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Piano solo 39 2 Pianos, 4 hands 8 Piano, Vocal and Guitar 7 Easy Piano 5 Organ 4

Piano, Voice 3 C Instruments 2 Piano Quartet: piano, violin, viola, cello 1

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GUITARS

Melody line, (Lyrics) and Chords 6 Guitar 5 Lyrics and Chords 2 Guitar notes and tablatures 2 Bass guitar 1

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Choral SATB 19 Choral 2 Choral 2-part 2 Vocal duet, Piano 1 Choral TTBB 1

Choral Unison 1 Voice solo 1

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WOODWIND

Flute and Piano 11 Clarinet 9 Clarinet and Piano 8 Alto Saxophone and Piano 7 Soprano Saxophone and Piano 7

Saxophone Quartet: 4 saxophones 6 Baritone Saxophone, Piano 6 English horn, Piano 6 Tenor Saxophone and Piano 6 Oboe, Piano (duet) 5 Flute, Oboe, Clarinet, Bassoon 4 Flute 4 Bass Clarinet, Piano 4 Flute ensemble 3 Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 3 Clarinet Ensemble 2 Piccolo, Piano 1 Tenor Saxophone 1 Alto Saxophone 1 3 Clarinets (trio) 1 Flute Quartet: 4 flutes 1 2 Flutes (duet) 1

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WOODBRASS

Euphonium, Piano (duet) 7 English horn, Piano 6 Trombone and Piano 4 Brass Quintet: 2 trumpets, horn, trombone, tuba 4 Trumpet 4

French Horn and Piano 4 Trumpet, Piano 3 Brass Quartet 2 Trombone 1 Euphonium 1 French horn 1 Brass quartet : 2 trumpets, trombone, tuba 1

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STRINGS

Violin and Piano 7 Viola, Piano 6 String Quartet: 2 violins, viola, cello 5 Violin 4 Cello, Piano 4

2 Violins (duet) 3 Violin, Cello (duet) 1 4 Cellos 1 Cello 1

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PERCUSSION & ORCHESTRA

Orchestra 8 Concert band 5 String Orchestra 3 Brass ensemble 3 Jazz Ensemble 1

Chamber Orchestra 1

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Whole Again

Brass Quintet: 2 trumpets, horn, trombone, tuba

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''Risen from Ruins'' - "Auferstanden aus Ruinen" Brass Quintet: 2 trumpets, horn, trombone, tuba

Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1158495 Composed by Haans Eis…(+)

Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1158495 Composed by Haans Eisler. Arranged by Keith Terrett. Historic,Multicultural,Patriotic,Traditional,World. 10 pages. Keith Terrett #758783. Published by Keith Terrett (A0.1158495). The former East German National Anthem arranged for Brass Quintet. In 1949, the Soviet occupation zone of Allied-occupied Germany became a socialist state under the name of the German Democratic Republic (GDR). For the nascent state's national anthem, the poet Johannes Becher, who later became the East German Minister of Culture, wrote the lyrics. Two musicians, Ottmar Gerster and Hanns Eisler, proposed music to Becher's lyrics, and Eisler's version was selected. History Written in 1949, the East German national anthem reflects the early stages of German separation, in which continuing progress towards reunification of the occupation zones was seen by most Germans as appropriate and natural. Consequently, Becher's lyrics develop several connotations of unity and combine them with fatherland (einig Vaterland), meaning Germany as a whole. However, this concept soon would not conform to an increasingly icy Cold War context, especially after the Berlin Wall had been erected in 1961 by the East German government.[1] In September 1973, East and West Germany were admitted to the United Nations simultaneously, following talks between the two governments that conferred a degree of mutual recognition. The term Germany was later removed from the East German constitution, and only the national anthem's tune was played on official occasions. No new lyrics were ever written to replace Becher's, which continued to be used unofficially, especially after die Wende in late 1989: once it became clear that the countries were actually moving towards reunification, East German television Deutscher Fernsehfunk reinstated the work and signed off every night with a joyous symphonic rendition of the vocal arrangement, with accompanying picturesque footage of East Germany's main tourist attractions. Auferstanden aus Ruinen ceased to be a national anthem when the German Democratic Republic dissolved and its states joined the Federal Republic of Germany as a result of German reunification in 1990. Deutschlandlied, composed in 1841, became the national anthem of a united Germany again. East German Premier Lothar de MaiziÃ¨re had proposed that Becher's lyrics be added to the united German national anthem, but this was rejected by his West German counterpart, chancellor Helmut Kohl. At the end of its last broadcast on 2 October 1990, the East German international radio broadcaster Radio Berlin International signed off with a vocal version of the East German national anthem. In November 1995, Auferstanden aus Ruinen was played again when German President Roman Herzog visited Brazil. This was the first event at which the anthem had been played since the German reunification.

