write and that if she does not hear from him she should assume he’s been arrested.  What a romantic line!   Anyway, that’s the gist of the “Toot, Toot, Tootsie!†lyrics.  Credited to Gus Kahn, Ernie Erdman and Dan Russo, New York City’s Leo Feist, Inc. first published this upbeat, leave-taking song in 1922.  It had been one of 29 numbers featured in the 1921 Broadway production Bombo, a vehicle designed to showcase the talent of Al Jolson.  Six years later Jolson sang it in The Jazz Singer, generally recognized as the first sound feature film.  Additionally, all three composers, plus Ted Fio Rito and Eddie Cantor, also made early and very popular recordings.  This bubbly, cheerful arrangement opens in the key of F major with a suggested tempo of 120 BPM.  After an 8-measure introduction, the piece goes right to the familiar chorus with Trumpet 1 and Trombone switching leads and ending with a wonderful Fillmore-style smear.  The tempo then slows dramatically for a somewhat pensive interpretation of the verse, the narrator’s observations, Horn and Trumpet 1 alternating the lead.  At measure 67 the chorus repeats faster than ever, a recommended 132 BPM, as Trombone and the two Trumpets take turns with the melody.  This leads right into a repeat of the verse—this time played at full speed—and a change of key to D-flat major.  Trombone and Tuba play in unison, exchanging the melody with Trumpets, right on into the third go-round of the chorus.  The piece wraps up with a vaudeville-style conclusion and eventually fades away.  (But don’t miss Trombone's four-measure reference to “Charlottetown Is Burning Down/Goodbye, Liza Jane†at measure 141.)Lots of fun!  Completed in 2023, performance time at the suggested tempo runs about 2 minutes, 47 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would like to receive your suggestions, comments, corrections and criticisms.  For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$6.99
6.46 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Gus Kahn, Ernie Erdman and Dan Russo
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Toot, Toot, Tootsie!
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Sweetwater Brass Press
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SheetMusicPlus
Ms. Grace
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Ensemble,Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SK…
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Brass Ensemble,Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1202140 Composed by Johanna Hall and John Hall. Arranged by F. Leslie Smith. Contemporary,Disco,Hip-Hop,Pop,R & B,Rock. Score and parts. 27 pages. Sweetwater Brass Press #800795. Published by Sweetwater Brass Press (A0.1202140). John Hall and his then-wife Johanna had written several hit songs for John's group, Orleans.  Johanna wanted to create a song in the 1950s doo-wop style she so admired.  They did, and their composition described a certain Miss Grace who enchanted the lyricist with her “satin and perfume and lace.† The problem was: that song really did not fit in with Orleans' pop rock repertoire and image.  Meanwhile, The Tymes, a Philadelphia group, was looking for a number that might revive its popularity.  So when the Miss Grace song was suggested they decided to take it on. This was the mid-1970s, just when the honorific Ms. was growing in use.  So The Tymes changed the song's title to “Ms. Grace.† Released as a single, the song did very well in the UK, topping the chart at number one in January 1975.  Written in 4/4 time, this brass quintet version flows along at about 104 BPM.  Beginning notation instructs that eighth-note pairs are to be played so that the first note is about twice as long as the second; in other words, swing style.  It retains the original D major key, but gives most of the melody to Horn and Trombone an octave lower so that it stays within normal playing range of the group.  The nature of the song is such that there are a number of phrases that begin with off-beat pickup notes. Trumpets provide accents and flourishes and occasionally take over the melody for a few measures.  Tuba really does the most work, playing through almost the entire piece.  Completed in 2023, performance time runs about 3 minutes, 3 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would like to receive your suggestions, comments, corrections and criticisms.  For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.  (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.).
