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Even So Come
Jazz Ensemble
Sheetmusic to print
3 sheet music found
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1
The Center Of The Universe
Jazz Ensemble
Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.1242133 Composed b…
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Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.1242133 Composed by George Willson. 21st Century,Blues,Contest,Festival,Jazz. Score and Parts. 72 pages. George Willson #837490. Published by George Willson (A0.1242133). The Center Of The Universe is a a landmark in downtown Tulsa that is a bit of broken pavement on a bridge across some railroad tracks. Where its name comes from is the unusual acoustic properties that one experiences when standing on top of that broken pavement. Those outside the circle can't hear what the person is saying, and when speaking, the person in the circle can hear their voice echoed back to them. Scientifically, it is said to be its unique position in relation to the nearby buildings of downtown, but even so, it has become a strange tourist attraction. To exemplify these strange acoustic properties, this big band piece is written in an unusual time signature for the blues: 5/4. That, in itself, makes it inherently difficult to play since most jazz musicians are tuned into 4/4 with the occasional 3/4 or 12/8 thrown in for variety. Yes, others have done it, but this adds another entry to that very short list of big bands tunes in 5 to make us think of that weird spot downtown where sound just doesn't behave the way it seems like it should.George Willson has been an performer, composer, and conductor for thirty years in various mediums and ensembles.MP3 rendition is an extract of the composition program.
$35.00
32.33 €
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Jazz Ensemble
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George Willson
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The Center Of The Universe
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George Willson
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SheetMusicPlus
Have A Good One! For Jazz Big Band, from the CD Guided Tour by Michael BB Quartet
Jazz Ensemble
Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.862541 Composed by…
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Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.862541 Composed by Michael Bomier. Instructional,Jazz,Standards. Score and parts. 87 pages. Michael Butkus-Bomier #13335. Published by Michael Butkus-Bomier (A0.862541). Have A Good One is a track from the bop quartet CD Guided Tour. WINNER of the 2014 SMP/ Hal Leonard Publishing Contest for Best Jazz Combo submission. The piece is a Charlie Parker-Style blues with a modal bridge. After the theme, a short tutti leads to a series of solos with backgrounds for various saxes and brass, finishing with a full ensemble chorus out. The chart can be opened up for additional solos if desired. GateWay Editions Jazz Ensemble Series titles feature SampleSolos for most improvisational sections, so your band can learn to play the section material AND blow on changes at the same time. Each soloist's part is included without the sample as well, for the experienced player. All charts are straight through, with no D.S.'s back to the top or awkward pageturns. A rhythm section Uni-Part comes with each chart, which the optional guitar, bass, piano and even drums can play from! Drumset parts are fully notated versions of the MIDI audio clips. Piano voicings AND chord symbols are provided. Running time without additional soloists is approx. 5 mins 30 secs. Brass ranges are conservative at both the high and low ends. A low-A baritone sax is NEVER required for any GateWay Editions Jazz Ensemble Series chart. MBB 2014 Labor of Love Contest Winner.
$20.00
18.48 €
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Jazz Ensemble
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Michael Bomier
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Have A Good One! For Jazz Big Band, from the CD Guided Tour by Michael BB Quartet
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Michael Butkus-Bomier
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SheetMusicPlus
Hop Off
Jazz Ensemble
Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.1130066 By Fletche…
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Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.1130066 By Fletcher Henderson And His Orchestra. By Clarence Williams. Arranged by Peter Stöve. 20th Century,Jazz. Score and parts. 84 pages. Peter Stove #730446. Published by Peter Stove (A0.1130066). Peter Stöve ‘What If Benny Goodman…’ series, Vol. 3! (A take-off on events that could have happened with the Benny Goodman Orchestra’s book of arrangements if things in jazz history had taken another turn). As jazz history books like Gunther Schuller’s tell us, Benny Goodman’s rendition of Jelly Roll Morton’s ‘King Porter Stomp’ in the arrangement of Fletcher Henderson ‘ushered in the Swing Era’. That this tune already had a long and venerable career was obvious to every jazz lover: starting with Morton’s own recording from 1923, it was revived on a regular basis by Fletcher Henderson for his orchestras of the ‘twenties and ‘thirties. He then adapted the tune for the Benny Goodman Orchestra, which made it a hit in 1935. And from that moment on, the tune stayed popular: in 1975 it was recorded by the Gil Evans Orchestra for the album ‘There Comes A Time’. But during the ‘twenties, Henderson picked up more ‘jazz and stomp’-tunes (as opposed to the Tin Pan Alley/Broadway fare) and had them arranged for his orchestra. One such example is a tune credited to pianist/bandleader/businessman Clarence Williams (although other sources state that it was actually written by Joseph Joe Jordan, one of the early ragtime ‘professors’). That is the composition ‘Hop Off’, a very swinging, hard-driving multi-strain tune. Henderson recorded it in 1927. However, unlike ‘King Porter Stomp’, Henderson never chose to ‘adapt’ this tune for his ‘thirties swing-style orchestra, and so it never became a part of the Goodman Orchestra’s band book. What if Henderson had done so, and in 1935 had handed over the tune to Goodman as an addition for his ‘Let’s Dance’-library? ‘Hop Off’ is presented here as a piece that could have been a cornerstone of the Goodman band library. Based on the 1927 Henderson arrangement, it juxtaposes the two main strains of the original composition for maximum variety. Plenty of breaks, stoptime-sections and other ‘hot’ stuff. Scored for the line-up of the Benny Goodman Orchestra of 1935: solo clt/2 as/2 ts/3 tpt/2 trb/rhy. Tpt 1 to Eb3. Solo’s for clarinet, tenor sax 1, tpt 2, trb 1 and a brief four-bar spot for the drummer at the end. If your band is able to play ‘King Porter Stomp’, this tune should cause no problems. The only exception is the presence of a solo clt part. The clarinet soloist must be a first-class ‘BG-wannabe’: fluent soloist, comfortable in the upper register. Must be able to be heard over a shouting ensemble chorus. If your band has such a player: have fun!
$49.99
46.18 €
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Jazz Ensemble
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Fletcher Henderson And His Orchestra
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Hop Off
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Peter Stove
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SheetMusicPlus
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