$7.99 7.37 € #Brass Quintet: 2 trumpets, horn, trombone, tuba #Haans Eisler #''Risen from Ruins'' - "Auferstanden aus Ruinen" #Keith Terrett #SheetMusicPlus

The Carioca Brass Quintet: 2 trumpets, horn, trombone, tuba

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1410576(+)

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1410576 By Caetano Velosa. By Edward Eiscu, Gus Kahn, and Vincent Youmens. Arranged by Peet du Toit. Folk,Pop. 9 pages. Peet du Toit #992996. Published by Peet du Toit (A0.1410576). (The) Carioca is a 1933 popular song with music by Vincent Youmans and lyrics by Edward Eliscu and Gus Kahn, as well as the name of the dance choreographed to it for the 1933 film Flying Down to Rio. It was sung in the film by Alice Gentle, Movita Castaneda and Etta Moten and danced by Fred Astaire and Ginger Rogers as part of an extended production dance number illustrating the ballroom dance. The dance, which was choreographed by the film's dance director, Dave Gould, assisted by Hermes Pan, was based on an earlier stage dance with the same name by Fanchon and Marco.The word Carioca refers to inhabitants of Rio de Janeiro.Astaire and Roger's short dance has historical significance, as it was their first screen dance together. Though billed fourth and fifth, many felt they stole the film, which became a big hit for RKO. The song was nominated for the Academy Award for Best Original Song at the 7th Academy Awards, but lost to an even bigger Astaire and Rogers production number, The Continental from The Gay Divorcee (1934), their next film together and their first starring vehicle. They were billed by RKO as The King and Queen of 'The Carioca.'While the song has become a jazz standard, the dance did not have longevity. Following the success of Flying Down to Rio, an attempt was made to propagate it as a new ballroom dance, without much success. It was a mixture of samba, maxixe, foxtrot and rhumba. The distinctive feature of the dance â?? at least as portrayed in the movie â?? was that it was to be danced with the partners' foreheads touching.A French cover of the song was introduced in the comedy movie La CitÃ© de la Peur (1994) along with a dance, also meant in a humoristic way. Both the song and the dance appear in the film that takes place in Cannes during the Cannes film festival in France, and have become a reference for a whole generation in France. 25 years later, in May 2019, the Carioca scene of the movie was celebrated in Cannes with a flashmob dance and by the actors themselves who danced again the mythic scene included in La CitÃ© de la Peur.

$15.00 13.83 € #Brass Quintet: 2 trumpets, horn, trombone, tuba #Caetano Velosa #The Carioca #Peet du Toit #SheetMusicPlus

Toot, Toot, Tootsie! Brass Quintet: 2 trumpets, horn, trombone, tuba

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1251231(+)

