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Ensembles For Strings - Viola
Guitar notes and tablatures
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2 sheet music found
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1
Three Pieces for Beginner Guitarists (Acoustic or Electric)
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Guitar notes and tablatures
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BEGINNER
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Dan Jones
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Three Pieces for Beginner Guit
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DanJonesGuitarist
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SheetMusicPlus
Easy Guitar (with TAB) - Level 1 - Digital Download SKU: A0.1047465 By Dan Jones (www.danjonesguitarist.com). By Dan Jones. Blues,Folk,Rock. Tablature. 5...
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Easy Guitar (with TAB) - Level 1 - Digital Download SKU: A0.1047465 By Dan Jones (www.danjonesguitarist.com). By Dan Jones. Blues,Folk,Rock. Tablature. 5 pages. DanJonesGuitarist #652027. Published by DanJonesGuitarist (A0.1047465). Three Pieces for Beginner Guitarists (Acoustic or Electric) by Dan Jones Presented in notes, TAB and easy chords (www.danjonesguitarist.com) As an active guitar teacher, I find that many beginner pupils want to learn either acoustic (steel string) guitar or electric guitar. I have also found a lack of quality resources in these styles which have musical interest, and which lay out some of the necessary technical and musical foundations for future learning. I composed these three little pieces for my own young students. They are played by those using their right-hand fingers, and a plectrum and I’ve found them to be very popular in both lessons and performance. The pieces can be learnt in any order (I have a slight preference for starting my pupils with D-Day Rock - the third in the collection). Below is an outline of the pedagogy behind them (1) Sore Finger Blues This is a simple twelve-bar blues which uses a combination of open strings and notes at the third and second frets. It can be played with a straight or swung rhythm. It is effective at a slow tempo for those needing time to place the fretting hand fingers. The main technical challenge is in bars 10 and 22 where the player moves the third finger between the G and A on string 1. Although this is traditionally an advanced technique, I’ve found my students find it comfortable, as long as the fingering outlined in the notes is followed. The chords are dominant (with major thirds). These clash against the minor pentatonic scale in a way which is typical of the style. The chords are quite simple for beginners. I have opted for a D5 power-chord in bars 9 & 21 which is easier than the usual D chord (which also works perfectly well). Plectrum players should be sure to anchor the plucking hand, either with the side of the hand resting on the bridge, or a finger against the scratch plate of the guitar. Fingerstyle players can anchor either with a finger touching the scratch plate of the guitar, or by resting the thumb on a bass string when the fingers are plucking, or vice versa. This is more typical of classical style. (2) Cross-String Traffic This piece was conceived as a fingerstyle piece, although it can be played using a plectrum. The challenge for plectrum players is to cross the strings smoothly. It is for this reason that the fretting hand is relatively simple so that learners can concentrate on the plucking hand. Players are also encouraged to press down the index finger on string 2 at the correct angle to allow the first string to resonate. Chords have once again been chosen to suit less-experienced fingers; therefore, I have opted for Dm6 instead of the more common Dm (a very tricky chord for beginners). Players should go for maximum resonance and notes played at fret 3 could be fretted with either fingers 3 or 4. (3) D-Day Rock This piece is made nearly entirely of open strings and third fret notes. Where there is string crossing, the music allows the player ‘thinking time’ to change accordingly. Teachers and learners can decide with which finger to press the third fret notes. The rhythmic complexities from bar 13 to the end pose no problems once players have the sound of the piece in their ear. Once again, chords have been selected for ease of playing. The Gm/D chord can be played with a 3-string barre (often quite easy for beginners where no fretted bass note is required) or using three separate fingers. The pedal D sounds effective musically. I have presented these pieces as ensemble works with large groups of beginners. Players and audiences alike have been very receptive! For a wealth of music for beginners, ensembles and advanced players, please visit www.danjonesguitarist.com. A YouTube link to a film of the pieces will be uploaded before the end of June 2022.
$4.95
Silver Clouds Chasing The Moon
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Guitar notes and tablatures
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ADVANCED
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Contemporary
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Peng Xiuwen and Ren Guang
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Evans, Jack
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Silver Clouds Chasing The Moon
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Jack Stanley Evans
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SheetMusicPlus
Guitar - Level 5 - Digital Download SKU: A0.964305 Composed by Peng Xiuwen and Ren Guang. Arranged by Evans, Jack. Contemporary. Guitar Tab. 7 pages. Jac...
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Guitar - Level 5 - Digital Download SKU: A0.964305 Composed by Peng Xiuwen and Ren Guang. Arranged by Evans, Jack. Contemporary. Guitar Tab. 7 pages. Jack Stanley Evans #5899581. Published by Jack Stanley Evans (A0.964305). Silver Clouds Chasing the MoonSilver Clouds Chasing the Moon was composed in 1935 for the EMI Chinese orchestra by Ren Guang and Nie Er. It is also known by the title: Colourful Clouds Chasing the Moon, which creates the image of a colourful (or silver) night sky, in which the clouds and moon chase each other. The moon is an important symbol for Chinese people, who have a custom of worshipping it, dating back 3,000 years. Every year, the mid-autumn festival is held in China, on the fifteenth day of the eighth lunar month, which usually falls in September. During this festival, Chinese people celebrate with their families and admire the full moon whilst eating ‘moon cakes’. Colourful Clouds Chasing the Moon is commonly performed during this festival and is also used by Chinese cake shops to advertise moon cakes, which increases its association with the mid-autumn festival and popularity amongst Chinese people. As well as being used to sell cakes, this piece is a staple of Chinese instrumental repertoire and has been arranged for a number of different instruments and ensembles, including solo piano, solo guzheng, guitar duo, harp duo, and wine glasses.This guitar arrangement is quite challenging; it includes a lot of intricate lines and arpeggios. Play the semiquaver sextuplets in the intro by dragging the thumb across the bottom three strings and quickly plucking each of the top three strings individually with the first three fingers. Most of this piece is played with standard classical fingerpicking technique, apart from the tapped arpeggios in bars 36 and 37.
$4.99
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