Download Digital Sheet Music of Hey, Little Hen for Guitar notes and tablatures

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PIANO & KEYBOARDS

Piano solo 92 Piano, Voice 52 Piano, Vocal and Guitar 30 Easy Piano 23 Organ 7

Piano (band part) 2 Piano Trio: piano, violin, cello 1 1 Piano, 4 hands 1

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GUITARS

Guitar 12 Piano, Guitar (duet) 4 Guitar notes and tablatures 4 Guitar (band part) 1 3 Guitars (trio) 1

2 Guitars (duet) 1 Bass guitar 1

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VOICE

Choral SATB 24 Choral TTBB 6 Choral Unison 5 Choral 2-part 5 Vocal duet 4

Choral SSAA 3 Soprano voice, Piano 2 Vocal duet, Piano 1 Medium voice, Piano 1 Choral 3-part 1 Choral SSATTB 1

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WOODWIND

2 Saxophones (duet) 15 Saxophone Quintet: 5 Saxophones 14 Saxophone ensemble 12 Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 11 2 Flutes (duet) 8

Flute and Guitar 8 Clarinet and Piano 7 Saxophone, Clarinet (duet) 6 Flute and Piano 6 Clarinet, Trumpet (duet) 6 Oboe, Piano (duet) 6 2 Clarinets (duet) 6 Flute, Oboe, Clarinet, Bassoon 6 Tenor Saxophone and Piano 5 Saxophone (band part) 5 Clarinet, Violin (duet) 5 Saxophone Quartet: 4 saxophones 4 Clarinet, Guitar (duet) 4 English horn, Piano 3 Clarinet and Viola 3 Flute, Clarinet (duet) 3 Alto Saxophone and Piano 3 2 Oboes (duet) 3 Flute Quintet : 5 flutes 3 Flute 3 Flute, Viola (duet) 3 Oboe, Guitar (duet) 2 Soprano Saxophone and Piano 2 Clarinet 2 Clarinet Ensemble 2 Flute, Saxophone (duet) 2 Oboe, Bassoon (duet) 2 Clarinet Quintet: 5 clarinets 2 Flute Quartet: 4 flutes 2 Clarinet Quartet: 4 clarinets 2 Oboe, Flute 2 Flute ensemble 2 Clarinet, Bassoon (duet) 1 Alto Saxophone 1 Treble (Alto) Recorder, Piano 1 2 Flutes, Piano 1 3 Clarinets (trio) 1 Baritone Saxophone, Piano 1 Flute, Violin 1 2 Clarinets, Piano 1 Oboe, Clarinet (duet) 1 Flute Trio: 3 flutes 1 Descant (Soprano) Recorder 1 3 Saxophones (trio) 1 Descent (Soprano) Recorder, Piano 1 Recorder Quartet 1 English Horn, Guitar (duet) 1

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WOODBRASS

Brass quartet : 2 trumpets, trombone, tuba 16 Brass Quintet: 2 trumpets, horn, trombone, tuba 12 Trumpet, Saxophone (duet) 6 Trombone and Piano 5 Trumpet, Trombone (duet) 5

Trumpet (band part) 4 Trombone (band part) 4 English horn, Piano 3 Brass Quintet: 2 trumpets, horn, 2 trombones 3 Trombone ensemble 3 Tuba and Piano 3 Trumpet ensemble 2 2 Trombones (duet) 2 Trumpet 2 2 Trumpets (duet) 2 2 Euphoniums and 2 Tubas 2 Euphonium, Piano (duet) 2 Tuba ensemble 1 Trumpet, Piano 1 Brass Quartet 1 Bass Trombone 1 Bass Clef Instruments 1 French Horn and Piano 1 English Horn, Guitar (duet) 1

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STRINGS

String Quartet: 2 violins, viola, cello 15 Violin, Cello (duet) 10 Violin and Piano 9 Cello, Piano 6 Violin 5