$12.99
12 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Johanna Hall and John Hall
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in other words, swing style
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Ms. Grace
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Sweetwater Brass Press
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SheetMusicPlus
Christmas-Thanksgiving Package for Brass Quintet
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Ensemble - Level 4 - Digital Download SKU: A0.808714 Composed by Various. Arr…
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Brass Ensemble - Level 4 - Digital Download SKU: A0.808714 Composed by Various. Arranged by F. Leslie Smith. Christmas,Holiday. Score and parts. 362 pages. Sweetwater Brass Press #6717705. Published by Sweetwater Brass Press (A0.808714).   This is a one-stop answer for Christmas and Thanksgiving gig music. It consists of a collection of 23 traditional compositions, a total of about 43 minutes of music. All have proved to be among the most popular over the years, and all are in the public domain and copyright free.  These selections have been especially arranged for brass quintet. They average a little under two minutes, with the longest being 2:57 and the shortest, 1:12; just right for caroling, holiday parties or almost any such setting. The individual parts are mostly within the normal playing range of Bb trumpet, horn in F, trombone and tuba.  The Sheet Music Plus audio preview sample contains a few measures from most of the selections. In the download document, however, the arrangements are printed in alphabetical order.  Completed in 2022, total performance time for all items in the Package runs about 43 minutes. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would also like to receive your suggestions, comments, corrections and criticisms. Contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95
7.34 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Various
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Christmas-Thanksgiving Package for Brass Quintet
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Sweetwater Brass Press
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SheetMusicPlus
Fast and Playful (Symphony No. 4, in E minor, Op. 98: Allegro giocoso)
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1237416
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1237416 Composed by Johannes Brahms. Arranged by F. Leslie Smith. 19th Century,Chamber,Classical,Romantic Period,Wedding. 51 pages. Sweetwater Brass Press #832340. Published by Sweetwater Brass Press (A0.1237416). “Fast and Playful,†a jolly mix of fanfares and quieter, more lighthearted sections, packs impish drollery and escapades into one fun-filled piece.  Based on “Allegro giocoso,†the delightful third movement of Brahms Symphony No. 4, this arrangement was especially created for brass quintet.  It preserves the fun and whimsicality of the original but translates that into a form accessible for brass instruments.  Changes involve octaves and rhythmic figures, but melodic themes, sections, period order and key signature remain the same.   Completed in 2023, performance time at the suggested tempo runs about 6 minutes, 42 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would like to receive your suggestions, comments, corrections and criticisms.  For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$6.99
6.46 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Johannes Brahms
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Fast and Playful
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Sweetwater Brass Press
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SheetMusicPlus
Aria from the Opera Orfeo ed Euridice for Brass Quintet (French Horn solo)
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1446054
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1446054 Composed by Christoph Willibald Gluck,. Arranged by Keith Terrett. Classical,Contest,Festival,Historic,Instructional,Opera. 16 pages. Keith Terrett #1025876. Published by Keith Terrett (A0.1446054). Orfeo ed Euridice is an opera composed by Christoph Willibald Gluck, based on the myth of Orpheus and set to a libretto by Ranieri de' Calzabigi. It belongs to the genre of the azione teatrale, meaning an opera on a mythological subject with choruses and dancing.The piece was first performed at the Burgtheater in Vienna on 5 October 1762, in the presence of Empress Maria Theresa. Orfeo ed Euridice is the first of Gluck's reform operas, in which he attempted to replace the abstruse plots and overly complex music of opera seria with a noble simplicity in both the music and the drama.The opera is the most popular of Gluck's works, and was one of the most influential on subsequent German operas. Variations on its plot—the underground rescue mission in which the hero must control, or conceal, his emotions—can be found in Mozart's The Magic Flute, Beethoven's Fidelio, and Wagner's Das Rheingold.Though originally set to an Italian libretto, Orfeo ed Euridice owes much to the genre of French opera, particularly in its use of accompanied recitative and a general absence of vocal virtuosity. Indeed, twelve years after the 1762 premiere, Gluck re-adapted the opera to suit the tastes of a Parisian audience at the Académie Royale de Musique with a libretto by Pierre-Louis Moline. This reworking was given the title Orphée et Eurydice, and several alterations were made in vocal casting and orchestration to suit French tastes.Ther picture is Count Francesco Algarotti, an Italian polymath, philosopher, poet, essayist, anglophile, art critic and art collector. He was a man of broad knowledge, an expert in Newtonianism, architecture and opera. He was a friend of Frederick the Great and leading authors of his times: Voltaire, Jean-Baptiste de Boyer, Marquis d'Argens, Pierre-Louis de Maupertuis and the atheist Julien Offray de La Mettrie. Lord Chesterfield, Thomas Gray, George Lyttelton, Thomas Hollis, Metastasio, Benedict XIV and Heinrich von Brühl were among his correspondents.''The Sicilienne and Rigaudon is one of the many pieces that violin virtuoso Fritz Kreisler composed in the style of other composers. When he first presented and published these pieces, he offered them as recently discovered works by those other composers, newly adapted and arranged by himself. In the case of Sicilienne and Rigaudon, it is eighteenth-century French violinist/composer François Francoeur whose name is on the title sheet, though the piece really has nothing to do with Francoeur's style.The piece is a simple and a charming one, however. The Sicilienne is a binary-form miniature that sweeps along on a characteristic dotted rhythm, with a rather melancholy melody. Think old French ballet. The constant 16th notes of the Rigaudon, give it a character quite unlike that of a traditional rigaudon-a cheerful Baroque dance movement in duple meter.
