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Guitar notes and tablatures
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1
Waltz Op 69 No 2 (Arranged for Guitar)
Guitar notes and tablatures
Guitar - Level 3 - Digital Download SKU: A0.1177383 By Frederic Chopin. By FreÌd…
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Guitar - Level 3 - Digital Download SKU: A0.1177383 By Frederic Chopin. By FreÌdeÌric Chopin. Arranged by Brian Streckfus. 19th Century,Classical,Contemporary,Instructional,Romantic Period. Guitar Tab. 6 pages. Brian Streckfus #776814. Published by Brian Streckfus (A0.1177383). Key: Changed from B minor to A minorCapo: 2 (If you want original key, but I wasn't a fan of capo 2; it felt like there was no bass notes.)1. Arranged for guitar. 2. Piano pedal markings removed 3. Phrase markings removed and opted for commas. 4. Re-harmonized 5. Key changed from B minor to A minor. 6. Slurs 7. Left hand fingers 8. Tablature9. Harmonics added when advantageous, but playing the regular note would work as well.10. Piano pedal markings removed and replaced with commas. It's a flaw of sheet music that slurs, ties, and phrase markings are all the same symbol, and having all three happening can clutter a score.Compromises This may sound obvious, but of course I had to make some alterations to make this flow properly on guitar. Many of the original chord inversions on the piano were not kept. However, many harmonies were kept intact as far as following the chord nomenclature name. Measure 50 was originally an A minor chord, the irony is that the F major suprise is an homage to Chopin anyways, suprised he didn't opt for it. To be honest, I don't like how there is a perfect authentic cadence in measure 50. I think modern audiences would want to clap too badly, so I believe that ending needs to be slightly messed up to propel the music forward, and give a sense that there is still a problem. The other chord that was changed was an E7b9 to a Ddim7 in measure 78. If you know your theory well, you'll realize these chords have the same exact function and nearly the same notes, it's just that Ddim7 flowed a bit better on guitar. I'd rather have guitarists play the rhythms correctly and with musicality, than have guitarist clunkily go though overly large chords in order to mantain historical accuracy. Measure 15 was hard to keep the original chord intact. A Bb/D with a G in the melody as a suspension sounds more like a g minor chord. That is cliche Chopinesque neopolitan moment so the Bb is crucial to mantain. Having some rough sort of Bbmaj7 or G minor chord while mantaining the melody seemed to sound the best even though the name of the chord might have gotten a little off. I tried chord charts, but they seemed messier than what it was worth. I also could have the denser tablature in the sheet music, but that does make it look 10x more intimidating. So this version is unique in that the tablature is my denser arrangement, whereas the sheet music would allow someone to quickly make a new arrangement. I like this ethos because most guitarists are likely to be much better at playing chord quickly when they don't have to have an exact voicing. This makes this arrangement easier to further perfect since I am naming the harmonies, which often isn't done in classical music.BackstoryThis is one of my favorite pieces, and also my favorite composer. I feel classical guitar repertoire is lacking easily playable music in the romantic style. Often, if it is romantic guitar music, it is extemely difficult and therefore only a select few can enjoy performing it. Also, I sometimes get my hopes up to find a romantic guitar composer, but then after listening, there's nothing quite like Chopin. Obviously, you will have to have some chops to play this since it's one of the most ambitious undertakings a guitarist could take, but it's also not so hard that you have to be train for a decade because I changed the key.
$1.99
1.82 €
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Guitar notes and tablatures
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Frederic Chopin
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Waltz Op 69 No 2
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Brian Streckfus
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SheetMusicPlus
I Love to Tell the Story - classical guitar
Guitar notes and tablatures
Guitar - Level 2 - Digital Download SKU: A0.1495724 By Ron k Wiggins. By William G …
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Guitar - Level 2 - Digital Download SKU: A0.1495724 By Ron k Wiggins. By William G Fischer 1867. Arranged by Ron k Wiggins. Christian,Classical,Religious,Sacred,Spiritual. Tablature. 2 pages. WigMusic #1072246. Published by WigMusic (A0.1495724). Katheryn Hankey in 1866 wrote a long poem with over fifty stanzas. A few of the verses were used to create this hymn where William G Fischer wrote the music;This is an easy arrangement for classical guitar that is just melody and a bass line. The bass notes are chord tones. It is arranged first in the key of C and then D.There is a bar F chord at the first fret but nothing else real challengingThe audio file is played on a Heritage 575 electric guitar.
