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Too Late Now
Brass Quintet: 2 trumpets, horn, trombone, tuba
Sheetmusic to print
5 sheet music found
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1
Scenes and Amusements, Op. 149
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet - Level 4 - Digital Download SKU: A0.1489504 Composed by Dr. Daniel N…
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Brass Quintet - Level 4 - Digital Download SKU: A0.1489504 Composed by Dr. Daniel N. Thrower. 21st Century,Chamber,Children,Classical,Film/TV. 72 pages. Https://gildedmusicpress.com/ #1066367. Published by https://gildedmusicpress.com/ (A0.1489504). Alfredo’s Demise was completed on 29 Dec 2023. Alfredo was a snowman built after a late spring snowstorm. The first half underscores time lapse footage of the rapidly melting snowman, syncing precise sforzando punctuations to moments of falling chunks. The sunset remains were gleefully decimated by our six-year-old James.Shuttle from Haneda depicts a delayed return from a trip. The video elicited an atonal compositional style to underscore the hustle and chaos of a city as enormous as Tokyo, but with a lovely view of the Bay about midway through the work.Petite Wave was composed to accompany a time lapse hanging of a three-panel canvas print of the woodcut art “The Great Wave off Kanagawa” by Japanese artist Katsushika Hokusai in 1831. This art was featured on the cover of Claude Debussy’s “La Mer” when it was published in 1905, prompting a quote from “La Mer.”Fast Food to Fitness aurally illustrates a pan of nine fast food ads on a sheet. The bottom ad ironically promotes “BeFit 360”. The music has a series of exciting flourishes that morph into a sinister chord as the last ad dampens the caloric prospects.Pigeons personifies a substantial flock of pigeons contentedly pecking at grass. I filmed while slowly approaching, occasionally causing a stir. The nervous flock took flight to find less threatening spot of ground to peck. The scene presented some fine opportunities for musical underscoring.Blue Snowman Group accompanies a rare Tokyo storm that dumped inches of wet packing snow. When my ten-year-old started rolling the base of a snowman, I whipped out my cell phone and started a time lapse video. Mom came out and built her own, armed with a spray bottle of colored water. The two snowmen turned blue in the cold and lived happily together for a couple of days.Autumn Fuji Puzzle undersores tightly crafted moments of puzzle-working and deconstruction.Outing in Japan was crafted to highlight key moments of a time lapse, running errands in northwest Tokyo. Many subtle and obvious moments in this work aurally augment visually stimulating moments, including blinking turn signals, passing traffic, turns, vehicle approaches, parking at destinations, and many more.
$34.95
31.82 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Dr
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Scenes and Amusements, Op. 149
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https://gildedmusicpress.com/
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SheetMusicPlus
C Jam Blues for Brass Quintet
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet Baritone Horn TC,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: …
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Brass Quintet Baritone Horn TC,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1273084 By Keith Terrett. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. 20th Century,Jazz,Standards. 11 pages. Keith Terrett #865274. Published by Keith Terrett (A0.1273084). An arrangement of C Jam Blues for Brass Quintet. The extra parts are not necessary, but are provided if you have extra players such as a Bb Piccolo Trumpet & Bb Trombone/Euphonium in TC.New Orleans-born clarinetist Barney Bigard is likely the originator of this tune, a simple blues riff in the key of C. Since Bigard was a veteran member of Duke Ellington’s Orchestra in 1941, Duke had a slice of the pie, too, and undoubtedly arranged the piece for the orchestra. Yet Duke referred to the number somewhat disparagingly as “one of our more or less trite things.â€The number was introduced in a Soundie short film. These three-minute features, produced to be shown on a jukebox-type player, illustrated the band miming to a pre-recorded performance. Entitled “Jam Session†the Soundie was filmed late in 1941 along with four other Ellington numbers. Duke introduces various band members, who then solo: Ray Nance (violin), Ben Webster (tenor sax), Rex Stewart (cornet), Joe “Tricky Sam†Nanton (trombone), and Sonny Greer (drums). The complete ensemble carries the tune to its finish with composer Bigard (clarinet) providing some improvised upper register piping.“C Jam Blues†was formally recorded under that title in January, 1942, for RCA Victor Records. It continued be a staple of the Ellington repertoire, generally featuring a handful of the soloists in the band.Co-composer Barney Bigard left Duke’s band in June 1942, and after a period of freelancing joined Louis Armstrong’s All-Stars in August, 1947. “C Jam Blues†was one of his nightly features with Satch’s ensemble along with “Tea for Two.†Despite playing the tune hundreds, or perhaps even thousands of times during his tenure with Ellington and Armstrong, he continued to perform it during his freelance years in the 1950s until shortly before his death in 1980.In the late-1950s very simple words were added (“Baby, let’s go down to ‘Duke’s Place’,†etc.) which strangely took a three-member team of writers to assemble: songwriters William Katz and Ruth Roberts and record producer Bob Thiele. Clarinetist Barney Bigard was not included in the composer credits of the song version, although he was a member of Louis Armstrong’s All-Stars when they recorded “Duke’s Place,†featuring Louis on the vocal, with Ellington in 1961.The piece typically features several improvised solos. The final solo continues in the upper register as the entire ensemble comes in and the music grows to a climax. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear.It was also known as Duke’s Place, with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts Western Swing band leader Bob Wills and His Texas Playboys recorded the song sometime between mid-1945 through 1947 as part of the Tiffany Transcriptions.The 10-note occasional riff formed the basis of the Bonzo Dog Doo-Dah Band’s novelty song Intro Outro.Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com.