Viola, Piano 5 2 Violins (duet) 5 Harp 4 String Trio: violin, viola, cello 3 Violin, Viola (duet) 3 2 Cellos (duet) 3 Violin ensemble 2 String Quintet: 2 violins, viola, cello, bass 2 String Trio: 2 violins, cello 2 Viola ensemble 2 Cello, Guitar (duet) 2 Viola, Cello (duet) 1 2 Violas (duet) 1 String Quintet: 2 violins, 2 violas, cello 1 Doublebass (band part) 1 Cello Ensemble 1 Cello 1

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PERCUSSION & ORCHESTRA

Jazz Ensemble 23 Concert band 10 String Orchestra 7 Orchestra 5 Brass ensemble 3

Handbells 2 Jazz combo 2 Drum (band part) 1 Marimba 1 Vibraphone 1 Percussion Ensemble 1 Marching band 1

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Hey, Little Hen

Guitar notes and tablatures

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4 sheet music found

Waltz Op 69 No 2 (Arranged for Guitar) Guitar notes and tablatures

Guitar - Level 3 - Digital Download SKU: A0.1177383 By Frederic Chopin. By FreÌd…(+)

Guitar - Level 3 - Digital Download SKU: A0.1177383 By Frederic Chopin. By FreÌdeÌric Chopin. Arranged by Brian Streckfus. 19th Century,Classical,Contemporary,Instructional,Romantic Period. Guitar Tab. 6 pages. Brian Streckfus #776814. Published by Brian Streckfus (A0.1177383). Key: Changed from B minor to A minorCapo: 2 (If you want original key, but I wasn't a fan of capo 2; it felt like there was no bass notes.)1. Arranged for guitar. 2. Piano pedal markings removed 3. Phrase markings removed and opted for commas. 4. Re-harmonized 5. Key changed from B minor to A minor. 6. Slurs 7. Left hand fingers 8. Tablature9. Harmonics added when advantageous, but playing the regular note would work as well.10. Piano pedal markings removed and replaced with commas. It's a flaw of sheet music that slurs, ties, and phrase markings are all the same symbol, and having all three happening can clutter a score.Compromises This may sound obvious, but of course I had to make some alterations to make this flow properly on guitar. Many of the original chord inversions on the piano were not kept. However, many harmonies were kept intact as far as following the chord nomenclature name. Measure 50 was originally an A minor chord, the irony is that the F major suprise is an homage to Chopin anyways, suprised he didn't opt for it. To be honest, I don't like how there is a perfect authentic cadence in measure 50. I think modern audiences would want to clap too badly, so I believe that ending needs to be slightly messed up to propel the music forward, and give a sense that there is still a problem. The other chord that was changed was an E7b9 to a Ddim7 in measure 78. If you know your theory well, you'll realize these chords have the same exact function and nearly the same notes, it's just that Ddim7 flowed a bit better on guitar. I'd rather have guitarists play the rhythms correctly and with musicality, than have guitarist clunkily go though overly large chords in order to mantain historical accuracy.Â Measure 15 was hard to keep the original chord intact. A Bb/D with a G in the melody as a suspension sounds more like a g minor chord. That is cliche Chopinesque neopolitan moment so the Bb is crucial to mantain. Having some rough sort of Bbmaj7 or G minor chord while mantaining the melody seemed to sound the best even though the name of the chord might have gotten a little off. I tried chord charts, but they seemed messier than what it was worth. I also could have the denser tablature in the sheet music, but that does make it look 10x more intimidating. So this version is unique in that the tablature is my denser arrangement, whereas the sheet music would allow someone to quickly make a new arrangement. I like this ethos because most guitarists are likely to be much better at playing chord quickly when they don'tÂ have to have an exact voicing. This makes this arrangement easier to further perfect since I am naming the harmonies, which often isn't done in classical music.BackstoryThis is one of my favorite pieces, and also my favorite composer. I feel classical guitar repertoire is lacking easily playable music in the romantic style. Often, if it is romantic guitar music, it is extemely difficult and therefore only a select few can enjoy performing it. Also, I sometimes get my hopes up to find a romantic guitar composer, but then after listening, there's nothing quite like Chopin. Obviously, you will have to have some chops to play this since it's one of the most ambitious undertakings a guitarist could take, but it's also not so hard that you have to be train for a decade because I changed the key.