$5.99
5.48 €
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Guitar notes and tablatures
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Ron k Wiggins
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I Love to Tell the Story - classical guitar
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WigMusic
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SheetMusicPlus
Even Better Than The Real Thing
Guitar notes and tablatures
Digital Download SKU: HX.407435 By U2. Pop,Rock. Guitar TAB. 10 pages. Published by…
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Digital Download SKU: HX.407435 By U2. Pop,Rock. Guitar TAB. 10 pages. Published by Hal Leonard - Digital (HX.407435).
$4.99
4.56 €
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Guitar notes and tablatures
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U2
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Even Better Than The Real Thing
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Hal Leonard - Digital
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SheetMusicPlus
Triad Chord Worksheet
Guitar notes and tablatures
Guitar - Level 1 - Digital Download SKU: A0.1175289 Composed by Brian Streckfus. In…
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Guitar - Level 1 - Digital Download SKU: A0.1175289 Composed by Brian Streckfus. Instructional. Guitar Tab. 5 pages. Brian Streckfus #774500. Published by Brian Streckfus (A0.1175289). Pages: 5 (84 chords to name)Objective:Instead of learning chords one by one, you instead learn how to build chords yourself. Also, this mindset helps in composing, because instead of seeing things as wrong chord versus correct chord, you simply see it as every harmony as a name. Like many things in life, theoritcal concepts can allow you to formulate thousands of outcomes in a single day. Tips:1. You start counting from 0 for this exercise if that makes any sense. Avoid the common fence post error by overcounting by 1. Other times you start counting from 1 in music is when talking about scale degrees. What is the distance from C to E? C(0) C#(1) D(2) D#(3) E(4).2. Use the chromatic scale at the top to help in counting.3. E# = F...Fb = E...B# = C...Cb = B...In otherwords, don't let strange enharmonics confuse you. Picture the black key sometimes missing between white keys on a piano in your mind if it helps. 4. Even though enharmonics like E# can seem confusing, they can actually add clarity sometimes because they cause the chord to stack perfectly in the sheet music and letter names. A# C# E#...versus...A# C# F...Sure, F is easier to understand in a part, but it actually makes the harmony harder to understand because not it looks like it isn't 3rds, even though it is.5. I included tab just to make this worksheet a little bit more interesting; however, the guitar chords that result are NOT practical. Voicings of common guitar chords are much more spread out, and often contain more duplicate letter names. Practical guitar chords is sort of a different conversation. I sort of did this intentionally to prove that perfectly stacked voicings do not work well on guitar. C E G Bb perfectly in order in harmony, sounds like it would be easy on guitar, but it is not.6. To make this more practical on guitar, I recommend building the chords yourself by simply knowing letter names well on guitar. The next time something asks for G major, don't just play a common voicing, actually find G B D randomly on the guitar neck. 7. Often the fifth of a chord is removed since it is the least important to invoking the flavor of the chord. This is especially true on guitar because we quickly run out of fingers and strings.8. The nature of the piano lends pianists to constantly seeing these distances on a linear plane. Conversely, guitar is a very murky instrument since the real distances of pitches is counterintuitive to arbitrary (usually) fret numbers! That is why many guitarists would benefit from thinking this way, instead of thinking of chords simply as shapes (which is also important for different reasons). In other words, try to build a chord on one string on guitar. It is impractical, but the half step distances required for chords will make much more sense.To Do:1. Slight differences in how the sheet look need to be made similiar.2. Remove green line.