$12.99
11.83 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Keith Terrett
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Bb Trombone/Euphonium in TC
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C Jam Blues for Brass Quintet
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Keith Terrett
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SheetMusicPlus
The Fightin' 55th (for Brass Quintet & Percussion)
Brass Quintet: 2 trumpets, horn, trombone, tuba
Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1158199 Composed by…
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Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1158199 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,March,Patriotic. 32 pages. Https://gildedmusicpress.com/ #758476. Published by https://gildedmusicpress.com/ (A0.1158199). There is nothing more quintessentially military than the grand sound of marches at special military events. Hundreds of marches have served their purposes through the many decades of military tradition in the United States of America. This 3.5-minute march was composed for the occasion of the change of command of the 55th Wing—“The Fightin’ 55thâ€â€”under Air Combat Command, located at Offutt Air Force Base in Nebraska. The ceremony took place on June 14, 2019, which was also Flag Day. The new march served as a grateful tribute to the outgoing Commander, Colonel Michael H. Manion, and a welcoming gesture to the new Commander, Colonel Gavin P. Marks. Printed copies of the score were presented to the Commanders before the ceremony, and the march was premiered as the final pre-ceremony musical selection. The opening motifs are strongly reminiscent of the introductory measures of the “Air Force Song†most commonly played by Air Force brass quintets. Keeping in tradition with the form of most marches, the “Trio†section presents new material in a new key (down a fifth), with a contrastingly quiet dynamic. The opening motif of the Trio strain is a mutation, or a paraphrase, of “Anchors Aweighâ€, emphasizing the joint-force nature of the 55th Wing. The melody is repeated with a louder dynamic and a countermelody in the horn, and then is repeated once more with increased excitement in the accompaniment, variety of dynamics, and even a temporary key shift. Straying from the form most used by the “March Kingâ€, John Philip Sousa, Dr. Thrower omitted a fourth or final strain, and instead he modulated the key back to the original B-flat major and brought back the melodic content from the first strain. This form predates Sousa, and was more commonly used in Europe and early America. It smacks of “sonata formâ€, and even the modern formal designation of “recapitulating march†alludes to sonata form. The final recapitulating strain repeats with an obbligato soaring above it in the first trumpet part, now on piccolo trumpet. The march ends with a short coda that brings back the opening motivic allusion to the Air Force Song. Due to the selected formal structure, this march, “The Fightin’ 55thâ€, is much more unified than most typical marches. The very nature of military marches (including America’s beloved “Stars and Stripes Foreverâ€) displays four or even five completely unrelated melodies, or strains, throughout. The incorporation of thematic structure similar to that found in sonata form indeed makes “The Fightin’ 55th†an appropriate and even artistic concert march.
$24.95
22.72 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Dr
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The Fightin' 55th
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https://gildedmusicpress.com/
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SheetMusicPlus
Coventry Carol
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1337391
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1337391 Composed by Unknown. Arranged by Del Ahlin. 21st Century,Advent,Christmas,Renaissance,Sacred. 6 pages. Del Ahlin #923210. Published by Del Ahlin (A0.1337391). The Coventry Carol text is based on the Gospel of Matthew (2:16–18) and deals with the Massacre of the Innocents in which Herod the Great, king of Judea, orders the execution of all male children who are two years old and under in the vicinity of Bethlehem.The music tends to use a lot of Picardy Third (the practice of raising the third of a chord at the end of a cadence, and changing the quality of a minor chord to a major chord). I took the Picardy Third thing one step further and modulated to the relative major (Cmaj from Amin), and fanfared on a bright, C major chord -indicating Christ the Savior's successful conquest despite all odds. Then quickly modulate once again to C minor (C major's parallel minor, and up a minor third where the piece started), to bring back the somber feeling the piece is supposed to have.
$1.99
1.81 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Unknown
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Coventry Carol
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Del Ahlin
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SheetMusicPlus
Jesus Loves Me
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1220936
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1220936 By Ron Flintjer. By William B. Bradbury 1862. Arranged by Ron Flintjer. Christian,Praise & Worship,Religious,Sacred. 9 pages. Ron Flintjer #817277. Published by Ron Flintjer (A0.1220936). Jesus Loves Me is one of the most well known and beloved hymns in the Christian faith. This is a hymn that we all learned at a very early age, perhaps in Sunday School, Bible School or Junior Church. It has been with us since 1862. The lyrics were originally written in 1860 as a poem by Anna B. Warner. Then in 1862, the poem was put to music by William Bradbury. This beautiful hymn has withstood the test of time like Amazing Grace, The Old Rugged Cross and so many more.This arrangement is written for Brass Quintet and has three verses and choruses. The first version closely follows the original harmonic structure without any deviations. The second version utilizes a different harmonic sequence and includes some rhymic changes in a few spots. Finally, the third version again includes a different harmonic sequence, modulates to a different key and contains an extended ending. This wonderful piece can be played as special music for your church service, or offertory.
$12.00
10.93 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Ron Flintjer
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Jesus Loves Me
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Ron Flintjer
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SheetMusicPlus
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