$1.99 1.83 € #Guitar notes and tablatures #Frederic Chopin #Waltz Op 69 No 2 #Brian Streckfus #SheetMusicPlus

Do You Remember TAB Guitar notes and tablatures

Guitar - Level 3 - Digital Download SKU: A0.983991 Composed by Steven H. Boothe. Ch…(+)

Guitar - Level 3 - Digital Download SKU: A0.983991 Composed by Steven H. Boothe. Christian,Pop. Guitar Tab. 10 pages. Boothe Publishing #4360821. Published by Boothe Publishing (A0.983991). When I was little I used to sit on Mom's lap while she read me Bible stories. We would read them and look at the pictures and then I had a lot of questions. I remember in particular one picture of Herod's soldiers killing little babies in Bethlehem. I was horrified by what I saw. They were trying to kill the baby Jesus by killing every child that could possibly be Him. The discussions I had with my mom in those formative years helped mold me into the person I am today. I treasure those moments.... I still remember them... do you? It's never too late to start the tradition of reading and talking together.

$3.99 3.67 € #Guitar notes and tablatures #Steven H #Do You Remember TAB #Boothe Publishing #SheetMusicPlus

Triad Chord Worksheet Guitar notes and tablatures

Guitar - Level 1 - Digital Download SKU: A0.1175289 Composed by Brian Streckfus. In…(+)

Guitar - Level 1 - Digital Download SKU: A0.1175289 Composed by Brian Streckfus. Instructional. Guitar Tab. 5 pages. Brian Streckfus #774500. Published by Brian Streckfus (A0.1175289). Pages: 5 (84 chords to name)Objective:Instead of learning chords one by one, you instead learn how to build chords yourself. Also, this mindset helps in composing, because instead of seeing things as wrong chord versus correct chord, you simply see it as every harmony as a name. Like many things in life, theoritcal concepts can allow you to formulate thousands of outcomes in a single day.Â Tips:1. You start counting from 0 for this exercise if that makes any sense. Avoid the common fence post error by overcounting by 1. Other times you start counting from 1 in music is when talking about scale degrees. What is the distance from C to E? C(0) C#(1) D(2) D#(3) E(4).2. Use the chromatic scale at the top to help in counting.3. E# = F...Fb = E...B# = C...Cb = B...In otherwords, don't let strange enharmonics confuse you. Picture the black key sometimes missing between white keys on a piano in your mind if it helps.Â 4. Even though enharmonics like E# can seem confusing, they can actually add clarity sometimes because they cause the chord to stack perfectly in the sheet music and letter names. A# C# E#...versus...A# C# F...Sure, F is easier to understand in a part, but it actually makes the harmony harder to understand because not it looks like it isn't 3rds, even though it is.5. I included tab just to make this worksheet a little bit more interesting; however, the guitar chords that result are NOT practical. Voicings of common guitar chords are much more spread out, and often contain more duplicate letter names. Practical guitar chords is sort of a different conversation. I sort of did this intentionally to prove that perfectly stacked voicings do not work well on guitar. C E G Bb perfectly in order in harmony, sounds like it would be easy on guitar, but it is not.6. To make this more practical on guitar, I recommend building the chords yourself by simply knowing letter names well on guitar. The next time something asks for G major, don't just play a common voicing, actually find G B D randomly on the guitar neck.Â 7. Often the fifth of a chord is removed since it is the least important to invoking the flavor of the chord. This is especially true on guitar because we quickly run out of fingers and strings.8. The nature of the piano lends pianists to constantly seeing these distances on a linear plane. Conversely, guitar is a very murky instrument since the real distances of pitches is counterintuitive to arbitrary (usually) fret numbers! That is why many guitarists would benefit from thinking this way, instead of thinking of chords simply as shapes (which is also important for different reasons). In other words, try to build a chord on one string on guitar. It is impractical, but the half step distances required for chords will make much more sense.To Do:1. Slight differences in how the sheet look need to be made similiar.2. Remove green line.

