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A Change of Styles
Violin and Piano
Sheetmusic to print
4 sheet music found
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Mendelssohn: Song Without Words Op. 109 for Violin & Piano
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Violin and Piano
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INTERMEDIATE
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
Piano,Violin - Level 3 - Digital Download SKU: A0.549485 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instruct...
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Piano,Violin - Level 3 - Digital Download SKU: A0.549485 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. 20 pages. Jmsgu3 #3500555. Published by jmsgu3 (A0.549485). VIOLIN & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
The Silver Violin-violin/piano
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Violin and Piano
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INTERMEDIATE/ADVANCED
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Phil Beaman
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The Silver Violin-violin/piano
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Phil Beaman
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SheetMusicPlus
Piano,Violin - Level 4 - Digital Download SKU: A0.844891 Composed by Phil Beaman. Classical,New Age,Romantic Period. 10 pages. Phil Beaman #5985203. Publ...
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Piano,Violin - Level 4 - Digital Download SKU: A0.844891 Composed by Phil Beaman. Classical,New Age,Romantic Period. 10 pages. Phil Beaman #5985203. Published by Phil Beaman (A0.844891). This brilliant Contemporary Classical piece borrows from many different styles. It is a Sonatina in 3 sections. The buoyant first section is quite Classical with a bit of fanfare, and then an Alberti Bass section that is an homage to Mozart. The expressive middle section is New Age in style and is in 7/4 Time Signature (3/4 then 4/4 in alternating sets, so not hard). The final section goes through several themes and a key change; having an ornamented Baroque theme, then a Classical theme reminiscent of the opening, then concluding with a Romantic era toccata. There are Chorale-like bridges linking the many sections and themes.
$6.99
Onward Christian Soldiers (Violin Solo, Chords, Piano Accompaniment)
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Violin and Piano
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INTERMEDIATE
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Sacred music
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Music by Sabine Baring-Gould a
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Cathy Stamegna
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Onward Christian Soldiers
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Cathy Stamegna
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SheetMusicPlus
Large Ensemble Piano,Violin - Level 3 - Digital Download SKU: A0.780791 Composed by Music by Sabine Baring-Gould and Words by Arthur Sullivan. Arranged b...
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Large Ensemble Piano,Violin - Level 3 - Digital Download SKU: A0.780791 Composed by Music by Sabine Baring-Gould and Words by Arthur Sullivan. Arranged by Cathy Stamegna. Patriotic,Praise & Worship,Sacred. 10 pages. Cathy Stamegna #5330541. Published by Cathy Stamegna (A0.780791). This 19th century English hymn begins as the traditional manner. Verse two slows down slightly, changes keys, and has melodic and harmonic variations. The mp3 is a sound clip showcases both styles. Chords added for guitars, mallet percussion. Set of Parts. Arranged during a time of social distance because of the coronavirus pandemic, and part of the Hymns of Comfort collection.Historical background: written as a processional for school children in the latter 1800’s, this hymn was later adopted by the Salvation Army as their processional, chosen by Winston Churchill in 1941 for a church service aboard the HMS Prince of Wales (after agreeing to the Atlantic Charter), sung during the civil rights movement, banned by some denominations from their hymnals for its military tone.
$4.99
What Else Can I Do?
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Violin and Piano
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INTERMEDIATE
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Walt Disney
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Diane Guerrero & Stephanie Bea
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Martin Lass
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What Else Can I Do?
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MA Lass & I Lass
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SheetMusicPlus
Piano,Violin - Level 3 - Digital Download SKU: A0.586734 By Diane Guerrero & Stephanie Beatriz. By Lin-Manuel Miranda. Arranged by Martin Lass. Broadway,...
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Piano,Violin - Level 3 - Digital Download SKU: A0.586734 By Diane Guerrero & Stephanie Beatriz. By Lin-Manuel Miranda. Arranged by Martin Lass. Broadway,Latin,Musical/Show,Pop. 10 pages. MA Lass & I Lass #195982. Published by MA Lass & I Lass (A0.586734). In this Level 2.5 - 3.0 (Intermediate) arrangement, Martin Lass has arranged the hit song, What Else Can I Do?, for solo violin and piano accompaniment. Guitar chords and chord boxes are included. We Don't Talk About Bruno is a song from Disney's 2021 animated feature film, Encanto, with music and lyrics written by Lin-Manuel Miranda. It was released by Walt Disney Records as part of the film's soundtrack in November, 2021. The soundtrack has achieved many accolades and charted No. 1 or Top Ten across the world, including No. 1 on US Billboard Hot 100. Wikipedia notes that, to develop the soundtrack, the composer, Miranda, and team visited Colombia—the setting of Encanto—to study the country's music. Consequentially, the album is rooted in genres such as vallenato, cumbia, bambuco and rock en español, making use of the traditional music instruments of Colombia, and incorporates salsa, tango, reggaeton and bachata styles alongside pop, hip hop, folk and musical theatre elements. In the film, the songs are performed by the Madrigals, who are a multigenerational family with magical powers granted to them by a miracle; the lyrical themes revolve around individuality, self-worth, transgenerational trauma and familial love. This arrangement has been specifically tailored for intermediate-level violin while retaining all of the original elements of the song, as well as some original interpretative elements. The lead line combines some of the different voices in the original song. The key has been changed from the original A minor/C major to the more violin-friendly B minor/D major, which changes the modulation halfway through the song from the very challenging Bb minor/Db major to the more friendly C minor/Eb major.
$7.99
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