$1.99
1.82 €
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Guitar notes and tablatures
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Brian Streckfus
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Triad Chord Worksheet
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Brian Streckfus
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SheetMusicPlus
Auld Lang Syne
Guitar notes and tablatures
Guitar - Level 1 - Digital Download SKU: A0.1162362 Composed by Traditional Scottis…
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Guitar - Level 1 - Digital Download SKU: A0.1162362 Composed by Traditional Scottish Folk. Arranged by Brian Streckfus. Celtic,Folk,Holiday,Instructional,Irish,Traditional. Guitar Tab. 2 pages. Brian Streckfus #762722. Published by Brian Streckfus (A0.1162362). 1. Arranged for guitar. 2. Guitar TAB added. 3. Re-harmonized to be idiomatic for guitar and have more adventerous harmony. 4. Grace notes added.5. The grace notes, uncommon harmony, and overly drenched G major pentatonic sound lead to a more Irish/Celtic/Scottish idiom, as if this was written for bag pipes. 6. Too many versions of public domain songs will just phone in the chords in my opinion with a I IV and V7. This version is a bit jazzed up, which may not be what you looking for. If you are looking for real basic accompianiment this isn't the version for you, though I do try to use as many open strings on the guitar as possible, and the chords are often small.7. The other problem I often see with public domain songs is that the famous cowboy guitar chords most versions use lead to a lot of clunky part writing in my opinion (no thought of tendency tones, no thought of smooth voice leading, parralel 8ves and 5ths, doubled 3rds, etc). Those voicings are easier to sight-read, but are also not super creative, and as a teacher, I don't exactly want a student to see the same G Major voicing forever. That gives this false impression that that G major vocing is somehow superior. 8. Another small issue I see with public domain songs is that the vocal melody is sometimes not in the famous cowboy guitar chord. There is nothing wrong with that, and sometimes you want that, but since I like to train my singing with the help of my guitar, I like when arrangements make the vocal melody easy to add or remove on guitar. I can easily play a sophisticated solo version of this in a coffee shop, or I can just look at the chord nomenclature and see the song only from a rhythm section point of view when in a full band, when usually you purposely want to contribute less.9. Notes with an upward stem represent those notes being the original melody. This give arrangement a lot of replay value because a skillfull performer can improvise the background harmonies.
$2.99
2.74 €
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Guitar notes and tablatures
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Traditional Scottish Folk
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Auld Lang Syne
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Brian Streckfus
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SheetMusicPlus
Ain't Nothing Like The Real Thing
Guitar notes and tablatures
By Marvin Gaye, Aretha Franklin, Michael McDonald, Marvin Gaye & Tammi Terrell, and As…
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By Marvin Gaye, Aretha Franklin, Michael McDonald, Marvin Gaye & Tammi Terrell, and Ashford & Simpson. Love; Pop; R & B; Rock; Soul. Guitar TAB. 4 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
4.56 €
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Guitar notes and tablatures
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Marvin Gaye, Aretha Franklin, Michael McDonald, Marvin Gaye & Tammi Terrell, and Ashford & Simpson
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Ain't Nothing Like The Real Thing
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Even Better Than The Real Thing
Guitar notes and tablatures
By U2. For guitar. Pop; Rock. Guitar TAB. 7 pages. Published by Hal Leonard - Digital Shee…
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By U2. For guitar. Pop; Rock. Guitar TAB. 7 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
4.56 €
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Guitar notes and tablatures
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U2
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Rock
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Even Better Than The Real Thing
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Excerpt (with harmony) - Pavane for a Dead Princess (Pavane pour une infante défunte)
Guitar notes and tablatures
Guitar - Level 2 - Digital Download SKU: A0.1152694 Composed by Maurice Ravel. Arra…
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Guitar - Level 2 - Digital Download SKU: A0.1152694 Composed by Maurice Ravel. Arranged by Brian Streckfus. 19th Century,20th Century,Classical,Instructional,Romantic Period. Guitar Tab. 2 pages. Brian Streckfus #752923. Published by Brian Streckfus (A0.1152694). I also have a simpler looking version with mainly just the melody. This version has the guitar chord charts notated in tablature and sheet music making for a more sophisticated version. I often lean more towards making something idiomatic for guitar rather than complete historical accuracy, and this piece is no different. IMSLP is the best place to go if you are really looking for the originals. The melody seems to be intact, but I take some liberties with the harmony to make it flow well on guitar. This version also only has the main theme. Also, since I make these primarily as a learning tool, making a super lengthy full version is not ideal. 1. Guitar tablature added. 2. Harmonies changed to be idiomatic for guitar 3. Octave differences 4. Famous excerpt only 5. Guitar chord charts added 6. Composer indications added. 7. Letter names added to aid in sight-reading.