$1.99 1.83 € #Guitar notes and tablatures #Brian Streckfus #Triad Chord Worksheet #Brian Streckfus #SheetMusicPlus

Three Pieces for Beginner Guitarists (Acoustic or Electric) Guitar notes and tablatures

Easy Guitar (with TAB) - Level 1 - Digital Download SKU: A0.1047465 By Dan Jones (w…(+)

Easy Guitar (with TAB) - Level 1 - Digital Download SKU: A0.1047465 By Dan Jones (www.danjonesguitarist.com). By Dan Jones. Blues,Folk,Rock. Tablature. 5 pages. DanJonesGuitarist #652027. Published by DanJonesGuitarist (A0.1047465). Three Pieces for Beginner Guitarists (Acoustic or Electric) by Dan Jones Presented in notes, TAB and easy chords (www.danjonesguitarist.com) As an active guitar teacher, I find that many beginner pupils want to learn either acoustic (steel string) guitar or electric guitar. I have also found a lack of quality resources in these styles which have musical interest, and which lay out some of the necessary technical and musical foundations for future learning. I composed these three little pieces for my own young students. They are played by those using their right-hand fingers, and a plectrum and Iâ€™ve found them to be very popular in both lessons and performance. The pieces can be learnt in any order (I have a slight preference for starting my pupils with D-Day Rock - the third in the collection). Below is an outline of the pedagogy behind them (1) Sore Finger Blues This is a simple twelve-bar blues which uses a combination of open strings and notes at the third and second frets. It can be played with a straight or swung rhythm. It is effective at a slow tempo for those needing time to place the fretting hand fingers. The main technical challenge is in bars 10 and 22 where the player moves the third finger between the G and A on string 1. Although this is traditionally an advanced technique, Iâ€™ve found my students find it comfortable, as long as the fingering outlined in the notes is followed. The chords are dominant (with major thirds). These clash against the minor pentatonic scale in a way which is typical of the style. The chords are quite simple for beginners. I have opted for a D5 power-chord in bars 9 & 21 which is easier than the usual D chord (which also works perfectly well). Plectrum players should be sure to anchor the plucking hand, either with the side of the hand resting on the bridge, or a finger against the scratch plate of the guitar. Fingerstyle players can anchor either with a finger touching the scratch plate of the guitar, or by resting the thumb on a bass string when the fingers are plucking, or vice versa. This is more typical of classical style. (2) Cross-String Traffic This piece was conceived as a fingerstyle piece, although it can be played using a plectrum. The challenge for plectrum players is to cross the strings smoothly. It is for this reason that the fretting hand is relatively simple so that learners can concentrate on the plucking hand. Players are also encouraged to press down the index finger on string 2 at the correct angle to allow the first string to resonate. Chords have once again been chosen to suit less-experienced fingers; therefore, I have opted for Dm6 instead of the more common Dm (a very tricky chord for beginners). Players should go for maximum resonance and notes played at fret 3 could be fretted with either fingers 3 or 4. (3) D-Day Rock This piece is made nearly entirely of open strings and third fret notes. Where there is string crossing, the music allows the player â€˜thinking timeâ€™ to change accordingly. Teachers and learners can decide with which finger to press the third fret notes. The rhythmic complexities from bar 13 to the end pose no problems once players have the sound of the piece in their ear. Once again, chords have been selected for ease of playing. The Gm/D chord can be played with a 3-string barre (often quite easy for beginners where no fretted bass note is required) or using three separate fingers. The pedal D sounds effective musically. I have presented these pieces as ensemble works with large groups of beginners. Players and audiences alike have been very receptive! For a wealth of music for beginners, ensembles and advanced players, please visit www.danjonesguitarist.com. A YouTube link to a film of the pieces will be uploaded before the end of June 2022.

$4.95 4.56 € #Guitar notes and tablatures #Dan Jones #Three Pieces for Beginner Guitarists #DanJonesGuitarist #SheetMusicPlus