$8.99
8.31 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Christoph Willibald Gluck,
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Aria from the Opera Orfeo ed Euridice for Brass Quintet
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Keith Terrett
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SheetMusicPlus
Nagorno-Karabagh Regional Anthem for Brass Quintet
Brass Quintet: 2 trumpets, horn, trombone, tuba
Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1168948 C…
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Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1168948 Composed by Ô±Ö€Õ´Õ¥Õ¶ Õ†Õ¡Õ½Õ«Õ¢ÕµÕ¡Õ¶ (Armen Nassibian) Arranged by Keith Terrett. Arranged by Keith Terrett. Multicultural,Patriotic,Traditional,World. 10 pages. Keith Terrett #769292. Published by Keith Terrett (A0.1168948). The regional anthem of Norgorno- Karaabakh arranged for Classical Brass Quintet.Free and independent Artsakh (Armenian: Ô±Õ¦Õ¡Õ¿ Õ¸Ö‚ Õ¡Õ¶Õ¯Õ¡Õ Ô±Ö€ÖÕ¡Õ) (Russian: ГоÑударÑтвенный гимн РеÑпублики Ðрцах) is the national anthem of the Republic of Artsakh, a breakaway state in Transcaucasia. Adopted in 1992, the anthem was written by Vardan Hakobyan and composed by Armen Nasibyan.Artsakh, officially the Republic of Artsakh (/ˈɑËrtsÉ‘Ëx, -sæx/)[e] or the Nagorno-Karabakh Republic (/nəˌɡɔËrnoÊŠ kærəˈbæk/), is a breakaway state in the South Caucasus whose territory is internationally recognised as part of Azerbaijan. Artsakh controls a part of the former Nagorno-Karabakh Autonomous Oblast, including the capital of Stepanakert. It is an enclave within Azerbaijan. Its only overland access route to Armenia is via the 5 km (3.1 mi) wide Lachin corridor which is under the control of Russian peacekeepers.The predominantly Armenian-populated region of Nagorno-Karabakh was claimed by both the Azerbaijan Democratic Republic and the First Republic of Armenia when both countries became independent in 1918 after the fall of the Russian Empire, and a brief war over the region broke out in 1920. The dispute was largely shelved after the Soviet Union established control over the area, and created the Nagorno-Karabakh Autonomous Oblast (NKAO) within the Azerbaijan SSR in 1923. In the leadup to the fall of the Soviet Union, the region re-emerged as a source of dispute between Armenia and Azerbaijan. In 1991, a referendum held in the NKAO and the neighbouring Shahumyan Province resulted in a declaration of independence. Ethnic conflict led to the 1991–1994 Nagorno-Karabakh War. Conflict has sporadically broken out since then, most significantly in the Second Nagorno-Karabakh War.The Republic of Artsakh is a presidential democracy with a unicameral legislature. The country is reliant on and closely integrated with Armenia, in many ways functioning as a de facto part of Armenia. The country is very mountainous, averaging 1,100 metres (3,600 ft) above sea level. The population is 99.7% ethnic Armenian, and the primary spoken language is the Armenian language. The population is overwhelmingly Christian, most being affiliated with the Armenian Apostolic Church. Several historical monasteries are popular with tourists, mostly from the Armenian diaspora, as most travel can take place only between Armenia and Artsakh.
$9.99
9.23 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Ô±Ö€Õ´Õ¥Õ¶ Õ†Õ¡Õ½Õ«Õ¢ÕµÕ¡Õ¶
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Nagorno-Karabagh Regional Anthem for Brass Quintet
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Keith Terrett
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SheetMusicPlus
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