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You've selected:
How Does It Feel
SheetMusicPlus
Guitar notes and tablatures
Sheetmusic to print
4 sheet music found
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1
How Does It Feel
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Guitar notes and tablatures
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EASY
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Contemporary
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Slade
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Zdeněk Šotola
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How Does It Feel
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Zdenek Sotola
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SheetMusicPlus
Guitar - Level 2 - Digital Download SKU: A0.955631 By Slade. By Jim Lea and Neville Holder. Arranged by Zdeněk Šotola. Contemporary. Guitar Tab. 1...
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Guitar - Level 2 - Digital Download SKU: A0.955631 By Slade. By Jim Lea and Neville Holder. Arranged by Zdeněk Šotola. Contemporary. Guitar Tab. 10 pages. Zdenek Sotola #5009101. Published by Zdenek Sotola (A0.955631). Solo guitar arrangement in standard notation and tablature carefully written for intermediate-level guitarists. The solo combines melody and harmony in one superb fingerpicking arrangement. Chords and complete lyrics are included.
$4.99
How Does It Feel
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Guitar notes and tablatures
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Rock
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Avril Lavigne
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Rock
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How Does It Feel
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Avril Lavigne. For guitar. Pop; Rock. Guitar TAB. 8 pages. Published by Hal Leonard - Digital Sheet Music...
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By Avril Lavigne. For guitar. Pop; Rock. Guitar TAB. 8 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
Silent Night/ Twinkle, Twinkle Medley
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Guitar notes and tablatures
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INTERMEDIATE/ADVANCED
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Sacred music
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M
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Michael John Bates
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Silent Night/ Twinkle, Twinkle
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Michael John Bates
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SheetMusicPlus
Guitar - Level 4 - Digital Download SKU: A0.1030970 Composed by M. Bouin & Jane Taylor / Franz Gruber & Josef Mohr. Arranged by Michael John Bates. Chris...
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Guitar - Level 4 - Digital Download SKU: A0.1030970 Composed by M. Bouin & Jane Taylor / Franz Gruber & Josef Mohr. Arranged by Michael John Bates. Christian,Christmas,Jazz,Sacred. Guitar Tab. 7 pages. Michael John Bates #2893163. Published by Michael John Bates (A0.1030970). For solo finger-style guitar. Though it has a slight jazzy flare to it, it is still appropriate for church worship services. The guitar part does include barre chords and dead-string chords, and there are time signature modulations. This arrangement has been created for intermediate to advanced guitarists whether you read music or not. Intermediate players will find this arrangement much easier to learn than even less complicated song arrangements because of the extensive use of chord charts for changes in the left hand, a section of explanations and tips from the arranger, and lyrics included to help you know where you are at all times. The software-generated audio is 2:43, but the software doesn't do legato very well, nor fermatas, and it doesn't play with much feeling, so please listen only for a general idea of how it goes and use your imagination to hear how great this will sound live!
$5.50
Waltz Op 69 No 2 (Arranged for Guitar)
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Guitar notes and tablatures
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INTERMEDIATE
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Classical
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Frederic Chopin
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Brian Streckfus
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Waltz Op 69 No 2
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Brian Streckfus
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SheetMusicPlus
Guitar - Level 3 - Digital Download SKU: A0.1177383 By Frederic Chopin. By FreÌdeÌric Chopin. Arranged by Brian Streckfus. 19th Century,Classical,C...
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Guitar - Level 3 - Digital Download SKU: A0.1177383 By Frederic Chopin. By FreÌdeÌric Chopin. Arranged by Brian Streckfus. 19th Century,Classical,Contemporary,Instructional,Romantic Period. Guitar Tab. 6 pages. Brian Streckfus #776814. Published by Brian Streckfus (A0.1177383). Key: Changed from B minor to A minorCapo: 2 (If you want original key, but I wasn't a fan of capo 2; it felt like there was no bass notes.)1. Arranged for guitar. 2. Piano pedal markings removed 3. Phrase markings removed and opted for commas. 4. Re-harmonized 5. Key changed from B minor to A minor. 6. Slurs 7. Left hand fingers 8. Tablature9. Harmonics added when advantageous, but playing the regular note would work as well.10. Piano pedal markings removed and replaced with commas. It's a flaw of sheet music that slurs, ties, and phrase markings are all the same symbol, and having all three happening can clutter a score.Compromises This may sound obvious, but of course I had to make some alterations to make this flow properly on guitar. Many of the original chord inversions on the piano were not kept. However, many harmonies were kept intact as far as following the chord nomenclature name. Measure 50 was originally an A minor chord, the irony is that the F major suprise is an homage to Chopin anyways, suprised he didn't opt for it. To be honest, I don't like how there is a perfect authentic cadence in measure 50. I think modern audiences would want to clap too badly, so I believe that ending needs to be slightly messed up to propel the music forward, and give a sense that there is still a problem. The other chord that was changed was an E7b9 to a Ddim7 in measure 78. If you know your theory well, you'll realize these chords have the same exact function and nearly the same notes, it's just that Ddim7 flowed a bit better on guitar. I'd rather have guitarists play the rhythms correctly and with musicality, than have guitarist clunkily go though overly large chords in order to mantain historical accuracy. Measure 15 was hard to keep the original chord intact. A Bb/D with a G in the melody as a suspension sounds more like a g minor chord. That is cliche Chopinesque neopolitan moment so the Bb is crucial to mantain. Having some rough sort of Bbmaj7 or G minor chord while mantaining the melody seemed to sound the best even though the name of the chord might have gotten a little off. I tried chord charts, but they seemed messier than what it was worth. I also could have the denser tablature in the sheet music, but that does make it look 10x more intimidating. So this version is unique in that the tablature is my denser arrangement, whereas the sheet music would allow someone to quickly make a new arrangement. I like this ethos because most guitarists are likely to be much better at playing chord quickly when they don't have to have an exact voicing. This makes this arrangement easier to further perfect since I am naming the harmonies, which often isn't done in classical music.BackstoryThis is one of my favorite pieces, and also my favorite composer. I feel classical guitar repertoire is lacking easily playable music in the romantic style. Often, if it is romantic guitar music, it is extemely difficult and therefore only a select few can enjoy performing it. Also, I sometimes get my hopes up to find a romantic guitar composer, but then after listening, there's nothing quite like Chopin. Obviously, you will have to have some chops to play this since it's one of the most ambitious undertakings a guitarist could take, but it's also not so hard that you have to be train for a decade because I changed the key.
$1.99
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