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You've selected:
Air Varie on
2 Violins (duet)
Sheetmusic to print
3 sheet music found
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1
Air on G String from Orchestral Suite No. 3 in D major, BWV 1068
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2 Violins (duet)
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EASY
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Classical
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Johann Sebastian Bach
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AZSAP MUSiC
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Air on G String from Orchestra
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AZSAP MUSiC
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SheetMusicPlus
Violin Duet Violin - Level 2 - Digital Download SKU: A0.1306525 Composed by Johann Sebastian Bach. Arranged by AZSAP MUSiC. Chamber,Classical. 4 pages. A...
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Violin Duet Violin - Level 2 - Digital Download SKU: A0.1306525 Composed by Johann Sebastian Bach. Arranged by AZSAP MUSiC. Chamber,Classical. 4 pages. AZSAP MUSiC #895879. Published by AZSAP MUSiC (A0.1306525). Product Title: Air on the G String from Orchestral Suite No. 3, BWV 1068 - Violin Duet ArrangementProduct Description:Revel in the grace and elegance of Johann Sebastian Bach's Air on the G String from Orchestral Suite No. 3 with our exquisite violin duet arrangement. This rendition brings the timeless beauty of the original composition to life, making it an ideal choice for student-teacher performances, studio class showcases, recitals, and a variety of special events, including weddings and private gatherings.Key Features:1. **Timeless Beauty:** Air on the G String is a masterpiece known for its graceful melody and classical elegance. Our violin duet arrangement preserves the piece's timeless charm, delivering a performance that is both captivating and emotionally resonant.2. **Versatile Usage:** This arrangement is perfect for a range of settings, from educational performances like student-teacher showcases and studio class presentations to more formal events like recitals, weddings, and private gatherings. It's a versatile addition to any repertoire.3. **Professionally Notated:** Our sheet music is professionally notated, ensuring that both violinists receive meticulously crafted parts that harmonize seamlessly, resulting in a polished and expressive performance.4. **Room for Artistic Expression:** While true to the original, our arrangement allows for artistic interpretation, giving the ensemble the flexibility to infuse their unique style and emotions into the performance.5. **Instant Digital Download:** Skip the wait for physical sheet music. With digital access, you can instantly download the sheet music, making rehearsal and preparation efficient and convenient.Experience the classical elegance of Air on the G String through your violin duet. This arrangement was thoughtfully created to transport your audience to a world of timeless beauty and emotional depth. Order your copy today and embark on a musical journey that captures the grace of this beloved composition, leaving a lasting impression on your audience and enhancing the ambiance of your special events.
$3.99
Six Violin Duets, Op. 1
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2 Violins (duet)
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INTERMEDIATE
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Classical
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William Shield
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Robert Hoskins
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Six Violin Duets, Op. 1
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Artaria Editions
#
SheetMusicPlus
Violin Duet Violin - Level 3 - Digital Download SKU: A0.1488279 Composed by William Shield. Arranged by Robert Hoskins. Classical. 89 pages. Artaria Edit...