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1251231 Composed by Gus Kahn, Ernie Erdman and Dan Russo. Arranged by F. Leslie Smith. 20th Century,Comedy,Pop,Standards,Traditional. 37 pages. Sweetwater Brass Press #845507. Published by Sweetwater Brass Press (A0.1251231). This song starts with the narrator/lyricist saying that he overheard a guy at the train station trying to say farewell to his girl. Â The guy would kiss her, bid her adieu, get on the train, then get off and do the whole thing over again. Â And, he did this seven times! Â What would he say to her each time? Â Heâ€™d tell her that heâ€™s leaving, that she shouldnâ€™t cry, that heâ€™ll write and that if she does not hear from him she should assume heâ€™s been arrested. Â What a romantic line!Â Â Â Anyway, thatâ€™s the gist of the â€œToot, Toot, Tootsie!â€ lyrics. Â Credited to Gus Kahn, Ernie Erdman and Dan Russo, New York Cityâ€™s Leo Feist, Inc. first published this upbeat, leave-taking song in 1922. Â It had been one of 29 numbers featured in the 1921 Broadway production Bombo, a vehicle designed to showcase the talent of Al Jolson. Â Six years later Jolson sang it in The Jazz Singer, generally recognized as the first sound feature film. Â Additionally, all three composers, plus Ted Fio Rito and Eddie Cantor, also made early and very popular recordings.Â Â This bubbly, cheerful arrangement opens in the key of F major with a suggested tempo of 120 BPM. Â After an 8-measure introduction, the piece goes right to the familiar chorus with Trumpet 1 and Trombone switching leads and ending with a wonderful Fillmore-style smear. Â The tempo then slows dramatically for a somewhat pensive interpretation of the verse, the narratorâ€™s observations, Horn and Trumpet 1 alternating the lead. Â At measure 67 the chorus repeats faster than ever, a recommended 132 BPM, as Trombone and the two Trumpets take turns with the melody. Â This leads right into a repeat of the verseâ€”this time played at full speedâ€”and a change of key to D-flat major. Â Trombone and Tuba play in unison, exchanging the melody with Trumpets, right on into the third go-round of the chorus. Â The piece wraps up with a vaudeville-style conclusion and eventually fades away. Â (But donâ€™t miss Trombone's four-measure reference to â€œCharlottetown Is Burning Down/Goodbye, Liza Janeâ€ at measure 141.)Lots of fun!Â Â Completed in 2023, performance time at the suggested tempo runs about 2 minutes, 47 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. Â He would like to receive your suggestions, comments, corrections and criticisms. Â For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.

$6.99 6.44 € #Brass Quintet: 2 trumpets, horn, trombone, tuba #Gus Kahn, Ernie Erdman and Dan Russo #Toot, Toot, Tootsie! #Sweetwater Brass Press #SheetMusicPlus

From the Shadow's Edge (for Brass Quintet & Optional Percussion) Brass Quintet: 2 trumpets, horn, trombone, tuba

Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1158148 Composed by…(+)

Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1158148 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Historic,Patriotic. 47 pages. Https://gildedmusicpress.com/ #758453. Published by https://gildedmusicpress.com/ (A0.1158148). From the Shadow's Edge was commissioned by horn player in the US Air Force Bands, SSgt Alena Zidlicky, to honor her grandmother Beluse Urlich Zidlicky (Babi), who escaped the oppressive Nazi occupation of Czechoslovakia during WWII. For brass quintet and percussion, the horn is featured. The music of this composition begins in aural darkness, as if immersed in an inescapable shadow. The tense harmonies and contrapuntal motions of the brass are accompanied by two heartbeat motifs, in the tuba and bass drum, conjuring sentiments of fear and uncertainty. Emotions swell as the solo horn enters with contrasting triplet rhythms that struggle against the complex mixture of duple strains throughout the other parts. This dark introduction serves as a prelude to the above storyline, which transitions quickly (and trepidatiously) out of the shadow. From rehearsal letter B through the remainder of the piece, hope permeates in the brightness, once escaped from the shadowâ€™s ominous edge. The complex nature of the thematic overlapping and polyphonic texture of the quintet as a whole provide feelings of unrest, anticipation, hope, and yes, heroism. Nothing exudes heroism more than a soaring solo horn! This composition celebrates triumph over evil, whether during life or in death, and those who press on with a brightness of hope even in the darkest shadows that life can cast, as exemplified in the life of Beluse Ulrich Zidlicky.

$29.95 27.61 € #Brass Quintet: 2 trumpets, horn, trombone, tuba #Dr #From the Shadow's Edge #https://gildedmusicpress.com/ #SheetMusicPlus