Download Digital Sheet Music of The Source for 2 Violins (duet)

The Source
2 Violins (duet)

Violin Duet Violin - Level 3 - Digital Download SKU: A0.1488279 Composed by William Shield. Arranged by Robert Hoskins. Classical. 89 pages. Artaria Editions #1065167. Published by Artaria Editions (A0.1488279). Artaria Editions AE387The London premires of Opp.1 and 2 probably took place at William Napier's morning concerts held at the Thatched House Tavern in St. James's Street. The performers at this venue were gentlemen amateurs backed with some professional assistance (possibly including Shield) and the audience consisted largely of nobility (but not ladies) on their way to court. Napier's concerts were more than a vehicle for airing newly published works or composers, and when it was proposed to revive the series in 1792, the Morning Chronicle of 28 January recalled that they had served to improve the taste and science of the amateur as well as introducing professional merit to the highest patronage. Shield's duets, expressly written with talented amateurs in mind (according to the title-page of Op.2), exactly suited the repertoire of the morning concerts.Both sets of duets are neatly engineered with a violinist's grasp of technique and articultion, and with each part sharing in the musical interest. The prevailing spirit of Op. 1 is Italianate and there are many attractive details to be heard. The amoroso movement of No.1, for example, with its ardent episodes and the hunting rondo of No.2 which begins with the representation of distant horn calls and later depicts a chromatically wounded prey. If the opening of No. 3 gives the impression of an exotic dance, including the audible thrum of a guitar or harp, then the rondo of No.4 can be imagined as a spring song animated with birds and breezes. The opening of No.5 is as propulsive as a theatre overture whilst No.6, written for either violins or flutes, assumes a suitably fluty tone. Op.2 is an altogether more compact set which sharpens the focus on elements already noticed in Op.1. Shield employs a variety of forms including minuet, variations, rondo and canon; and he also adopts vocal styles including lyric song (for the affettuoso movement of No.1) and arioso (for the opening adagio of No.2). The first movement of No. 3 sounds like a mini stage overture whilst the adagio of No. 5 can be heard as a melting duet. Both movements of No. 4 adhere to folk style, incorporating hurdygurdy like figurations and simulated versions of the northern pipe-tunes which Shield himself so avidly collected. This edition presents as faithfully as possible the intentions of Napier's source. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimize confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.

Violin Duet Violin - Level 3 - Digital Download SKU: A0.1488280 Composed by William Shield. Arranged by Robert Hoskins. Classical. 59 pages. Artaria Editions #1065168. Published by Artaria Editions (A0.1488280). Artaria Editions AE388The London premires of Opp.1 and 2 probably took place at William Napier's morning concerts held at the Thatched House Tavern in St. James's Street. The performers at this venue were gentlemen amateurs backed with some professional assistance (possibly including Shield) and the audience consisted largely of nobility (but not ladies) on their way to court. Napier's concerts were more than a vehicle for airing newly published works or composers, and when it was proposed to revive the series in 1792, the Morning Chronicle of 28 January recalled that they had served to improve the taste and science of the amateur as well as introducing professional merit to the highest patronage. Shield's duets, expressly written with talented amateurs in mind (according to the title-page of Op.2), exactly suited the repertoire of the morning concerts.Both sets of duets are neatly engineered with a violinist's grasp of technique and articultion, and with each part sharing in the musical interest. The prevailing spirit of Op. 1 is Italianate and there are many attractive details to be heard. The amoroso movement of No.1, for example, with its ardent episodes and the hunting rondo of No.2 which begins with the representation of distant horn calls and later depicts a chromatically wounded prey. If the opening of No. 3 gives the impression of an exotic dance, including the audible thrum of a guitar or harp, then the rondo of No.4 can be imagined as a spring song animated with birds and breezes. The opening of No.5 is as propulsive as a theatre overture whilst No.6, written for either violins or flutes, assumes a suitably fluty tone. Op.2 is an altogether more compact set which sharpens the focus on elements already noticed in Op.1. Shield employs a variety of forms including minuet, variations, rondo and canon; and he also adopts vocal styles including lyric song (for the affettuoso movement of No.1) and arioso (for the opening adagio of No.2). The first movement of No. 3 sounds like a mini stage overture whilst the adagio of No. 5 can be heard as a melting duet. Both movements of No. 4 adhere to folk style, incorporating hurdygurdy like figurations and simulated versions of the northern pipe-tunes which Shield himself so avidly collected. This edition presents as faithfully as possible the intentions of Napier's source. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimize confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.

Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.913113 Composed by Andrei-Lucian Dragoi. 20th Century,Contemporary,Standards. 9 pages. Andrei-Lucian Dragoi #6442545. Published by Andrei-Lucian Dragoi (A0.913113). - miniaturÄƒ inspiratÄƒ de poezia Elegie* scrisÄƒ de Marin Sorescu -(miniature inspired by the poem Elegie* written by the Romanian poet Marin Sorescu)- aranjament pentru duet vioara-pian in Si minor (arrangement for violin-piano duo in Bm) -Part of my audio album called My Chamber Music - Volume III (The Botanical Garden) (as the 6th track):https://www.youtube.com/watch?v=K9_ka5v3Dk4https://www.youtube.com/watch?v=K9_ka5v3Dk4&list=OLAK5uy_kBUtAVDyq6z2tw41BOOHfETLxoTpLS4ac&i.....https://www.youtube.com/watch?v=MXRO-BiYU9s&list=OLAK5uy_kBUtAVDyq6z2tw41BOOHfETLxoTpLS4achttps://www.youtube.com/channel/UCJ-YAunlEyaYapShWEU6m-Ahttps://www.youtube.com/results?search_query=andrei+lucian+dragoi+botanical+garden Andrei-Lucian DrÄƒgoi (www.smp.dragoii.com, www.yt.dragoii.com, www.gcp.dragoii.com, www.gci.dragoii.com, www.ms.dragoii.com, www.dragoii.com) LYRICS IN ROMANIAN: Elegie de Marin Sorescu MamÄƒ, Ã®ntÃ¢ia zÄƒpadÄƒ, ÃŽncepe deasuprÄƒ-Å£i sÄƒ-Å£i cadÄƒ, AsculÅ£i Ã®nspicarea de vÃ¢nt, AscunsÄƒ-ntr-un singur cuvÃ¢nt. PÄƒmÃ¢ntul Ã®ntreg se destramÄƒ El trece ÅŸi dincolo, mamÄƒ? Materia unde se duce Din locul c-o floare de cruce? UrmeazÄƒ mai greu dupÄƒ greu? Se moare ÅŸi-acolo mereu? Åži cine plÃ¢nge aceste Noi morÅ£i fÄƒrÄƒ boli, fÄƒrÄƒ veste? Tu toate voiai sÄƒ le ÅŸtii, Izvor pentru verbul a fi, Tu care nÄƒscut-ai Ã®n chin, AceastÄƒ ninsoare Å£i-o-nchin, SfinÅ£ind cu prohod de nÄƒmeÅ£i, Prea multele tale peceÅ£i. LYRICS IN ENGLISH (a gross translation): Elegy by Marin Sorescu Mom, the first snow, It's starting to fall on you, You listen to the gust of wind, Hidden in one word. The whole earth is falling apart, but does it go Beyond, mother? Where does the matter go From the place of a flower-like cross? Does harder follow after just hard? Do people also die in their after-life world? And who cries about these new sudden deaths without any disease? You wanted to know everything, As you are the Source for the verb â€žto beâ€, You who gave birth in torment, I homage you with this snow, Sanctifying with a sacred chant of mud, The too-many of your seals. This piece is part of my 3rd officially released audio album called My Chamber Music - vol. 3 (The Botanical Garden) (https://www.youtube.com/watch?v=MXRO-BiYU9s&list=OLAK5uy_kBUtAVDyq6z2tw41BOOHfETLxoTpLS4ac) which is entirely composed by me and interpreted by Note Performer 3 (the only Artificial Intelligence-based playback engine for musical notation worldwide). Have a nice, inspired audition!