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Violin Duet Violin - Level 3 - Digital Download SKU: A0.1488279 Composed by William Shield. Arranged by Robert Hoskins. Classical. 89 pages. Artaria Editions #1065167. Published by Artaria Editions (A0.1488279). Artaria Editions AE387The London premires of Opp.1 and 2 probably took place at William Napier's morning concerts held at the Thatched House Tavern in St. James's Street. The performers at this venue were gentlemen amateurs backed with some professional assistance (possibly including Shield) and the audience consisted largely of nobility (but not ladies) on their way to court. Napier's concerts were more than a vehicle for airing newly published works or composers, and when it was proposed to revive the series in 1792, the Morning Chronicle of 28 January recalled that they had served to improve the taste and science of the amateur as well as introducing professional merit to the highest patronage. Shield's duets, expressly written with talented amateurs in mind (according to the title-page of Op.2), exactly suited the repertoire of the morning concerts.Both sets of duets are neatly engineered with a violinist's grasp of technique and articultion, and with each part sharing in the musical interest. The prevailing spirit of Op. 1 is Italianate and there are many attractive details to be heard. The amoroso movement of No.1, for example, with its ardent episodes and the hunting rondo of No.2 which begins with the representation of distant horn calls and later depicts a chromatically wounded prey. If the opening of No. 3 gives the impression of an exotic dance, including the audible thrum of a guitar or harp, then the rondo of No.4 can be imagined as a spring song animated with birds and breezes. The opening of No.5 is as propulsive as a theatre overture whilst No.6, written for either violins or flutes, assumes a suitably fluty tone. Op.2 is an altogether more compact set which sharpens the focus on elements already noticed in Op.1. Shield employs a variety of forms including minuet, variations, rondo and canon; and he also adopts vocal styles including lyric song (for the affettuoso movement of No.1) and arioso (for the opening adagio of No.2). The first movement of No. 3 sounds like a mini stage overture whilst the adagio of No. 5 can be heard as a melting duet. Both movements of No. 4 adhere to folk style, incorporating hurdygurdy like figurations and simulated versions of the northern pipe-tunes which Shield himself so avidly collected. This edition presents as faithfully as possible the intentions of Napier's source. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimize confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$72.00
Six Violin Duets, Op. 2
#
2 Violins (duet)
#
INTERMEDIATE
#
Classical
#
William Shield
#
Robert Hoskins
#
Six Violin Duets, Op. 2
#
Artaria Editions
#
SheetMusicPlus
Violin Duet Violin - Level 3 - Digital Download SKU: A0.1488280 Composed by William Shield. Arranged by Robert Hoskins. Classical. 59 pages. Artaria Edit...
(+)
Violin Duet Violin - Level 3 - Digital Download SKU: A0.1488280 Composed by William Shield. Arranged by Robert Hoskins. Classical. 59 pages. Artaria Editions #1065168. Published by Artaria Editions (A0.1488280). Artaria Editions AE388The London premires of Opp.1 and 2 probably took place at William Napier's morning concerts held at the Thatched House Tavern in St. James's Street. The performers at this venue were gentlemen amateurs backed with some professional assistance (possibly including Shield) and the audience consisted largely of nobility (but not ladies) on their way to court. Napier's concerts were more than a vehicle for airing newly published works or composers, and when it was proposed to revive the series in 1792, the Morning Chronicle of 28 January recalled that they had served to improve the taste and science of the amateur as well as introducing professional merit to the highest patronage. Shield's duets, expressly written with talented amateurs in mind (according to the title-page of Op.2), exactly suited the repertoire of the morning concerts.Both sets of duets are neatly engineered with a violinist's grasp of technique and articultion, and with each part sharing in the musical interest. The prevailing spirit of Op. 1 is Italianate and there are many attractive details to be heard. The amoroso movement of No.1, for example, with its ardent episodes and the hunting rondo of No.2 which begins with the representation of distant horn calls and later depicts a chromatically wounded prey. If the opening of No. 3 gives the impression of an exotic dance, including the audible thrum of a guitar or harp, then the rondo of No.4 can be imagined as a spring song animated with birds and breezes. The opening of No.5 is as propulsive as a theatre overture whilst No.6, written for either violins or flutes, assumes a suitably fluty tone. Op.2 is an altogether more compact set which sharpens the focus on elements already noticed in Op.1. Shield employs a variety of forms including minuet, variations, rondo and canon; and he also adopts vocal styles including lyric song (for the affettuoso movement of No.1) and arioso (for the opening adagio of No.2). The first movement of No. 3 sounds like a mini stage overture whilst the adagio of No. 5 can be heard as a melting duet. Both movements of No. 4 adhere to folk style, incorporating hurdygurdy like figurations and simulated versions of the northern pipe-tunes which Shield himself so avidly collected. This edition presents as faithfully as possible the intentions of Napier's source. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimize confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$72.00
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