$1.99
1.82 €
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Guitar notes and tablatures
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Maurice Ravel
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Excerpt
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Brian Streckfus
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SheetMusicPlus
William, It Was Really Nothing
Guitar notes and tablatures
By The Smiths. For guitar. Alternative. Guitar TAB. 10 pages. Published by Hal Leonard - D…
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By The Smiths. For guitar. Alternative. Guitar TAB. 10 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
4.56 €
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Guitar notes and tablatures
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The Smiths
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William, It Was Really Nothing
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
What Was I Made For?
Guitar notes and tablatures
Solo Guitar - Level 3 - Digital Download SKU: A0.1374764 By Billie Eilish. By Billi…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1374764 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Daniel Roberts. 21st Century,Film/TV,Pop,Singer/Songwriter. Individual part. 5 pages. Daniel P Roberts #959294. Published by Daniel P Roberts (A0.1374764). What Was I Made For? from the movie Barbie.Arranged for 6-string guitar with TABI used to float, now I just fall downI used to know but I'm not sure nowWhat I was made forWhat was I made for?Takin' a drive, I was an idealLooked so alive, turns out I'm not realJust something you paid forWhat was I made for?'Cause I, II don't know how to feelBut I wanna tryI don't know how to feelBut someday, I mightSomeday, I mightWhen did it end? All the enjoymentI'm sad again, don't tell my boyfriendIt's not what he's made forWhat was I made for?'Cause I, 'cause II don't know how to feelBut I wanna tryI don't know how to feelBut someday I mightSomeday I mightThink I forgot how to be happySomething I'm not, but something I can beSomething I wait forSomething I'm made forSomething I'm made for.
$4.99
4.56 €
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Guitar notes and tablatures
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Billie Eilish
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What Was I Made For?
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Daniel P Roberts
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SheetMusicPlus
Cocaine
Guitar notes and tablatures
Guitar Tab - Intermediate - Digital Download By Eric Clapton. Arranged by Madelu Lope…
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Guitar Tab - Intermediate - Digital Download By Eric Clapton. Arranged by Madelu Lopes. Solo Part, Tablature. 1 pages. Published by Mads lopis
The song is best known for the beautiful version made by Eric Clapton. It was composed and recorded by JJ Cale in 1976.<br> According to Eric Clapton: "I thought I could be sending the wrong message to people who were in the same boat as me. But after analyzing it, I understood that the song, if anything, is not ambivalent, is an anti song "Drugs. And then to think that there could be a better way to play it, to approach it from a more positive point of view. And to keep playing it live, not as a song. pro-drugs, but just as a check of reality that they create. I mean, that's the main focus of music. That's what music is about, that's, you know, has a price " .html)
$4.99
4.56 €
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Guitar notes and tablatures
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Eric Clapton
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Cocaine
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SheetMusicPlus
Bless That Wonderful Name (Piano/Vocal)
Guitar notes and tablatures
Composed by Maurice Ravel (1875-1937). Arranged by Brian Streckfus. 20th Century, Cl…
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Composed by Maurice Ravel (1875-1937). Arranged by Brian Streckfus. 20th Century, Classical, Contemporary, Instructional, Romantic Period. Guitar Tab. 2 pages. Brian Streckfus #752471. Published by Brian Streckfus
I often lean more towards making something idiomatic for guitar rather than complete historical accuracy, and this piece is no different. IMSLP is the best place to go if you are really looking for the originals. The melody seems to be intact, but I take some liberties with the harmony to make it flow well on guitar. This version also only has the main theme. Also, since I make these primarily as a learning tool, making a super lengthy full version is not ideal. 1. Guitar tablature added. 2. Harmonies changed to be idiomatic for guitar 3. Octave differences 4. Famous except only 5. Guitar chord charts added 6. Composer indications added. 7. Letter names added to aid in sight-reading.
$1.99
1.82 €
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Guitar notes and tablatures
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Maurice Ravel (1875-1937)
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Bless That Wonderful Name
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Brian Streckfus
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SheetMusicPlus
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